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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E700C it is the complementary color #A18FF3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E700C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E700C shade: #637007, #74821A, #85942D, #96A640 and #A7B853

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E700C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E700C shade: #5E700C, #4D5E00, #3C4C00, #2B3A00 and #1A2800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E700C shade: #5D6F0C, #6F660C, #6F4B0C, #6F300C and #6F160C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E700C shade: #5D6F0C, #426F0C, #276F0C, #0D6F0C and #0C6F25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E700C shade matches the following richer shades: #5D6F0C and #637902

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E700C shade: #5D6F0C, #576516, #505B1F, #4A5129 and #444733

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E700C shade: #6F4A0C, #6F650C, #5E6F0C, #446F0C and #296F0C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E700C shade: #1E2404, #3E4908, #5D6F0C, #7C9410 and #9CB913

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E700C shade: #5E700C, #0C6F30 and #580C6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E700C shade: #5E700C, #0C5E6F and #6F0C5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E700C shade: #5E700C, #0C6F30, #1C0C6F and #6F0C4A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E700C shade: #5E700C, #0C6F4E, #1C0C6F and #6F0C2D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 89 / 56

HEX #5E700C

RGB 94 112 12

HSL 70.8, 0.81%, 0.24%

LAB 44.23, -19.86, 47.02

 

Complementary color

CMYK 34 / 41 / 0 / 5

HEX #A18FF3

RGB 161 143 243

HSL 250.8, 0.81%, 0.76%

LAB 64.72, 28.94, -47.94

 

CMYK 12 / 0 / 94 / 56

HEX #637007

RGB 99 112 7

HSL 67.43, 0.88%, 0.23%

LAB 44.6, -17.7, 48.61

 

CMYK 11 / 0 / 80 / 49

HEX #74821A

RGB 116 130 26

HSL 68.08, 0.67%, 0.31%

LAB 51.56, -18.78, 50.1

 

CMYK 10 / 0 / 70 / 42

HEX #85942D

RGB 133 148 45

HSL 68.74, 0.53%, 0.38%

LAB 58.37, -19.57, 50.16

 

CMYK 10 / 0 / 61 / 35

HEX #96A640

RGB 150 166 64

HSL 69.41, 0.44%, 0.45%

LAB 65.06, -20.16, 49.51

 

CMYK 9 / 0 / 55 / 28

HEX #A7B853

RGB 167 184 83

HSL 70.1, 0.42%, 0.52%

LAB 71.64, -20.6, 48.54

 

CMYK 16 / 0 / 89 / 56

HEX #5E700C

RGB 94 112 12

HSL 70.8, 0.81%, 0.24%

LAB 44.23, -19.86, 47.02

 

CMYK 18 / 0 / 100 / 63

HEX #4D5E00

RGB 77 94 0

HSL 70.85, 1%, 0.18%

LAB 37.08, -18.6, 43.82

 

CMYK 21 / 0 / 100 / 70

HEX #3C4C00

RGB 60 76 0

HSL 72.63, 1%, 0.15%

LAB 29.74, -16.96, 37.7

 

CMYK 26 / 0 / 100 / 77

HEX #2B3A00

RGB 43 58 0

HSL 75.52, 1%, 0.11%

LAB 22.09, -15.29, 30.2

 

CMYK 35 / 0 / 100 / 84

HEX #1A2800

RGB 26 40 0

HSL 81, 1%, 0.08%

LAB 14.04, -13.56, 20.31

 

CMYK 16 / 0 / 89 / 56

HEX #5D6F0C

RGB 93 111 12

HSL 70.91, 0.8%, 0.24%

LAB 43.83, -19.79, 46.65

 

CMYK 0 / 8 / 89 / 56

HEX #6F660C

RGB 111 102 12

HSL 54.55, 0.8%, 0.24%

LAB 42.63, -6.31, 46.28

 

CMYK 0 / 32 / 89 / 56

HEX #6F4B0C

RGB 111 75 12

HSL 38.18, 0.8%, 0.24%

LAB 34.88, 9.75, 39.83

 

CMYK 0 / 57 / 89 / 56

HEX #6F300C

RGB 111 48 12

HSL 21.82, 0.8%, 0.24%

LAB 28.17, 25.77, 34.15

 

CMYK 0 / 80 / 89 / 56

HEX #6F160C

RGB 111 22 12

HSL 6.06, 0.8%, 0.24%

LAB 23.6, 37.96, 29.94

 

CMYK 16 / 0 / 89 / 56

HEX #5D6F0C

RGB 93 111 12

HSL 70.91, 0.8%, 0.24%

LAB 43.83, -19.79, 46.65

 

CMYK 41 / 0 / 89 / 56

HEX #426F0C

RGB 66 111 12

HSL 87.27, 0.8%, 0.24%

LAB 42.08, -31.26, 44.46

 

CMYK 65 / 0 / 89 / 56

HEX #276F0C

RGB 39 111 12

HSL 103.64, 0.8%, 0.24%

LAB 40.94, -40.05, 43.02

 

CMYK 88 / 0 / 89 / 56

HEX #0D6F0C

RGB 13 111 12

HSL 119.39, 0.8%, 0.24%

LAB 40.38, -44.85, 42.31

 

CMYK 89 / 0 / 67 / 56

HEX #0C6F25

RGB 12 111 37

HSL 135.15, 0.8%, 0.24%

LAB 40.54, -42.77, 32.94

 

CMYK 16 / 0 / 89 / 56

HEX #5D6F0C

RGB 93 111 12

HSL 70.91, 0.8%, 0.24%

LAB 43.83, -19.79, 46.65

 

CMYK 18 / 0 / 98 / 53

HEX #637902

RGB 99 121 2

HSL 71.09, 0.97%, 0.24%

LAB 47.41, -22.51, 51.89

 

CMYK 16 / 0 / 89 / 56

HEX #5D6F0C

RGB 93 111 12

HSL 70.91, 0.8%, 0.24%

LAB 43.83, -19.79, 46.65

 

CMYK 14 / 0 / 78 / 60

HEX #576516

RGB 87 101 22

HSL 70.63, 0.64%, 0.24%

LAB 40.23, -16.79, 40.12

 

CMYK 12 / 0 / 66 / 64

HEX #505B1F

RGB 80 91 31

HSL 71, 0.49%, 0.24%

LAB 36.53, -13.92, 32.22

 

CMYK 9 / 0 / 49 / 68

HEX #4A5129

RGB 74 81 41

HSL 70.5, 0.33%, 0.24%

LAB 32.92, -9.95, 22.49

 

CMYK 4 / 0 / 28 / 72

HEX #444733

RGB 68 71 51

HSL 69, 0.16%, 0.24%

LAB 29.35, -5.23, 11.65

 

CMYK 0 / 33 / 89 / 56

HEX #6F4A0C

RGB 111 74 12

HSL 37.58, 0.8%, 0.24%

LAB 34.61, 10.36, 39.6

 

CMYK 0 / 9 / 89 / 56

HEX #6F650C

RGB 111 101 12

HSL 53.94, 0.8%, 0.24%

LAB 42.33, -5.73, 46.03

 

CMYK 15 / 0 / 89 / 56

HEX #5E6F0C

RGB 94 111 12

HSL 70.3, 0.8%, 0.24%

LAB 43.91, -19.33, 46.75

 

CMYK 39 / 0 / 89 / 56

HEX #446F0C

RGB 68 111 12

HSL 86.06, 0.8%, 0.24%

LAB 42.19, -30.48, 44.6

 

CMYK 63 / 0 / 89 / 56

HEX #296F0C

RGB 41 111 12

HSL 102.42, 0.8%, 0.24%

LAB 41, -39.52, 43.1

 

CMYK 17 / 0 / 89 / 86

HEX #1E2404

RGB 30 36 4

HSL 71.25, 0.8%, 0.08%

LAB 12.9, -8.53, 17.23

 

CMYK 15 / 0 / 89 / 71

HEX #3E4908

RGB 62 73 8

HSL 70.15, 0.8%, 0.16%

LAB 28.92, -13.91, 33.98

 

CMYK 16 / 0 / 89 / 56

HEX #5D6F0C

RGB 93 111 12

HSL 70.91, 0.8%, 0.24%

LAB 43.83, -19.79, 46.65

 

CMYK 16 / 0 / 89 / 42

HEX #7C9410

RGB 124 148 16

HSL 70.91, 0.8%, 0.32%

LAB 57.56, -24.74, 58.14

 

CMYK 16 / 0 / 90 / 27

HEX #9CB913

RGB 156 185 19

HSL 70.48, 0.81%, 0.4%

LAB 70.74, -29.06, 69.27

 

CMYK 16 / 0 / 89 / 56

HEX #5E700C

RGB 94 112 12

HSL 70.8, 0.81%, 0.24%

LAB 44.23, -19.86, 47.02

 

CMYK 89 / 0 / 57 / 56

HEX #0C6F30

RGB 12 111 48

HSL 141.82, 0.8%, 0.24%

LAB 40.67, -41.18, 27.5

 

CMYK 21 / 89 / 0 / 56

HEX #580C6F

RGB 88 12 111

HSL 286.06, 0.8%, 0.24%

LAB 21.89, 46.51, -38.74

 

CMYK 16 / 0 / 89 / 56

HEX #5E700C

RGB 94 112 12

HSL 70.8, 0.81%, 0.24%

LAB 44.23, -19.86, 47.02

 

CMYK 89 / 15 / 0 / 56

HEX #0C5E6F

RGB 12 94 111

HSL 190.3, 0.8%, 0.24%

LAB 36.43, -16.16, -16.13

 

CMYK 0 / 89 / 15 / 56

HEX #6F0C5E

RGB 111 12 94

HSL 310.3, 0.8%, 0.24%

LAB 25.11, 48.21, -22.24

 

CMYK 16 / 0 / 89 / 56

HEX #5E700C

RGB 94 112 12

HSL 70.8, 0.81%, 0.24%

LAB 44.23, -19.86, 47.02

 

CMYK 89 / 0 / 57 / 56

HEX #0C6F30

RGB 12 111 48

HSL 141.82, 0.8%, 0.24%

LAB 40.67, -41.18, 27.5

 

CMYK 75 / 89 / 0 / 56

HEX #1C0C6F

RGB 28 12 111

HSL 249.7, 0.8%, 0.24%

LAB 13.58, 38.54, -52.7

 

CMYK 0 / 89 / 33 / 56

HEX #6F0C4A

RGB 111 12 74

HSL 322.42, 0.8%, 0.24%

LAB 24.12, 45.49, -10.41

 

CMYK 16 / 0 / 89 / 56

HEX #5E700C

RGB 94 112 12

HSL 70.8, 0.81%, 0.24%

LAB 44.23, -19.86, 47.02

 

CMYK 89 / 0 / 30 / 56

HEX #0C6F4E

RGB 12 111 78

HSL 160, 0.8%, 0.24%

LAB 41.21, -34.93, 11.06

 

CMYK 75 / 89 / 0 / 56

HEX #1C0C6F

RGB 28 12 111

HSL 249.7, 0.8%, 0.24%

LAB 13.58, 38.54, -52.7

 

CMYK 0 / 89 / 59 / 56

HEX #6F0C2D

RGB 111 12 45

HSL 340, 0.8%, 0.24%

LAB 23.11, 42.61, 8.08

 

Description

Color code: HEX #5E700C | qconv.com Color code: HEX #5E700C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 112 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 112 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 89 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 89% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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