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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E7519 it is the complementary color #A18AE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E7519. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E7519 shade: #637514, #748727, #85993A, #96AB4D and #A7BD60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E7519. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E7519 shade: #5E7519, #4D6306, #3C5100, #2B3F00 and #1A2D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E7519 shade: #5F7619, #767419, #765B19, #764219 and #762919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E7519 shade: #5F7619, #467619, #2D7619, #19761E and #197637

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E7519 shade matches the following richer shades: #5F7619, #64810D and #6A8D02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E7519 shade: #5F7619, #596A25, #535F30, #4D533C and #474847

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E7519 shade: #765C19, #767419, #5F7619, #467619 and #2D7619

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E7519 shade: #28320B, #435412, #5F7619, #7A9820 and #95BA27

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E7519 shade: #5E7519, #197643 and #681976

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E7519 shade: #5E7519, #195F76 and #76195F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E7519 shade: #5E7519, #197643, #301976 and #76194C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E7519 shade: #5E7519, #19765F, #301976 and #761930

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 79 / 54

HEX #5E7519

RGB 94 117 25

HSL 75, 0.65%, 0.28%

LAB 45.87, -21.89, 44.57

 

Complementary color

CMYK 30 / 40 / 0 / 10

HEX #A18AE6

RGB 161 138 230

HSL 255, 0.65%, 0.72%

LAB 62.9, 28.48, -43.63

 

CMYK 15 / 0 / 83 / 54

HEX #637514

RGB 99 117 20

HSL 71.13, 0.71%, 0.27%

LAB 46.21, -19.9, 46.68

 

CMYK 14 / 0 / 71 / 47

HEX #748727

RGB 116 135 39

HSL 71.88, 0.55%, 0.34%

LAB 53.15, -20.67, 46.89

 

CMYK 13 / 0 / 62 / 40

HEX #85993A

RGB 133 153 58

HSL 72.63, 0.45%, 0.41%

LAB 59.96, -21.2, 46.25

 

CMYK 12 / 0 / 55 / 33

HEX #96AB4D

RGB 150 171 77

HSL 73.4, 0.38%, 0.49%

LAB 66.63, -21.58, 45.27

 

CMYK 12 / 0 / 49 / 26

HEX #A7BD60

RGB 167 189 96

HSL 74.19, 0.41%, 0.56%

LAB 73.19, -21.86, 44.15

 

CMYK 20 / 0 / 79 / 54

HEX #5E7519

RGB 94 117 25

HSL 75, 0.65%, 0.28%

LAB 45.87, -21.89, 44.57

 

CMYK 22 / 0 / 94 / 61

HEX #4D6306

RGB 77 99 6

HSL 74.19, 0.89%, 0.21%

LAB 38.75, -21.01, 43.41

 

CMYK 26 / 0 / 100 / 68

HEX #3C5100

RGB 60 81 0

HSL 75.56, 1%, 0.16%

LAB 31.45, -19.65, 39

 

CMYK 32 / 0 / 100 / 75

HEX #2B3F00

RGB 43 63 0

HSL 79.05, 1%, 0.12%

LAB 23.9, -18.03, 32.06

 

CMYK 42 / 0 / 100 / 82

HEX #1A2D00

RGB 26 45 0

HSL 85.33, 1%, 0.09%

LAB 15.99, -16.35, 22.8

 

CMYK 19 / 0 / 79 / 54

HEX #5F7619

RGB 95 118 25

HSL 74.84, 0.65%, 0.28%

LAB 46.26, -21.97, 44.96

 

CMYK 0 / 2 / 79 / 54

HEX #767419

RGB 118 116 25

HSL 58.71, 0.65%, 0.28%

LAB 47.51, -10.38, 46.8

 

CMYK 0 / 23 / 79 / 54

HEX #765B19

RGB 118 91 25

HSL 42.58, 0.65%, 0.28%

LAB 40.25, 4.02, 39.99

 

CMYK 0 / 44 / 79 / 54

HEX #764219

RGB 118 66 25

HSL 26.45, 0.65%, 0.28%

LAB 33.6, 19.01, 33.44

 

CMYK 0 / 65 / 79 / 54

HEX #762919

RGB 118 41 25

HSL 10.32, 0.65%, 0.28%

LAB 28.13, 32.83, 27.75

 

CMYK 19 / 0 / 79 / 54

HEX #5F7619

RGB 95 118 25

HSL 74.84, 0.65%, 0.28%

LAB 46.26, -21.97, 44.96

 

CMYK 41 / 0 / 79 / 54

HEX #467619

RGB 70 118 25

HSL 90.97, 0.65%, 0.28%

LAB 44.7, -32.24, 42.93

 

CMYK 62 / 0 / 79 / 54

HEX #2D7619

RGB 45 118 25

HSL 107.1, 0.65%, 0.28%

LAB 43.63, -40.35, 41.52

 

CMYK 79 / 0 / 75 / 54

HEX #19761E

RGB 25 118 30

HSL 123.23, 0.65%, 0.28%

LAB 43.15, -44.24, 38.92

 

CMYK 79 / 0 / 53 / 54

HEX #197637

RGB 25 118 55

HSL 139.35, 0.65%, 0.28%

LAB 43.42, -41, 27.15

 

CMYK 19 / 0 / 79 / 54

HEX #5F7619

RGB 95 118 25

HSL 74.84, 0.65%, 0.28%

LAB 46.26, -21.97, 44.96

 

CMYK 22 / 0 / 90 / 49

HEX #64810D

RGB 100 129 13

HSL 75, 0.82%, 0.28%

LAB 50.02, -25.8, 51.83

 

CMYK 25 / 0 / 99 / 45

HEX #6A8D02

RGB 106 141 2

HSL 75.11, 0.97%, 0.28%

LAB 54.15, -29.33, 57.3

 

CMYK 19 / 0 / 79 / 54

HEX #5F7619

RGB 95 118 25

HSL 74.84, 0.65%, 0.28%

LAB 46.26, -21.97, 44.96

 

CMYK 16 / 0 / 65 / 58

HEX #596A25

RGB 89 106 37

HSL 74.78, 0.48%, 0.28%

LAB 42.1, -17.52, 35.57

 

CMYK 13 / 0 / 49 / 63

HEX #535F30

RGB 83 95 48

HSL 75.32, 0.33%, 0.28%

LAB 38.26, -13.03, 25.24

 

CMYK 7 / 0 / 28 / 67

HEX #4D533C

RGB 77 83 60

HSL 75.65, 0.16%, 0.28%

LAB 34.17, -6.98, 12.71

 

CMYK 1 / 0 / 1 / 72

HEX #474847

RGB 71 72 71

HSL 120, 0.01%, 0.28%

LAB 30.47, -0.63, 0.45

 

CMYK 0 / 22 / 79 / 54

HEX #765C19

RGB 118 92 25

HSL 43.23, 0.65%, 0.28%

LAB 40.53, 3.43, 40.26

 

CMYK 0 / 2 / 79 / 54

HEX #767419

RGB 118 116 25

HSL 58.71, 0.65%, 0.28%

LAB 47.51, -10.38, 46.8

 

CMYK 19 / 0 / 79 / 54

HEX #5F7619

RGB 95 118 25

HSL 74.84, 0.65%, 0.28%

LAB 46.26, -21.97, 44.96

 

CMYK 41 / 0 / 79 / 54

HEX #467619

RGB 70 118 25

HSL 90.97, 0.65%, 0.28%

LAB 44.7, -32.24, 42.93

 

CMYK 62 / 0 / 79 / 54

HEX #2D7619

RGB 45 118 25

HSL 107.1, 0.65%, 0.28%

LAB 43.63, -40.35, 41.52

 

CMYK 20 / 0 / 78 / 80

HEX #28320B

RGB 40 50 11

HSL 75.38, 0.64%, 0.12%

LAB 19.04, -11.27, 22.26

 

CMYK 20 / 0 / 79 / 67

HEX #435412

RGB 67 84 18

HSL 75.45, 0.65%, 0.2%

LAB 33.09, -17.09, 34.26

 

CMYK 19 / 0 / 79 / 54

HEX #5F7619

RGB 95 118 25

HSL 74.84, 0.65%, 0.28%

LAB 46.26, -21.97, 44.96

 

CMYK 20 / 0 / 79 / 40

HEX #7A9820

RGB 122 152 32

HSL 75, 0.65%, 0.36%

LAB 58.69, -26.99, 54.89

 

CMYK 20 / 0 / 79 / 27

HEX #95BA27

RGB 149 186 39

HSL 75.1, 0.65%, 0.44%

LAB 70.63, -31.78, 64.35

 

CMYK 20 / 0 / 79 / 54

HEX #5E7519

RGB 94 117 25

HSL 75, 0.65%, 0.28%

LAB 45.87, -21.89, 44.57

 

CMYK 79 / 0 / 43 / 54

HEX #197643

RGB 25 118 67

HSL 147.1, 0.65%, 0.28%

LAB 43.61, -38.8, 20.74

 

CMYK 12 / 79 / 0 / 54

HEX #681976

RGB 104 25 118

HSL 290.97, 0.65%, 0.28%

LAB 26.58, 47.08, -35.54

 

CMYK 20 / 0 / 79 / 54

HEX #5E7519

RGB 94 117 25

HSL 75, 0.65%, 0.28%

LAB 45.87, -21.89, 44.57

 

CMYK 79 / 19 / 0 / 54

HEX #195F76

RGB 25 95 118

HSL 194.84, 0.65%, 0.28%

LAB 37.3, -12.79, -19.09

 

CMYK 0 / 79 / 19 / 54

HEX #76195F

RGB 118 25 95

HSL 314.84, 0.65%, 0.28%

LAB 27.77, 46.46, -18.64

 

CMYK 20 / 0 / 79 / 54

HEX #5E7519

RGB 94 117 25

HSL 75, 0.65%, 0.28%

LAB 45.87, -21.89, 44.57

 

CMYK 79 / 0 / 43 / 54

HEX #197643

RGB 25 118 67

HSL 147.1, 0.65%, 0.28%

LAB 43.61, -38.8, 20.74

 

CMYK 59 / 79 / 0 / 54

HEX #301976

RGB 48 25 118

HSL 254.84, 0.65%, 0.28%

LAB 18.5, 36.56, -49.03

 

CMYK 0 / 79 / 36 / 54

HEX #76194C

RGB 118 25 76

HSL 327.1, 0.65%, 0.28%

LAB 26.93, 43.89, -7.36

 

CMYK 20 / 0 / 79 / 54

HEX #5E7519

RGB 94 117 25

HSL 75, 0.65%, 0.28%

LAB 45.87, -21.89, 44.57

 

CMYK 79 / 0 / 19 / 54

HEX #19765F

RGB 25 118 95

HSL 165.16, 0.65%, 0.28%

LAB 44.22, -32.13, 5.2

 

CMYK 59 / 79 / 0 / 54

HEX #301976

RGB 48 25 118

HSL 254.84, 0.65%, 0.28%

LAB 18.5, 36.56, -49.03

 

CMYK 0 / 79 / 59 / 54

HEX #761930

RGB 118 25 48

HSL 345.16, 0.65%, 0.28%

LAB 26.04, 41.08, 10.29

 

Description

Color code: HEX #5E7519 | qconv.com Color code: HEX #5E7519 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 117 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 117 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 79 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 79% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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