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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E7AC0 it is the complementary color #A1853F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E7AC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E7AC0 shade: #637ABB, #748CCE, #859EE1, #96B0F4 and #A7C2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E7AC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E7AC0 shade: #5E7AC0, #4D68AD, #3C569A, #2B4487 and #1A3274

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E7AC0 shade: #5D7AC0, #5D5FC0, #765DC0, #915DC0 and #AC5DC0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E7AC0 shade: #5D7AC0, #5D5FC0 and #5D5DC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E7AC0 shade matches the following richer shades: #5D7AC0, #4B72D2, #396AE4 and #2762F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E7AC0 shade: #5D7AC0, #7081AE, #82899C, #94918A and #A69978

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E7AC0 shade: #5DB0C0, #5D95C0, #5D7BC0, #5D61C0 and #745DC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E7AC0 shade: #395292, #4463B0, #5D7AC0, #7B92CC and #99ABD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E7AC0 shade: #5E7AC0, #B65DC0 and #A3C05D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E7AC0 shade: #5E7AC0, #C05D7B and #7BC05D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E7AC0 shade: #5E7AC0, #B65DC0, #C0A35D and #67C05D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E7AC0 shade: #5E7AC0, #C05DAC, #C0A35D and #5DC071

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 36 / 0 / 25

HEX #5E7AC0

RGB 94 122 192

HSL 222.86, 0.44%, 0.56%

LAB 51.96, 9.79, -39.8

 

Complementary color

CMYK 0 / 17 / 61 / 37

HEX #A1853F

RGB 161 133 63

HSL 42.86, 0.44%, 0.44%

LAB 56.79, 2.19, 41.02

 

CMYK 47 / 35 / 0 / 27

HEX #637ABB

RGB 99 122 187

HSL 224.32, 0.39%, 0.56%

LAB 52.02, 9.45, -36.82

 

CMYK 44 / 32 / 0 / 19

HEX #748CCE

RGB 116 140 206

HSL 224, 0.48%, 0.63%

LAB 58.91, 8.72, -36.74

 

CMYK 41 / 30 / 0 / 12

HEX #859EE1

RGB 133 158 225

HSL 223.7, 0.61%, 0.7%

LAB 65.65, 8.1, -36.71

 

CMYK 39 / 28 / 0 / 4

HEX #96B0F4

RGB 150 176 244

HSL 223.4, 0.81%, 0.77%

LAB 72.27, 7.57, -36.71

 

CMYK 35 / 24 / 0 / 0

HEX #A7C2FF

RGB 167 194 255

HSL 221.59, 1%, 0.83%

LAB 78.47, 5.05, -32.95

 

CMYK 51 / 36 / 0 / 25

HEX #5E7AC0

RGB 94 122 192

HSL 222.86, 0.44%, 0.56%

LAB 51.96, 9.79, -39.8

 

CMYK 55 / 40 / 0 / 32

HEX #4D68AD

RGB 77 104 173

HSL 223.13, 0.38%, 0.49%

LAB 44.94, 10.83, -39.96

 

CMYK 61 / 44 / 0 / 40

HEX #3C569A

RGB 60 86 154

HSL 223.4, 0.44%, 0.42%

LAB 37.75, 12.15, -40.17

 

CMYK 68 / 50 / 0 / 47

HEX #2B4487

RGB 43 68 135

HSL 223.7, 0.52%, 0.35%

LAB 30.39, 13.88, -40.43

 

CMYK 78 / 57 / 0 / 55

HEX #1A3274

RGB 26 50 116

HSL 224, 0.63%, 0.28%

LAB 22.87, 16.24, -40.68

 

CMYK 52 / 36 / 0 / 25

HEX #5D7AC0

RGB 93 122 192

HSL 222.42, 0.44%, 0.56%

LAB 51.9, 9.56, -39.9

 

CMYK 52 / 51 / 0 / 25

HEX #5D5FC0

RGB 93 95 192

HSL 238.79, 0.44%, 0.56%

LAB 44.68, 26.2, -51.38

 

CMYK 39 / 52 / 0 / 25

HEX #765DC0

RGB 118 93 192

HSL 255.15, 0.44%, 0.56%

LAB 46.29, 33.29, -48.69

 

CMYK 24 / 52 / 0 / 25

HEX #915DC0

RGB 145 93 192

HSL 271.52, 0.44%, 0.56%

LAB 49.07, 40.32, -44.09

 

CMYK 10 / 52 / 0 / 25

HEX #AC5DC0

RGB 172 93 192

HSL 287.88, 0.44%, 0.56%

LAB 52.29, 47.73, -38.79

 

CMYK 52 / 36 / 0 / 25

HEX #5D7AC0

RGB 93 122 192

HSL 222.42, 0.44%, 0.56%

LAB 51.9, 9.56, -39.9

 

CMYK 52 / 51 / 0 / 25

HEX #5D5FC0

RGB 93 95 192

HSL 238.79, 0.44%, 0.56%

LAB 44.68, 26.2, -51.38

 

CMYK 52 / 52 / 0 / 25

HEX #5D5DC0

RGB 93 93 192

HSL 240, 0.44%, 0.56%

LAB 44.18, 27.44, -52.19

 

CMYK 52 / 36 / 0 / 25

HEX #5D7AC0

RGB 93 122 192

HSL 222.42, 0.44%, 0.56%

LAB 51.9, 9.56, -39.9

 

CMYK 64 / 46 / 0 / 18

HEX #4B72D2

RGB 75 114 210

HSL 222.67, 0.6%, 0.56%

LAB 49.72, 16.84, -53.7

 

CMYK 75 / 54 / 0 / 11

HEX #396AE4

RGB 57 106 228

HSL 222.81, 0.76%, 0.56%

LAB 47.98, 25.75, -66.74

 

CMYK 84 / 60 / 0 / 3

HEX #2762F7

RGB 39 98 247

HSL 222.98, 0.93%, 0.56%

LAB 46.82, 36.19, -79.32

 

CMYK 52 / 36 / 0 / 25

HEX #5D7AC0

RGB 93 122 192

HSL 222.42, 0.44%, 0.56%

LAB 51.9, 9.56, -39.9

 

CMYK 36 / 26 / 0 / 32

HEX #7081AE

RGB 112 129 174

HSL 223.55, 0.28%, 0.56%

LAB 54.24, 5.04, -25.81

 

CMYK 17 / 12 / 0 / 39

HEX #82899C

RGB 130 137 156

HSL 223.85, 0.12%, 0.56%

LAB 57.11, 1.56, -10.96

 

CMYK 0 / 2 / 7 / 42

HEX #94918A

RGB 148 145 138

HSL 42, 0.04%, 0.56%

LAB 60.23, -0.2, 4.09

 

CMYK 0 / 8 / 28 / 35

HEX #A69978

RGB 166 153 120

HSL 43.04, 0.21%, 0.56%

LAB 63.55, -0.53, 19.11

 

CMYK 52 / 8 / 0 / 25

HEX #5DB0C0

RGB 93 176 192

HSL 189.7, 0.44%, 0.56%

LAB 67.41, -20.81, -15.93

 

CMYK 52 / 22 / 0 / 25

HEX #5D95C0

RGB 93 149 192

HSL 206.06, 0.44%, 0.56%

LAB 59.55, -6.25, -27.95

 

CMYK 52 / 36 / 0 / 25

HEX #5D7BC0

RGB 93 123 192

HSL 221.82, 0.44%, 0.56%

LAB 52.17, 8.95, -39.46

 

CMYK 52 / 49 / 0 / 25

HEX #5D61C0

RGB 93 97 192

HSL 237.58, 0.44%, 0.56%

LAB 45.2, 24.96, -50.56

 

CMYK 40 / 52 / 0 / 25

HEX #745DC0

RGB 116 93 192

HSL 253.94, 0.44%, 0.56%

LAB 46.11, 32.79, -48.99

 

CMYK 61 / 44 / 0 / 43

HEX #395292

RGB 57 82 146

HSL 223.15, 0.44%, 0.4%

LAB 35.95, 11.3, -38.23

 

CMYK 61 / 44 / 0 / 31

HEX #4463B0

RGB 68 99 176

HSL 222.78, 0.44%, 0.48%

LAB 43.19, 13.14, -44.52

 

CMYK 52 / 36 / 0 / 25

HEX #5D7AC0

RGB 93 122 192

HSL 222.42, 0.44%, 0.56%

LAB 51.9, 9.56, -39.9

 

CMYK 40 / 28 / 0 / 20

HEX #7B92CC

RGB 123 146 204

HSL 222.96, 0.44%, 0.64%

LAB 60.89, 6.5, -32.48

 

CMYK 29 / 20 / 0 / 16

HEX #99ABD7

RGB 153 171 215

HSL 222.58, 0.44%, 0.72%

LAB 70.04, 3.73, -24.32

 

CMYK 51 / 36 / 0 / 25

HEX #5E7AC0

RGB 94 122 192

HSL 222.86, 0.44%, 0.56%

LAB 51.96, 9.79, -39.8

 

CMYK 5 / 52 / 0 / 25

HEX #B65DC0

RGB 182 93 192

HSL 293.94, 0.44%, 0.56%

LAB 53.58, 50.52, -36.68

 

CMYK 15 / 0 / 52 / 25

HEX #A3C05D

RGB 163 192 93

HSL 77.58, 0.44%, 0.56%

LAB 73.72, -25.22, 46.18

 

CMYK 51 / 36 / 0 / 25

HEX #5E7AC0

RGB 94 122 192

HSL 222.86, 0.44%, 0.56%

LAB 51.96, 9.79, -39.8

 

CMYK 0 / 52 / 36 / 25

HEX #C05D7B

RGB 192 93 123

HSL 341.82, 0.44%, 0.56%

LAB 52.36, 42.83, 2.04

 

CMYK 36 / 0 / 52 / 25

HEX #7BC05D

RGB 123 192 93

HSL 101.82, 0.44%, 0.56%

LAB 71.35, -39.93, 42.76

 

CMYK 51 / 36 / 0 / 25

HEX #5E7AC0

RGB 94 122 192

HSL 222.86, 0.44%, 0.56%

LAB 51.96, 9.79, -39.8

 

CMYK 5 / 52 / 0 / 25

HEX #B65DC0

RGB 182 93 192

HSL 293.94, 0.44%, 0.56%

LAB 53.58, 50.52, -36.68

 

CMYK 0 / 15 / 52 / 25

HEX #C0A35D

RGB 192 163 93

HSL 42.42, 0.44%, 0.56%

LAB 68.16, 1.7, 40.04

 

CMYK 46 / 0 / 52 / 25

HEX #67C05D

RGB 103 192 93

HSL 113.94, 0.44%, 0.56%

LAB 70.44, -46.26, 41.44

 

CMYK 51 / 36 / 0 / 25

HEX #5E7AC0

RGB 94 122 192

HSL 222.86, 0.44%, 0.56%

LAB 51.96, 9.79, -39.8

 

CMYK 0 / 52 / 10 / 25

HEX #C05DAC

RGB 192 93 172

HSL 312.12, 0.44%, 0.56%

LAB 54.04, 49.87, -24.29

 

CMYK 0 / 15 / 52 / 25

HEX #C0A35D

RGB 192 163 93

HSL 42.42, 0.44%, 0.56%

LAB 68.16, 1.7, 40.04

 

CMYK 52 / 0 / 41 / 25

HEX #5DC071

RGB 93 192 113

HSL 132.12, 0.44%, 0.56%

LAB 70.33, -46.11, 31.15

 

Description

Color code: HEX #5E7AC0 | qconv.com Color code: HEX #5E7AC0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 122 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 122 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 36 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 36% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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