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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E6BDA it is the complementary color #A19425. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E6BDA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E6BDA shade: #636BD5, #747DE8, #858FFB, #96A1FF and #A7B3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E6BDA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E6BDA shade: #5E6BDA, #4D59C7, #3C47B4, #2B35A1 and #1A238E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E6BDA shade: #5D6ADA, #725DDA, #935DDA, #B55DDA and #D75DDA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E6BDA shade: #5D6ADA and #5D5DDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E6BDA shade matches the following richer shades: #5D6ADA, #4D5DEA and #3D51FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E6BDA shade: #5D6ADA, #6D77CA, #7D83BA, #8D90AA and #9D9D9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E6BDA shade: #5DAEDA, #5D8DDA, #5D6CDA, #705DDA and #915DDA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E6BDA shade: #2A39BA, #3B4BD3, #5D6ADA, #7F89E2 and #A0A8E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E6BDA shade: #5E6BDA, #DA5DD0 and #9EDA5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E6BDA shade: #5E6BDA, #DA5D6C and #6CDA5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E6BDA shade: #5E6BDA, #DA5DD0, #DACC5D and #5DDA67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E6BDA shade: #5E6BDA, #DA5DAA, #DACC5D and #5DDA8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 51 / 0 / 15

HEX #5E6BDA

RGB 94 107 218

HSL 233.71, 0.63%, 0.61%

LAB 49.44, 27.35, -58.63

 

Complementary color

CMYK 0 / 8 / 77 / 37

HEX #A19425

RGB 161 148 37

HSL 53.71, 0.63%, 0.39%

LAB 60.68, -7.54, 56.21

 

CMYK 54 / 50 / 0 / 16

HEX #636BD5

RGB 99 107 213

HSL 235.79, 0.58%, 0.61%

LAB 49.46, 26.74, -55.74

 

CMYK 50 / 46 / 0 / 9

HEX #747DE8

RGB 116 125 232

HSL 235.34, 0.72%, 0.68%

LAB 56.29, 25.39, -55.44

 

CMYK 47 / 43 / 0 / 2

HEX #858FFB

RGB 133 143 251

HSL 234.92, 0.94%, 0.75%

LAB 63.01, 24.23, -55.17

 

CMYK 41 / 37 / 0 / 0

HEX #96A1FF

RGB 150 161 255

HSL 233.71, 1%, 0.79%

LAB 68.89, 19.03, -47.97

 

CMYK 35 / 30 / 0 / 0

HEX #A7B3FF

RGB 167 179 255

HSL 231.82, 1%, 0.83%

LAB 74.62, 13.31, -38.92

 

CMYK 57 / 51 / 0 / 15

HEX #5E6BDA

RGB 94 107 218

HSL 233.71, 0.63%, 0.61%

LAB 49.44, 27.35, -58.63

 

CMYK 61 / 55 / 0 / 22

HEX #4D59C7

RGB 77 89 199

HSL 234.1, 0.52%, 0.54%

LAB 42.53, 29.1, -58.96

 

CMYK 67 / 61 / 0 / 29

HEX #3C47B4

RGB 60 71 180

HSL 234.5, 0.5%, 0.47%

LAB 35.52, 31.2, -59.28

 

CMYK 73 / 67 / 0 / 37

HEX #2B35A1

RGB 43 53 161

HSL 234.92, 0.58%, 0.4%

LAB 28.47, 33.69, -59.48

 

CMYK 82 / 75 / 0 / 44

HEX #1A238E

RGB 26 35 142

HSL 235.34, 0.69%, 0.33%

LAB 21.49, 36.5, -59.34

 

CMYK 57 / 51 / 0 / 15

HEX #5D6ADA

RGB 93 106 218

HSL 233.76, 0.63%, 0.61%

LAB 49.13, 27.77, -59.14

 

CMYK 48 / 57 / 0 / 15

HEX #725DDA

RGB 114 93 218

HSL 250.08, 0.63%, 0.61%

LAB 47.58, 39.79, -61.55

 

CMYK 33 / 57 / 0 / 15

HEX #935DDA

RGB 147 93 218

HSL 265.92, 0.63%, 0.61%

LAB 50.8, 47.14, -56.21

 

CMYK 17 / 57 / 0 / 15

HEX #B55DDA

RGB 181 93 218

HSL 282.24, 0.63%, 0.61%

LAB 54.78, 55.43, -49.62

 

CMYK 1 / 57 / 0 / 15

HEX #D75DDA

RGB 215 93 218

HSL 298.56, 0.63%, 0.61%

LAB 59.29, 64.01, -42.2

 

CMYK 57 / 51 / 0 / 15

HEX #5D6ADA

RGB 93 106 218

HSL 233.76, 0.63%, 0.61%

LAB 49.13, 27.77, -59.14

 

CMYK 57 / 57 / 0 / 15

HEX #5D5DDA

RGB 93 93 218

HSL 240, 0.63%, 0.61%

LAB 45.93, 35.73, -64.31

 

CMYK 57 / 51 / 0 / 15

HEX #5D6ADA

RGB 93 106 218

HSL 233.76, 0.63%, 0.61%

LAB 49.13, 27.77, -59.14

 

CMYK 67 / 60 / 0 / 8

HEX #4D5DEA

RGB 77 93 234

HSL 233.89, 0.79%, 0.61%

LAB 46.11, 38.49, -73.13

 

CMYK 76 / 68 / 0 / 2

HEX #3D51FA

RGB 61 81 250

HSL 233.65, 0.95%, 0.61%

LAB 43.91, 49.31, -85.73

 

CMYK 57 / 51 / 0 / 15

HEX #5D6ADA

RGB 93 106 218

HSL 233.76, 0.63%, 0.61%

LAB 49.13, 27.77, -59.14

 

CMYK 46 / 41 / 0 / 21

HEX #6D77CA

RGB 109 119 202

HSL 233.55, 0.47%, 0.61%

LAB 52.63, 18.29, -44.39

 

CMYK 33 / 30 / 0 / 27

HEX #7D83BA

RGB 125 131 186

HSL 234.1, 0.31%, 0.61%

LAB 56.23, 10.9, -29.54

 

CMYK 17 / 15 / 0 / 33

HEX #8D90AA

RGB 141 144 170

HSL 233.79, 0.15%, 0.61%

LAB 60.35, 4.45, -14.01

 

CMYK 0 / 0 / 2 / 38

HEX #9D9D9A

RGB 157 157 154

HSL 60, 0.02%, 0.61%

LAB 64.66, -0.57, 1.56

 

CMYK 57 / 20 / 0 / 15

HEX #5DAEDA

RGB 93 174 218

HSL 201.12, 0.63%, 0.61%

LAB 67.77, -12.14, -29.73

 

CMYK 57 / 35 / 0 / 15

HEX #5D8DDA

RGB 93 141 218

HSL 216.96, 0.63%, 0.61%

LAB 58.45, 6.53, -44.27

 

CMYK 57 / 50 / 0 / 15

HEX #5D6CDA

RGB 93 108 218

HSL 232.8, 0.63%, 0.61%

LAB 49.63, 26.54, -58.32

 

CMYK 49 / 57 / 0 / 15

HEX #705DDA

RGB 112 93 218

HSL 249.12, 0.63%, 0.61%

LAB 47.41, 39.38, -61.84

 

CMYK 33 / 57 / 0 / 15

HEX #915DDA

RGB 145 93 218

HSL 264.96, 0.63%, 0.61%

LAB 50.58, 46.67, -56.57

 

CMYK 77 / 69 / 0 / 27

HEX #2A39BA

RGB 42 57 186

HSL 233.75, 0.63%, 0.45%

LAB 31.72, 40.01, -69.09

 

CMYK 72 / 64 / 0 / 17

HEX #3B4BD3

RGB 59 75 211

HSL 233.68, 0.63%, 0.53%

LAB 39.01, 39.41, -71.67

 

CMYK 57 / 51 / 0 / 15

HEX #5D6ADA

RGB 93 106 218

HSL 233.76, 0.63%, 0.61%

LAB 49.13, 27.77, -59.14

 

CMYK 44 / 39 / 0 / 11

HEX #7F89E2

RGB 127 137 226

HSL 233.94, 0.63%, 0.69%

LAB 59.79, 19.05, -46.48

 

CMYK 31 / 28 / 0 / 9

HEX #A0A8E9

RGB 160 168 233

HSL 233.42, 0.62%, 0.77%

LAB 70.43, 11.92, -33.53

 

CMYK 57 / 51 / 0 / 15

HEX #5E6BDA

RGB 94 107 218

HSL 233.71, 0.63%, 0.61%

LAB 49.44, 27.35, -58.63

 

CMYK 0 / 57 / 5 / 15

HEX #DA5DD0

RGB 218 93 208

HSL 304.8, 0.63%, 0.61%

LAB 59.24, 63.1, -36.59

 

CMYK 28 / 0 / 57 / 15

HEX #9EDA5D

RGB 158 218 93

HSL 88.8, 0.63%, 0.61%

LAB 80.85, -39.22, 54.4

 

CMYK 57 / 51 / 0 / 15

HEX #5E6BDA

RGB 94 107 218

HSL 233.71, 0.63%, 0.61%

LAB 49.44, 27.35, -58.63

 

CMYK 0 / 57 / 50 / 15

HEX #DA5D6C

RGB 218 93 108

HSL 352.8, 0.63%, 0.61%

LAB 55.9, 50.27, 16.46

 

CMYK 50 / 0 / 57 / 15

HEX #6CDA5D

RGB 108 218 93

HSL 112.8, 0.63%, 0.61%

LAB 78.53, -55.23, 51.13

 

CMYK 57 / 51 / 0 / 15

HEX #5E6BDA

RGB 94 107 218

HSL 233.71, 0.63%, 0.61%

LAB 49.44, 27.35, -58.63

 

CMYK 0 / 57 / 5 / 15

HEX #DA5DD0

RGB 218 93 208

HSL 304.8, 0.63%, 0.61%

LAB 59.24, 63.1, -36.59

 

CMYK 0 / 6 / 57 / 15

HEX #DACC5D

RGB 218 204 93

HSL 53.28, 0.63%, 0.61%

LAB 81.23, -8.88, 55.96

 

CMYK 57 / 0 / 53 / 15

HEX #5DDA67

RGB 93 218 103

HSL 124.8, 0.63%, 0.61%

LAB 78.14, -57.82, 45.92

 

CMYK 57 / 51 / 0 / 15

HEX #5E6BDA

RGB 94 107 218

HSL 233.71, 0.63%, 0.61%

LAB 49.44, 27.35, -58.63

 

CMYK 0 / 57 / 22 / 15

HEX #DA5DAA

RGB 218 93 170

HSL 323.04, 0.63%, 0.61%

LAB 57.69, 57.32, -17.21

 

CMYK 0 / 6 / 57 / 15

HEX #DACC5D

RGB 218 204 93

HSL 53.28, 0.63%, 0.61%

LAB 81.23, -8.88, 55.96

 

CMYK 57 / 0 / 35 / 15

HEX #5DDA8D

RGB 93 218 141

HSL 143.04, 0.63%, 0.61%

LAB 78.69, -51.85, 27.73

 

Description

Color code: HEX #5E6BDA | qconv.com Color code: HEX #5E6BDA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 107 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 107 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 51 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 51% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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