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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E80DD it is the complementary color #A17F22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E80DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E80DD shade: #6380D8, #7492EB, #85A4FE, #96B6FF and #A7C8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E80DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E80DD shade: #5E80DD, #4D6ECA, #3C5CB7, #2B4AA4 and #1A3891

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E80DD shade: #5F80DD, #5F5FDD, #815FDD, #A35FDD and #C55FDD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E80DD shade: #5F80DD and #5F5FDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E80DD shade matches the following richer shades: #5F80DD, #4F79EC and #3F72FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E80DD shade: #5F80DD, #6E88CD, #7E8FBD, #8E96AE and #9D9D9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E80DD shade: #5FC5DD, #5FA4DD, #5F82DD, #5F61DD and #7E5FDD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E80DD shade: #2851C0, #3D65D5, #5F80DD, #819BE4 and #A3B6EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E80DD shade: #5E80DD, #D25FDD and #B5DD5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E80DD shade: #5E80DD, #DD5F82 and #82DD5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E80DD shade: #5E80DD, #D25FDD, #DDB95F and #69DD5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E80DD shade: #5E80DD, #DD5FC1, #DDB95F and #5FDD7A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 42 / 0 / 13

HEX #5E80DD

RGB 94 128 221

HSL 223.94, 0.65%, 0.62%

LAB 55.11, 15.48, -51.24

 

Complementary color

CMYK 0 / 21 / 79 / 37

HEX #A17F22

RGB 161 127 34

HSL 43.94, 0.65%, 0.38%

LAB 54.94, 3.88, 51.96

 

CMYK 54 / 41 / 0 / 15

HEX #6380D8

RGB 99 128 216

HSL 225.13, 0.6%, 0.62%

LAB 55.12, 14.9, -48.4

 

CMYK 51 / 38 / 0 / 8

HEX #7492EB

RGB 116 146 235

HSL 224.87, 0.75%, 0.69%

LAB 61.89, 13.84, -48.21

 

CMYK 48 / 35 / 0 / 0

HEX #85A4FE

RGB 133 164 254

HSL 224.63, 0.98%, 0.76%

LAB 68.53, 12.95, -48.07

 

CMYK 41 / 29 / 0 / 0

HEX #96B6FF

RGB 150 182 255

HSL 221.71, 1%, 0.79%

LAB 74.29, 7.19, -39.51

 

CMYK 35 / 22 / 0 / 0

HEX #A7C8FF

RGB 167 200 255

HSL 217.5, 1%, 0.83%

LAB 80.04, 1.8, -30.55

 

CMYK 57 / 42 / 0 / 13

HEX #5E80DD

RGB 94 128 221

HSL 223.94, 0.65%, 0.62%

LAB 55.11, 15.48, -51.24

 

CMYK 62 / 46 / 0 / 21

HEX #4D6ECA

RGB 77 110 202

HSL 224.16, 0.54%, 0.55%

LAB 48.25, 16.92, -51.48

 

CMYK 67 / 50 / 0 / 28

HEX #3C5CB7

RGB 60 92 183

HSL 224.39, 0.51%, 0.48%

LAB 41.27, 18.69, -51.73

 

CMYK 74 / 55 / 0 / 36

HEX #2B4AA4

RGB 43 74 164

HSL 224.63, 0.58%, 0.41%

LAB 34.17, 20.92, -51.98

 

CMYK 82 / 61 / 0 / 43

HEX #1A3891

RGB 26 56 145

HSL 224.87, 0.7%, 0.34%

LAB 27, 23.77, -52.14

 

CMYK 57 / 42 / 0 / 13

HEX #5F80DD

RGB 95 128 221

HSL 224.29, 0.65%, 0.62%

LAB 55.17, 15.68, -51.15

 

CMYK 57 / 57 / 0 / 13

HEX #5F5FDD

RGB 95 95 221

HSL 240, 0.65%, 0.62%

LAB 46.76, 35.83, -64.66

 

CMYK 42 / 57 / 0 / 13

HEX #815FDD

RGB 129 95 221

HSL 256.19, 0.65%, 0.62%

LAB 49.58, 42.7, -59.96

 

CMYK 26 / 57 / 0 / 13

HEX #A35FDD

RGB 163 95 221

HSL 272.38, 0.65%, 0.62%

LAB 53.16, 50.63, -54.03

 

CMYK 11 / 57 / 0 / 13

HEX #C55FDD

RGB 197 95 221

HSL 288.57, 0.65%, 0.62%

LAB 57.34, 59.09, -47.12

 

CMYK 57 / 42 / 0 / 13

HEX #5F80DD

RGB 95 128 221

HSL 224.29, 0.65%, 0.62%

LAB 55.17, 15.68, -51.15

 

CMYK 57 / 57 / 0 / 13

HEX #5F5FDD

RGB 95 95 221

HSL 240, 0.65%, 0.62%

LAB 46.76, 35.83, -64.66

 

CMYK 57 / 42 / 0 / 13

HEX #5F80DD

RGB 95 128 221

HSL 224.29, 0.65%, 0.62%

LAB 55.17, 15.68, -51.15

 

CMYK 67 / 49 / 0 / 7

HEX #4F79EC

RGB 79 121 236

HSL 223.95, 0.81%, 0.62%

LAB 53.38, 22.18, -62.46

 

CMYK 75 / 55 / 0 / 1

HEX #3F72FC

RGB 63 114 252

HSL 223.81, 0.97%, 0.62%

LAB 51.97, 30.08, -73.67

 

CMYK 57 / 42 / 0 / 13

HEX #5F80DD

RGB 95 128 221

HSL 224.29, 0.65%, 0.62%

LAB 55.17, 15.68, -51.15

 

CMYK 46 / 34 / 0 / 20

HEX #6E88CD

RGB 110 136 205

HSL 223.58, 0.49%, 0.62%

LAB 57.4, 9.26, -38.57

 

CMYK 33 / 24 / 0 / 26

HEX #7E8FBD

RGB 126 143 189

HSL 223.81, 0.32%, 0.62%

LAB 59.67, 5, -25.92

 

CMYK 18 / 14 / 0 / 32

HEX #8E96AE

RGB 142 150 174

HSL 225, 0.16%, 0.62%

LAB 62.19, 2.3, -13.5

 

CMYK 1 / 1 / 0 / 38

HEX #9D9D9E

RGB 157 157 158

HSL 240, 0.01%, 0.62%

LAB 64.76, 0.2, -0.53

 

CMYK 57 / 11 / 0 / 13

HEX #5FC5DD

RGB 95 197 221

HSL 191.43, 0.65%, 0.62%

LAB 74.56, -22.87, -20.96

 

CMYK 57 / 26 / 0 / 13

HEX #5FA4DD

RGB 95 164 221

HSL 207.14, 0.65%, 0.62%

LAB 65.12, -5.33, -35.47

 

CMYK 57 / 41 / 0 / 13

HEX #5F82DD

RGB 95 130 221

HSL 223.33, 0.65%, 0.62%

LAB 55.7, 14.48, -50.3

 

CMYK 57 / 56 / 0 / 13

HEX #5F61DD

RGB 95 97 221

HSL 239.05, 0.65%, 0.62%

LAB 47.24, 34.62, -63.89

 

CMYK 43 / 57 / 0 / 13

HEX #7E5FDD

RGB 126 95 221

HSL 254.76, 0.65%, 0.62%

LAB 49.3, 42.05, -60.43

 

CMYK 79 / 58 / 0 / 25

HEX #2851C0

RGB 40 81 192

HSL 223.82, 0.66%, 0.45%

LAB 38.1, 26.62, -62.18

 

CMYK 71 / 53 / 0 / 16

HEX #3D65D5

RGB 61 101 213

HSL 224.21, 0.64%, 0.54%

LAB 45.78, 23.95, -61.79

 

CMYK 57 / 42 / 0 / 13

HEX #5F80DD

RGB 95 128 221

HSL 224.29, 0.65%, 0.62%

LAB 55.17, 15.68, -51.15

 

CMYK 43 / 32 / 0 / 11

HEX #819BE4

RGB 129 155 228

HSL 224.24, 0.65%, 0.7%

LAB 64.73, 9.64, -39.82

 

CMYK 31 / 23 / 0 / 8

HEX #A3B6EB

RGB 163 182 235

HSL 224.17, 0.64%, 0.78%

LAB 74.34, 5.49, -28.57

 

CMYK 57 / 42 / 0 / 13

HEX #5E80DD

RGB 94 128 221

HSL 223.94, 0.65%, 0.62%

LAB 55.11, 15.48, -51.24

 

CMYK 5 / 57 / 0 / 13

HEX #D25FDD

RGB 210 95 221

HSL 294.76, 0.65%, 0.62%

LAB 59.07, 62.38, -44.27

 

CMYK 18 / 0 / 57 / 13

HEX #B5DD5F

RGB 181 221 95

HSL 79.05, 0.65%, 0.62%

LAB 83.11, -31.85, 56.45

 

CMYK 57 / 42 / 0 / 13

HEX #5E80DD

RGB 94 128 221

HSL 223.94, 0.65%, 0.62%

LAB 55.11, 15.48, -51.24

 

CMYK 0 / 57 / 41 / 13

HEX #DD5F82

RGB 221 95 130

HSL 343.33, 0.65%, 0.62%

LAB 57.24, 52.46, 5.5

 

CMYK 41 / 0 / 57 / 13

HEX #82DD5F

RGB 130 221 95

HSL 103.33, 0.65%, 0.62%

LAB 80.34, -49.75, 52.55

 

CMYK 57 / 42 / 0 / 13

HEX #5E80DD

RGB 94 128 221

HSL 223.94, 0.65%, 0.62%

LAB 55.11, 15.48, -51.24

 

CMYK 5 / 57 / 0 / 13

HEX #D25FDD

RGB 210 95 221

HSL 294.76, 0.65%, 0.62%

LAB 59.07, 62.38, -44.27

 

CMYK 0 / 16 / 57 / 13

HEX #DDB95F

RGB 221 185 95

HSL 42.86, 0.65%, 0.62%

LAB 76.62, 2.35, 49.8

 

CMYK 52 / 0 / 57 / 13

HEX #69DD5F

RGB 105 221 95

HSL 115.24, 0.65%, 0.62%

LAB 79.35, -56.95, 51.15

 

CMYK 57 / 42 / 0 / 13

HEX #5E80DD

RGB 94 128 221

HSL 223.94, 0.65%, 0.62%

LAB 55.11, 15.48, -51.24

 

CMYK 0 / 57 / 13 / 13

HEX #DD5FC1

RGB 221 95 193

HSL 313.33, 0.65%, 0.62%

LAB 59.35, 60.65, -27.86

 

CMYK 0 / 16 / 57 / 13

HEX #DDB95F

RGB 221 185 95

HSL 42.86, 0.65%, 0.62%

LAB 76.62, 2.35, 49.8

 

CMYK 57 / 0 / 45 / 13

HEX #5FDD7A

RGB 95 221 122

HSL 132.86, 0.65%, 0.62%

LAB 79.36, -55.78, 38.24

 

Description

Color code: HEX #5E80DD | qconv.com Color code: HEX #5E80DD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 128 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 128 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 42 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 42% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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