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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E731E it is the complementary color #A18CE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E731E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E731E shade: #637319, #74852C, #85973F, #96A952 and #A7BB65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E731E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E731E shade: #5E731E, #4D610B, #3C4F00, #2B3D00 and #1A2B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E731E shade: #5D721D, #72701D, #72591D, #72421D and #722B1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E731E shade: #5D721D, #46721D, #2F721D, #1D7222 and #1D7239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E731E shade matches the following richer shades: #5D721D, #637D12 and #688906

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E731E shade: #5D721D, #576629, #515A34, #4B4F40 and #45434B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E731E shade: #72581D, #726F1D, #5E721D, #47721D and #31721D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E731E shade: #27300C, #425115, #5D721D, #789226 and #92B32E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E731E shade: #5E731E, #1D7242 and #631D72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E731E shade: #5E731E, #1D5E72 and #721D5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E731E shade: #5E731E, #1D7242, #311D72 and #721D4D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E731E shade: #5E731E, #1D725B, #311D72 and #721D34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 74 / 55

HEX #5E731E

RGB 94 115 30

HSL 74.82, 0.59%, 0.28%

LAB 45.27, -20.57, 42.08

 

Complementary color

CMYK 28 / 38 / 0 / 12

HEX #A18CE1

RGB 161 140 225

HSL 254.82, 0.59%, 0.72%

LAB 63.15, 26.09, -40.46

 

CMYK 14 / 0 / 78 / 55

HEX #637319

RGB 99 115 25

HSL 70.67, 0.64%, 0.27%

LAB 45.61, -18.62, 44.45

 

CMYK 13 / 0 / 67 / 48

HEX #74852C

RGB 116 133 44

HSL 71.46, 0.5%, 0.35%

LAB 52.59, -19.3, 44.2

 

CMYK 12 / 0 / 58 / 41

HEX #85973F

RGB 133 151 63

HSL 72.27, 0.41%, 0.42%

LAB 59.41, -19.77, 43.34

 

CMYK 11 / 0 / 51 / 34

HEX #96A952

RGB 150 169 82

HSL 73.1, 0.35%, 0.49%

LAB 66.11, -20.1, 42.24

 

CMYK 11 / 0 / 46 / 27

HEX #A7BB65

RGB 167 187 101

HSL 73.95, 0.39%, 0.56%

LAB 72.69, -20.34, 41.08

 

CMYK 18 / 0 / 74 / 55

HEX #5E731E

RGB 94 115 30

HSL 74.82, 0.59%, 0.28%

LAB 45.27, -20.57, 42.08

 

CMYK 21 / 0 / 89 / 62

HEX #4D610B

RGB 77 97 11

HSL 73.95, 0.8%, 0.21%

LAB 38.11, -19.78, 41.55

 

CMYK 24 / 0 / 100 / 69

HEX #3C4F00

RGB 60 79 0

HSL 74.43, 1%, 0.15%

LAB 30.77, -18.58, 38.48

 

CMYK 30 / 0 / 100 / 76

HEX #2B3D00

RGB 43 61 0

HSL 77.7, 1%, 0.12%

LAB 23.17, -16.95, 31.33

 

CMYK 40 / 0 / 100 / 83

HEX #1A2B00

RGB 26 43 0

HSL 83.72, 1%, 0.08%

LAB 15.21, -15.26, 21.82

 

CMYK 18 / 0 / 75 / 55

HEX #5D721D

RGB 93 114 29

HSL 74.82, 0.59%, 0.28%

LAB 44.87, -20.55, 42.07

 

CMYK 0 / 2 / 75 / 55

HEX #72701D

RGB 114 112 29

HSL 58.59, 0.59%, 0.28%

LAB 45.98, -9.84, 43.74

 

CMYK 0 / 22 / 75 / 55

HEX #72591D

RGB 114 89 29

HSL 42.35, 0.59%, 0.28%

LAB 39.26, 3.49, 37.07

 

CMYK 0 / 42 / 75 / 55

HEX #72421D

RGB 114 66 29

HSL 26.12, 0.59%, 0.28%

LAB 33.05, 17.37, 30.59

 

CMYK 0 / 62 / 75 / 55

HEX #722B1D

RGB 114 43 29

HSL 9.88, 0.59%, 0.28%

LAB 27.83, 30.43, 24.8

 

CMYK 18 / 0 / 75 / 55

HEX #5D721D

RGB 93 114 29

HSL 74.82, 0.59%, 0.28%

LAB 44.87, -20.55, 42.07

 

CMYK 39 / 0 / 75 / 55

HEX #46721D

RGB 70 114 29

HSL 91.06, 0.59%, 0.28%

LAB 43.4, -30.13, 40.1

 

CMYK 59 / 0 / 75 / 55

HEX #2F721D

RGB 47 114 29

HSL 107.29, 0.59%, 0.28%

LAB 42.35, -37.9, 38.7

 

CMYK 75 / 0 / 70 / 55

HEX #1D7222

RGB 29 114 34

HSL 123.53, 0.59%, 0.28%

LAB 41.86, -41.71, 35.87

 

CMYK 75 / 0 / 50 / 55

HEX #1D7239

RGB 29 114 57

HSL 139.76, 0.59%, 0.28%

LAB 42.14, -38.44, 24.48

 

CMYK 18 / 0 / 75 / 55

HEX #5D721D

RGB 93 114 29

HSL 74.82, 0.59%, 0.28%

LAB 44.87, -20.55, 42.07

 

CMYK 21 / 0 / 86 / 51

HEX #637D12

RGB 99 125 18

HSL 74.58, 0.75%, 0.28%

LAB 48.71, -24.08, 49.47

 

CMYK 24 / 0 / 96 / 46

HEX #688906

RGB 104 137 6

HSL 75.11, 0.92%, 0.28%

LAB 52.78, -28.16, 55.47

 

CMYK 18 / 0 / 75 / 55

HEX #5D721D

RGB 93 114 29

HSL 74.82, 0.59%, 0.28%

LAB 44.87, -20.55, 42.07

 

CMYK 15 / 0 / 60 / 60

HEX #576629

RGB 87 102 41

HSL 74.75, 0.43%, 0.28%

LAB 40.72, -15.89, 32

 

CMYK 10 / 0 / 42 / 65

HEX #515A34

RGB 81 90 52

HSL 74.21, 0.27%, 0.28%

LAB 36.57, -10.55, 20.78

 

CMYK 5 / 0 / 19 / 69

HEX #4B4F40

RGB 75 79 64

HSL 76, 0.1%, 0.28%

LAB 32.83, -4.71, 8.33

 

CMYK 8 / 11 / 0 / 71

HEX #45434B

RGB 69 67 75

HSL 255, 0.06%, 0.28%

LAB 28.87, 2.66, -4.52

 

CMYK 0 / 23 / 75 / 55

HEX #72581D

RGB 114 88 29

HSL 41.65, 0.59%, 0.28%

LAB 38.98, 4.09, 36.79

 

CMYK 0 / 3 / 75 / 55

HEX #726F1D

RGB 114 111 29

HSL 57.88, 0.59%, 0.28%

LAB 45.68, -9.28, 43.45

 

CMYK 18 / 0 / 75 / 55

HEX #5E721D

RGB 94 114 29

HSL 74.12, 0.59%, 0.28%

LAB 44.95, -20.11, 42.16

 

CMYK 38 / 0 / 75 / 55

HEX #47721D

RGB 71 114 29

HSL 90.35, 0.59%, 0.28%

LAB 43.45, -29.74, 40.18

 

CMYK 57 / 0 / 75 / 55

HEX #31721D

RGB 49 114 29

HSL 105.88, 0.59%, 0.28%

LAB 42.42, -37.32, 38.8

 

CMYK 19 / 0 / 75 / 81

HEX #27300C

RGB 39 48 12

HSL 75, 0.6%, 0.12%

LAB 18.24, -10.47, 20.85

 

CMYK 19 / 0 / 74 / 68

HEX #425115

RGB 66 81 21

HSL 75, 0.59%, 0.2%

LAB 32.03, -15.7, 31.87

 

CMYK 18 / 0 / 75 / 55

HEX #5D721D

RGB 93 114 29

HSL 74.82, 0.59%, 0.28%

LAB 44.87, -20.55, 42.07

 

CMYK 18 / 0 / 74 / 43

HEX #789226

RGB 120 146 38

HSL 74.44, 0.59%, 0.36%

LAB 56.77, -24.57, 50.96

 

CMYK 18 / 0 / 74 / 30

HEX #92B32E

RGB 146 179 46

HSL 74.89, 0.59%, 0.44%

LAB 68.42, -29.36, 60

 

CMYK 18 / 0 / 74 / 55

HEX #5E731E

RGB 94 115 30

HSL 74.82, 0.59%, 0.28%

LAB 45.27, -20.57, 42.08

 

CMYK 75 / 0 / 42 / 55

HEX #1D7242

RGB 29 114 66

HSL 146.12, 0.59%, 0.28%

LAB 42.29, -36.73, 19.6

 

CMYK 13 / 75 / 0 / 55

HEX #631D72

RGB 99 29 114

HSL 289.41, 0.59%, 0.28%

LAB 26, 43.63, -33.96

 

CMYK 18 / 0 / 74 / 55

HEX #5E731E

RGB 94 115 30

HSL 74.82, 0.59%, 0.28%

LAB 45.27, -20.57, 42.08

 

CMYK 75 / 18 / 0 / 55

HEX #1D5E72

RGB 29 94 114

HSL 194.12, 0.59%, 0.28%

LAB 36.9, -13.09, -17.23

 

CMYK 0 / 75 / 18 / 55

HEX #721D5E

RGB 114 29 94

HSL 314.12, 0.59%, 0.28%

LAB 27.47, 43.83, -18.5

 

CMYK 18 / 0 / 74 / 55

HEX #5E731E

RGB 94 115 30

HSL 74.82, 0.59%, 0.28%

LAB 45.27, -20.57, 42.08

 

CMYK 75 / 0 / 42 / 55

HEX #1D7242

RGB 29 114 66

HSL 146.12, 0.59%, 0.28%

LAB 42.29, -36.73, 19.6

 

CMYK 57 / 75 / 0 / 55

HEX #311D72

RGB 49 29 114

HSL 254.12, 0.59%, 0.28%

LAB 19, 33.23, -45.63

 

CMYK 0 / 75 / 32 / 55

HEX #721D4D

RGB 114 29 77

HSL 326.12, 0.59%, 0.28%

LAB 26.71, 41.39, -8.43

 

CMYK 18 / 0 / 74 / 55

HEX #5E731E

RGB 94 115 30

HSL 74.82, 0.59%, 0.28%

LAB 45.27, -20.57, 42.08

 

CMYK 75 / 0 / 20 / 55

HEX #1D725B

RGB 29 114 91

HSL 163.76, 0.59%, 0.28%

LAB 42.84, -30.8, 5.63

 

CMYK 57 / 75 / 0 / 55

HEX #311D72

RGB 49 29 114

HSL 254.12, 0.59%, 0.28%

LAB 19, 33.23, -45.63

 

CMYK 0 / 75 / 54 / 55

HEX #721D34

RGB 114 29 52

HSL 343.76, 0.59%, 0.28%

LAB 25.87, 38.62, 7.21

 

Description

Color code: HEX #5E731E | qconv.com Color code: HEX #5E731E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 115 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 115 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 74 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 74% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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