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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E7B2C it is the complementary color #A184D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E7B2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E7B2C shade: #637B27, #748D3A, #859F4D, #96B160 and #A7C373

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E7B2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E7B2C shade: #5E7B2C, #4D6919, #3C5706, #2B4500 and #1A3300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E7B2C shade: #5E7B2C, #737B2C, #7B6E2C, #7B582C and #7B432C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E7B2C shade: #5E7B2C, #497B2C, #337B2C, #2C7B3A and #2C7B4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E7B2C shade matches the following richer shades: #5E7B2C, #62891E, #659611 and #69A403

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E7B2C shade: #5E7B2C, #5B6E3A, #576047, #535255 and #504563

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E7B2C shade: #7B6E2C, #737B2C, #5E7B2C, #497B2C and #347B2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E7B2C shade: #303F16, #475D21, #5E7B2C, #759A37 and #8DB842

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E7B2C shade: #5E7B2C, #2C7B59 and #792C7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E7B2C shade: #5E7B2C, #2C5E7B and #7B2C5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E7B2C shade: #5E7B2C, #2C7B59, #492C7B and #7B2C4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E7B2C shade: #5E7B2C, #2C7B71, #492C7B and #7B2C37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 64 / 52

HEX #5E7B2C

RGB 94 123 44

HSL 82.03, 0.47%, 0.33%

LAB 47.91, -23.6, 38.72

 

Complementary color

CMYK 24 / 37 / 0 / 17

HEX #A184D3

RGB 161 132 211

HSL 262.03, 0.47%, 0.67%

LAB 60.59, 27.25, -36.66

 

CMYK 20 / 0 / 68 / 52

HEX #637B27

RGB 99 123 39

HSL 77.14, 0.52%, 0.32%

LAB 48.22, -21.88, 41.41

 

CMYK 18 / 0 / 59 / 45

HEX #748D3A

RGB 116 141 58

HSL 78.07, 0.42%, 0.39%

LAB 55.14, -22.25, 40.55

 

CMYK 16 / 0 / 52 / 38

HEX #859F4D

RGB 133 159 77

HSL 79.02, 0.35%, 0.46%

LAB 61.93, -22.48, 39.44

 

CMYK 15 / 0 / 46 / 31

HEX #96B160

RGB 150 177 96

HSL 80, 0.34%, 0.54%

LAB 68.59, -22.62, 38.26

 

CMYK 14 / 0 / 41 / 24

HEX #A7C373

RGB 167 195 115

HSL 81, 0.4%, 0.61%

LAB 75.13, -22.7, 37.07

 

CMYK 24 / 0 / 64 / 52

HEX #5E7B2C

RGB 94 123 44

HSL 82.03, 0.47%, 0.33%

LAB 47.91, -23.6, 38.72

 

CMYK 27 / 0 / 76 / 59

HEX #4D6919

RGB 77 105 25

HSL 81, 0.62%, 0.25%

LAB 40.82, -23.19, 39.27

 

CMYK 31 / 0 / 93 / 66

HEX #3C5706

RGB 60 87 6

HSL 80, 0.87%, 0.18%

LAB 33.54, -22.47, 38.6

 

CMYK 38 / 0 / 100 / 73

HEX #2B4500

RGB 43 69 0

HSL 82.61, 1%, 0.14%

LAB 26.07, -21.16, 34.13

 

CMYK 49 / 0 / 100 / 80

HEX #1A3300

RGB 26 51 0

HSL 89.41, 1%, 0.1%

LAB 18.31, -19.48, 25.64

 

CMYK 24 / 0 / 64 / 52

HEX #5E7B2C

RGB 94 123 44

HSL 82.03, 0.47%, 0.33%

LAB 47.91, -23.6, 38.72

 

CMYK 7 / 0 / 64 / 52

HEX #737B2C

RGB 115 123 44

HSL 66.08, 0.47%, 0.33%

LAB 49.49, -14.45, 40.88

 

CMYK 0 / 11 / 64 / 52

HEX #7B6E2C

RGB 123 110 44

HSL 50.13, 0.47%, 0.33%

LAB 46.37, -3.54, 37.7

 

CMYK 0 / 28 / 64 / 52

HEX #7B582C

RGB 123 88 44

HSL 33.42, 0.47%, 0.33%

LAB 40.2, 9.37, 30.75

 

CMYK 0 / 46 / 64 / 52

HEX #7B432C

RGB 123 67 44

HSL 17.47, 0.47%, 0.33%

LAB 34.82, 21.86, 24.36

 

CMYK 24 / 0 / 64 / 52

HEX #5E7B2C

RGB 94 123 44

HSL 82.03, 0.47%, 0.33%

LAB 47.91, -23.6, 38.72

 

CMYK 41 / 0 / 64 / 52

HEX #497B2C

RGB 73 123 44

HSL 97.97, 0.47%, 0.33%

LAB 46.66, -31.84, 36.98

 

CMYK 59 / 0 / 64 / 52

HEX #337B2C

RGB 51 123 44

HSL 114.68, 0.47%, 0.33%

LAB 45.7, -38.9, 35.64

 

CMYK 64 / 0 / 53 / 52

HEX #2C7B3A

RGB 44 123 58

HSL 130.63, 0.47%, 0.33%

LAB 45.64, -38.78, 28.39

 

CMYK 64 / 0 / 36 / 52

HEX #2C7B4F

RGB 44 123 79

HSL 146.58, 0.47%, 0.33%

LAB 46, -34.92, 17.13

 

CMYK 24 / 0 / 64 / 52

HEX #5E7B2C

RGB 94 123 44

HSL 82.03, 0.47%, 0.33%

LAB 47.91, -23.6, 38.72

 

CMYK 28 / 0 / 78 / 46

HEX #62891E

RGB 98 137 30

HSL 81.87, 0.64%, 0.33%

LAB 52.49, -29.79, 49.18

 

CMYK 33 / 0 / 89 / 41

HEX #659611

RGB 101 150 17

HSL 82.11, 0.8%, 0.33%

LAB 56.7, -35.16, 56.62

 

CMYK 36 / 0 / 98 / 36

HEX #69A403

RGB 105 164 3

HSL 81.99, 0.96%, 0.33%

LAB 61.27, -40.12, 62.65

 

CMYK 24 / 0 / 64 / 52

HEX #5E7B2C

RGB 94 123 44

HSL 82.03, 0.47%, 0.33%

LAB 47.91, -23.6, 38.72

 

CMYK 17 / 0 / 47 / 57

HEX #5B6E3A

RGB 91 110 58

HSL 81.92, 0.31%, 0.33%

LAB 43.77, -16.56, 26.6

 

CMYK 9 / 0 / 26 / 62

HEX #576047

RGB 87 96 71

HSL 81.6, 0.15%, 0.33%

LAB 39.32, -8.46, 13.15

 

CMYK 2 / 4 / 0 / 67

HEX #535255

RGB 83 82 85

HSL 260, 0.02%, 0.33%

LAB 35.06, 1.06, -1.61

 

CMYK 19 / 30 / 0 / 61

HEX #504563

RGB 80 69 99

HSL 262, 0.18%, 0.33%

LAB 31.49, 11.53, -15.9

 

CMYK 0 / 11 / 64 / 52

HEX #7B6E2C

RGB 123 110 44

HSL 50.13, 0.47%, 0.33%

LAB 46.37, -3.54, 37.7

 

CMYK 7 / 0 / 64 / 52

HEX #737B2C

RGB 115 123 44

HSL 66.08, 0.47%, 0.33%

LAB 49.49, -14.45, 40.88

 

CMYK 24 / 0 / 64 / 52

HEX #5E7B2C

RGB 94 123 44

HSL 82.03, 0.47%, 0.33%

LAB 47.91, -23.6, 38.72

 

CMYK 41 / 0 / 64 / 52

HEX #497B2C

RGB 73 123 44

HSL 97.97, 0.47%, 0.33%

LAB 46.66, -31.84, 36.98

 

CMYK 58 / 0 / 64 / 52

HEX #347B2C

RGB 52 123 44

HSL 113.92, 0.47%, 0.33%

LAB 45.74, -38.62, 35.69

 

CMYK 24 / 0 / 65 / 75

HEX #303F16

RGB 48 63 22

HSL 81.95, 0.48%, 0.17%

LAB 24.45, -13.91, 22.76

 

CMYK 24 / 0 / 65 / 64

HEX #475D21

RGB 71 93 33

HSL 82, 0.48%, 0.25%

LAB 36.51, -18.92, 31.01

 

CMYK 24 / 0 / 64 / 52

HEX #5E7B2C

RGB 94 123 44

HSL 82.03, 0.47%, 0.33%

LAB 47.91, -23.6, 38.72

 

CMYK 24 / 0 / 64 / 40

HEX #759A37

RGB 117 154 55

HSL 82.42, 0.47%, 0.41%

LAB 59.13, -28.53, 46.38

 

CMYK 23 / 0 / 64 / 28

HEX #8DB842

RGB 141 184 66

HSL 81.86, 0.47%, 0.49%

LAB 69.71, -32.41, 53.49

 

CMYK 24 / 0 / 64 / 52

HEX #5E7B2C

RGB 94 123 44

HSL 82.03, 0.47%, 0.33%

LAB 47.91, -23.6, 38.72

 

CMYK 64 / 0 / 28 / 52

HEX #2C7B59

RGB 44 123 89

HSL 154.18, 0.47%, 0.33%

LAB 46.21, -32.69, 11.62

 

CMYK 2 / 64 / 0 / 52

HEX #792C7B

RGB 121 44 123

HSL 298.48, 0.47%, 0.33%

LAB 32.47, 44.39, -29.15

 

CMYK 24 / 0 / 64 / 52

HEX #5E7B2C

RGB 94 123 44

HSL 82.03, 0.47%, 0.33%

LAB 47.91, -23.6, 38.72

 

CMYK 64 / 24 / 0 / 52

HEX #2C5E7B

RGB 44 94 123

HSL 202.03, 0.47%, 0.33%

LAB 37.79, -7.24, -21.34

 

CMYK 0 / 64 / 24 / 52

HEX #7B2C5E

RGB 123 44 94

HSL 322.03, 0.47%, 0.33%

LAB 31.39, 40.03, -12.33

 

CMYK 24 / 0 / 64 / 52

HEX #5E7B2C

RGB 94 123 44

HSL 82.03, 0.47%, 0.33%

LAB 47.91, -23.6, 38.72

 

CMYK 64 / 0 / 28 / 52

HEX #2C7B59

RGB 44 123 89

HSL 154.18, 0.47%, 0.33%

LAB 46.21, -32.69, 11.62

 

CMYK 41 / 64 / 0 / 52

HEX #492C7B

RGB 73 44 123

HSL 262.03, 0.47%, 0.33%

LAB 25.71, 32.02, -40.35

 

CMYK 0 / 64 / 37 / 52

HEX #7B2C4E

RGB 123 44 78

HSL 334.18, 0.47%, 0.33%

LAB 30.79, 37.81, -2.83

 

CMYK 24 / 0 / 64 / 52

HEX #5E7B2C

RGB 94 123 44

HSL 82.03, 0.47%, 0.33%

LAB 47.91, -23.6, 38.72

 

CMYK 64 / 0 / 8 / 52

HEX #2C7B71

RGB 44 123 113

HSL 172.41, 0.47%, 0.33%

LAB 46.83, -26.42, -1.64

 

CMYK 41 / 64 / 0 / 52

HEX #492C7B

RGB 73 44 123

HSL 262.03, 0.47%, 0.33%

LAB 25.71, 32.02, -40.35

 

CMYK 0 / 64 / 55 / 52

HEX #7B2C37

RGB 123 44 55

HSL 351.65, 0.47%, 0.33%

LAB 30.13, 35.3, 11.35

 

Description

Color code: HEX #5E7B2C | qconv.com Color code: HEX #5E7B2C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 123 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 123 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 64 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 64% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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