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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E6CCEBF it is the complementary color #A19331BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E6CCEBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E6CCEBF shade: #636CC9BF, #747EDCBF, #8590EFBF, #96A2FFBF and #A7B4FFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E6CCEBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E6CCEBF shade: #5E6CCEBF, #4D5ABBBF, #3C48A8BF, #2B3695BF and #1A2482BF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E6CCEBF shade: #5F6DCE, #6F5FCE, #8D5FCE, #AB5FCE and #C95FCE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E6CCEBF shade: #5F6DCE and #5F5FCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E6CCEBF shade matches the following richer shades: #5F6DCE, #4E60DF and #3D54F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E6CCEBF shade: #5F6DCE, #707ABD, #8186AC, #92939B and #A3A08A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E6CCEBF shade: #5FA9CE, #5F8BCE, #5F6ECE, #6E5FCE and #8B5FCE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E6CCEBF shade: #3342A7, #3F50C4, #5F6DCE, #7F8AD8 and #9EA7E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E6CCEBF shade: #5E6CCE, #CE5FC6 and #9ACE5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E6CCEBF shade: #5E6CCE, #CE5F6E and #6ECE5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E6CCEBF shade: #5E6CCE, #CE5FC6, #CEBF5F and #5FCE66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E6CCEBF shade: #5E6CCE, #CE5FA5, #CEBF5F and #5FCE88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 36 / 0 / 14

HEX #5E6CCEBF

RGBA 94 108 206 0.75

HSLA 232.5, 0.53%, 0.59%, 0.75

LABA 48.96, 22.85, -52.58, 0.75

 

Complementary color

CMYK 0 / 7 / 52 / 28

HEX #A19331BF

RGBA 161 147 49 0.75

HSLA 52.5, 0.53%, 0.41%, 0.75

LABA 60.49, -6.42, 51.43, 0.75

 

CMYK 38 / 35 / 0 / 16

HEX #636CC9BF

RGBA 99 108 201 0.75

HSLA 234.71, 0.49%, 0.59%, 0.75

LABA 49, 22.34, -49.63, 0.75

 

CMYK 35 / 32 / 0 / 10

HEX #747EDCBF

RGBA 116 126 220 0.75

HSLA 234.23, 0.6%, 0.66%, 0.75

LABA 55.89, 21.16, -49.36, 0.75

 

CMYK 33 / 30 / 0 / 5

HEX #8590EFBF

RGBA 133 144 239 0.75

HSLA 233.77, 0.77%, 0.73%, 0.75

LABA 62.65, 20.16, -49.15, 0.75

 

CMYK 31 / 27 / 0 / 0

HEX #96A2FFBF

RGBA 150 162 255 0.75

HSLA 233.14, 1%, 0.79%, 0.75

LABA 69.14, 18.46, -47.57, 0.75

 

CMYK 26 / 22 / 0 / 0

HEX #A7B4FFBF

RGBA 167 180 255 0.75

HSLA 231.14, 1%, 0.83%, 0.75

LABA 74.87, 12.75, -38.52, 0.75

 

CMYK 41 / 36 / 0 / 14

HEX #5E6CCEBF

RGBA 94 108 206 0.75

HSLA 232.5, 0.53%, 0.59%, 0.75

LABA 48.96, 22.85, -52.58, 0.75

 

CMYK 44 / 39 / 0 / 20

HEX #4D5ABBBF

RGBA 77 90 187 0.75

HSLA 232.91, 0.45%, 0.52%, 0.75

LABA 41.97, 24.41, -52.9, 0.75

 

CMYK 48 / 43 / 0 / 26

HEX #3C48A8BF

RGBA 60 72 168 0.75

HSLA 233.33, 0.47%, 0.45%, 0.75

LABA 34.85, 26.31, -53.24, 0.75

 

CMYK 53 / 48 / 0 / 31

HEX #2B3695BF

RGBA 43 54 149 0.75

HSLA 233.77, 0.55%, 0.38%, 0.75

LABA 27.63, 28.65, -53.53, 0.75

 

CMYK 60 / 54 / 0 / 37

HEX #1A2482BF

RGBA 26 36 130 0.75

HSLA 234.23, 0.67%, 0.31%, 0.75

LABA 20.41, 31.47, -53.59, 0.75

 

CMYK 54 / 47 / 0 / 19

HEX #5F6DCE

RGB 95 109 206

HSL 232.43, 0.53%, 0.59%

LAB 49.28, 22.44, -52.05

 

CMYK 46 / 54 / 0 / 19

HEX #6F5FCE

RGB 111 95 206

HSL 248.65, 0.53%, 0.59%

LAB 47, 34.45, -55.65

 

CMYK 32 / 54 / 0 / 19

HEX #8D5FCE

RGB 141 95 206

HSL 264.86, 0.53%, 0.59%

LAB 49.86, 41.59, -50.91

 

CMYK 17 / 54 / 0 / 19

HEX #AB5FCE

RGB 171 95 206

HSL 281.08, 0.53%, 0.59%

LAB 53.27, 49.34, -45.27

 

CMYK 2 / 54 / 0 / 19

HEX #C95FCE

RGB 201 95 206

HSL 297.3, 0.53%, 0.59%

LAB 57.13, 57.34, -38.93

 

CMYK 54 / 47 / 0 / 19

HEX #5F6DCE

RGB 95 109 206

HSL 232.43, 0.53%, 0.59%

LAB 49.28, 22.44, -52.05

 

CMYK 54 / 54 / 0 / 19

HEX #5F5FCE

RGB 95 95 206

HSL 240, 0.53%, 0.59%

LAB 45.73, 31.06, -57.76

 

CMYK 54 / 47 / 0 / 19

HEX #5F6DCE

RGB 95 109 206

HSL 232.43, 0.53%, 0.59%

LAB 49.28, 22.44, -52.05

 

CMYK 65 / 57 / 0 / 13

HEX #4E60DF

RGB 78 96 223

HSL 232.55, 0.69%, 0.59%

LAB 46.06, 33.05, -66.98

 

CMYK 75 / 65 / 0 / 6

HEX #3D54F0

RGB 61 84 240

HSL 232.29, 0.86%, 0.59%

LAB 43.69, 44.14, -80.5

 

CMYK 54 / 47 / 0 / 19

HEX #5F6DCE

RGB 95 109 206

HSL 232.43, 0.53%, 0.59%

LAB 49.28, 22.44, -52.05

 

CMYK 41 / 35 / 0 / 26

HEX #707ABD

RGB 112 122 189

HSL 232.21, 0.37%, 0.59%

LAB 52.99, 13.42, -36.37

 

CMYK 25 / 22 / 0 / 33

HEX #8186AC

RGB 129 134 172

HSL 233.02, 0.21%, 0.59%

LAB 56.78, 6.77, -20.66

 

CMYK 6 / 5 / 0 / 39

HEX #92939B

RGB 146 147 155

HSL 233.33, 0.04%, 0.59%

LAB 61.08, 1.24, -4.34

 

CMYK 0 / 2 / 15 / 36

HEX #A3A08A

RGB 163 160 138

HSL 52.8, 0.12%, 0.59%

LAB 65.56, -2.78, 11.87

 

CMYK 54 / 18 / 0 / 19

HEX #5FA9CE

RGB 95 169 206

HSL 200, 0.53%, 0.59%

LAB 65.95, -12.64, -25.9

 

CMYK 54 / 33 / 0 / 19

HEX #5F8BCE

RGB 95 139 206

HSL 216.22, 0.53%, 0.59%

LAB 57.42, 4.29, -39.15

 

CMYK 54 / 47 / 0 / 19

HEX #5F6ECE

RGB 95 110 206

HSL 231.89, 0.53%, 0.59%

LAB 49.55, 21.82, -51.63

 

CMYK 47 / 54 / 0 / 19

HEX #6E5FCE

RGB 110 95 206

HSL 248.11, 0.53%, 0.59%

LAB 46.92, 34.23, -55.79

 

CMYK 33 / 54 / 0 / 19

HEX #8B5FCE

RGB 139 95 206

HSL 263.78, 0.53%, 0.59%

LAB 49.65, 41.09, -51.25

 

CMYK 69 / 60 / 0 / 35

HEX #3342A7

RGB 51 66 167

HSL 232.24, 0.53%, 0.43%

LAB 32.68, 28.47, -56.19

 

CMYK 68 / 59 / 0 / 23

HEX #3F50C4

RGB 63 80 196

HSL 232.33, 0.53%, 0.51%

LAB 39.21, 31.53, -62.66

 

CMYK 54 / 47 / 0 / 19

HEX #5F6DCE

RGB 95 109 206

HSL 232.43, 0.53%, 0.59%

LAB 49.28, 22.44, -52.05

 

CMYK 41 / 36 / 0 / 15

HEX #7F8AD8

RGB 127 138 216

HSL 232.58, 0.53%, 0.67%

LAB 59.57, 15.6, -41.26

 

CMYK 30 / 26 / 0 / 12

HEX #9EA7E1

RGB 158 167 225

HSL 231.94, 0.53%, 0.75%

LAB 69.71, 9.9, -30.28

 

CMYK 54 / 48 / 0 / 19

HEX #5E6CCE

RGB 94 108 206

HSL 232.5, 0.53%, 0.59%

LAB 48.96, 22.85, -52.58

 

CMYK 0 / 54 / 4 / 19

HEX #CE5FC6

RGB 206 95 198

HSL 304.32, 0.53%, 0.59%

LAB 57.45, 57.29, -33.83

 

CMYK 25 / 0 / 54 / 19

HEX #9ACE5F

RGB 154 206 95

HSL 88.11, 0.53%, 0.59%

LAB 77.18, -35.06, 49.18

 

CMYK 54 / 48 / 0 / 19

HEX #5E6CCE

RGB 94 108 206

HSL 232.5, 0.53%, 0.59%

LAB 48.96, 22.85, -52.58

 

CMYK 0 / 54 / 47 / 19

HEX #CE5F6E

RGB 206 95 110

HSL 351.89, 0.53%, 0.59%

LAB 54.48, 45.33, 13.04

 

CMYK 47 / 0 / 54 / 19

HEX #6ECE5F

RGB 110 206 95

HSL 111.89, 0.53%, 0.59%

LAB 75, -49.69, 46.06

 

CMYK 54 / 48 / 0 / 19

HEX #5E6CCE

RGB 94 108 206

HSL 232.5, 0.53%, 0.59%

LAB 48.96, 22.85, -52.58

 

CMYK 0 / 54 / 4 / 19

HEX #CE5FC6

RGB 206 95 198

HSL 304.32, 0.53%, 0.59%

LAB 57.45, 57.29, -33.83

 

CMYK 0 / 7 / 54 / 19

HEX #CEBF5F

RGB 206 191 95

HSL 51.89, 0.53%, 0.59%

LAB 76.81, -7.04, 49.68

 

CMYK 54 / 0 / 50 / 19

HEX #5FCE66

RGB 95 206 102

HSL 123.78, 0.53%, 0.59%

LAB 74.53, -52.88, 42.01

 

CMYK 54 / 48 / 0 / 19

HEX #5E6CCE

RGB 94 108 206

HSL 232.5, 0.53%, 0.59%

LAB 48.96, 22.85, -52.58

 

CMYK 0 / 54 / 20 / 19

HEX #CE5FA5

RGB 206 95 165

HSL 322.16, 0.53%, 0.59%

LAB 56.11, 52.07, -16.88

 

CMYK 0 / 7 / 54 / 19

HEX #CEBF5F

RGB 206 191 95

HSL 51.89, 0.53%, 0.59%

LAB 76.81, -7.04, 49.68

 

CMYK 54 / 0 / 34 / 19

HEX #5FCE88

RGB 95 206 136

HSL 142.16, 0.53%, 0.59%

LAB 75.05, -47.4, 25.43

 

Description

Color code: HEX #5E6CCEBF | qconv.com Color code: HEX #5E6CCEBF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 108 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 108 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 36 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 36% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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