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Color name
HEX #5E6F1A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E6F1A it is the complementary color #A190E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E6F1A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E6F1A shade: #636F15, #748128, #85933B, #96A54E and #A7B761

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E6F1A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E6F1A shade: #5E6F1A, #4D5D07, #3C4B00, #2B3900 and #1A2700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E6F1A shade: #5E701A, #706A1A, #70531A, #703C1A and #70251A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E6F1A shade: #5E701A, #47701A, #30701A, #1A701B and #1A7032

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E6F1A shade matches the following richer shades: #5E701A, #657B0F and #6C8604

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E6F1A shade: #5E701A, #586425, #515930, #4A4E3C and #444347

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E6F1A shade: #70531A, #706A1A, #5E701A, #48701A and #31701A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E6F1A shade: #262D0A, #424E12, #5E701A, #7B9122 and #97B22A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E6F1A shade: #5E6F1A, #1A703C and #5E1A70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E6F1A shade: #5E6F1A, #1A5E70 and #701A5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E6F1A shade: #5E6F1A, #1A703C, #2B1A70 and #701A4D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E6F1A shade: #5E6F1A, #1A7056, #2B1A70 and #701A34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 77 / 56

HEX #5E6F1A

RGB 94 111 26

HSL 72, 0.62%, 0.27%

LAB 43.98, -18.71, 42.39

 

Complementary color

CMYK 30 / 37 / 0 / 10

HEX #A190E5

RGB 161 144 229

HSL 252, 0.62%, 0.73%

LAB 64.31, 24.8, -40.87

 

CMYK 11 / 0 / 81 / 56

HEX #636F15

RGB 99 111 21

HSL 68, 0.68%, 0.26%

LAB 44.34, -16.69, 44.67

 

CMYK 10 / 0 / 69 / 49

HEX #748128

RGB 116 129 40

HSL 68.76, 0.53%, 0.33%

LAB 51.34, -17.48, 44.63

 

CMYK 10 / 0 / 60 / 42

HEX #85933B

RGB 133 147 59

HSL 69.55, 0.43%, 0.4%

LAB 58.2, -18.05, 43.86

 

CMYK 9 / 0 / 53 / 35

HEX #96A54E

RGB 150 165 78

HSL 70.34, 0.36%, 0.48%

LAB 64.92, -18.46, 42.79

 

CMYK 9 / 0 / 47 / 28

HEX #A7B761

RGB 167 183 97

HSL 71.16, 0.37%, 0.55%

LAB 71.52, -18.76, 41.63

 

CMYK 15 / 0 / 77 / 56

HEX #5E6F1A

RGB 94 111 26

HSL 72, 0.62%, 0.27%

LAB 43.98, -18.71, 42.39

 

CMYK 17 / 0 / 92 / 64

HEX #4D5D07

RGB 77 93 7

HSL 71.16, 0.86%, 0.2%

LAB 36.78, -17.8, 41.52

 

CMYK 20 / 0 / 100 / 71

HEX #3C4B00

RGB 60 75 0

HSL 72, 1%, 0.15%

LAB 29.39, -16.41, 37.44

 

CMYK 25 / 0 / 100 / 78

HEX #2B3900

RGB 43 57 0

HSL 74.74, 1%, 0.11%

LAB 21.73, -14.72, 29.82

 

CMYK 33 / 0 / 100 / 85

HEX #1A2700

RGB 26 39 0

HSL 80, 1%, 0.08%

LAB 13.65, -12.98, 19.8

 

CMYK 16 / 0 / 77 / 56

HEX #5E701A

RGB 94 112 26

HSL 72.56, 0.62%, 0.27%

LAB 44.29, -19.24, 42.69

 

CMYK 0 / 5 / 77 / 56

HEX #706A1A

RGB 112 106 26

HSL 55.81, 0.62%, 0.27%

LAB 43.98, -7.56, 42.93

 

CMYK 0 / 26 / 77 / 56

HEX #70531A

RGB 112 83 26

HSL 39.77, 0.62%, 0.27%

LAB 37.31, 5.96, 36.42

 

CMYK 0 / 46 / 77 / 56

HEX #703C1A

RGB 112 60 26

HSL 23.72, 0.62%, 0.27%

LAB 31.23, 19.87, 30.18

 

CMYK 0 / 67 / 77 / 56

HEX #70251A

RGB 112 37 26

HSL 7.67, 0.62%, 0.27%

LAB 26.28, 32.5, 24.79

 

CMYK 16 / 0 / 77 / 56

HEX #5E701A

RGB 94 112 26

HSL 72.56, 0.62%, 0.27%

LAB 44.29, -19.24, 42.69

 

CMYK 37 / 0 / 77 / 56

HEX #47701A

RGB 71 112 26

HSL 88.6, 0.62%, 0.27%

LAB 42.77, -29.02, 40.68

 

CMYK 57 / 0 / 77 / 56

HEX #30701A

RGB 48 112 26

HSL 104.65, 0.62%, 0.27%

LAB 41.68, -37.04, 39.23

 

CMYK 77 / 0 / 76 / 56

HEX #1A701B

RGB 26 112 27

HSL 120.7, 0.62%, 0.27%

LAB 41.04, -42.24, 37.98

 

CMYK 77 / 0 / 55 / 56

HEX #1A7032

RGB 26 112 50

HSL 136.74, 0.62%, 0.27%

LAB 41.28, -39.36, 27.21

 

CMYK 16 / 0 / 77 / 56

HEX #5E701A

RGB 94 112 26

HSL 72.56, 0.62%, 0.27%

LAB 44.29, -19.24, 42.69

 

CMYK 18 / 0 / 88 / 52

HEX #657B0F

RGB 101 123 15

HSL 72.22, 0.78%, 0.27%

LAB 48.22, -22.29, 49.87

 

CMYK 19 / 0 / 97 / 47

HEX #6C8604

RGB 108 134 4

HSL 72, 0.94%, 0.27%

LAB 52.12, -25.02, 55.42

 

CMYK 16 / 0 / 77 / 56

HEX #5E701A

RGB 94 112 26

HSL 72.56, 0.62%, 0.27%

LAB 44.29, -19.24, 42.69

 

CMYK 12 / 0 / 63 / 61

HEX #586425

RGB 88 100 37

HSL 71.43, 0.46%, 0.27%

LAB 40.12, -14.71, 33.37

 

CMYK 9 / 0 / 46 / 65

HEX #515930

RGB 81 89 48

HSL 71.71, 0.3%, 0.27%

LAB 36.19, -10.51, 22.63

 

CMYK 5 / 0 / 23 / 69

HEX #4A4E3C

RGB 74 78 60

HSL 73.33, 0.13%, 0.27%

LAB 32.33, -5.27, 10.14

 

CMYK 4 / 6 / 0 / 72

HEX #444347

RGB 68 67 71

HSL 255, 0.03%, 0.27%

LAB 28.64, 1.32, -2.27

 

CMYK 0 / 26 / 77 / 56

HEX #70531A

RGB 112 83 26

HSL 39.77, 0.62%, 0.27%

LAB 37.31, 5.96, 36.42

 

CMYK 0 / 5 / 77 / 56

HEX #706A1A

RGB 112 106 26

HSL 55.81, 0.62%, 0.27%

LAB 43.98, -7.56, 42.93

 

CMYK 16 / 0 / 77 / 56

HEX #5E701A

RGB 94 112 26

HSL 72.56, 0.62%, 0.27%

LAB 44.29, -19.24, 42.69

 

CMYK 36 / 0 / 77 / 56

HEX #48701A

RGB 72 112 26

HSL 87.91, 0.62%, 0.27%

LAB 42.82, -28.62, 40.76

 

CMYK 56 / 0 / 77 / 56

HEX #31701A

RGB 49 112 26

HSL 103.95, 0.62%, 0.27%

LAB 41.71, -36.74, 39.29

 

CMYK 16 / 0 / 78 / 82

HEX #262D0A

RGB 38 45 10

HSL 72, 0.64%, 0.11%

LAB 17.04, -9.33, 20.24

 

CMYK 15 / 0 / 77 / 69

HEX #424E12

RGB 66 78 18

HSL 72, 0.63%, 0.19%

LAB 31, -14.23, 32.16

 

CMYK 16 / 0 / 77 / 56

HEX #5E701A

RGB 94 112 26

HSL 72.56, 0.62%, 0.27%

LAB 44.29, -19.24, 42.69

 

CMYK 15 / 0 / 77 / 43

HEX #7B9122

RGB 123 145 34

HSL 71.89, 0.62%, 0.35%

LAB 56.66, -23, 52.36

 

CMYK 15 / 0 / 76 / 30

HEX #97B22A

RGB 151 178 42

HSL 71.91, 0.62%, 0.43%

LAB 68.45, -27.02, 61.47

 

CMYK 15 / 0 / 77 / 56

HEX #5E6F1A

RGB 94 111 26

HSL 72, 0.62%, 0.27%

LAB 43.98, -18.71, 42.39

 

CMYK 77 / 0 / 46 / 56

HEX #1A703C

RGB 26 112 60

HSL 143.72, 0.62%, 0.27%

LAB 41.43, -37.6, 21.88

 

CMYK 16 / 77 / 0 / 56

HEX #5E1A70

RGB 94 26 112

HSL 287.44, 0.62%, 0.27%

LAB 24.6, 43.29, -34.96

 

CMYK 15 / 0 / 77 / 56

HEX #5E6F1A

RGB 94 111 26

HSL 72, 0.62%, 0.27%

LAB 43.98, -18.71, 42.39

 

CMYK 77 / 16 / 0 / 56

HEX #1A5E70

RGB 26 94 112

HSL 192.56, 0.62%, 0.27%

LAB 36.73, -14.25, -16.25

 

CMYK 0 / 77 / 16 / 56

HEX #701A5E

RGB 112 26 94

HSL 312.56, 0.62%, 0.27%

LAB 26.71, 44.4, -19.72

 

CMYK 15 / 0 / 77 / 56

HEX #5E6F1A

RGB 94 111 26

HSL 72, 0.62%, 0.27%

LAB 43.98, -18.71, 42.39

 

CMYK 77 / 0 / 46 / 56

HEX #1A703C

RGB 26 112 60

HSL 143.72, 0.62%, 0.27%

LAB 41.43, -37.6, 21.88

 

CMYK 62 / 77 / 0 / 56

HEX #2B1A70

RGB 43 26 112

HSL 251.86, 0.62%, 0.27%

LAB 17.56, 33.36, -46.72

 

CMYK 0 / 77 / 31 / 56

HEX #701A4D

RGB 112 26 77

HSL 324.42, 0.62%, 0.27%

LAB 25.92, 41.95, -9.67

 

CMYK 15 / 0 / 77 / 56

HEX #5E6F1A

RGB 94 111 26

HSL 72, 0.62%, 0.27%

LAB 43.98, -18.71, 42.39

 

CMYK 77 / 0 / 23 / 56

HEX #1A7056

RGB 26 112 86

HSL 161.86, 0.62%, 0.27%

LAB 41.97, -31.66, 7.38

 

CMYK 62 / 77 / 0 / 56

HEX #2B1A70

RGB 43 26 112

HSL 251.86, 0.62%, 0.27%

LAB 17.56, 33.36, -46.72

 

CMYK 0 / 77 / 54 / 56

HEX #701A34

RGB 112 26 52

HSL 341.86, 0.62%, 0.27%

LAB 25.05, 39.14, 6

 

Description

Color code: HEX #5E6F1A | qconv.com Color code: HEX #5E6F1A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 111 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 111 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 77 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 77% 56% C M Y K

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Provide designers and agencies with accurate color values.

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