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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E6E9C it is the complementary color #A19163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E6E9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E6E9C shade: #636E97, #7480AA, #8592BD, #96A4D0 and #A7B6E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E6E9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E6E9C shade: #5E6E9C, #4D5C89, #3C4A76, #2B3863 and #1A2650

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E6E9C shade: #5E6E9C, #5E5E9C, #6F5E9C, #805E9C and #915E9C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E6E9C shade: #5E6E9C and #5E5E9C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E6E9C shade matches the following richer shades: #5E6E9C, #4964B0, #355AC5, #2150D9 and #0D47ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E6E9C shade: #5E6E9C, #727888, #868174, #9A8B60 and #AF954B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E6E9C shade: #5E909C, #5E7F9C, #5E6E9C, #5E5E9C and #6E5E9C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E6E9C shade: #3F4A69, #4E5C82, #5E6E9C, #7684AD and #909BBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E6E9C shade: #5E6E9C, #985E9C and #879C5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E6E9C shade: #5E6E9C, #9C5E6E and #6E9C5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E6E9C shade: #5E6E9C, #985E9C, #9C8C5E and #629C5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E6E9C shade: #5E6E9C, #9C5E8E, #9C8C5E and #5E9C6C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 29 / 0 / 39

HEX #5E6E9C

RGB 94 110 156

HSL 224.52, 0.25%, 0.49%

LAB 46.88, 6.13, -26.83

 

Complementary color

CMYK 0 / 10 / 39 / 37

HEX #A19163

RGB 161 145 99

HSL 44.52, 0.25%, 0.51%

LAB 60.54, -0.93, 26.6

 

CMYK 34 / 27 / 0 / 41

HEX #636E97

RGB 99 110 151

HSL 227.31, 0.21%, 0.49%

LAB 47.03, 6.17, -23.63

 

CMYK 32 / 25 / 0 / 33

HEX #7480AA

RGB 116 128 170

HSL 226.67, 0.24%, 0.56%

LAB 54.08, 5.73, -23.73

 

CMYK 30 / 23 / 0 / 26

HEX #8592BD

RGB 133 146 189

HSL 226.07, 0.3%, 0.63%

LAB 60.97, 5.35, -23.87

 

CMYK 28 / 21 / 0 / 18

HEX #96A4D0

RGB 150 164 208

HSL 225.52, 0.38%, 0.7%

LAB 67.72, 5.02, -24.03

 

CMYK 26 / 20 / 0 / 11

HEX #A7B6E3

RGB 167 182 227

HSL 225, 0.52%, 0.77%

LAB 74.33, 4.72, -24.23

 

CMYK 40 / 29 / 0 / 39

HEX #5E6E9C

RGB 94 110 156

HSL 224.52, 0.25%, 0.49%

LAB 46.88, 6.13, -26.83

 

CMYK 44 / 33 / 0 / 46

HEX #4D5C89

RGB 77 92 137

HSL 225, 0.28%, 0.42%

LAB 39.64, 6.75, -26.85

 

CMYK 49 / 37 / 0 / 54

HEX #3C4A76

RGB 60 74 118

HSL 225.52, 0.33%, 0.35%

LAB 32.18, 7.56, -26.94

 

CMYK 57 / 43 / 0 / 61

HEX #2B3863

RGB 43 56 99

HSL 226.07, 0.39%, 0.28%

LAB 24.46, 8.64, -27.13

 

CMYK 68 / 53 / 0 / 69

HEX #1A2650

RGB 26 38 80

HSL 226.67, 0.51%, 0.21%

LAB 16.43, 10.23, -27.42

 

CMYK 40 / 29 / 0 / 39

HEX #5E6E9C

RGB 94 110 156

HSL 224.52, 0.25%, 0.49%

LAB 46.88, 6.13, -26.83

 

CMYK 40 / 40 / 0 / 39

HEX #5E5E9C

RGB 94 94 156

HSL 240, 0.25%, 0.49%

LAB 42.44, 16.01, -33.79

 

CMYK 29 / 40 / 0 / 39

HEX #6F5E9C

RGB 111 94 156

HSL 256.45, 0.25%, 0.49%

LAB 43.92, 20.97, -31.35

 

CMYK 18 / 40 / 0 / 39

HEX #805E9C

RGB 128 94 156

HSL 272.9, 0.25%, 0.49%

LAB 45.63, 26.23, -28.56

 

CMYK 7 / 40 / 0 / 39

HEX #915E9C

RGB 145 94 156

HSL 289.35, 0.25%, 0.49%

LAB 47.53, 31.68, -25.46

 

CMYK 40 / 29 / 0 / 39

HEX #5E6E9C

RGB 94 110 156

HSL 224.52, 0.25%, 0.49%

LAB 46.88, 6.13, -26.83

 

CMYK 40 / 40 / 0 / 39

HEX #5E5E9C

RGB 94 94 156

HSL 240, 0.25%, 0.49%

LAB 42.44, 16.01, -33.79

 

CMYK 40 / 29 / 0 / 39

HEX #5E6E9C

RGB 94 110 156

HSL 224.52, 0.25%, 0.49%

LAB 46.88, 6.13, -26.83

 

CMYK 59 / 43 / 0 / 31

HEX #4964B0

RGB 73 100 176

HSL 224.27, 0.41%, 0.49%

LAB 43.75, 13.51, -43.62

 

CMYK 73 / 54 / 0 / 23

HEX #355AC5

RGB 53 90 197

HSL 224.58, 0.58%, 0.49%

LAB 41.38, 24.1, -59.74

 

CMYK 85 / 63 / 0 / 15

HEX #2150D9

RGB 33 80 217

HSL 224.67, 0.74%, 0.49%

LAB 39.7, 36.11, -74.03

 

CMYK 95 / 70 / 0 / 7

HEX #0D47ED

RGB 13 71 237

HSL 224.46, 0.9%, 0.49%

LAB 39.08, 48.14, -86.44

 

CMYK 40 / 29 / 0 / 39

HEX #5E6E9C

RGB 94 110 156

HSL 224.52, 0.25%, 0.49%

LAB 46.88, 6.13, -26.83

 

CMYK 16 / 12 / 0 / 47

HEX #727888

RGB 114 120 136

HSL 223.64, 0.09%, 0.49%

LAB 50.44, 1.29, -9.48

 

CMYK 0 / 4 / 13 / 47

HEX #868174

RGB 134 129 116

HSL 43.33, 0.07%, 0.49%

LAB 54.06, -0.5, 7.72

 

CMYK 0 / 10 / 38 / 40

HEX #9A8B60

RGB 154 139 96

HSL 44.48, 0.23%, 0.49%

LAB 58.21, -0.91, 25.07

 

CMYK 0 / 15 / 57 / 31

HEX #AF954B

RGB 175 149 75

HSL 44.4, 0.4%, 0.49%

LAB 62.61, 0.46, 42.11

 

CMYK 40 / 8 / 0 / 39

HEX #5E909C

RGB 94 144 156

HSL 191.61, 0.25%, 0.49%

LAB 56.81, -13.54, -11.66

 

CMYK 40 / 19 / 0 / 39

HEX #5E7F9C

RGB 94 127 156

HSL 208.06, 0.25%, 0.49%

LAB 51.79, -3.98, -19.26

 

CMYK 40 / 29 / 0 / 39

HEX #5E6E9C

RGB 94 110 156

HSL 224.52, 0.25%, 0.49%

LAB 46.88, 6.13, -26.83

 

CMYK 40 / 40 / 0 / 39

HEX #5E5E9C

RGB 94 94 156

HSL 240, 0.25%, 0.49%

LAB 42.44, 16.01, -33.79

 

CMYK 29 / 40 / 0 / 39

HEX #6E5E9C

RGB 110 94 156

HSL 255.48, 0.25%, 0.49%

LAB 43.83, 20.66, -31.51

 

CMYK 40 / 30 / 0 / 59

HEX #3F4A69

RGB 63 74 105

HSL 224.29, 0.25%, 0.33%

LAB 31.75, 4.25, -19.43

 

CMYK 40 / 29 / 0 / 49

HEX #4E5C82

RGB 78 92 130

HSL 223.85, 0.25%, 0.41%

LAB 39.39, 4.91, -22.99

 

CMYK 40 / 29 / 0 / 39

HEX #5E6E9C

RGB 94 110 156

HSL 224.52, 0.25%, 0.49%

LAB 46.88, 6.13, -26.83

 

CMYK 32 / 24 / 0 / 32

HEX #7684AD

RGB 118 132 173

HSL 224.73, 0.25%, 0.57%

LAB 55.45, 4.79, -23.34

 

CMYK 23 / 18 / 0 / 26

HEX #909BBC

RGB 144 155 188

HSL 225, 0.25%, 0.65%

LAB 64.16, 3.39, -18.36

 

CMYK 40 / 29 / 0 / 39

HEX #5E6E9C

RGB 94 110 156

HSL 224.52, 0.25%, 0.49%

LAB 46.88, 6.13, -26.83

 

CMYK 3 / 40 / 0 / 39

HEX #985E9C

RGB 152 94 156

HSL 296.13, 0.25%, 0.49%

LAB 48.36, 33.94, -24.1

 

CMYK 13 / 0 / 40 / 39

HEX #879C5E

RGB 135 156 94

HSL 80.32, 0.25%, 0.49%

LAB 61.43, -18.14, 30.04

 

CMYK 40 / 29 / 0 / 39

HEX #5E6E9C

RGB 94 110 156

HSL 224.52, 0.25%, 0.49%

LAB 46.88, 6.13, -26.83

 

CMYK 0 / 40 / 29 / 39

HEX #9C5E6E

RGB 156 94 110

HSL 344.52, 0.25%, 0.49%

LAB 47.23, 27.42, 1.76

 

CMYK 29 / 0 / 40 / 39

HEX #6E9C5E

RGB 110 156 94

HSL 104.52, 0.25%, 0.49%

LAB 59.8, -27.65, 27.62

 

CMYK 40 / 29 / 0 / 39

HEX #5E6E9C

RGB 94 110 156

HSL 224.52, 0.25%, 0.49%

LAB 46.88, 6.13, -26.83

 

CMYK 3 / 40 / 0 / 39

HEX #985E9C

RGB 152 94 156

HSL 296.13, 0.25%, 0.49%

LAB 48.36, 33.94, -24.1

 

CMYK 0 / 10 / 40 / 39

HEX #9C8C5E

RGB 156 140 94

HSL 44.52, 0.25%, 0.49%

LAB 58.63, -0.87, 26.76

 

CMYK 37 / 0 / 40 / 39

HEX #629C5E

RGB 98 156 94

HSL 116.13, 0.25%, 0.49%

LAB 59.14, -31.81, 26.64

 

CMYK 40 / 29 / 0 / 39

HEX #5E6E9C

RGB 94 110 156

HSL 224.52, 0.25%, 0.49%

LAB 46.88, 6.13, -26.83

 

CMYK 0 / 40 / 9 / 39

HEX #9C5E8E

RGB 156 94 142

HSL 313.55, 0.25%, 0.49%

LAB 48.29, 32.61, -15.86

 

CMYK 0 / 10 / 40 / 39

HEX #9C8C5E

RGB 156 140 94

HSL 44.52, 0.25%, 0.49%

LAB 58.63, -0.87, 26.76

 

CMYK 40 / 0 / 31 / 39

HEX #5E9C6C

RGB 94 156 108

HSL 133.55, 0.25%, 0.49%

LAB 59.2, -30.68, 19.01

 

Description

Color code: HEX #5E6E9C | qconv.com Color code: HEX #5E6E9C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 110 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 110 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 29 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 29% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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