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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E7FA5 it is the complementary color #A1805A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E7FA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E7FA5 shade: #637FA0, #7491B3, #85A3C6, #96B5D9 and #A7C7EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E7FA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E7FA5 shade: #5E7FA5, #4D6D92, #3C5B7F, #2B496C and #1A3759

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E7FA5 shade: #5F80A5, #5F6DA5, #645FA5, #775FA5 and #8A5FA5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E7FA5 shade: #5F80A5, #5F6DA5 and #5F5FA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E7FA5 shade matches the following richer shades: #5F80A5, #4B7EB9, #377DCD, #227BE2 and #0E7AF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E7FA5 shade: #5F80A5, #738191, #87827D, #9C8468 and #B08554

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E7FA5 shade: #5FA5A5, #5F92A5, #5F80A5, #5F6DA5 and #645FA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E7FA5 shade: #405772, #4F6B8C, #5F80A5, #7995B4 and #94AAC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E7FA5 shade: #5E7FA5, #925FA5 and #9CA55F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E7FA5 shade: #5E7FA5, #A55F80 and #80A55F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E7FA5 shade: #5E7FA5, #925FA5, #A5845F and #72A55F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E7FA5 shade: #5E7FA5, #A55FA3, #A5845F and #5FA561

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 23 / 0 / 35

HEX #5E7FA5

RGB 94 127 165

HSL 212.11, 0.28%, 0.51%

LAB 52.15, -1.4, -23.94

 

Complementary color

CMYK 0 / 20 / 44 / 37

HEX #A1805A

RGB 161 128 90

HSL 32.11, 0.28%, 0.49%

LAB 55.84, 7.52, 25.43

 

CMYK 38 / 21 / 0 / 37

HEX #637FA0

RGB 99 127 160

HSL 212.46, 0.24%, 0.51%

LAB 52.25, -1.43, -20.85

 

CMYK 35 / 19 / 0 / 30

HEX #7491B3

RGB 116 145 179

HSL 212.38, 0.29%, 0.58%

LAB 59.18, -1.7, -21.06

 

CMYK 33 / 18 / 0 / 22

HEX #85A3C6

RGB 133 163 198

HSL 212.31, 0.36%, 0.65%

LAB 65.95, -1.94, -21.29

 

CMYK 31 / 17 / 0 / 15

HEX #96B5D9

RGB 150 181 217

HSL 212.24, 0.47%, 0.72%

LAB 72.59, -2.15, -21.54

 

CMYK 29 / 16 / 0 / 7

HEX #A7C7EC

RGB 167 199 236

HSL 212.17, 0.64%, 0.79%

LAB 79.11, -2.33, -21.81

 

CMYK 43 / 23 / 0 / 35

HEX #5E7FA5

RGB 94 127 165

HSL 212.11, 0.28%, 0.51%

LAB 52.15, -1.4, -23.94

 

CMYK 47 / 25 / 0 / 43

HEX #4D6D92

RGB 77 109 146

HSL 212.17, 0.31%, 0.44%

LAB 45.07, -0.95, -23.81

 

CMYK 53 / 28 / 0 / 50

HEX #3C5B7F

RGB 60 91 127

HSL 212.24, 0.36%, 0.37%

LAB 37.8, -0.37, -23.72

 

CMYK 60 / 32 / 0 / 58

HEX #2B496C

RGB 43 73 108

HSL 212.31, 0.43%, 0.3%

LAB 30.31, 0.43, -23.67

 

CMYK 71 / 38 / 0 / 65

HEX #1A3759

RGB 26 55 89

HSL 212.38, 0.55%, 0.23%

LAB 22.56, 1.63, -23.66

 

CMYK 42 / 22 / 0 / 35

HEX #5F80A5

RGB 95 128 165

HSL 211.71, 0.28%, 0.51%

LAB 52.5, -1.71, -23.4

 

CMYK 42 / 34 / 0 / 35

HEX #5F6DA5

RGB 95 109 165

HSL 228, 0.28%, 0.51%

LAB 47.09, 9.67, -31.8

 

CMYK 39 / 42 / 0 / 35

HEX #645FA5

RGB 100 95 165

HSL 244.29, 0.28%, 0.51%

LAB 43.67, 19.68, -37.16

 

CMYK 28 / 42 / 0 / 35

HEX #775FA5

RGB 119 95 165

HSL 260.57, 0.28%, 0.51%

LAB 45.39, 25.11, -34.32

 

CMYK 16 / 42 / 0 / 35

HEX #8A5FA5

RGB 138 95 165

HSL 276.86, 0.28%, 0.51%

LAB 47.37, 30.86, -31.08

 

CMYK 42 / 22 / 0 / 35

HEX #5F80A5

RGB 95 128 165

HSL 211.71, 0.28%, 0.51%

LAB 52.5, -1.71, -23.4

 

CMYK 42 / 34 / 0 / 35

HEX #5F6DA5

RGB 95 109 165

HSL 228, 0.28%, 0.51%

LAB 47.09, 9.67, -31.8

 

CMYK 42 / 42 / 0 / 35

HEX #5F5FA5

RGB 95 95 165

HSL 240, 0.28%, 0.51%

LAB 43.26, 18.33, -37.83

 

CMYK 42 / 22 / 0 / 35

HEX #5F80A5

RGB 95 128 165

HSL 211.71, 0.28%, 0.51%

LAB 52.5, -1.71, -23.4

 

CMYK 59 / 32 / 0 / 27

HEX #4B7EB9

RGB 75 126 185

HSL 212.18, 0.44%, 0.51%

LAB 51.75, 0.95, -36.18

 

CMYK 73 / 39 / 0 / 20

HEX #377DCD

RGB 55 125 205

HSL 212, 0.6%, 0.51%

LAB 51.71, 5.19, -47.72

 

CMYK 85 / 46 / 0 / 11

HEX #227BE2

RGB 34 123 226

HSL 212.19, 0.77%, 0.51%

LAB 51.83, 12.12, -59.42

 

CMYK 94 / 50 / 0 / 4

HEX #0E7AF6

RGB 14 122 246

HSL 212.07, 0.93%, 0.51%

LAB 52.58, 19.43, -69.4

 

CMYK 42 / 22 / 0 / 35

HEX #5F80A5

RGB 95 128 165

HSL 211.71, 0.28%, 0.51%

LAB 52.5, -1.71, -23.4

 

CMYK 21 / 11 / 0 / 43

HEX #738191

RGB 115 129 145

HSL 212, 0.12%, 0.51%

LAB 53.37, -1.47, -10.33

 

CMYK 0 / 4 / 7 / 47

HEX #87827D

RGB 135 130 125

HSL 30, 0.04%, 0.51%

LAB 54.65, 0.93, 3.36

 

CMYK 0 / 15 / 33 / 39

HEX #9C8468

RGB 156 132 104

HSL 32.31, 0.21%, 0.51%

LAB 56.65, 4.87, 18.53

 

CMYK 0 / 24 / 52 / 31

HEX #B08554

RGB 176 133 84

HSL 31.96, 0.37%, 0.51%

LAB 58.64, 10.52, 32.65

 

CMYK 42 / 0 / 0 / 35

HEX #5FA5A5

RGB 95 165 165

HSL 180, 0.28%, 0.51%

LAB 63.39, -21.99, -6.91

 

CMYK 42 / 12 / 0 / 35

HEX #5F92A5

RGB 95 146 165

HSL 196.29, 0.28%, 0.51%

LAB 57.76, -11.91, -15.36

 

CMYK 42 / 22 / 0 / 35

HEX #5F80A5

RGB 95 128 165

HSL 211.71, 0.28%, 0.51%

LAB 52.5, -1.71, -23.4

 

CMYK 42 / 34 / 0 / 35

HEX #5F6DA5

RGB 95 109 165

HSL 228, 0.28%, 0.51%

LAB 47.09, 9.67, -31.8

 

CMYK 39 / 42 / 0 / 35

HEX #645FA5

RGB 100 95 165

HSL 244.29, 0.28%, 0.51%

LAB 43.67, 19.68, -37.16

 

CMYK 44 / 24 / 0 / 55

HEX #405772

RGB 64 87 114

HSL 212.4, 0.28%, 0.35%

LAB 36.22, -0.95, -18.15

 

CMYK 44 / 24 / 0 / 45

HEX #4F6B8C

RGB 79 107 140

HSL 212.46, 0.28%, 0.43%

LAB 44.33, -1.03, -21.36

 

CMYK 42 / 22 / 0 / 35

HEX #5F80A5

RGB 95 128 165

HSL 211.71, 0.28%, 0.51%

LAB 52.5, -1.71, -23.4

 

CMYK 33 / 17 / 0 / 29

HEX #7995B4

RGB 121 149 180

HSL 211.53, 0.28%, 0.59%

LAB 60.65, -2.24, -19.35

 

CMYK 24 / 13 / 0 / 24

HEX #94AAC3

RGB 148 170 195

HSL 211.91, 0.28%, 0.67%

LAB 68.74, -2.04, -15.3

 

CMYK 43 / 23 / 0 / 35

HEX #5E7FA5

RGB 94 127 165

HSL 212.11, 0.28%, 0.51%

LAB 52.15, -1.4, -23.94

 

CMYK 12 / 42 / 0 / 35

HEX #925FA5

RGB 146 95 165

HSL 283.71, 0.28%, 0.51%

LAB 48.28, 33.34, -29.6

 

CMYK 5 / 0 / 42 / 35

HEX #9CA55F

RGB 156 165 95

HSL 67.71, 0.28%, 0.51%

LAB 65.6, -14.21, 35.13

 

CMYK 43 / 23 / 0 / 35

HEX #5E7FA5

RGB 94 127 165

HSL 212.11, 0.28%, 0.51%

LAB 52.15, -1.4, -23.94

 

CMYK 0 / 42 / 22 / 35

HEX #A55F80

RGB 165 95 128

HSL 331.71, 0.28%, 0.51%

LAB 49.18, 32.89, -6.05

 

CMYK 22 / 0 / 42 / 35

HEX #80A55F

RGB 128 165 95

HSL 91.71, 0.28%, 0.51%

LAB 63.61, -25.28, 32.21

 

CMYK 43 / 23 / 0 / 35

HEX #5E7FA5

RGB 94 127 165

HSL 212.11, 0.28%, 0.51%

LAB 52.15, -1.4, -23.94

 

CMYK 12 / 42 / 0 / 35

HEX #925FA5

RGB 146 95 165

HSL 283.71, 0.28%, 0.51%

LAB 48.28, 33.34, -29.6

 

CMYK 0 / 20 / 42 / 35

HEX #A5845F

RGB 165 132 95

HSL 31.71, 0.28%, 0.51%

LAB 57.39, 7.53, 24.75

 

CMYK 31 / 0 / 42 / 35

HEX #72A55F

RGB 114 165 95

HSL 103.71, 0.28%, 0.51%

LAB 62.77, -30.41, 30.97

 

CMYK 43 / 23 / 0 / 35

HEX #5E7FA5

RGB 94 127 165

HSL 212.11, 0.28%, 0.51%

LAB 52.15, -1.4, -23.94

 

CMYK 0 / 42 / 1 / 35

HEX #A55FA3

RGB 165 95 163

HSL 301.71, 0.28%, 0.51%

LAB 50.49, 38.91, -24.81

 

CMYK 0 / 20 / 42 / 35

HEX #A5845F

RGB 165 132 95

HSL 31.71, 0.28%, 0.51%

LAB 57.39, 7.53, 24.75

 

CMYK 42 / 0 / 41 / 35

HEX #5FA561

RGB 95 165 97

HSL 121.71, 0.28%, 0.51%

LAB 61.83, -36.45, 28.5

 

Description

Color code: HEX #5E7FA5 | qconv.com Color code: HEX #5E7FA5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 127 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 127 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 23 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 23% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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