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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E7E20 it is the complementary color #A181DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E7E20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E7E20 shade: #637E1B, #74902E, #85A241, #96B454 and #A7C667

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E7E20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E7E20 shade: #5E7E20, #4D6C0D, #3C5A00, #2B4800 and #1A3600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E7E20 shade: #5E7E20, #777E20, #7E6B20, #7E5220 and #7E3920

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E7E20 shade: #5E7E20, #457E20, #2C7E20, #207E2E and #207E48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E7E20 shade matches the following richer shades: #5E7E20, #628A14 and #669707

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E7E20 shade: #5E7E20, #5A712D, #56643A, #525747 and #4E4B54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E7E20 shade: #7E6B20, #777E20, #5F7E20, #467E20 and #2D7E20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E7E20 shade: #2D3C0F, #455D18, #5E7E20, #769E29 and #8FBF31

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E7E20 shade: #5E7E20, #207E52 and #77207E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E7E20 shade: #5E7E20, #205F7E and #7E205F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E7E20 shade: #5E7E20, #207E52, #40207E and #7E204C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E7E20 shade: #5E7E20, #207E6E, #40207E and #7E2030

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 75 / 51

HEX #5E7E20

RGB 94 126 32

HSL 80.43, 0.59%, 0.31%

LAB 48.77, -26.01, 44.76

 

Complementary color

CMYK 28 / 42 / 0 / 13

HEX #A181DF

RGB 161 129 223

HSL 260.43, 0.59%, 0.69%

LAB 60.43, 31.87, -43.62

 

CMYK 21 / 0 / 79 / 51

HEX #637E1B

RGB 99 126 27

HSL 76.36, 0.65%, 0.3%

LAB 49.07, -24.17, 47.01

 

CMYK 19 / 0 / 68 / 44

HEX #74902E

RGB 116 144 46

HSL 77.14, 0.52%, 0.37%

LAB 55.94, -24.74, 46.86

 

CMYK 18 / 0 / 60 / 36

HEX #85A241

RGB 133 162 65

HSL 77.94, 0.43%, 0.45%

LAB 62.68, -25.12, 46.08

 

CMYK 17 / 0 / 53 / 29

HEX #96B454

RGB 150 180 84

HSL 78.75, 0.39%, 0.52%

LAB 69.3, -25.38, 45.05

 

CMYK 16 / 0 / 48 / 22

HEX #A7C667

RGB 167 198 103

HSL 79.58, 0.45%, 0.59%

LAB 75.81, -25.54, 43.91

 

CMYK 25 / 0 / 75 / 51

HEX #5E7E20

RGB 94 126 32

HSL 80.43, 0.59%, 0.31%

LAB 48.77, -26.01, 44.76

 

CMYK 29 / 0 / 88 / 58

HEX #4D6C0D

RGB 77 108 13

HSL 79.58, 0.79%, 0.24%

LAB 41.74, -25.32, 44.16

 

CMYK 33 / 0 / 100 / 65

HEX #3C5A00

RGB 60 90 0

HSL 80, 1%, 0.18%

LAB 34.55, -24.24, 41.37

 

CMYK 40 / 0 / 100 / 72

HEX #2B4800

RGB 43 72 0

HSL 84.17, 1%, 0.14%

LAB 27.15, -22.67, 35.1

 

CMYK 52 / 0 / 100 / 79

HEX #1A3600

RGB 26 54 0

HSL 91.11, 1%, 0.11%

LAB 19.47, -20.96, 26.99

 

CMYK 25 / 0 / 75 / 51

HEX #5E7E20

RGB 94 126 32

HSL 80.43, 0.59%, 0.31%

LAB 48.77, -26.01, 44.76

 

CMYK 6 / 0 / 75 / 51

HEX #777E20

RGB 119 126 32

HSL 64.47, 0.59%, 0.31%

LAB 50.63, -15.02, 47.21

 

CMYK 0 / 15 / 75 / 51

HEX #7E6B20

RGB 126 107 32

HSL 47.87, 0.59%, 0.31%

LAB 45.71, -1.16, 42.63

 

CMYK 0 / 35 / 75 / 51

HEX #7E5220

RGB 126 82 32

HSL 31.91, 0.59%, 0.31%

LAB 38.85, 13.57, 35.67

 

CMYK 0 / 55 / 75 / 51

HEX #7E3920

RGB 126 57 32

HSL 15.96, 0.59%, 0.31%

LAB 32.85, 28.06, 29.23

 

CMYK 25 / 0 / 75 / 51

HEX #5E7E20

RGB 94 126 32

HSL 80.43, 0.59%, 0.31%

LAB 48.77, -26.01, 44.76

 

CMYK 45 / 0 / 75 / 51

HEX #457E20

RGB 69 126 32

HSL 96.38, 0.59%, 0.31%

LAB 47.35, -35.66, 42.89

 

CMYK 65 / 0 / 75 / 51

HEX #2C7E20

RGB 44 126 32

HSL 112.34, 0.59%, 0.31%

LAB 46.39, -43.08, 41.6

 

CMYK 75 / 0 / 63 / 51

HEX #207E2E

RGB 32 126 46

HSL 128.94, 0.59%, 0.31%

LAB 46.21, -44.13, 35.11

 

CMYK 75 / 0 / 43 / 51

HEX #207E48

RGB 32 126 72

HSL 145.53, 0.59%, 0.31%

LAB 46.57, -39.93, 21.83

 

CMYK 25 / 0 / 75 / 51

HEX #5E7E20

RGB 94 126 32

HSL 80.43, 0.59%, 0.31%

LAB 48.77, -26.01, 44.76

 

CMYK 29 / 0 / 86 / 46

HEX #628A14

RGB 98 138 20

HSL 80.34, 0.75%, 0.31%

LAB 52.76, -30.73, 52.45

 

CMYK 32 / 0 / 95 / 41

HEX #669707

RGB 102 151 7

HSL 80.42, 0.91%, 0.31%

LAB 57.05, -35.47, 58.66

 

CMYK 25 / 0 / 75 / 51

HEX #5E7E20

RGB 94 126 32

HSL 80.43, 0.59%, 0.31%

LAB 48.77, -26.01, 44.76

 

CMYK 20 / 0 / 60 / 56

HEX #5A712D

RGB 90 113 45

HSL 80.29, 0.43%, 0.31%

LAB 44.48, -20.06, 34.32

 

CMYK 14 / 0 / 42 / 61

HEX #56643A

RGB 86 100 58

HSL 80, 0.27%, 0.31%

LAB 40.24, -13.2, 22.07

 

CMYK 6 / 0 / 18 / 66

HEX #525747

RGB 82 87 71

HSL 78.75, 0.1%, 0.31%

LAB 36.11, -5.26, 8.64

 

CMYK 7 / 11 / 0 / 67

HEX #4E4B54

RGB 78 75 84

HSL 260, 0.06%, 0.31%

LAB 32.46, 3.24, -4.88

 

CMYK 0 / 15 / 75 / 51

HEX #7E6B20

RGB 126 107 32

HSL 47.87, 0.59%, 0.31%

LAB 45.71, -1.16, 42.63

 

CMYK 6 / 0 / 75 / 51

HEX #777E20

RGB 119 126 32

HSL 64.47, 0.59%, 0.31%

LAB 50.63, -15.02, 47.21

 

CMYK 25 / 0 / 75 / 51

HEX #5F7E20

RGB 95 126 32

HSL 79.79, 0.59%, 0.31%

LAB 48.83, -25.59, 44.85

 

CMYK 44 / 0 / 75 / 51

HEX #467E20

RGB 70 126 32

HSL 95.74, 0.59%, 0.31%

LAB 47.4, -35.31, 42.95

 

CMYK 64 / 0 / 75 / 51

HEX #2D7E20

RGB 45 126 32

HSL 111.7, 0.59%, 0.31%

LAB 46.42, -42.84, 41.64

 

CMYK 25 / 0 / 75 / 76

HEX #2D3C0F

RGB 45 60 15

HSL 80, 0.6%, 0.15%

LAB 23.08, -14.32, 24.9

 

CMYK 26 / 0 / 74 / 64

HEX #455D18

RGB 69 93 24

HSL 80.87, 0.59%, 0.23%

LAB 36.29, -20.57, 34.97

 

CMYK 25 / 0 / 75 / 51

HEX #5E7E20

RGB 94 126 32

HSL 80.43, 0.59%, 0.31%

LAB 48.77, -26.01, 44.76

 

CMYK 25 / 0 / 74 / 38

HEX #769E29

RGB 118 158 41

HSL 80.51, 0.59%, 0.39%

LAB 60.31, -31.03, 53.27

 

CMYK 25 / 0 / 74 / 25

HEX #8FBF31

RGB 143 191 49

HSL 80.28, 0.59%, 0.47%

LAB 71.77, -35.97, 62.13

 

CMYK 25 / 0 / 75 / 51

HEX #5E7E20

RGB 94 126 32

HSL 80.43, 0.59%, 0.31%

LAB 48.77, -26.01, 44.76

 

CMYK 75 / 0 / 35 / 51

HEX #207E52

RGB 32 126 82

HSL 151.91, 0.59%, 0.31%

LAB 46.76, -37.84, 16.39

 

CMYK 6 / 75 / 0 / 51

HEX #77207E

RGB 119 32 126

HSL 295.53, 0.59%, 0.31%

LAB 30.55, 49.43, -34.11

 

CMYK 25 / 0 / 75 / 51

HEX #5E7E20

RGB 94 126 32

HSL 80.43, 0.59%, 0.31%

LAB 48.77, -26.01, 44.76

 

CMYK 75 / 25 / 0 / 51

HEX #205F7E

RGB 32 95 126

HSL 199.79, 0.59%, 0.31%

LAB 37.84, -8.87, -23.14

 

CMYK 0 / 75 / 25 / 51

HEX #7E205F

RGB 126 32 95

HSL 319.79, 0.59%, 0.31%

LAB 30.14, 46.13, -14.85

 

CMYK 25 / 0 / 75 / 51

HEX #5E7E20

RGB 94 126 32

HSL 80.43, 0.59%, 0.31%

LAB 48.77, -26.01, 44.76

 

CMYK 75 / 0 / 35 / 51

HEX #207E52

RGB 32 126 82

HSL 151.91, 0.59%, 0.31%

LAB 46.76, -37.84, 16.39

 

CMYK 49 / 75 / 0 / 51

HEX #40207E

RGB 64 32 126

HSL 260.43, 0.59%, 0.31%

LAB 22.41, 37.84, -47.66

 

CMYK 0 / 75 / 40 / 51

HEX #7E204C

RGB 126 32 76

HSL 331.91, 0.59%, 0.31%

LAB 29.39, 43.7, -3.52

 

CMYK 25 / 0 / 75 / 51

HEX #5E7E20

RGB 94 126 32

HSL 80.43, 0.59%, 0.31%

LAB 48.77, -26.01, 44.76

 

CMYK 75 / 0 / 13 / 51

HEX #207E6E

RGB 32 126 110

HSL 169.79, 0.59%, 0.31%

LAB 47.44, -30.73, 0.97

 

CMYK 49 / 75 / 0 / 51

HEX #40207E

RGB 64 32 126

HSL 260.43, 0.59%, 0.31%

LAB 22.41, 37.84, -47.66

 

CMYK 0 / 75 / 62 / 51

HEX #7E2030

RGB 126 32 48

HSL 349.79, 0.59%, 0.31%

LAB 28.6, 41.07, 14.01

 

Description

Color code: HEX #5E7E20 | qconv.com Color code: HEX #5E7E20 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 126 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 126 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 75 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 75% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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