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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E71E3 it is the complementary color #A18E1C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E71E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E71E3 shade: #6371DE, #7483F1, #8595FF, #96A7FF and #A7B9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E71E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E71E3 shade: #5E71E3, #4D5FD0, #3C4DBD, #2B3BAA and #1A2997

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E71E3 shade: #5E71E2, #6F5EE2, #925EE2, #B65EE2 and #DA5EE2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E71E3 shade: #5E71E2 and #5E5EE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E71E3 shade matches the following richer shades: #5E71E2 and #4F66F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E71E3 shade: #5E71E2, #6D7CD3, #7D87C4, #8C92B4 and #9B9DA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E71E3 shade: #5EB8E2, #5E95E2, #5E72E2, #6E5EE2 and #915EE2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E71E3 shade: #233BCA, #3B52DC, #5E71E2, #8190E8 and #A4AFEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E71E3 shade: #5E71E3, #E25EDC and #A7E25E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E71E3 shade: #5E71E3, #E25E72 and #72E25E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E71E3 shade: #5E71E3, #E25EDC, #E2CE5E and #5EE265

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E71E3 shade: #5E71E3, #E25EB4, #E2CE5E and #5EE28C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 50 / 0 / 11

HEX #5E71E3

RGB 94 113 227

HSL 231.43, 0.7%, 0.63%

LAB 51.54, 26.61, -60.34

 

Complementary color

CMYK 0 / 12 / 83 / 37

HEX #A18E1C

RGB 161 142 28

HSL 51.43, 0.7%, 0.37%

LAB 58.98, -4.64, 57.58

 

CMYK 55 / 49 / 0 / 13

HEX #6371DE

RGB 99 113 222

HSL 233.17, 0.65%, 0.63%

LAB 51.54, 25.95, -57.51

 

CMYK 52 / 46 / 0 / 5

HEX #7483F1

RGB 116 131 241

HSL 232.8, 0.82%, 0.7%

LAB 58.32, 24.56, -57.21

 

CMYK 48 / 42 / 0 / 0

HEX #8595FF

RGB 133 149 255

HSL 232.13, 1%, 0.76%

LAB 64.72, 21.9, -54.63

 

CMYK 41 / 35 / 0 / 0

HEX #96A7FF

RGB 150 167 255

HSL 230.29, 1%, 0.79%

LAB 70.41, 15.62, -45.57

 

CMYK 35 / 27 / 0 / 0

HEX #A7B9FF

RGB 167 185 255

HSL 227.73, 1%, 0.83%

LAB 76.15, 9.99, -36.54

 

CMYK 59 / 50 / 0 / 11

HEX #5E71E3

RGB 94 113 227

HSL 231.43, 0.7%, 0.63%

LAB 51.54, 26.61, -60.34

 

CMYK 63 / 54 / 0 / 18

HEX #4D5FD0

RGB 77 95 208

HSL 231.76, 0.58%, 0.56%

LAB 44.68, 28.4, -60.66

 

CMYK 68 / 59 / 0 / 26

HEX #3C4DBD

RGB 60 77 189

HSL 232.09, 0.52%, 0.49%

LAB 37.74, 30.54, -60.97

 

CMYK 75 / 65 / 0 / 33

HEX #2B3BAA

RGB 43 59 170

HSL 232.44, 0.6%, 0.42%

LAB 30.74, 33.1, -61.17

 

CMYK 83 / 73 / 0 / 41

HEX #1A2997

RGB 26 41 151

HSL 232.8, 0.71%, 0.35%

LAB 23.8, 36.05, -61.08

 

CMYK 58 / 50 / 0 / 11

HEX #5E71E2

RGB 94 113 226

HSL 231.36, 0.69%, 0.63%

LAB 51.47, 26.28, -59.88

 

CMYK 51 / 58 / 0 / 11

HEX #6F5EE2

RGB 111 94 226

HSL 247.73, 0.69%, 0.63%

LAB 48.1, 40.97, -65.26

 

CMYK 35 / 58 / 0 / 11

HEX #925EE2

RGB 146 94 226

HSL 263.64, 0.69%, 0.63%

LAB 51.39, 48.38, -59.79

 

CMYK 19 / 58 / 0 / 11

HEX #B65EE2

RGB 182 94 226

HSL 280, 0.69%, 0.63%

LAB 55.52, 56.86, -52.94

 

CMYK 4 / 58 / 0 / 11

HEX #DA5EE2

RGB 218 94 226

HSL 296.36, 0.69%, 0.63%

LAB 60.25, 65.72, -45.14

 

CMYK 58 / 50 / 0 / 11

HEX #5E71E2

RGB 94 113 226

HSL 231.36, 0.69%, 0.63%

LAB 51.47, 26.28, -59.88

 

CMYK 58 / 58 / 0 / 11

HEX #5E5EE2

RGB 94 94 226

HSL 240, 0.69%, 0.63%

LAB 46.81, 37.86, -67.42

 

CMYK 58 / 50 / 0 / 11

HEX #5E71E2

RGB 94 113 226

HSL 231.36, 0.69%, 0.63%

LAB 51.47, 26.28, -59.88

 

CMYK 67 / 58 / 0 / 5

HEX #4F66F1

RGB 79 102 241

HSL 231.48, 0.85%, 0.63%

LAB 48.9, 35.63, -72.5

 

CMYK 58 / 50 / 0 / 11

HEX #5E71E2

RGB 94 113 226

HSL 231.36, 0.69%, 0.63%

LAB 51.47, 26.28, -59.88

 

CMYK 48 / 41 / 0 / 17

HEX #6D7CD3

RGB 109 124 211

HSL 231.18, 0.54%, 0.63%

LAB 54.42, 18, -46.66

 

CMYK 36 / 31 / 0 / 23

HEX #7D87C4

RGB 125 135 196

HSL 231.55, 0.38%, 0.63%

LAB 57.73, 11.25, -32.89

 

CMYK 22 / 19 / 0 / 29

HEX #8C92B4

RGB 140 146 180

HSL 231, 0.21%, 0.63%

LAB 61.16, 5.31, -18.46

 

CMYK 6 / 5 / 0 / 35

HEX #9B9DA5

RGB 155 157 165

HSL 228, 0.05%, 0.63%

LAB 64.8, 0.87, -4.42

 

CMYK 58 / 19 / 0 / 11

HEX #5EB8E2

RGB 94 184 226

HSL 199.09, 0.69%, 0.63%

LAB 70.98, -14.87, -29.16

 

CMYK 58 / 34 / 0 / 11

HEX #5E95E2

RGB 94 149 226

HSL 215, 0.69%, 0.63%

LAB 61.1, 4.62, -44.54

 

CMYK 58 / 50 / 0 / 11

HEX #5E72E2

RGB 94 114 226

HSL 230.91, 0.69%, 0.63%

LAB 51.73, 25.67, -59.47

 

CMYK 51 / 58 / 0 / 11

HEX #6E5EE2

RGB 110 94 226

HSL 247.27, 0.69%, 0.63%

LAB 48.02, 40.78, -65.4

 

CMYK 36 / 58 / 0 / 11

HEX #915EE2

RGB 145 94 226

HSL 263.18, 0.69%, 0.63%

LAB 51.29, 48.15, -59.96

 

CMYK 83 / 71 / 0 / 21

HEX #233BCA

RGB 35 59 202

HSL 231.38, 0.7%, 0.46%

LAB 33.46, 43.9, -75.63

 

CMYK 73 / 63 / 0 / 14

HEX #3B52DC

RGB 59 82 220

HSL 231.43, 0.7%, 0.55%

LAB 41.42, 38.22, -72.88

 

CMYK 58 / 50 / 0 / 11

HEX #5E71E2

RGB 94 113 226

HSL 231.36, 0.69%, 0.63%

LAB 51.47, 26.28, -59.88

 

CMYK 44 / 38 / 0 / 9

HEX #8190E8

RGB 129 144 232

HSL 231.26, 0.69%, 0.71%

LAB 62.03, 17.17, -46.27

 

CMYK 31 / 27 / 0 / 6

HEX #A4AFEF

RGB 164 175 239

HSL 231.2, 0.7%, 0.79%

LAB 72.75, 10.65, -33.19

 

CMYK 59 / 50 / 0 / 11

HEX #5E71E3

RGB 94 113 227

HSL 231.43, 0.7%, 0.63%

LAB 51.54, 26.61, -60.34

 

CMYK 0 / 58 / 3 / 11

HEX #E25EDC

RGB 226 94 220

HSL 302.73, 0.69%, 0.63%

LAB 61.08, 66.71, -40.39

 

CMYK 26 / 0 / 58 / 11

HEX #A7E25E

RGB 167 226 94

HSL 86.82, 0.69%, 0.63%

LAB 83.66, -39.43, 57.29

 

CMYK 59 / 50 / 0 / 11

HEX #5E71E3

RGB 94 113 227

HSL 231.43, 0.7%, 0.63%

LAB 51.54, 26.61, -60.34

 

CMYK 0 / 58 / 50 / 11

HEX #E25E72

RGB 226 94 114

HSL 350.91, 0.69%, 0.63%

LAB 57.45, 53.04, 15.28

 

CMYK 50 / 0 / 58 / 11

HEX #72E25E

RGB 114 226 94

HSL 110.91, 0.69%, 0.63%

LAB 81.17, -56.55, 53.79

 

CMYK 59 / 50 / 0 / 11

HEX #5E71E3

RGB 94 113 227

HSL 231.43, 0.7%, 0.63%

LAB 51.54, 26.61, -60.34

 

CMYK 0 / 58 / 3 / 11

HEX #E25EDC

RGB 226 94 220

HSL 302.73, 0.69%, 0.63%

LAB 61.08, 66.71, -40.39

 

CMYK 0 / 9 / 58 / 11

HEX #E2CE5E

RGB 226 206 94

HSL 50.91, 0.69%, 0.63%

LAB 82.44, -6.52, 57.06

 

CMYK 58 / 0 / 55 / 11

HEX #5EE265

RGB 94 226 101

HSL 123.18, 0.69%, 0.63%

LAB 80.58, -60.79, 49.78

 

CMYK 59 / 50 / 0 / 11

HEX #5E71E3

RGB 94 113 227

HSL 231.43, 0.7%, 0.63%

LAB 51.54, 26.61, -60.34

 

CMYK 0 / 58 / 20 / 11

HEX #E25EB4

RGB 226 94 180

HSL 320.91, 0.69%, 0.63%

LAB 59.41, 60.6, -20.26

 

CMYK 0 / 9 / 58 / 11

HEX #E2CE5E

RGB 226 206 94

HSL 50.91, 0.69%, 0.63%

LAB 82.44, -6.52, 57.06

 

CMYK 58 / 0 / 38 / 11

HEX #5EE28C

RGB 94 226 140

HSL 140.91, 0.69%, 0.63%

LAB 81.11, -54.98, 31.46

 

Description

Color code: HEX #5E71E3 | qconv.com Color code: HEX #5E71E3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 113 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 113 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 50 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 50% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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