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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E811B it is the complementary color #A17EE4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E811B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E811B shade: #638116, #749329, #85A53C, #96B74F and #A7C962

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E811B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E811B shade: #5E811B, #4D6F08, #3C5D00, #2B4B00 and #1A3900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E811B shade: #5F821C, #7B821C, #826E1C, #82531C and #82371C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E811B shade: #5F821C, #43821C, #28821C, #1C822B and #1C8247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E811B shade matches the following richer shades: #5F821C, #638F0F and #679C02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E811B shade: #5F821C, #5B7628, #576935, #535C42 and #4F4F4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E811B shade: #826E1C, #7C821C, #60821C, #45821C and #29821C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E811B shade: #2D3E0D, #466014, #5F821C, #78A423 and #91C72A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E811B shade: #5E811B, #1C8252 and #7C1C82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E811B shade: #5E811B, #1C6082 and #821C60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E811B shade: #5E811B, #1C8252, #3E1C82 and #821C4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E811B shade: #5E811B, #1C8271, #3E1C82 and #821C2D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 79 / 49

HEX #5E811B

RGB 94 129 27

HSL 80.59, 0.65%, 0.31%

LAB 49.69, -27.76, 47.47

 

Complementary color

CMYK 29 / 45 / 0 / 11

HEX #A17EE4

RGB 161 126 228

HSL 260.59, 0.65%, 0.69%

LAB 59.98, 34.81, -47.12

 

CMYK 23 / 0 / 83 / 49

HEX #638116

RGB 99 129 22

HSL 76.82, 0.71%, 0.3%

LAB 49.99, -25.9, 49.47

 

CMYK 21 / 0 / 72 / 42

HEX #749329

RGB 116 147 41

HSL 77.55, 0.56%, 0.37%

LAB 56.82, -26.56, 49.78

 

CMYK 19 / 0 / 64 / 35

HEX #85A53C

RGB 133 165 60

HSL 78.29, 0.47%, 0.44%

LAB 63.53, -27.01, 49.25

 

CMYK 18 / 0 / 57 / 28

HEX #96B74F

RGB 150 183 79

HSL 79.04, 0.42%, 0.51%

LAB 70.12, -27.31, 48.34

 

CMYK 17 / 0 / 51 / 21

HEX #A7C962

RGB 167 201 98

HSL 79.81, 0.49%, 0.59%

LAB 76.6, -27.51, 47.28

 

CMYK 27 / 0 / 79 / 49

HEX #5E811B

RGB 94 129 27

HSL 80.59, 0.65%, 0.31%

LAB 49.69, -27.76, 47.47

 

CMYK 31 / 0 / 93 / 56

HEX #4D6F08

RGB 77 111 8

HSL 79.81, 0.87%, 0.23%

LAB 42.71, -26.96, 46.19

 

CMYK 35 / 0 / 100 / 64

HEX #3C5D00

RGB 60 93 0

HSL 81.29, 1%, 0.18%

LAB 35.58, -25.71, 42.16

 

CMYK 43 / 0 / 100 / 71

HEX #2B4B00

RGB 43 75 0

HSL 85.6, 1%, 0.15%

LAB 28.24, -24.13, 36.02

 

CMYK 54 / 0 / 100 / 78

HEX #1A3900

RGB 26 57 0

HSL 92.63, 1%, 0.11%

LAB 20.62, -22.4, 28.29

 

CMYK 27 / 0 / 78 / 49

HEX #5F821C

RGB 95 130 28

HSL 80.59, 0.65%, 0.31%

LAB 50.08, -27.78, 47.52

 

CMYK 5 / 0 / 78 / 49

HEX #7B821C

RGB 123 130 28

HSL 64.12, 0.65%, 0.31%

LAB 52.13, -15.53, 50.18

 

CMYK 0 / 15 / 78 / 49

HEX #826E1C

RGB 130 110 28

HSL 48.24, 0.65%, 0.31%

LAB 46.95, -1.19, 45.6

 

CMYK 0 / 36 / 78 / 49

HEX #82531C

RGB 130 83 28

HSL 32.35, 0.65%, 0.31%

LAB 39.61, 14.64, 38.54

 

CMYK 0 / 58 / 78 / 49

HEX #82371C

RGB 130 55 28

HSL 15.88, 0.65%, 0.31%

LAB 33.05, 30.6, 31.89

 

CMYK 27 / 0 / 78 / 49

HEX #5F821C

RGB 95 130 28

HSL 80.59, 0.65%, 0.31%

LAB 50.08, -27.78, 47.52

 

CMYK 48 / 0 / 78 / 49

HEX #43821C

RGB 67 130 28

HSL 97.06, 0.65%, 0.31%

LAB 48.56, -38.33, 45.54

 

CMYK 69 / 0 / 78 / 49

HEX #28821C

RGB 40 130 28

HSL 112.94, 0.65%, 0.31%

LAB 47.62, -45.78, 44.31

 

CMYK 78 / 0 / 67 / 49

HEX #1C822B

RGB 28 130 43

HSL 128.82, 0.65%, 0.31%

LAB 47.48, -46.58, 37.92

 

CMYK 78 / 0 / 45 / 49

HEX #1C8247

RGB 28 130 71

HSL 145.29, 0.65%, 0.31%

LAB 47.84, -42.32, 24.01

 

CMYK 27 / 0 / 78 / 49

HEX #5F821C

RGB 95 130 28

HSL 80.59, 0.65%, 0.31%

LAB 50.08, -27.78, 47.52

 

CMYK 31 / 0 / 90 / 44

HEX #638F0F

RGB 99 143 15

HSL 80.63, 0.81%, 0.31%

LAB 54.38, -32.82, 55.03

 

CMYK 34 / 0 / 99 / 39

HEX #679C02

RGB 103 156 2

HSL 80.65, 0.97%, 0.31%

LAB 58.66, -37.41, 60.71

 

CMYK 27 / 0 / 78 / 49

HEX #5F821C

RGB 95 130 28

HSL 80.59, 0.65%, 0.31%

LAB 50.08, -27.78, 47.52

 

CMYK 23 / 0 / 66 / 54

HEX #5B7628

RGB 91 118 40

HSL 80.77, 0.49%, 0.31%

LAB 46.09, -22.67, 38.53

 

CMYK 17 / 0 / 50 / 59

HEX #576935

RGB 87 105 53

HSL 80.77, 0.33%, 0.31%

LAB 41.82, -16.19, 26.89

 

CMYK 10 / 0 / 28 / 64

HEX #535C42

RGB 83 92 66

HSL 80.77, 0.16%, 0.31%

LAB 37.64, -8.68, 13.83

 

CMYK 0 / 0 / 0 / 69

HEX #4F4F4F

RGB 79 79 79

HSL 0, 0%, 0.31%

LAB 33.6, 0, -0

 

CMYK 0 / 15 / 78 / 49

HEX #826E1C

RGB 130 110 28

HSL 48.24, 0.65%, 0.31%

LAB 46.95, -1.19, 45.6

 

CMYK 5 / 0 / 78 / 49

HEX #7C821C

RGB 124 130 28

HSL 63.53, 0.65%, 0.31%

LAB 52.21, -15.07, 50.28

 

CMYK 26 / 0 / 78 / 49

HEX #60821C

RGB 96 130 28

HSL 80, 0.65%, 0.31%

LAB 50.14, -27.36, 47.6

 

CMYK 47 / 0 / 78 / 49

HEX #45821C

RGB 69 130 28

HSL 95.88, 0.65%, 0.31%

LAB 48.65, -37.66, 45.66

 

CMYK 68 / 0 / 78 / 49

HEX #29821C

RGB 41 130 28

HSL 112.35, 0.65%, 0.31%

LAB 47.65, -45.56, 44.34

 

CMYK 27 / 0 / 79 / 76

HEX #2D3E0D

RGB 45 62 13

HSL 80.82, 0.65%, 0.15%

LAB 23.78, -15.62, 26.6

 

CMYK 27 / 0 / 79 / 62

HEX #466014

RGB 70 96 20

HSL 80.53, 0.66%, 0.23%

LAB 37.33, -21.96, 37.67

 

CMYK 27 / 0 / 78 / 49

HEX #5F821C

RGB 95 130 28

HSL 80.59, 0.65%, 0.31%

LAB 50.08, -27.78, 47.52

 

CMYK 27 / 0 / 79 / 36

HEX #78A423

RGB 120 164 35

HSL 80.47, 0.65%, 0.39%

LAB 62.22, -33.35, 57.17

 

CMYK 27 / 0 / 79 / 22

HEX #91C72A

RGB 145 199 42

HSL 80.64, 0.65%, 0.47%

LAB 74.21, -39.14, 66.66

 

CMYK 27 / 0 / 79 / 49

HEX #5E811B

RGB 94 129 27

HSL 80.59, 0.65%, 0.31%

LAB 49.69, -27.76, 47.47

 

CMYK 78 / 0 / 37 / 49

HEX #1C8252

RGB 28 130 82

HSL 151.76, 0.65%, 0.31%

LAB 48.03, -40.09, 18.1

 

CMYK 5 / 78 / 0 / 49

HEX #7C1C82

RGB 124 28 130

HSL 296.47, 0.65%, 0.31%

LAB 31.18, 52.65, -35.56

 

CMYK 27 / 0 / 79 / 49

HEX #5E811B

RGB 94 129 27

HSL 80.59, 0.65%, 0.31%

LAB 49.69, -27.76, 47.47

 

CMYK 78 / 26 / 0 / 49

HEX #1C6082

RGB 28 96 130

HSL 200, 0.65%, 0.31%

LAB 38.24, -8.54, -24.96

 

CMYK 0 / 78 / 26 / 49

HEX #821C60

RGB 130 28 96

HSL 320, 0.65%, 0.31%

LAB 30.45, 48.74, -14.96

 

CMYK 27 / 0 / 79 / 49

HEX #5E811B

RGB 94 129 27

HSL 80.59, 0.65%, 0.31%

LAB 49.69, -27.76, 47.47

 

CMYK 78 / 0 / 37 / 49

HEX #1C8252

RGB 28 130 82

HSL 151.76, 0.65%, 0.31%

LAB 48.03, -40.09, 18.1

 

CMYK 52 / 78 / 0 / 49

HEX #3E1C82

RGB 62 28 130

HSL 260, 0.65%, 0.31%

LAB 21.82, 40.72, -51.16

 

CMYK 0 / 78 / 42 / 49

HEX #821C4C

RGB 130 28 76

HSL 331.76, 0.65%, 0.31%

LAB 29.66, 46.31, -3.04

 

CMYK 27 / 0 / 79 / 49

HEX #5E811B

RGB 94 129 27

HSL 80.59, 0.65%, 0.31%

LAB 49.69, -27.76, 47.47

 

CMYK 78 / 0 / 13 / 49

HEX #1C8271

RGB 28 130 113

HSL 170, 0.65%, 0.31%

LAB 48.77, -32.28, 1.13

 

CMYK 52 / 78 / 0 / 49

HEX #3E1C82

RGB 62 28 130

HSL 260, 0.65%, 0.31%

LAB 21.82, 40.72, -51.16

 

CMYK 0 / 78 / 65 / 49

HEX #821C2D

RGB 130 28 45

HSL 350, 0.65%, 0.31%

LAB 28.81, 43.62, 16.44

 

Description

Color code: HEX #5E811B | qconv.com Color code: HEX #5E811B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 129 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 129 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 79 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 79% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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