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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E779B it is the complementary color #A18864. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E779B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E779B shade: #637796, #7489A9, #859BBC, #96ADCF and #A7BFE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E779B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E779B shade: #5E779B, #4D6588, #3C5375, #2B4162 and #1A2F4F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E779B shade: #5F789B, #5F679B, #675F9B, #775F9B and #875F9B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E779B shade: #5F789B, #5F679B and #5F5F9B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E779B shade matches the following richer shades: #5F789B, #4B74AF, #3770C3, #226DD8 and #0E69EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E779B shade: #5F789B, #737B87, #877F73, #9C825E and #B0864A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E779B shade: #5F989B, #5F889B, #5F789B, #5F689B and #665F9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E779B shade: #405068, #4F6481, #5F789B, #778DAC and #91A2BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E779B shade: #5E779B, #8E5F9B and #909B5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E779B shade: #5E779B, #9B5F78 and #789B5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E779B shade: #5E779B, #8E5F9B, #9B825F and #6C9B5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E779B shade: #5E779B, #9B5F96, #9B825F and #5F9B64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 23 / 0 / 39

HEX #5E779B

RGB 94 119 155

HSL 215.41, 0.24%, 0.49%

LAB 49.42, 0.43, -22.31

 

Complementary color

CMYK 0 / 16 / 38 / 37

HEX #A18864

RGB 161 136 100

HSL 35.41, 0.24%, 0.51%

LAB 58.14, 4.19, 22.87

 

CMYK 34 / 21 / 0 / 41

HEX #637796

RGB 99 119 150

HSL 216.47, 0.2%, 0.49%

LAB 49.55, 0.51, -19.15

 

CMYK 31 / 19 / 0 / 34

HEX #7489A9

RGB 116 137 169

HSL 216.23, 0.24%, 0.56%

LAB 56.55, 0.24, -19.37

 

CMYK 29 / 18 / 0 / 26

HEX #859BBC

RGB 133 155 188

HSL 216, 0.29%, 0.63%

LAB 63.39, -0, -19.61

 

CMYK 28 / 16 / 0 / 19

HEX #96ADCF

RGB 150 173 207

HSL 215.79, 0.37%, 0.7%

LAB 70.09, -0.22, -19.87

 

CMYK 26 / 15 / 0 / 11

HEX #A7BFE2

RGB 167 191 226

HSL 215.59, 0.5%, 0.77%

LAB 76.66, -0.41, -20.14

 

CMYK 39 / 23 / 0 / 39

HEX #5E779B

RGB 94 119 155

HSL 215.41, 0.24%, 0.49%

LAB 49.42, 0.43, -22.31

 

CMYK 43 / 26 / 0 / 47

HEX #4D6588

RGB 77 101 136

HSL 215.59, 0.28%, 0.42%

LAB 42.25, 0.85, -22.19

 

CMYK 49 / 29 / 0 / 54

HEX #3C5375

RGB 60 83 117

HSL 215.79, 0.32%, 0.35%

LAB 34.87, 1.39, -22.12

 

CMYK 56 / 34 / 0 / 62

HEX #2B4162

RGB 43 65 98

HSL 216, 0.39%, 0.28%

LAB 27.23, 2.14, -22.11

 

CMYK 67 / 41 / 0 / 69

HEX #1A2F4F

RGB 26 47 79

HSL 216.23, 0.5%, 0.21%

LAB 19.3, 3.27, -22.17

 

CMYK 39 / 23 / 0 / 39

HEX #5F789B

RGB 95 120 155

HSL 215, 0.24%, 0.49%

LAB 49.78, 0.12, -21.76

 

CMYK 39 / 34 / 0 / 39

HEX #5F679B

RGB 95 103 155

HSL 232, 0.24%, 0.49%

LAB 44.94, 10.41, -29.26

 

CMYK 34 / 39 / 0 / 39

HEX #675F9B

RGB 103 95 155

HSL 248, 0.24%, 0.49%

LAB 43.41, 17.69, -31.61

 

CMYK 23 / 39 / 0 / 39

HEX #775F9B

RGB 119 95 155

HSL 264, 0.24%, 0.49%

LAB 44.9, 22.56, -29.17

 

CMYK 13 / 39 / 0 / 39

HEX #875F9B

RGB 135 95 155

HSL 280, 0.24%, 0.49%

LAB 46.58, 27.65, -26.43

 

CMYK 39 / 23 / 0 / 39

HEX #5F789B

RGB 95 120 155

HSL 215, 0.24%, 0.49%

LAB 49.78, 0.12, -21.76

 

CMYK 39 / 34 / 0 / 39

HEX #5F679B

RGB 95 103 155

HSL 232, 0.24%, 0.49%

LAB 44.94, 10.41, -29.26

 

CMYK 39 / 39 / 0 / 39

HEX #5F5F9B

RGB 95 95 155

HSL 240, 0.24%, 0.49%

LAB 42.74, 15.37, -32.72

 

CMYK 39 / 23 / 0 / 39

HEX #5F789B

RGB 95 120 155

HSL 215, 0.24%, 0.49%

LAB 49.78, 0.12, -21.76

 

CMYK 57 / 34 / 0 / 31

HEX #4B74AF

RGB 75 116 175

HSL 215.4, 0.4%, 0.49%

LAB 48.36, 3.65, -35.72

 

CMYK 72 / 43 / 0 / 24

HEX #3770C3

RGB 55 112 195

HSL 215.57, 0.56%, 0.49%

LAB 47.42, 9.57, -48.85

 

CMYK 84 / 50 / 0 / 15

HEX #226DD8

RGB 34 109 216

HSL 215.27, 0.73%, 0.49%

LAB 47.28, 17.12, -61.11

 

CMYK 94 / 56 / 0 / 7

HEX #0E69EC

RGB 14 105 236

HSL 215.41, 0.89%, 0.49%

LAB 47.3, 26.37, -72.39

 

CMYK 39 / 23 / 0 / 39

HEX #5F789B

RGB 95 120 155

HSL 215, 0.24%, 0.49%

LAB 49.78, 0.12, -21.76

 

CMYK 15 / 9 / 0 / 47

HEX #737B87

RGB 115 123 135

HSL 216, 0.08%, 0.49%

LAB 51.34, -0.34, -7.54

 

CMYK 0 / 6 / 15 / 47

HEX #877F73

RGB 135 127 115

HSL 36, 0.08%, 0.49%

LAB 53.57, 0.86, 7.61

 

CMYK 0 / 17 / 40 / 39

HEX #9C825E

RGB 156 130 94

HSL 34.84, 0.25%, 0.49%

LAB 55.93, 4.73, 23.21

 

CMYK 0 / 24 / 58 / 31

HEX #B0864A

RGB 176 134 74

HSL 35.29, 0.41%, 0.49%

LAB 58.77, 9.1, 38.11

 

CMYK 39 / 2 / 0 / 39

HEX #5F989B

RGB 95 152 155

HSL 183, 0.24%, 0.49%

LAB 59.21, -17.82, -7.49

 

CMYK 39 / 12 / 0 / 39

HEX #5F889B

RGB 95 136 155

HSL 199, 0.24%, 0.49%

LAB 54.46, -9.1, -14.62

 

CMYK 39 / 23 / 0 / 39

HEX #5F789B

RGB 95 120 155

HSL 215, 0.24%, 0.49%

LAB 49.78, 0.12, -21.76

 

CMYK 39 / 33 / 0 / 39

HEX #5F689B

RGB 95 104 155

HSL 231, 0.24%, 0.49%

LAB 45.22, 9.79, -28.83

 

CMYK 34 / 39 / 0 / 39

HEX #665F9B

RGB 102 95 155

HSL 247, 0.24%, 0.49%

LAB 43.32, 17.39, -31.76

 

CMYK 38 / 23 / 0 / 59

HEX #405068

RGB 64 80 104

HSL 216, 0.24%, 0.33%

LAB 33.62, 0.41, -15.9

 

CMYK 39 / 22 / 0 / 49

HEX #4F6481

RGB 79 100 129

HSL 214.8, 0.24%, 0.41%

LAB 41.79, -0.04, -18.68

 

CMYK 39 / 23 / 0 / 39

HEX #5F789B

RGB 95 120 155

HSL 215, 0.24%, 0.49%

LAB 49.78, 0.12, -21.76

 

CMYK 31 / 18 / 0 / 33

HEX #778DAC

RGB 119 141 172

HSL 215.09, 0.24%, 0.57%

LAB 57.99, -0.37, -18.87

 

CMYK 23 / 14 / 0 / 26

HEX #91A2BC

RGB 145 162 188

HSL 216.28, 0.24%, 0.65%

LAB 66.13, -0.21, -15.38

 

CMYK 39 / 23 / 0 / 39

HEX #5E779B

RGB 94 119 155

HSL 215.41, 0.24%, 0.49%

LAB 49.42, 0.43, -22.31

 

CMYK 8 / 39 / 0 / 39

HEX #8E5F9B

RGB 142 95 155

HSL 287, 0.24%, 0.49%

LAB 47.37, 29.92, -25.14

 

CMYK 7 / 0 / 39 / 39

HEX #909B5F

RGB 144 155 95

HSL 71, 0.24%, 0.49%

LAB 61.82, -13.87, 30.15

 

CMYK 39 / 23 / 0 / 39

HEX #5E779B

RGB 94 119 155

HSL 215.41, 0.24%, 0.49%

LAB 49.42, 0.43, -22.31

 

CMYK 0 / 39 / 23 / 39

HEX #9B5F78

RGB 155 95 120

HSL 335, 0.24%, 0.49%

LAB 47.64, 27.98, -3.69

 

CMYK 23 / 0 / 39 / 39

HEX #789B5F

RGB 120 155 95

HSL 95, 0.24%, 0.49%

LAB 60.12, -23.32, 27.62

 

CMYK 39 / 23 / 0 / 39

HEX #5E779B

RGB 94 119 155

HSL 215.41, 0.24%, 0.49%

LAB 49.42, 0.43, -22.31

 

CMYK 8 / 39 / 0 / 39

HEX #8E5F9B

RGB 142 95 155

HSL 287, 0.24%, 0.49%

LAB 47.37, 29.92, -25.14

 

CMYK 0 / 16 / 39 / 39

HEX #9B825F

RGB 155 130 95

HSL 35, 0.24%, 0.49%

LAB 55.85, 4.43, 22.52

 

CMYK 30 / 0 / 39 / 39

HEX #6C9B5F

RGB 108 155 95

HSL 107, 0.24%, 0.49%

LAB 59.4, -27.73, 26.53

 

CMYK 39 / 23 / 0 / 39

HEX #5E779B

RGB 94 119 155

HSL 215.41, 0.24%, 0.49%

LAB 49.42, 0.43, -22.31

 

CMYK 0 / 39 / 3 / 39

HEX #9B5F96

RGB 155 95 150

HSL 305, 0.24%, 0.49%

LAB 48.7, 33.2, -19.99

 

CMYK 0 / 16 / 39 / 39

HEX #9B825F

RGB 155 130 95

HSL 35, 0.24%, 0.49%

LAB 55.85, 4.43, 22.52

 

CMYK 39 / 0 / 35 / 39

HEX #5F9B64

RGB 95 155 100

HSL 125, 0.24%, 0.49%

LAB 58.78, -31.33, 22.87

 

Description

Color code: HEX #5E779B | qconv.com Color code: HEX #5E779B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 119 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 119 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 23 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 23% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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