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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E72A0 it is the complementary color #A18D5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E72A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E72A0 shade: #63729B, #7484AE, #8596C1, #96A8D4 and #A7BAE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E72A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E72A0 shade: #5E72A0, #4D608D, #3C4E7A, #2B3C67 and #1A2A54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E72A0 shade: #5E72A1, #5E61A1, #6E5EA1, #805EA1 and #925EA1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E72A0 shade: #5E72A1, #5E61A1 and #5E5EA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E72A0 shade matches the following richer shades: #5E72A1, #4A6AB5, #3562CA, #205ADF and #0C52F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E72A0 shade: #5E72A1, #737B8C, #888377, #9C8B63 and #B1934E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E72A0 shade: #5E97A1, #5E85A1, #5E73A1, #5E62A1 and #6D5EA1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E72A0 shade: #404D6D, #4F6087, #5E72A1, #7889B0 and #92A0BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E72A0 shade: #5E72A0, #995EA1 and #8EA15E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E72A0 shade: #5E72A0, #A15E73 and #73A15E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E72A0 shade: #5E72A0, #995EA1, #A18C5E and #66A15E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E72A0 shade: #5E72A0, #A15E94, #A18C5E and #5EA16B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 29 / 0 / 37

HEX #5E72A0

RGB 94 114 160

HSL 221.82, 0.26%, 0.5%

LAB 48.2, 4.87, -27.14

 

Complementary color

CMYK 0 / 12 / 41 / 37

HEX #A18D5F

RGB 161 141 95

HSL 41.82, 0.26%, 0.5%

LAB 59.39, 0.81, 27.29

 

CMYK 36 / 26 / 0 / 39

HEX #63729B

RGB 99 114 155

HSL 223.93, 0.22%, 0.5%

LAB 48.33, 4.88, -23.98

 

CMYK 33 / 24 / 0 / 32

HEX #7484AE

RGB 116 132 174

HSL 223.45, 0.26%, 0.57%

LAB 55.35, 4.45, -24.08

 

CMYK 31 / 22 / 0 / 24

HEX #8596C1

RGB 133 150 193

HSL 223, 0.33%, 0.64%

LAB 62.21, 4.09, -24.22

 

CMYK 29 / 21 / 0 / 17

HEX #96A8D4

RGB 150 168 212

HSL 222.58, 0.42%, 0.71%

LAB 68.93, 3.77, -24.39

 

CMYK 28 / 19 / 0 / 9

HEX #A7BAE7

RGB 167 186 231

HSL 222.19, 0.57%, 0.78%

LAB 75.52, 3.49, -24.59

 

CMYK 41 / 29 / 0 / 37

HEX #5E72A0

RGB 94 114 160

HSL 221.82, 0.26%, 0.5%

LAB 48.2, 4.87, -27.14

 

CMYK 45 / 32 / 0 / 45

HEX #4D608D

RGB 77 96 141

HSL 222.19, 0.29%, 0.43%

LAB 41, 5.48, -27.14

 

CMYK 51 / 36 / 0 / 52

HEX #3C4E7A

RGB 60 78 122

HSL 222.58, 0.34%, 0.36%

LAB 33.59, 6.27, -27.22

 

CMYK 58 / 42 / 0 / 60

HEX #2B3C67

RGB 43 60 103

HSL 223, 0.41%, 0.29%

LAB 25.94, 7.34, -27.37

 

CMYK 69 / 50 / 0 / 67

HEX #1A2A54

RGB 26 42 84

HSL 223.45, 0.53%, 0.22%

LAB 17.99, 8.91, -27.61

 

CMYK 42 / 29 / 0 / 37

HEX #5E72A1

RGB 94 114 161

HSL 222.09, 0.26%, 0.5%

LAB 48.24, 5.16, -27.66

 

CMYK 42 / 40 / 0 / 37

HEX #5E61A1

RGB 94 97 161

HSL 237.31, 0.26%, 0.5%

LAB 43.51, 15.62, -35.07

 

CMYK 32 / 42 / 0 / 37

HEX #6E5EA1

RGB 110 94 161

HSL 254.33, 0.26%, 0.5%

LAB 44.08, 22.01, -34.08

 

CMYK 20 / 42 / 0 / 37

HEX #805EA1

RGB 128 94 161

HSL 270.45, 0.26%, 0.5%

LAB 45.86, 27.42, -31.16

 

CMYK 9 / 42 / 0 / 37

HEX #925EA1

RGB 146 94 161

HSL 286.57, 0.26%, 0.5%

LAB 47.87, 33.05, -27.88

 

CMYK 42 / 29 / 0 / 37

HEX #5E72A1

RGB 94 114 161

HSL 222.09, 0.26%, 0.5%

LAB 48.24, 5.16, -27.66

 

CMYK 42 / 40 / 0 / 37

HEX #5E61A1

RGB 94 97 161

HSL 237.31, 0.26%, 0.5%

LAB 43.51, 15.62, -35.07

 

CMYK 42 / 42 / 0 / 37

HEX #5E5EA1

RGB 94 94 161

HSL 240, 0.26%, 0.5%

LAB 42.7, 17.49, -36.35

 

CMYK 42 / 29 / 0 / 37

HEX #5E72A1

RGB 94 114 161

HSL 222.09, 0.26%, 0.5%

LAB 48.24, 5.16, -27.66

 

CMYK 59 / 41 / 0 / 29

HEX #4A6AB5

RGB 74 106 181

HSL 222.06, 0.42%, 0.5%

LAB 45.77, 11.64, -43.32

 

CMYK 74 / 51 / 0 / 21

HEX #3562CA

RGB 53 98 202

HSL 221.88, 0.58%, 0.5%

LAB 43.88, 20.79, -58.57

 

CMYK 86 / 60 / 0 / 13

HEX #205ADF

RGB 32 90 223

HSL 221.78, 0.75%, 0.5%

LAB 42.68, 31.89, -72.57

 

CMYK 95 / 66 / 0 / 5

HEX #0C52F3

RGB 12 82 243

HSL 221.82, 0.91%, 0.5%

LAB 42.13, 43.56, -84.8

 

CMYK 42 / 29 / 0 / 37

HEX #5E72A1

RGB 94 114 161

HSL 222.09, 0.26%, 0.5%

LAB 48.24, 5.16, -27.66

 

CMYK 18 / 12 / 0 / 45

HEX #737B8C

RGB 115 123 140

HSL 220.8, 0.1%, 0.5%

LAB 51.5, 0.82, -10.22

 

CMYK 0 / 4 / 13 / 47

HEX #888377

RGB 136 131 119

HSL 42.35, 0.07%, 0.5%

LAB 54.86, -0.33, 7.15

 

CMYK 0 / 11 / 37 / 39

HEX #9C8B63

RGB 156 139 99

HSL 42.11, 0.22%, 0.5%

LAB 58.45, 0.3, 23.75

 

CMYK 0 / 17 / 56 / 31

HEX #B1934E

RGB 177 147 78

HSL 41.82, 0.39%, 0.5%

LAB 62.31, 2.67, 40.29

 

CMYK 42 / 6 / 0 / 37

HEX #5E97A1

RGB 94 151 161

HSL 188.96, 0.26%, 0.5%

LAB 59.05, -15.98, -11.14

 

CMYK 42 / 17 / 0 / 37

HEX #5E85A1

RGB 94 133 161

HSL 205.07, 0.26%, 0.5%

LAB 53.74, -6.02, -19.19

 

CMYK 42 / 29 / 0 / 37

HEX #5E73A1

RGB 94 115 161

HSL 221.19, 0.26%, 0.5%

LAB 48.53, 4.56, -27.21

 

CMYK 42 / 39 / 0 / 37

HEX #5E62A1

RGB 94 98 161

HSL 236.42, 0.26%, 0.5%

LAB 43.78, 15, -34.64

 

CMYK 32 / 42 / 0 / 37

HEX #6D5EA1

RGB 109 94 161

HSL 253.43, 0.26%, 0.5%

LAB 43.99, 21.71, -34.23

 

CMYK 41 / 29 / 0 / 57

HEX #404D6D

RGB 64 77 109

HSL 222.67, 0.26%, 0.34%

LAB 32.92, 3.86, -20.12

 

CMYK 41 / 29 / 0 / 47

HEX #4F6087

RGB 79 96 135

HSL 221.79, 0.26%, 0.42%

LAB 40.86, 4.21, -23.73

 

CMYK 42 / 29 / 0 / 37

HEX #5E72A1

RGB 94 114 161

HSL 222.09, 0.26%, 0.5%

LAB 48.24, 5.16, -27.66

 

CMYK 32 / 22 / 0 / 31

HEX #7889B0

RGB 120 137 176

HSL 221.79, 0.26%, 0.58%

LAB 57.09, 3.27, -22.52

 

CMYK 24 / 16 / 0 / 25

HEX #92A0BF

RGB 146 160 191

HSL 221.33, 0.26%, 0.66%

LAB 65.76, 1.93, -17.6

 

CMYK 41 / 29 / 0 / 37

HEX #5E72A0

RGB 94 114 160

HSL 221.82, 0.26%, 0.5%

LAB 48.2, 4.87, -27.14

 

CMYK 5 / 42 / 0 / 37

HEX #995EA1

RGB 153 94 161

HSL 292.84, 0.26%, 0.5%

LAB 48.7, 35.27, -26.52

 

CMYK 12 / 0 / 42 / 37

HEX #8EA15E

RGB 142 161 94

HSL 77.01, 0.26%, 0.5%

LAB 63.38, -17.92, 32.64

 

CMYK 41 / 29 / 0 / 37

HEX #5E72A0

RGB 94 114 160

HSL 221.82, 0.26%, 0.5%

LAB 48.2, 4.87, -27.14

 

CMYK 0 / 42 / 29 / 37

HEX #A15E73

RGB 161 94 115

HSL 341.19, 0.26%, 0.5%

LAB 48.03, 30.04, -0.01

 

CMYK 29 / 0 / 42 / 37

HEX #73A15E

RGB 115 161 94

HSL 101.19, 0.26%, 0.5%

LAB 61.6, -28.28, 30.01

 

CMYK 41 / 29 / 0 / 37

HEX #5E72A0

RGB 94 114 160

HSL 221.82, 0.26%, 0.5%

LAB 48.2, 4.87, -27.14

 

CMYK 5 / 42 / 0 / 37

HEX #995EA1

RGB 153 94 161

HSL 292.84, 0.26%, 0.5%

LAB 48.7, 35.27, -26.52

 

CMYK 0 / 13 / 42 / 37

HEX #A18C5E

RGB 161 140 94

HSL 41.19, 0.26%, 0.5%

LAB 59.1, 1.25, 27.47

 

CMYK 37 / 0 / 42 / 37

HEX #66A15E

RGB 102 161 94

HSL 112.84, 0.26%, 0.5%

LAB 60.89, -32.82, 28.95

 

CMYK 41 / 29 / 0 / 37

HEX #5E72A0

RGB 94 114 160

HSL 221.82, 0.26%, 0.5%

LAB 48.2, 4.87, -27.14

 

CMYK 0 / 42 / 8 / 37

HEX #A15E94

RGB 161 94 148

HSL 311.64, 0.26%, 0.5%

LAB 49.16, 35.39, -18.05

 

CMYK 0 / 13 / 42 / 37

HEX #A18C5E

RGB 161 140 94

HSL 41.19, 0.26%, 0.5%

LAB 59.1, 1.25, 27.47

 

CMYK 42 / 0 / 34 / 37

HEX #5EA16B

RGB 94 161 107

HSL 131.64, 0.26%, 0.5%

LAB 60.72, -33.22, 21.63

 

Description

Color code: HEX #5E72A0 | qconv.com Color code: HEX #5E72A0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 114 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 114 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 29 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 29% 0% 37% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

86% - Grupo Atrium
Link: http://www.grupoatrium.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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