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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E7E2A it is the complementary color #A181D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E7E2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E7E2A shade: #637E25, #749038, #85A24B, #96B45E and #A7C671

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E7E2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E7E2A shade: #5E7E2A, #4D6C17, #3C5A04, #2B4800 and #1A3600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E7E2A shade: #5E7E2A, #757E2A, #7E712A, #7E5A2A and #7E442A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E7E2A shade: #5E7E2A, #477E2A, #317E2A, #2A7E3A and #2A7E51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E7E2A shade matches the following richer shades: #5E7E2A, #618C1C, #65990F and #68A701

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E7E2A shade: #5E7E2A, #5B7138, #586345, #545553 and #514861

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E7E2A shade: #7E702A, #767E2A, #5F7E2A, #497E2A and #327E2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E7E2A shade: #304015, #475F20, #5E7E2A, #759D34 and #8CBC3F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E7E2A shade: #5E7E2A, #2A7E5A and #7B2A7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E7E2A shade: #5E7E2A, #2A5F7E and #7E2A5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E7E2A shade: #5E7E2A, #2A7E5A, #492A7E and #7E2A4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E7E2A shade: #5E7E2A, #2A7E73, #492A7E and #7E2A35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 67 / 51

HEX #5E7E2A

RGB 94 126 42

HSL 82.86, 0.5%, 0.33%

LAB 48.85, -25.27, 40.64

 

Complementary color

CMYK 24 / 39 / 0 / 16

HEX #A181D5

RGB 161 129 213

HSL 262.86, 0.5%, 0.67%

LAB 59.96, 29.44, -38.76

 

CMYK 21 / 0 / 71 / 51

HEX #637E25

RGB 99 126 37

HSL 78.2, 0.55%, 0.32%

LAB 49.14, -23.55, 43.23

 

CMYK 19 / 0 / 61 / 44

HEX #749038

RGB 116 144 56

HSL 79.09, 0.44%, 0.39%

LAB 56.03, -23.94, 42.5

 

CMYK 18 / 0 / 54 / 36

HEX #85A24B

RGB 133 162 75

HSL 80, 0.37%, 0.46%

LAB 62.79, -24.18, 41.45

 

CMYK 17 / 0 / 48 / 29

HEX #96B45E

RGB 150 180 94

HSL 80.93, 0.36%, 0.54%

LAB 69.42, -24.33, 40.29

 

CMYK 16 / 0 / 43 / 22

HEX #A7C671

RGB 167 198 113

HSL 81.88, 0.43%, 0.61%

LAB 75.94, -24.41, 39.11

 

CMYK 25 / 0 / 67 / 51

HEX #5E7E2A

RGB 94 126 42

HSL 82.86, 0.5%, 0.33%

LAB 48.85, -25.27, 40.64

 

CMYK 29 / 0 / 79 / 58

HEX #4D6C17

RGB 77 108 23

HSL 81.88, 0.65%, 0.26%

LAB 41.79, -24.82, 40.99

 

CMYK 33 / 0 / 96 / 65

HEX #3C5A04

RGB 60 90 4

HSL 80.93, 0.91%, 0.18%

LAB 34.56, -24.06, 40.09

 

CMYK 40 / 0 / 100 / 72

HEX #2B4800

RGB 43 72 0

HSL 84.17, 1%, 0.14%

LAB 27.15, -22.67, 35.1

 

CMYK 52 / 0 / 100 / 79

HEX #1A3600

RGB 26 54 0

HSL 91.11, 1%, 0.11%

LAB 19.47, -20.96, 26.99

 

CMYK 25 / 0 / 67 / 51

HEX #5E7E2A

RGB 94 126 42

HSL 82.86, 0.5%, 0.33%

LAB 48.85, -25.27, 40.64

 

CMYK 7 / 0 / 67 / 51

HEX #757E2A

RGB 117 126 42

HSL 66.43, 0.5%, 0.33%

LAB 50.54, -15.31, 42.95

 

CMYK 0 / 10 / 67 / 51

HEX #7E712A

RGB 126 113 42

HSL 50.71, 0.5%, 0.33%

LAB 47.51, -3.99, 39.99

 

CMYK 0 / 29 / 67 / 51

HEX #7E5A2A

RGB 126 90 42

HSL 34.29, 0.5%, 0.33%

LAB 41.08, 9.43, 32.93

 

CMYK 0 / 46 / 67 / 51

HEX #7E442A

RGB 126 68 42

HSL 18.57, 0.5%, 0.33%

LAB 35.47, 22.45, 26.44

 

CMYK 25 / 0 / 67 / 51

HEX #5E7E2A

RGB 94 126 42

HSL 82.86, 0.5%, 0.33%

LAB 48.85, -25.27, 40.64

 

CMYK 44 / 0 / 67 / 51

HEX #477E2A

RGB 71 126 42

HSL 99.29, 0.5%, 0.33%

LAB 47.53, -34.1, 38.84

 

CMYK 61 / 0 / 67 / 51

HEX #317E2A

RGB 49 126 42

HSL 115, 0.5%, 0.33%

LAB 46.63, -40.86, 37.6

 

CMYK 67 / 0 / 54 / 51

HEX #2A7E3A

RGB 42 126 58

HSL 131.43, 0.5%, 0.33%

LAB 46.6, -40.44, 29.56

 

CMYK 67 / 0 / 36 / 51

HEX #2A7E51

RGB 42 126 81

HSL 147.86, 0.5%, 0.33%

LAB 46.99, -36.23, 17.31

 

CMYK 25 / 0 / 67 / 51

HEX #5E7E2A

RGB 94 126 42

HSL 82.86, 0.5%, 0.33%

LAB 48.85, -25.27, 40.64

 

CMYK 31 / 0 / 80 / 45

HEX #618C1C

RGB 97 140 28

HSL 83.04, 0.67%, 0.33%

LAB 53.36, -31.71, 50.65

 

CMYK 34 / 0 / 90 / 40

HEX #65990F

RGB 101 153 15

HSL 82.61, 0.82%, 0.33%

LAB 57.64, -36.56, 57.81

 

CMYK 38 / 0 / 99 / 35

HEX #68A701

RGB 104 167 1

HSL 82.77, 0.99%, 0.33%

LAB 62.15, -41.81, 63.6

 

CMYK 25 / 0 / 67 / 51

HEX #5E7E2A

RGB 94 126 42

HSL 82.86, 0.5%, 0.33%

LAB 48.85, -25.27, 40.64

 

CMYK 19 / 0 / 50 / 56

HEX #5B7138

RGB 91 113 56

HSL 83.16, 0.34%, 0.33%

LAB 44.69, -18.42, 28.83

 

CMYK 11 / 0 / 30 / 61

HEX #586345

RGB 88 99 69

HSL 82, 0.18%, 0.33%

LAB 40.29, -10.11, 15.69

 

CMYK 1 / 0 / 2 / 67

HEX #545553

RGB 84 85 83

HSL 90, 0.01%, 0.33%

LAB 36, -0.83, 1.02

 

CMYK 16 / 26 / 0 / 62

HEX #514861

RGB 81 72 97

HSL 261.6, 0.15%, 0.33%

LAB 32.36, 9.45, -13.28

 

CMYK 0 / 11 / 67 / 51

HEX #7E702A

RGB 126 112 42

HSL 50, 0.5%, 0.33%

LAB 47.22, -3.42, 39.68

 

CMYK 6 / 0 / 67 / 51

HEX #767E2A

RGB 118 126 42

HSL 65.71, 0.5%, 0.33%

LAB 50.62, -14.86, 43.06

 

CMYK 25 / 0 / 67 / 51

HEX #5F7E2A

RGB 95 126 42

HSL 82.14, 0.5%, 0.33%

LAB 48.91, -24.86, 40.73

 

CMYK 42 / 0 / 67 / 51

HEX #497E2A

RGB 73 126 42

HSL 97.86, 0.5%, 0.33%

LAB 47.63, -33.4, 38.98

 

CMYK 60 / 0 / 67 / 51

HEX #327E2A

RGB 50 126 42

HSL 114.29, 0.5%, 0.33%

LAB 46.67, -40.59, 37.65

 

CMYK 25 / 0 / 67 / 75

HEX #304015

RGB 48 64 21

HSL 82.33, 0.51%, 0.17%

LAB 24.79, -14.59, 23.69

 

CMYK 25 / 0 / 66 / 63

HEX #475F20

RGB 71 95 32

HSL 82.86, 0.5%, 0.25%

LAB 37.17, -20.07, 32.23

 

CMYK 25 / 0 / 67 / 51

HEX #5E7E2A

RGB 94 126 42

HSL 82.86, 0.5%, 0.33%

LAB 48.85, -25.27, 40.64

 

CMYK 25 / 0 / 67 / 38

HEX #759D34

RGB 117 157 52

HSL 82.86, 0.5%, 0.41%

LAB 60.02, -30.21, 48.62

 

CMYK 26 / 0 / 66 / 26

HEX #8CBC3F

RGB 140 188 63

HSL 83.04, 0.5%, 0.49%

LAB 70.8, -34.87, 55.88

 

CMYK 25 / 0 / 67 / 51

HEX #5E7E2A

RGB 94 126 42

HSL 82.86, 0.5%, 0.33%

LAB 48.85, -25.27, 40.64

 

CMYK 67 / 0 / 29 / 51

HEX #2A7E5A

RGB 42 126 90

HSL 154.29, 0.5%, 0.33%

LAB 47.17, -34.22, 12.37

 

CMYK 2 / 67 / 0 / 51

HEX #7B2A7E

RGB 123 42 126

HSL 297.86, 0.5%, 0.33%

LAB 32.64, 46.37, -30.74

 

CMYK 25 / 0 / 67 / 51

HEX #5E7E2A

RGB 94 126 42

HSL 82.86, 0.5%, 0.33%

LAB 48.85, -25.27, 40.64

 

CMYK 67 / 25 / 0 / 51

HEX #2A5F7E

RGB 42 95 126

HSL 202.14, 0.5%, 0.33%

LAB 38.17, -7.18, -22.6

 

CMYK 0 / 67 / 25 / 51

HEX #7E2A5F

RGB 126 42 95

HSL 322.14, 0.5%, 0.33%

LAB 31.62, 42.03, -12.59

 

CMYK 25 / 0 / 67 / 51

HEX #5E7E2A

RGB 94 126 42

HSL 82.86, 0.5%, 0.33%

LAB 48.85, -25.27, 40.64

 

CMYK 67 / 0 / 29 / 51

HEX #2A7E5A

RGB 42 126 90

HSL 154.29, 0.5%, 0.33%

LAB 47.17, -34.22, 12.37

 

CMYK 42 / 67 / 0 / 51

HEX #492A7E

RGB 73 42 126

HSL 262.14, 0.5%, 0.33%

LAB 25.5, 34.06, -42.58

 

CMYK 0 / 67 / 37 / 51

HEX #7E2A4F

RGB 126 42 79

HSL 333.57, 0.5%, 0.33%

LAB 31.01, 39.87, -3.1

 

CMYK 25 / 0 / 67 / 51

HEX #5E7E2A

RGB 94 126 42

HSL 82.86, 0.5%, 0.33%

LAB 48.85, -25.27, 40.64

 

CMYK 67 / 0 / 9 / 51

HEX #2A7E73

RGB 42 126 115

HSL 172.14, 0.5%, 0.33%

LAB 47.82, -27.71, -1.39

 

CMYK 42 / 67 / 0 / 51

HEX #492A7E

RGB 73 42 126

HSL 262.14, 0.5%, 0.33%

LAB 25.5, 34.06, -42.58

 

CMYK 0 / 67 / 58 / 51

HEX #7E2A35

RGB 126 42 53

HSL 352.14, 0.5%, 0.33%

LAB 30.28, 37.17, 12.95

 

Description

Color code: HEX #5E7E2A | qconv.com Color code: HEX #5E7E2A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 126 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 126 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 67 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 67% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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