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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E7A24 it is the complementary color #A185DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E7A24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E7A24 shade: #637A1F, #748C32, #859E45, #96B058 and #A7C26B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E7A24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E7A24 shade: #5E7A24, #4D6811, #3C5600, #2B4400 and #1A3200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E7A24 shade: #5E7A24, #757A24, #7A6724, #7A5024 and #7A3924

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E7A24 shade: #5E7A24, #477A24, #307A24, #247A30 and #247A47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E7A24 shade matches the following richer shades: #5E7A24, #628718 and #67930B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E7A24 shade: #5E7A24, #596D31, #55603E, #51534B and #4C4758

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E7A24 shade: #7A6724, #757A24, #5F7A24, #487A24 and #317A24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E7A24 shade: #2D3A11, #455A1B, #5E7A24, #769A2E and #8FB937

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E7A24 shade: #5E7A24, #247A50 and #73247A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E7A24 shade: #5E7A24, #245F7A and #7A245F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E7A24 shade: #5E7A24, #247A50, #3F247A and #7A244E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E7A24 shade: #5E7A24, #247A6A, #3F247A and #7A2434

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 70 / 52

HEX #5E7A24

RGB 94 122 36

HSL 79.53, 0.54%, 0.31%

LAB 47.53, -23.74, 41.89

 

Complementary color

CMYK 26 / 39 / 0 / 14

HEX #A185DB

RGB 161 133 219

HSL 259.53, 0.54%, 0.69%

LAB 61.19, 28.61, -40.19

 

CMYK 19 / 0 / 75 / 52

HEX #637A1F

RGB 99 122 31

HSL 75.16, 0.59%, 0.3%

LAB 47.84, -21.92, 44.35

 

CMYK 17 / 0 / 64 / 45

HEX #748C32

RGB 116 140 50

HSL 76, 0.47%, 0.37%

LAB 54.76, -22.43, 43.86

 

CMYK 16 / 0 / 56 / 38

HEX #859E45

RGB 133 158 69

HSL 76.85, 0.39%, 0.45%

LAB 61.54, -22.77, 42.9

 

CMYK 15 / 0 / 50 / 31

HEX #96B058

RGB 150 176 88

HSL 77.73, 0.36%, 0.52%

LAB 68.2, -23, 41.78

 

CMYK 14 / 0 / 45 / 24

HEX #A7C26B

RGB 167 194 107

HSL 78.62, 0.42%, 0.59%

LAB 74.74, -23.15, 40.61

 

CMYK 23 / 0 / 70 / 52

HEX #5E7A24

RGB 94 122 36

HSL 79.53, 0.54%, 0.31%

LAB 47.53, -23.74, 41.89

 

CMYK 26 / 0 / 84 / 59

HEX #4D6811

RGB 77 104 17

HSL 78.62, 0.72%, 0.24%

LAB 40.44, -23.14, 41.82

 

CMYK 30 / 0 / 100 / 66

HEX #3C5600

RGB 60 86 0

HSL 78.14, 1%, 0.17%

LAB 33.17, -22.24, 40.31

 

CMYK 37 / 0 / 100 / 73

HEX #2B4400

RGB 43 68 0

HSL 82.06, 1%, 0.13%

LAB 25.71, -20.65, 33.8

 

CMYK 48 / 0 / 100 / 80

HEX #1A3200

RGB 26 50 0

HSL 88.8, 1%, 0.1%

LAB 17.92, -18.97, 25.18

 

CMYK 23 / 0 / 70 / 52

HEX #5E7A24

RGB 94 122 36

HSL 79.53, 0.54%, 0.31%

LAB 47.53, -23.74, 41.89

 

CMYK 4 / 0 / 70 / 52

HEX #757A24

RGB 117 122 36

HSL 63.49, 0.54%, 0.31%

LAB 49.29, -13.55, 44.25

 

CMYK 0 / 16 / 70 / 52

HEX #7A6724

RGB 122 103 36

HSL 46.74, 0.54%, 0.31%

LAB 44.18, -0.52, 39.16

 

CMYK 0 / 34 / 70 / 52

HEX #7A5024

RGB 122 80 36

HSL 30.7, 0.54%, 0.31%

LAB 37.85, 13.13, 32.37

 

CMYK 0 / 53 / 70 / 52

HEX #7A3924

RGB 122 57 36

HSL 14.65, 0.54%, 0.31%

LAB 32.24, 26.6, 26.02

 

CMYK 23 / 0 / 70 / 52

HEX #5E7A24

RGB 94 122 36

HSL 79.53, 0.54%, 0.31%

LAB 47.53, -23.74, 41.89

 

CMYK 42 / 0 / 70 / 52

HEX #477A24

RGB 71 122 36

HSL 95.58, 0.54%, 0.31%

LAB 46.16, -32.86, 40.03

 

CMYK 61 / 0 / 70 / 52

HEX #307A24

RGB 48 122 36

HSL 111.63, 0.54%, 0.31%

LAB 45.19, -40.16, 38.71

 

CMYK 70 / 0 / 61 / 52

HEX #247A30

RGB 36 122 48

HSL 128.37, 0.54%, 0.31%

LAB 44.95, -41.61, 32.7

 

CMYK 70 / 0 / 42 / 52

HEX #247A47

RGB 36 122 71

HSL 144.42, 0.54%, 0.31%

LAB 45.29, -37.77, 20.72

 

CMYK 23 / 0 / 70 / 52

HEX #5E7A24

RGB 94 122 36

HSL 79.53, 0.54%, 0.31%

LAB 47.53, -23.74, 41.89

 

CMYK 27 / 0 / 82 / 47

HEX #628718

RGB 98 135 24

HSL 80, 0.7%, 0.31%

LAB 51.83, -29.14, 50.5

 

CMYK 30 / 0 / 93 / 42

HEX #67930B

RGB 103 147 11

HSL 79.41, 0.86%, 0.31%

LAB 55.86, -33.17, 57.1

 

CMYK 23 / 0 / 70 / 52

HEX #5E7A24

RGB 94 122 36

HSL 79.53, 0.54%, 0.31%

LAB 47.53, -23.74, 41.89

 

CMYK 18 / 0 / 55 / 57

HEX #596D31

RGB 89 109 49

HSL 80, 0.38%, 0.31%

LAB 43.19, -17.95, 30.74

 

CMYK 11 / 0 / 35 / 62

HEX #55603E

RGB 85 96 62

HSL 79.41, 0.22%, 0.31%

LAB 38.98, -10.78, 18.06

 

CMYK 2 / 0 / 10 / 67

HEX #51534B

RGB 81 83 75

HSL 75, 0.05%, 0.31%

LAB 34.89, -2.48, 4.4

 

CMYK 14 / 19 / 0 / 65

HEX #4C4758

RGB 76 71 88

HSL 257.65, 0.11%, 0.31%

LAB 31.23, 5.98, -9.31

 

CMYK 0 / 16 / 70 / 52

HEX #7A6724

RGB 122 103 36

HSL 46.74, 0.54%, 0.31%

LAB 44.18, -0.52, 39.16

 

CMYK 4 / 0 / 70 / 52

HEX #757A24

RGB 117 122 36

HSL 63.49, 0.54%, 0.31%

LAB 49.29, -13.55, 44.25

 

CMYK 22 / 0 / 70 / 52

HEX #5F7A24

RGB 95 122 36

HSL 78.84, 0.54%, 0.31%

LAB 47.6, -23.31, 41.98

 

CMYK 41 / 0 / 70 / 52

HEX #487A24

RGB 72 122 36

HSL 94.88, 0.54%, 0.31%

LAB 46.21, -32.49, 40.1

 

CMYK 60 / 0 / 70 / 52

HEX #317A24

RGB 49 122 36

HSL 110.93, 0.54%, 0.31%

LAB 45.22, -39.89, 38.76

 

CMYK 22 / 0 / 71 / 77

HEX #2D3A11

RGB 45 58 17

HSL 79.02, 0.55%, 0.15%

LAB 22.39, -12.98, 23.11

 

CMYK 23 / 0 / 70 / 65

HEX #455A1B

RGB 69 90 27

HSL 80, 0.54%, 0.23%

LAB 35.31, -18.75, 32.59

 

CMYK 23 / 0 / 70 / 52

HEX #5E7A24

RGB 94 122 36

HSL 79.53, 0.54%, 0.31%

LAB 47.53, -23.74, 41.89

 

CMYK 23 / 0 / 70 / 40

HEX #769A2E

RGB 118 154 46

HSL 80, 0.54%, 0.39%

LAB 59.12, -28.81, 50.18

 

CMYK 23 / 0 / 70 / 27

HEX #8FB937

RGB 143 185 55

HSL 79.38, 0.54%, 0.47%

LAB 70.04, -32.87, 58.29

 

CMYK 23 / 0 / 70 / 52

HEX #5E7A24

RGB 94 122 36

HSL 79.53, 0.54%, 0.31%

LAB 47.53, -23.74, 41.89

 

CMYK 70 / 0 / 34 / 52

HEX #247A50

RGB 36 122 80

HSL 150.7, 0.54%, 0.31%

LAB 45.46, -35.88, 15.79

 

CMYK 6 / 70 / 0 / 52

HEX #73247A

RGB 115 36 122

HSL 295.12, 0.54%, 0.31%

LAB 30.19, 46.16, -32.21

 

CMYK 23 / 0 / 70 / 52

HEX #5E7A24

RGB 94 122 36

HSL 79.53, 0.54%, 0.31%

LAB 47.53, -23.74, 41.89

 

CMYK 70 / 22 / 0 / 52

HEX #245F7A

RGB 36 95 122

HSL 198.84, 0.54%, 0.31%

LAB 37.78, -9.69, -20.77

 

CMYK 0 / 70 / 22 / 52

HEX #7A245F

RGB 122 36 95

HSL 318.84, 0.54%, 0.31%

LAB 29.97, 43.43, -15.17

 

CMYK 23 / 0 / 70 / 52

HEX #5E7A24

RGB 94 122 36

HSL 79.53, 0.54%, 0.31%

LAB 47.53, -23.74, 41.89

 

CMYK 70 / 0 / 34 / 52

HEX #247A50

RGB 36 122 80

HSL 150.7, 0.54%, 0.31%

LAB 45.46, -35.88, 15.79

 

CMYK 48 / 70 / 0 / 52

HEX #3F247A

RGB 63 36 122

HSL 258.84, 0.54%, 0.31%

LAB 22.74, 34.24, -44.59

 

CMYK 0 / 70 / 36 / 52

HEX #7A244E

RGB 122 36 78

HSL 330.7, 0.54%, 0.31%

LAB 29.28, 41.1, -5.08

 

CMYK 23 / 0 / 70 / 52

HEX #5E7A24

RGB 94 122 36

HSL 79.53, 0.54%, 0.31%

LAB 47.53, -23.74, 41.89

 

CMYK 70 / 0 / 13 / 52

HEX #247A6A

RGB 36 122 106

HSL 168.84, 0.54%, 0.31%

LAB 46.09, -29.33, 1.39

 

CMYK 48 / 70 / 0 / 52

HEX #3F247A

RGB 63 36 122

HSL 258.84, 0.54%, 0.31%

LAB 22.74, 34.24, -44.59

 

CMYK 0 / 70 / 57 / 52

HEX #7A2434

RGB 122 36 52

HSL 348.84, 0.54%, 0.31%

LAB 28.5, 38.38, 11.09

 

Description

Color code: HEX #5E7A24 | qconv.com Color code: HEX #5E7A24 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 122 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 122 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 70 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 70% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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