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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E7CCE it is the complementary color #A18331. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E7CCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E7CCE shade: #637CC9, #748EDC, #85A0EF, #96B2FF and #A7C4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E7CCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E7CCE shade: #5E7CCE, #4D6ABB, #3C58A8, #2B4695 and #1A3482

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E7CCE shade: #5F7DCE, #5F5FCE, #7D5FCE, #9B5FCE and #B95FCE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E7CCE shade: #5F7DCE and #5F5FCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E7CCE shade matches the following richer shades: #5F7DCE, #4E75DF and #3D6DF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E7CCE shade: #5F7DCE, #7085BD, #818CAC, #92949B and #A39C8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E7CCE shade: #5FBACE, #5F9CCE, #5F7ECE, #5F61CE and #7B5FCE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E7CCE shade: #3352A7, #3F63C4, #5F7DCE, #7F96D8 and #9EB0E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E7CCE shade: #5E7CCE, #C55FCE and #ABCE5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E7CCE shade: #5E7CCE, #CE5F7E and #7ECE5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E7CCE shade: #5E7CCE, #C55FCE, #CEAE5F and #68CE5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E7CCE shade: #5E7CCE, #CE5FB6, #CEAE5F and #5FCE77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 40 / 0 / 19

HEX #5E7CCE

RGB 94 124 206

HSL 223.93, 0.53%, 0.59%

LAB 53.22, 13.04, -45.78

 

Complementary color

CMYK 0 / 19 / 70 / 37

HEX #A18331

RGB 161 131 49

HSL 43.93, 0.53%, 0.41%

LAB 56.12, 2.37, 46.94

 

CMYK 51 / 38 / 0 / 21

HEX #637CC9

RGB 99 124 201

HSL 225.29, 0.49%, 0.59%

LAB 53.26, 12.57, -42.86

 

CMYK 47 / 35 / 0 / 14

HEX #748EDC

RGB 116 142 220

HSL 225, 0.6%, 0.66%

LAB 60.09, 11.66, -42.72

 

CMYK 44 / 33 / 0 / 6

HEX #85A0EF

RGB 133 160 239

HSL 224.72, 0.77%, 0.73%

LAB 66.79, 10.9, -42.62

 

CMYK 41 / 30 / 0 / 0

HEX #96B2FF

RGB 150 178 255

HSL 224, 1%, 0.79%

LAB 73.25, 9.42, -41.14

 

CMYK 35 / 23 / 0 / 0

HEX #A7C4FF

RGB 167 196 255

HSL 220.23, 1%, 0.83%

LAB 78.99, 3.96, -32.15

 

CMYK 54 / 40 / 0 / 19

HEX #5E7CCE

RGB 94 124 206

HSL 223.93, 0.53%, 0.59%

LAB 53.22, 13.04, -45.78

 

CMYK 59 / 43 / 0 / 27

HEX #4D6ABB

RGB 77 106 187

HSL 224.18, 0.45%, 0.52%

LAB 46.28, 14.29, -45.99

 

CMYK 64 / 48 / 0 / 34

HEX #3C58A8

RGB 60 88 168

HSL 224.44, 0.47%, 0.45%

LAB 39.19, 15.86, -46.24

 

CMYK 71 / 53 / 0 / 42

HEX #2B4695

RGB 43 70 149

HSL 224.72, 0.55%, 0.38%

LAB 31.95, 17.88, -46.51

 

CMYK 80 / 60 / 0 / 49

HEX #1A3482

RGB 26 52 130

HSL 225, 0.67%, 0.31%

LAB 24.6, 20.52, -46.73

 

CMYK 54 / 39 / 0 / 19

HEX #5F7DCE

RGB 95 125 206

HSL 223.78, 0.53%, 0.59%

LAB 53.55, 12.65, -45.25

 

CMYK 54 / 54 / 0 / 19

HEX #5F5FCE

RGB 95 95 206

HSL 240, 0.53%, 0.59%

LAB 45.73, 31.06, -57.76

 

CMYK 39 / 54 / 0 / 19

HEX #7D5FCE

RGB 125 95 206

HSL 256.22, 0.53%, 0.59%

LAB 48.26, 37.68, -53.56

 

CMYK 25 / 54 / 0 / 19

HEX #9B5FCE

RGB 155 95 206

HSL 272.43, 0.53%, 0.59%

LAB 51.39, 45.15, -48.38

 

CMYK 10 / 54 / 0 / 19

HEX #B95FCE

RGB 185 95 206

HSL 288.65, 0.53%, 0.59%

LAB 55.03, 53.05, -42.39

 

CMYK 54 / 39 / 0 / 19

HEX #5F7DCE

RGB 95 125 206

HSL 223.78, 0.53%, 0.59%

LAB 53.55, 12.65, -45.25

 

CMYK 54 / 54 / 0 / 19

HEX #5F5FCE

RGB 95 95 206

HSL 240, 0.53%, 0.59%

LAB 45.73, 31.06, -57.76

 

CMYK 54 / 39 / 0 / 19

HEX #5F7DCE

RGB 95 125 206

HSL 223.78, 0.53%, 0.59%

LAB 53.55, 12.65, -45.25

 

CMYK 65 / 48 / 0 / 13

HEX #4E75DF

RGB 78 117 223

HSL 223.86, 0.69%, 0.59%

LAB 51.46, 19.99, -58.26

 

CMYK 75 / 55 / 0 / 6

HEX #3D6DF0

RGB 61 109 240

HSL 223.91, 0.86%, 0.59%

LAB 49.76, 28.66, -70.58

 

CMYK 54 / 39 / 0 / 19

HEX #5F7DCE

RGB 95 125 206

HSL 223.78, 0.53%, 0.59%

LAB 53.55, 12.65, -45.25

 

CMYK 41 / 30 / 0 / 26

HEX #7085BD

RGB 112 133 189

HSL 223.64, 0.37%, 0.59%

LAB 55.98, 6.88, -31.7

 

CMYK 25 / 19 / 0 / 33

HEX #818CAC

RGB 129 140 172

HSL 224.65, 0.21%, 0.59%

LAB 58.42, 3.3, -18.16

 

CMYK 6 / 5 / 0 / 39

HEX #92949B

RGB 146 148 155

HSL 226.67, 0.04%, 0.59%

LAB 61.36, 0.68, -3.94

 

CMYK 0 / 4 / 15 / 36

HEX #A39C8A

RGB 163 156 138

HSL 43.2, 0.12%, 0.59%

LAB 64.48, -0.6, 10.34

 

CMYK 54 / 10 / 0 / 19

HEX #5FBACE

RGB 95 186 206

HSL 190.81, 0.53%, 0.59%

LAB 70.88, -21.56, -18.39

 

CMYK 54 / 24 / 0 / 19

HEX #5F9CCE

RGB 95 156 206

HSL 207.03, 0.53%, 0.59%

LAB 62.22, -5.48, -31.65

 

CMYK 54 / 39 / 0 / 19

HEX #5F7ECE

RGB 95 126 206

HSL 223.24, 0.53%, 0.59%

LAB 53.83, 12.05, -44.82

 

CMYK 54 / 53 / 0 / 19

HEX #5F61CE

RGB 95 97 206

HSL 238.92, 0.53%, 0.59%

LAB 46.23, 29.83, -56.96

 

CMYK 40 / 54 / 0 / 19

HEX #7B5FCE

RGB 123 95 206

HSL 255.14, 0.53%, 0.59%

LAB 48.07, 37.2, -53.87

 

CMYK 69 / 51 / 0 / 35

HEX #3352A7

RGB 51 82 167

HSL 223.97, 0.53%, 0.43%

LAB 36.98, 17.9, -49.21

 

CMYK 68 / 49 / 0 / 23

HEX #3F63C4

RGB 63 99 196

HSL 223.76, 0.53%, 0.51%

LAB 44.18, 19.37, -54.59

 

CMYK 54 / 39 / 0 / 19

HEX #5F7DCE

RGB 95 125 206

HSL 223.78, 0.53%, 0.59%

LAB 53.55, 12.65, -45.25

 

CMYK 41 / 31 / 0 / 15

HEX #7F96D8

RGB 127 150 216

HSL 224.49, 0.53%, 0.67%

LAB 62.75, 8.61, -36.28

 

CMYK 30 / 22 / 0 / 12

HEX #9EB0E1

RGB 158 176 225

HSL 223.88, 0.53%, 0.75%

LAB 72.07, 4.89, -26.66

 

CMYK 54 / 40 / 0 / 19

HEX #5E7CCE

RGB 94 124 206

HSL 223.93, 0.53%, 0.59%

LAB 53.22, 13.04, -45.78

 

CMYK 4 / 54 / 0 / 19

HEX #C55FCE

RGB 197 95 206

HSL 295.14, 0.53%, 0.59%

LAB 56.6, 56.26, -39.81

 

CMYK 17 / 0 / 54 / 19

HEX #ABCE5F

RGB 171 206 95

HSL 78.92, 0.53%, 0.59%

LAB 78.24, -28.64, 50.69

 

CMYK 54 / 40 / 0 / 19

HEX #5E7CCE

RGB 94 124 206

HSL 223.93, 0.53%, 0.59%

LAB 53.22, 13.04, -45.78

 

CMYK 0 / 54 / 39 / 19

HEX #CE5F7E

RGB 206 95 126

HSL 343.24, 0.53%, 0.59%

LAB 54.88, 47.01, 4.16

 

CMYK 39 / 0 / 54 / 19

HEX #7ECE5F

RGB 126 206 95

HSL 103.24, 0.53%, 0.59%

LAB 75.7, -44.77, 47.06

 

CMYK 54 / 40 / 0 / 19

HEX #5E7CCE

RGB 94 124 206

HSL 223.93, 0.53%, 0.59%

LAB 53.22, 13.04, -45.78

 

CMYK 4 / 54 / 0 / 19

HEX #C55FCE

RGB 197 95 206

HSL 295.14, 0.53%, 0.59%

LAB 56.6, 56.26, -39.81

 

CMYK 0 / 16 / 54 / 19

HEX #CEAE5F

RGB 206 174 95

HSL 42.7, 0.53%, 0.59%

LAB 72.38, 1.88, 44.44

 

CMYK 50 / 0 / 54 / 19

HEX #68CE5F

RGB 104 206 95

HSL 115.14, 0.53%, 0.59%

LAB 74.77, -51.4, 45.72

 

CMYK 54 / 40 / 0 / 19

HEX #5E7CCE

RGB 94 124 206

HSL 223.93, 0.53%, 0.59%

LAB 53.22, 13.04, -45.78

 

CMYK 0 / 54 / 12 / 19

HEX #CE5FB6

RGB 206 95 182

HSL 312.97, 0.53%, 0.59%

LAB 56.77, 54.66, -25.71

 

CMYK 0 / 16 / 54 / 19

HEX #CEAE5F

RGB 206 174 95

HSL 42.7, 0.53%, 0.59%

LAB 72.38, 1.88, 44.44

 

CMYK 54 / 0 / 42 / 19

HEX #5FCE77

RGB 95 206 119

HSL 132.97, 0.53%, 0.59%

LAB 74.77, -50.35, 33.84

 

Description

Color code: HEX #5E7CCE | qconv.com Color code: HEX #5E7CCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 124 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 124 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 40 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 40% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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