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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E719A it is the complementary color #A18E65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E719A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E719A shade: #637195, #7483A8, #8595BB, #96A7CE and #A7B9E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E719A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E719A shade: #5E719A, #4D5F87, #3C4D74, #2B3B61 and #1A294E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E719A shade: #5E719A, #5E619A, #6C5E9A, #7C5E9A and #8C5E9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E719A shade: #5E719A, #5E619A and #5E5E9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E719A shade matches the following richer shades: #5E719A, #4A6AAF, #3663C3, #225BD7 and #0E54EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E719A shade: #5E719A, #737986, #878072, #9B885E and #AF8F4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E719A shade: #5E919A, #5E819A, #5E719A, #5E619A and #6B5E9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E719A shade: #3F4C67, #4F5F81, #5E719A, #7787AB and #909EBB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E719A shade: #5E719A, #935E9A and #899A5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E719A shade: #5E719A, #9A5E71 and #719A5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E719A shade: #5E719A, #935E9A, #9A875E and #659A5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E719A shade: #5E719A, #9A5E8F, #9A875E and #5E9A69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 27 / 0 / 40

HEX #5E719A

RGB 94 113 154

HSL 221, 0.24%, 0.49%

LAB 47.65, 3.73, -24.46

 

Complementary color

CMYK 0 / 12 / 37 / 37

HEX #A18E65

RGB 161 142 101

HSL 41, 0.24%, 0.51%

LAB 59.76, 0.97, 24.47

 

CMYK 34 / 24 / 0 / 42

HEX #637195

RGB 99 113 149

HSL 223.2, 0.2%, 0.49%

LAB 47.79, 3.81, -21.26

 

CMYK 31 / 22 / 0 / 34

HEX #7483A8

RGB 116 131 168

HSL 222.69, 0.23%, 0.56%

LAB 54.84, 3.45, -21.42

 

CMYK 29 / 20 / 0 / 27

HEX #8595BB

RGB 133 149 187

HSL 222.22, 0.28%, 0.63%

LAB 61.71, 3.14, -21.6

 

CMYK 27 / 19 / 0 / 19

HEX #96A7CE

RGB 150 167 206

HSL 221.79, 0.36%, 0.7%

LAB 68.44, 2.86, -21.82

 

CMYK 26 / 18 / 0 / 12

HEX #A7B9E1

RGB 167 185 225

HSL 221.38, 0.49%, 0.77%

LAB 75.04, 2.6, -22.05

 

CMYK 39 / 27 / 0 / 40

HEX #5E719A

RGB 94 113 154

HSL 221, 0.24%, 0.49%

LAB 47.65, 3.73, -24.46

 

CMYK 43 / 30 / 0 / 47

HEX #4D5F87

RGB 77 95 135

HSL 221.38, 0.27%, 0.42%

LAB 40.43, 4.26, -24.41

 

CMYK 48 / 34 / 0 / 55

HEX #3C4D74

RGB 60 77 116

HSL 221.79, 0.32%, 0.35%

LAB 32.98, 4.93, -24.44

 

CMYK 56 / 39 / 0 / 62

HEX #2B3B61

RGB 43 59 97

HSL 222.22, 0.39%, 0.27%

LAB 25.27, 5.85, -24.54

 

CMYK 67 / 47 / 0 / 69

HEX #1A294E

RGB 26 41 78

HSL 222.69, 0.5%, 0.2%

LAB 17.25, 7.21, -24.75

 

CMYK 39 / 27 / 0 / 40

HEX #5E719A

RGB 94 113 154

HSL 221, 0.24%, 0.49%

LAB 47.65, 3.73, -24.46

 

CMYK 39 / 37 / 0 / 40

HEX #5E619A

RGB 94 97 154

HSL 237, 0.24%, 0.49%

LAB 43.16, 13.55, -31.47

 

CMYK 30 / 39 / 0 / 40

HEX #6C5E9A

RGB 108 94 154

HSL 254, 0.24%, 0.49%

LAB 43.55, 19.53, -30.77

 

CMYK 19 / 39 / 0 / 40

HEX #7C5E9A

RGB 124 94 154

HSL 270, 0.24%, 0.49%

LAB 45.11, 24.49, -28.21

 

CMYK 9 / 39 / 0 / 40

HEX #8C5E9A

RGB 140 94 154

HSL 286, 0.24%, 0.49%

LAB 46.86, 29.63, -25.35

 

CMYK 39 / 27 / 0 / 40

HEX #5E719A

RGB 94 113 154

HSL 221, 0.24%, 0.49%

LAB 47.65, 3.73, -24.46

 

CMYK 39 / 37 / 0 / 40

HEX #5E619A

RGB 94 97 154

HSL 237, 0.24%, 0.49%

LAB 43.16, 13.55, -31.47

 

CMYK 39 / 39 / 0 / 40

HEX #5E5E9A

RGB 94 94 154

HSL 240, 0.24%, 0.49%

LAB 42.34, 15.42, -32.76

 

CMYK 39 / 27 / 0 / 40

HEX #5E719A

RGB 94 113 154

HSL 221, 0.24%, 0.49%

LAB 47.65, 3.73, -24.46

 

CMYK 58 / 39 / 0 / 31

HEX #4A6AAF

RGB 74 106 175

HSL 220.99, 0.41%, 0.49%

LAB 45.44, 9.6, -40.34

 

CMYK 72 / 49 / 0 / 24

HEX #3663C3

RGB 54 99 195

HSL 220.85, 0.57%, 0.49%

LAB 43.72, 17.69, -54.78

 

CMYK 84 / 58 / 0 / 16

HEX #225BD7

RGB 34 91 215

HSL 221.1, 0.73%, 0.49%

LAB 42.35, 28.34, -68.54

 

CMYK 94 / 64 / 0 / 8

HEX #0E54EB

RGB 14 84 235

HSL 221, 0.89%, 0.49%

LAB 41.89, 39.42, -80.67

 

CMYK 39 / 27 / 0 / 40

HEX #5E719A

RGB 94 113 154

HSL 221, 0.24%, 0.49%

LAB 47.65, 3.73, -24.46

 

CMYK 14 / 10 / 0 / 47

HEX #737986

RGB 115 121 134

HSL 221.05, 0.08%, 0.49%

LAB 50.73, 0.6, -7.85

 

CMYK 0 / 5 / 16 / 47

HEX #878072

RGB 135 128 114

HSL 40, 0.08%, 0.49%

LAB 53.82, 0.12, 8.55

 

CMYK 0 / 12 / 39 / 39

HEX #9B885E

RGB 155 136 94

HSL 41.31, 0.24%, 0.49%

LAB 57.45, 0.93, 25.2

 

CMYK 0 / 18 / 58 / 31

HEX #AF8F4A

RGB 175 143 74

HSL 40.99, 0.41%, 0.49%

LAB 61, 3.67, 40.73

 

CMYK 39 / 6 / 0 / 40

HEX #5E919A

RGB 94 145 154

HSL 189, 0.24%, 0.49%

LAB 57.04, -14.61, -10.16

 

CMYK 39 / 16 / 0 / 40

HEX #5E819A

RGB 94 129 154

HSL 205, 0.24%, 0.49%

LAB 52.3, -5.69, -17.32

 

CMYK 39 / 27 / 0 / 40

HEX #5E719A

RGB 94 113 154

HSL 221, 0.24%, 0.49%

LAB 47.65, 3.73, -24.46

 

CMYK 39 / 37 / 0 / 40

HEX #5E619A

RGB 94 97 154

HSL 237, 0.24%, 0.49%

LAB 43.16, 13.55, -31.47

 

CMYK 31 / 39 / 0 / 40

HEX #6B5E9A

RGB 107 94 154

HSL 253, 0.24%, 0.49%

LAB 43.45, 19.22, -30.92

 

CMYK 39 / 26 / 0 / 60

HEX #3F4C67

RGB 63 76 103

HSL 220.5, 0.24%, 0.33%

LAB 32.27, 2.35, -17.36

 

CMYK 39 / 26 / 0 / 49

HEX #4F5F81

RGB 79 95 129

HSL 220.8, 0.24%, 0.41%

LAB 40.3, 3.04, -20.97

 

CMYK 39 / 27 / 0 / 40

HEX #5E719A

RGB 94 113 154

HSL 221, 0.24%, 0.49%

LAB 47.65, 3.73, -24.46

 

CMYK 30 / 21 / 0 / 33

HEX #7787AB

RGB 119 135 171

HSL 221.54, 0.24%, 0.57%

LAB 56.28, 2.82, -20.92

 

CMYK 23 / 16 / 0 / 27

HEX #909EBB

RGB 144 158 187

HSL 220.47, 0.24%, 0.65%

LAB 64.94, 1.47, -16.63

 

CMYK 39 / 27 / 0 / 40

HEX #5E719A

RGB 94 113 154

HSL 221, 0.24%, 0.49%

LAB 47.65, 3.73, -24.46

 

CMYK 5 / 39 / 0 / 40

HEX #935E9A

RGB 147 94 154

HSL 293, 0.24%, 0.49%

LAB 47.68, 31.91, -24.03

 

CMYK 11 / 0 / 39 / 40

HEX #899A5E

RGB 137 154 94

HSL 77, 0.24%, 0.49%

LAB 60.99, -16.3, 29.51

 

CMYK 39 / 27 / 0 / 40

HEX #5E719A

RGB 94 113 154

HSL 221, 0.24%, 0.49%

LAB 47.65, 3.73, -24.46

 

CMYK 0 / 39 / 27 / 40

HEX #9A5E71

RGB 154 94 113

HSL 341, 0.24%, 0.49%

LAB 47.06, 27.1, -0.33

 

CMYK 27 / 0 / 39 / 40

HEX #719A5E

RGB 113 154 94

HSL 101, 0.24%, 0.49%

LAB 59.37, -25.58, 27.09

 

CMYK 39 / 27 / 0 / 40

HEX #5E719A

RGB 94 113 154

HSL 221, 0.24%, 0.49%

LAB 47.65, 3.73, -24.46

 

CMYK 5 / 39 / 0 / 40

HEX #935E9A

RGB 147 94 154

HSL 293, 0.24%, 0.49%

LAB 47.68, 31.91, -24.03

 

CMYK 0 / 12 / 39 / 40

HEX #9A875E

RGB 154 135 94

HSL 41, 0.24%, 0.49%

LAB 57.08, 1.07, 24.7

 

CMYK 34 / 0 / 39 / 40

HEX #659A5E

RGB 101 154 94

HSL 113, 0.24%, 0.49%

LAB 58.68, -29.85, 26.06

 

CMYK 39 / 27 / 0 / 40

HEX #5E719A

RGB 94 113 154

HSL 221, 0.24%, 0.49%

LAB 47.65, 3.73, -24.46

 

CMYK 0 / 39 / 7 / 40

HEX #9A5E8F

RGB 154 94 143

HSL 311, 0.24%, 0.49%

LAB 48.08, 32.11, -16.8

 

CMYK 0 / 12 / 39 / 40

HEX #9A875E

RGB 154 135 94

HSL 41, 0.24%, 0.49%

LAB 57.08, 1.07, 24.7

 

CMYK 39 / 0 / 32 / 40

HEX #5E9A69

RGB 94 154 105

HSL 131, 0.24%, 0.49%

LAB 58.52, -30.28, 19.75

 

Description

Color code: HEX #5E719A | qconv.com Color code: HEX #5E719A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 113 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 113 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 27 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 27% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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