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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E6BC5 it is the complementary color #A1943A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E6BC5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E6BC5 shade: #636BC0, #747DD3, #858FE6, #96A1F9 and #A7B3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E6BC5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E6BC5 shade: #5E6BC5, #4D59B2, #3C479F, #2B358C and #1A2379

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E6BC5 shade: #5D6AC4, #6C5DC4, #885DC4, #A45DC4 and #BF5DC4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E6BC5 shade: #5D6AC4 and #5D5DC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E6BC5 shade matches the following richer shades: #5D6AC4, #4C5DD6, #3A50E8 and #2843FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E6BC5 shade: #5D6AC4, #6F78B3, #8185A1, #93928F and #A49F7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E6BC5 shade: #5DA2C4, #5D87C4, #5D6BC4, #6B5DC4 and #875DC4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E6BC5 shade: #374399, #4250B7, #5D6AC4, #7C86CF and #9AA2DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E6BC5 shade: #5E6BC5, #C45DBE and #94C45D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E6BC5 shade: #5E6BC5, #C45D6B and #6BC45D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E6BC5 shade: #5E6BC5, #C45DBE, #C4B75D and #5DC464

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E6BC5 shade: #5E6BC5, #C45D9F, #C4B75D and #5DC483

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 46 / 0 / 23

HEX #5E6BC5

RGB 94 107 197

HSL 232.43, 0.47%, 0.57%

LAB 48.17, 20.57, -48.69

 

Complementary color

CMYK 0 / 8 / 64 / 37

HEX #A1943A

RGB 161 148 58

HSL 52.43, 0.47%, 0.43%

LAB 60.84, -6.4, 47.88

 

CMYK 48 / 44 / 0 / 25

HEX #636BC0

RGB 99 107 192

HSL 234.84, 0.42%, 0.57%

LAB 48.23, 20.15, -45.69

 

CMYK 45 / 41 / 0 / 17

HEX #747DD3

RGB 116 125 211

HSL 234.32, 0.52%, 0.64%

LAB 55.16, 19.08, -45.45

 

CMYK 42 / 38 / 0 / 10

HEX #858FE6

RGB 133 143 230

HSL 233.81, 0.66%, 0.71%

LAB 61.95, 18.17, -45.27

 

CMYK 40 / 35 / 0 / 2

HEX #96A1F9

RGB 150 161 249

HSL 233.33, 0.89%, 0.78%

LAB 68.62, 17.38, -45.14

 

CMYK 35 / 30 / 0 / 0

HEX #A7B3FF

RGB 167 179 255

HSL 231.82, 1%, 0.83%

LAB 74.62, 13.31, -38.92

 

CMYK 52 / 46 / 0 / 23

HEX #5E6BC5

RGB 94 107 197

HSL 232.43, 0.47%, 0.57%

LAB 48.17, 20.57, -48.69

 

CMYK 57 / 50 / 0 / 30

HEX #4D59B2

RGB 77 89 178

HSL 232.87, 0.4%, 0.5%

LAB 41.12, 22.01, -49

 

CMYK 62 / 55 / 0 / 38

HEX #3C479F

RGB 60 71 159

HSL 233.33, 0.45%, 0.43%

LAB 33.92, 23.78, -49.34

 

CMYK 69 / 62 / 0 / 45

HEX #2B358C

RGB 43 53 140

HSL 233.81, 0.53%, 0.36%

LAB 26.6, 25.99, -49.66

 

CMYK 79 / 71 / 0 / 53

HEX #1A2379

RGB 26 35 121

HSL 234.32, 0.65%, 0.29%

LAB 19.23, 28.72, -49.81

 

CMYK 53 / 46 / 0 / 23

HEX #5D6AC4

RGB 93 106 196

HSL 232.43, 0.47%, 0.57%

LAB 47.78, 20.65, -48.73

 

CMYK 45 / 53 / 0 / 23

HEX #6C5DC4

RGB 108 93 196

HSL 248.74, 0.47%, 0.57%

LAB 45.64, 32.03, -52.1

 

CMYK 31 / 53 / 0 / 23

HEX #885DC4

RGB 136 93 196

HSL 265.05, 0.47%, 0.57%

LAB 48.32, 38.92, -47.65

 

CMYK 16 / 53 / 0 / 23

HEX #A45DC4

RGB 164 93 196

HSL 281.36, 0.47%, 0.57%

LAB 51.5, 46.37, -42.4

 

CMYK 3 / 53 / 0 / 23

HEX #BF5DC4

RGB 191 93 196

HSL 297.09, 0.47%, 0.57%

LAB 54.96, 53.76, -36.72

 

CMYK 53 / 46 / 0 / 23

HEX #5D6AC4

RGB 93 106 196

HSL 232.43, 0.47%, 0.57%

LAB 47.78, 20.65, -48.73

 

CMYK 53 / 53 / 0 / 23

HEX #5D5DC4

RGB 93 93 196

HSL 240, 0.47%, 0.57%

LAB 44.44, 28.71, -54.1

 

CMYK 53 / 46 / 0 / 23

HEX #5D6AC4

RGB 93 106 196

HSL 232.43, 0.47%, 0.57%

LAB 47.78, 20.65, -48.73

 

CMYK 64 / 57 / 0 / 16

HEX #4C5DD6

RGB 76 93 214

HSL 232.61, 0.63%, 0.57%

LAB 44.55, 31.54, -64.32

 

CMYK 75 / 66 / 0 / 9

HEX #3A50E8

RGB 58 80 232

HSL 232.41, 0.79%, 0.57%

LAB 41.94, 43.52, -78.85

 

CMYK 84 / 73 / 0 / 2

HEX #2843FA

RGB 40 67 250

HSL 232.29, 0.95%, 0.57%

LAB 40.19, 55.87, -91.9

 

CMYK 53 / 46 / 0 / 23

HEX #5D6AC4

RGB 93 106 196

HSL 232.43, 0.47%, 0.57%

LAB 47.78, 20.65, -48.73

 

CMYK 38 / 33 / 0 / 30

HEX #6F78B3

RGB 111 120 179

HSL 232.06, 0.31%, 0.57%

LAB 51.91, 11.49, -32.32

 

CMYK 20 / 17 / 0 / 37

HEX #8185A1

RGB 129 133 161

HSL 232.5, 0.15%, 0.57%

LAB 56.1, 4.68, -15.37

 

CMYK 0 / 1 / 3 / 42

HEX #93928F

RGB 147 146 143

HSL 45, 0.02%, 0.57%

LAB 60.56, -0.2, 1.71

 

CMYK 0 / 3 / 24 / 36

HEX #A49F7D

RGB 164 159 125

HSL 52.31, 0.18%, 0.57%

LAB 65.1, -3.87, 18.44

 

CMYK 53 / 17 / 0 / 23

HEX #5DA2C4

RGB 93 162 196

HSL 199.81, 0.47%, 0.57%

LAB 63.47, -12.25, -24.16

 

CMYK 53 / 31 / 0 / 23

HEX #5D87C4

RGB 93 135 196

HSL 215.53, 0.47%, 0.57%

LAB 55.73, 3.05, -36.16

 

CMYK 53 / 45 / 0 / 23

HEX #5D6BC4

RGB 93 107 196

HSL 231.84, 0.47%, 0.57%

LAB 48.04, 20.03, -48.31

 

CMYK 45 / 53 / 0 / 23

HEX #6B5DC4

RGB 107 93 196

HSL 248.16, 0.47%, 0.57%

LAB 45.55, 31.8, -52.24

 

CMYK 31 / 53 / 0 / 23

HEX #875DC4

RGB 135 93 196

HSL 264.47, 0.47%, 0.57%

LAB 48.22, 38.66, -47.83

 

CMYK 64 / 56 / 0 / 40

HEX #374399

RGB 55 67 153

HSL 232.65, 0.47%, 0.41%

LAB 32.09, 23.37, -48.68

 

CMYK 64 / 56 / 0 / 28

HEX #4250B7

RGB 66 80 183

HSL 232.82, 0.47%, 0.49%

LAB 38.4, 27.43, -56.35

 

CMYK 53 / 46 / 0 / 23

HEX #5D6AC4

RGB 93 106 196

HSL 232.43, 0.47%, 0.57%

LAB 47.78, 20.65, -48.73

 

CMYK 40 / 35 / 0 / 19

HEX #7C86CF

RGB 124 134 207

HSL 232.77, 0.46%, 0.65%

LAB 57.89, 14.62, -38.86

 

CMYK 29 / 26 / 0 / 15

HEX #9AA2DA

RGB 154 162 218

HSL 232.5, 0.46%, 0.73%

LAB 67.85, 9.8, -29.32

 

CMYK 52 / 46 / 0 / 23

HEX #5E6BC5

RGB 94 107 197

HSL 232.43, 0.47%, 0.57%

LAB 48.17, 20.57, -48.69

 

CMYK 0 / 53 / 3 / 23

HEX #C45DBE

RGB 196 93 190

HSL 303.5, 0.47%, 0.57%

LAB 55.36, 54.08, -32.6

 

CMYK 24 / 0 / 53 / 23

HEX #94C45D

RGB 148 196 93

HSL 87.96, 0.47%, 0.57%

LAB 73.91, -32.86, 46.16

 

CMYK 52 / 46 / 0 / 23

HEX #5E6BC5

RGB 94 107 197

HSL 232.43, 0.47%, 0.57%

LAB 48.17, 20.57, -48.69

 

CMYK 0 / 53 / 45 / 23

HEX #C45D6B

RGB 196 93 107

HSL 351.84, 0.47%, 0.57%

LAB 52.54, 42.47, 11.88

 

CMYK 45 / 0 / 53 / 23

HEX #6BC45D

RGB 107 196 93

HSL 111.84, 0.47%, 0.57%

LAB 71.82, -46.73, 43.16

 

CMYK 52 / 46 / 0 / 23

HEX #5E6BC5

RGB 94 107 197

HSL 232.43, 0.47%, 0.57%

LAB 48.17, 20.57, -48.69

 

CMYK 0 / 53 / 3 / 23

HEX #C45DBE

RGB 196 93 190

HSL 303.5, 0.47%, 0.57%

LAB 55.36, 54.08, -32.6

 

CMYK 0 / 7 / 53 / 23

HEX #C4B75D

RGB 196 183 93

HSL 52.43, 0.47%, 0.57%

LAB 73.8, -7.22, 46.89

 

CMYK 53 / 0 / 49 / 23

HEX #5DC464

RGB 93 196 100

HSL 124.08, 0.47%, 0.57%

LAB 71.37, -49.73, 39.06

 

CMYK 52 / 46 / 0 / 23

HEX #5E6BC5

RGB 94 107 197

HSL 232.43, 0.47%, 0.57%

LAB 48.17, 20.57, -48.69

 

CMYK 0 / 53 / 19 / 23

HEX #C45D9F

RGB 196 93 159

HSL 321.55, 0.47%, 0.57%

LAB 54.1, 49.05, -16.57

 

CMYK 0 / 7 / 53 / 23

HEX #C4B75D

RGB 196 183 93

HSL 52.43, 0.47%, 0.57%

LAB 73.8, -7.22, 46.89

 

CMYK 53 / 0 / 33 / 23

HEX #5DC483

RGB 93 196 131

HSL 142.14, 0.47%, 0.57%

LAB 71.86, -44.62, 23.74

 

Description

Color code: HEX #5E6BC5 | qconv.com Color code: HEX #5E6BC5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 107 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 107 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 46 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 46% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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