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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E72AF it is the complementary color #A18D50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E72AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E72AF shade: #6372AA, #7484BD, #8596D0, #96A8E3 and #A7BAF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E72AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E72AF shade: #5E72AF, #4D609C, #3C4E89, #2B3C76 and #1A2A63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E72AF shade: #5E72AF, #605EAF, #765EAF, #8C5EAF and #A25EAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E72AF shade: #5E72AF and #5E5EAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E72AF shade matches the following richer shades: #5E72AF, #4B68C3, #375ED6, #2455EA and #104BFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E72AF shade: #5E72AF, #717C9C, #858689, #988F75 and #AB9962

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E72AF shade: #5E9EAF, #5E88AF, #5E72AF, #5F5EAF and #755EAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E72AF shade: #3D4D7D, #4B5E99, #5E72AF, #7A8ABD and #95A2CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E72AF shade: #5E72AF, #AB5EAF and #93AF5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E72AF shade: #5E72AF, #AF5E72 and #72AF5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E72AF shade: #5E72AF, #AB5EAF, #AF9B5E and #62AF5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E72AF shade: #5E72AF, #AF5E9B, #AF9B5E and #5EAF72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 35 / 0 / 31

HEX #5E72AF

RGB 94 114 175

HSL 225.19, 0.34%, 0.53%

LAB 48.9, 9.37, -34.81

 

Complementary color

CMYK 0 / 12 / 50 / 37

HEX #A18D50

RGB 161 141 80

HSL 45.19, 0.34%, 0.47%

LAB 59.16, -0.79, 35.09

 

CMYK 42 / 33 / 0 / 33

HEX #6372AA

RGB 99 114 170

HSL 227.32, 0.29%, 0.53%

LAB 48.99, 9.19, -31.72

 

CMYK 39 / 30 / 0 / 26

HEX #7484BD

RGB 116 132 189

HSL 226.85, 0.36%, 0.6%

LAB 55.98, 8.56, -31.69

 

CMYK 36 / 28 / 0 / 18

HEX #8596D0

RGB 133 150 208

HSL 226.4, 0.44%, 0.67%

LAB 62.8, 8.03, -31.7

 

CMYK 34 / 26 / 0 / 11

HEX #96A8E3

RGB 150 168 227

HSL 225.97, 0.58%, 0.74%

LAB 69.49, 7.57, -31.75

 

CMYK 32 / 24 / 0 / 4

HEX #A7BAF6

RGB 167 186 246

HSL 225.57, 0.81%, 0.81%

LAB 76.06, 7.16, -31.84

 

CMYK 46 / 35 / 0 / 31

HEX #5E72AF

RGB 94 114 175

HSL 225.19, 0.34%, 0.53%

LAB 48.9, 9.37, -34.81

 

CMYK 51 / 38 / 0 / 39

HEX #4D609C

RGB 77 96 156

HSL 225.57, 0.34%, 0.46%

LAB 41.76, 10.26, -34.95

 

CMYK 56 / 43 / 0 / 46

HEX #3C4E89

RGB 60 78 137

HSL 225.97, 0.39%, 0.39%

LAB 34.43, 11.4, -35.15

 

CMYK 64 / 49 / 0 / 54

HEX #2B3C76

RGB 43 60 118

HSL 226.4, 0.47%, 0.32%

LAB 26.89, 12.92, -35.43

 

CMYK 74 / 58 / 0 / 61

HEX #1A2A63

RGB 26 42 99

HSL 226.85, 0.58%, 0.25%

LAB 19.13, 15.04, -35.74

 

CMYK 46 / 35 / 0 / 31

HEX #5E72AF

RGB 94 114 175

HSL 225.19, 0.34%, 0.53%

LAB 48.9, 9.37, -34.81

 

CMYK 45 / 46 / 0 / 31

HEX #605EAF

RGB 96 94 175

HSL 241.48, 0.34%, 0.53%

LAB 43.64, 22.24, -43.12

 

CMYK 33 / 46 / 0 / 31

HEX #765EAF

RGB 118 94 175

HSL 257.78, 0.34%, 0.53%

LAB 45.57, 28.05, -39.93

 

CMYK 20 / 46 / 0 / 31

HEX #8C5EAF

RGB 140 94 175

HSL 274.07, 0.34%, 0.53%

LAB 47.85, 34.35, -36.18

 

CMYK 7 / 46 / 0 / 31

HEX #A25EAF

RGB 162 94 175

HSL 290.37, 0.34%, 0.53%

LAB 50.43, 40.88, -31.95

 

CMYK 46 / 35 / 0 / 31

HEX #5E72AF

RGB 94 114 175

HSL 225.19, 0.34%, 0.53%

LAB 48.9, 9.37, -34.81

 

CMYK 46 / 46 / 0 / 31

HEX #5E5EAF

RGB 94 94 175

HSL 240, 0.34%, 0.53%

LAB 43.48, 21.74, -43.38

 

CMYK 46 / 35 / 0 / 31

HEX #5E72AF

RGB 94 114 175

HSL 225.19, 0.34%, 0.53%

LAB 48.9, 9.37, -34.81

 

CMYK 62 / 47 / 0 / 24

HEX #4B68C3

RGB 75 104 195

HSL 225.5, 0.5%, 0.53%

LAB 46.09, 17.9, -50.92

 

CMYK 74 / 56 / 0 / 16

HEX #375ED6

RGB 55 94 214

HSL 225.28, 0.66%, 0.53%

LAB 43.76, 28.03, -65.65

 

CMYK 85 / 64 / 0 / 8

HEX #2455EA

RGB 36 85 234

HSL 225.15, 0.83%, 0.53%

LAB 42.48, 39.4, -79.13

 

CMYK 94 / 70 / 0 / 1

HEX #104BFD

RGB 16 75 253

HSL 225.06, 0.98%, 0.53%

LAB 41.59, 51.44, -91.29

 

CMYK 46 / 35 / 0 / 31

HEX #5E72AF

RGB 94 114 175

HSL 225.19, 0.34%, 0.53%

LAB 48.9, 9.37, -34.81

 

CMYK 28 / 21 / 0 / 39

HEX #717C9C

RGB 113 124 156

HSL 224.65, 0.18%, 0.53%

LAB 52.2, 3.5, -18.52

 

CMYK 3 / 2 / 0 / 46

HEX #858689

RGB 133 134 137

HSL 225, 0.02%, 0.53%

LAB 55.93, 0.23, -1.74

 

CMYK 0 / 6 / 23 / 40

HEX #988F75

RGB 152 143 117

HSL 44.57, 0.15%, 0.53%

LAB 59.53, -1.06, 15.06

 

CMYK 0 / 11 / 43 / 33

HEX #AB9962

RGB 171 153 98

HSL 45.21, 0.3%, 0.53%

LAB 63.61, -1.24, 31.29

 

CMYK 46 / 10 / 0 / 31

HEX #5E9EAF

RGB 94 158 175

HSL 192.59, 0.34%, 0.53%

LAB 61.59, -15.89, -15.24

 

CMYK 46 / 22 / 0 / 31

HEX #5E88AF

RGB 94 136 175

HSL 208.89, 0.34%, 0.53%

LAB 55.16, -3.69, -25.06

 

CMYK 46 / 35 / 0 / 31

HEX #5E72AF

RGB 94 114 175

HSL 225.19, 0.34%, 0.53%

LAB 48.9, 9.37, -34.81

 

CMYK 46 / 46 / 0 / 31

HEX #5F5EAF

RGB 95 94 175

HSL 240.74, 0.34%, 0.53%

LAB 43.56, 21.99, -43.25

 

CMYK 33 / 46 / 0 / 31

HEX #755EAF

RGB 117 94 175

HSL 257.04, 0.34%, 0.53%

LAB 45.47, 27.78, -40.09

 

CMYK 51 / 38 / 0 / 51

HEX #3D4D7D

RGB 61 77 125

HSL 225, 0.34%, 0.36%

LAB 33.52, 8.19, -29.19

 

CMYK 51 / 39 / 0 / 40

HEX #4B5E99

RGB 75 94 153

HSL 225.38, 0.34%, 0.45%

LAB 40.9, 10.06, -34.52

 

CMYK 46 / 35 / 0 / 31

HEX #5E72AF

RGB 94 114 175

HSL 225.19, 0.34%, 0.53%

LAB 48.9, 9.37, -34.81

 

CMYK 35 / 27 / 0 / 26

HEX #7A8ABD

RGB 122 138 189

HSL 225.67, 0.34%, 0.61%

LAB 58.03, 6.74, -28.47

 

CMYK 27 / 20 / 0 / 20

HEX #95A2CB

RGB 149 162 203

HSL 225.56, 0.34%, 0.69%

LAB 66.93, 4.61, -22.47

 

CMYK 46 / 35 / 0 / 31

HEX #5E72AF

RGB 94 114 175

HSL 225.19, 0.34%, 0.53%

LAB 48.9, 9.37, -34.81

 

CMYK 2 / 46 / 0 / 31

HEX #AB5EAF

RGB 171 94 175

HSL 297.04, 0.34%, 0.53%

LAB 51.56, 43.58, -30.1

 

CMYK 16 / 0 / 46 / 31

HEX #93AF5E

RGB 147 175 94

HSL 80.74, 0.34%, 0.53%

LAB 67.78, -23.03, 38.22

 

CMYK 46 / 35 / 0 / 31

HEX #5E72AF

RGB 94 114 175

HSL 225.19, 0.34%, 0.53%

LAB 48.9, 9.37, -34.81

 

CMYK 0 / 46 / 35 / 31

HEX #AF5E72

RGB 175 94 114

HSL 345.19, 0.34%, 0.53%

LAB 49.9, 35.11, 3.54

 

CMYK 35 / 0 / 46 / 31

HEX #72AF5E

RGB 114 175 94

HSL 105.19, 0.34%, 0.53%

LAB 65.78, -35.22, 35.3

 

CMYK 46 / 35 / 0 / 31

HEX #5E72AF

RGB 94 114 175

HSL 225.19, 0.34%, 0.53%

LAB 48.9, 9.37, -34.81

 

CMYK 2 / 46 / 0 / 31

HEX #AB5EAF

RGB 171 94 175

HSL 297.04, 0.34%, 0.53%

LAB 51.56, 43.58, -30.1

 

CMYK 0 / 11 / 46 / 31

HEX #AF9B5E

RGB 175 155 94

HSL 45.19, 0.34%, 0.53%

LAB 64.46, -1.07, 34.57

 

CMYK 44 / 0 / 46 / 31

HEX #62AF5E

RGB 98 175 94

HSL 117.04, 0.34%, 0.53%

LAB 65.01, -40.41, 34.17

 

CMYK 46 / 35 / 0 / 31

HEX #5E72AF

RGB 94 114 175

HSL 225.19, 0.34%, 0.53%

LAB 48.9, 9.37, -34.81

 

CMYK 0 / 46 / 11 / 31

HEX #AF5E9B

RGB 175 94 155

HSL 314.81, 0.34%, 0.53%

LAB 51.25, 41.22, -18.82

 

CMYK 0 / 11 / 46 / 31

HEX #AF9B5E

RGB 175 155 94

HSL 45.19, 0.34%, 0.53%

LAB 64.46, -1.07, 34.57

 

CMYK 46 / 0 / 35 / 31

HEX #5EAF72

RGB 94 175 114

HSL 134.81, 0.34%, 0.53%

LAB 65.16, -38.34, 23.8

 

Description

Color code: HEX #5E72AF | qconv.com Color code: HEX #5E72AF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 114 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 114 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 35 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 35% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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