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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E6BA0 it is the complementary color #A1945F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E6BA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E6BA0 shade: #636B9B, #747DAE, #858FC1, #96A1D4 and #A7B3E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E6BA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E6BA0 shade: #5E6BA0, #4D598D, #3C477A, #2B3567 and #1A2354

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E6BA0 shade: #5E6BA0, #635EA0, #755EA0, #865EA0 and #985EA0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E6BA0 shade: #5E6BA0 and #5E5EA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E6BA0 shade matches the following richer shades: #5E6BA0, #495EB5, #3552C9, #2045DE and #0B39F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E6BA0 shade: #5E6BA0, #72778C, #878477, #9C9062 and #B09D4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E6BA0 shade: #5E8EA0, #5E7DA0, #5E6BA0, #625EA0 and #745EA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E6BA0 shade: #3F486C, #4F5A86, #5E6BA0, #7883AF and #929BBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E6BA0 shade: #5E6BA0, #A05EA0 and #86A05E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E6BA0 shade: #5E6BA0, #A05E6B and #6BA05E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E6BA0 shade: #5E6BA0, #A05EA0, #A0935E and #5EA05E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E6BA0 shade: #5E6BA0, #A05E8C, #A0935E and #5EA072

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 33 / 0 / 37

HEX #5E6BA0

RGB 94 107 160

HSL 228.18, 0.26%, 0.5%

LAB 46.22, 9.13, -30.22

 

Complementary color

CMYK 0 / 8 / 41 / 37

HEX #A1945F

RGB 161 148 95

HSL 48.18, 0.26%, 0.5%

LAB 61.29, -3.05, 29.75

 

CMYK 36 / 31 / 0 / 39

HEX #636B9B

RGB 99 107 155

HSL 231.43, 0.22%, 0.5%

LAB 46.36, 9.12, -27.03

 

CMYK 33 / 28 / 0 / 32

HEX #747DAE

RGB 116 125 174

HSL 230.69, 0.26%, 0.57%

LAB 53.42, 8.57, -27.05

 

CMYK 31 / 26 / 0 / 24

HEX #858FC1

RGB 133 143 193

HSL 230, 0.33%, 0.64%

LAB 60.32, 8.1, -27.13

 

CMYK 29 / 24 / 0 / 17

HEX #96A1D4

RGB 150 161 212

HSL 229.35, 0.42%, 0.71%

LAB 67.07, 7.69, -27.24

 

CMYK 28 / 23 / 0 / 9

HEX #A7B3E7

RGB 167 179 231

HSL 228.75, 0.57%, 0.78%

LAB 73.69, 7.32, -27.38

 

CMYK 41 / 33 / 0 / 37

HEX #5E6BA0

RGB 94 107 160

HSL 228.18, 0.26%, 0.5%

LAB 46.22, 9.13, -30.22

 

CMYK 45 / 37 / 0 / 45

HEX #4D598D

RGB 77 89 141

HSL 228.75, 0.29%, 0.43%

LAB 38.98, 9.9, -30.32

 

CMYK 51 / 42 / 0 / 52

HEX #3C477A

RGB 60 71 122

HSL 229.35, 0.34%, 0.36%

LAB 31.51, 10.88, -30.5

 

CMYK 58 / 49 / 0 / 60

HEX #2B3567

RGB 43 53 103

HSL 230, 0.41%, 0.29%

LAB 23.8, 12.2, -30.77

 

CMYK 69 / 58 / 0 / 67

HEX #1A2354

RGB 26 35 84

HSL 230.69, 0.53%, 0.22%

LAB 15.81, 14.08, -31.13

 

CMYK 41 / 33 / 0 / 37

HEX #5E6BA0

RGB 94 107 160

HSL 228.18, 0.26%, 0.5%

LAB 46.22, 9.13, -30.22

 

CMYK 38 / 41 / 0 / 37

HEX #635EA0

RGB 99 94 160

HSL 244.55, 0.26%, 0.5%

LAB 43.06, 18.58, -35.17

 

CMYK 27 / 41 / 0 / 37

HEX #755EA0

RGB 117 94 160

HSL 260.91, 0.26%, 0.5%

LAB 44.7, 23.82, -32.47

 

CMYK 16 / 41 / 0 / 37

HEX #865EA0

RGB 134 94 160

HSL 276.36, 0.26%, 0.5%

LAB 46.46, 29.05, -29.58

 

CMYK 5 / 41 / 0 / 37

HEX #985EA0

RGB 152 94 160

HSL 292.73, 0.26%, 0.5%

LAB 48.53, 34.75, -26.2

 

CMYK 41 / 33 / 0 / 37

HEX #5E6BA0

RGB 94 107 160

HSL 228.18, 0.26%, 0.5%

LAB 46.22, 9.13, -30.22

 

CMYK 41 / 41 / 0 / 37

HEX #5E5EA0

RGB 94 94 160

HSL 240, 0.26%, 0.5%

LAB 42.65, 17.2, -35.84

 

CMYK 41 / 33 / 0 / 37

HEX #5E6BA0

RGB 94 107 160

HSL 228.18, 0.26%, 0.5%

LAB 46.22, 9.13, -30.22

 

CMYK 60 / 48 / 0 / 29

HEX #495EB5

RGB 73 94 181

HSL 228.33, 0.43%, 0.5%

LAB 42.4, 19.04, -48.71

 

CMYK 74 / 59 / 0 / 21

HEX #3552C9

RGB 53 82 201

HSL 228.24, 0.58%, 0.5%

LAB 39.59, 30.74, -64.95

 

CMYK 86 / 69 / 0 / 13

HEX #2045DE

RGB 32 69 222

HSL 228.32, 0.75%, 0.5%

LAB 37.55, 44.74, -80.43

 

CMYK 95 / 77 / 0 / 5

HEX #0B39F3

RGB 11 57 243

HSL 228.1, 0.91%, 0.5%

LAB 36.87, 58.06, -93.49

 

CMYK 41 / 33 / 0 / 37

HEX #5E6BA0

RGB 94 107 160

HSL 228.18, 0.26%, 0.5%

LAB 46.22, 9.13, -30.22

 

CMYK 19 / 15 / 0 / 45

HEX #72778C

RGB 114 119 140

HSL 228.46, 0.1%, 0.5%

LAB 50.29, 2.82, -12.05

 

CMYK 0 / 2 / 12 / 47

HEX #878477

RGB 135 132 119

HSL 48.75, 0.06%, 0.5%

LAB 55.06, -1.29, 7.41

 

CMYK 0 / 8 / 37 / 39

HEX #9C9062

RGB 156 144 98

HSL 47.59, 0.23%, 0.5%

LAB 59.79, -2.59, 26.08

 

CMYK 0 / 11 / 56 / 31

HEX #B09D4E

RGB 176 157 78

HSL 48.37, 0.39%, 0.5%

LAB 64.88, -3.2, 43.3

 

CMYK 41 / 11 / 0 / 37

HEX #5E8EA0

RGB 94 142 160

HSL 196.36, 0.26%, 0.5%

LAB 56.35, -11.35, -14.64

 

CMYK 41 / 22 / 0 / 37

HEX #5E7DA0

RGB 94 125 160

HSL 211.82, 0.26%, 0.5%

LAB 51.36, -1.67, -22.24

 

CMYK 41 / 33 / 0 / 37

HEX #5E6BA0

RGB 94 107 160

HSL 228.18, 0.26%, 0.5%

LAB 46.22, 9.13, -30.22

 

CMYK 39 / 41 / 0 / 37

HEX #625EA0

RGB 98 94 160

HSL 243.64, 0.26%, 0.5%

LAB 42.97, 18.3, -35.3

 

CMYK 28 / 41 / 0 / 37

HEX #745EA0

RGB 116 94 160

HSL 260, 0.26%, 0.5%

LAB 44.6, 23.52, -32.63

 

CMYK 42 / 33 / 0 / 58

HEX #3F486C

RGB 63 72 108

HSL 228, 0.26%, 0.34%

LAB 31.29, 6.5, -22.04

 

CMYK 41 / 33 / 0 / 47

HEX #4F5A86

RGB 79 90 134

HSL 228, 0.26%, 0.42%

LAB 39.06, 7.67, -25.93

 

CMYK 41 / 33 / 0 / 37

HEX #5E6BA0

RGB 94 107 160

HSL 228.18, 0.26%, 0.5%

LAB 46.22, 9.13, -30.22

 

CMYK 31 / 25 / 0 / 31

HEX #7883AF

RGB 120 131 175

HSL 228, 0.26%, 0.58%

LAB 55.4, 6.5, -24.55

 

CMYK 24 / 19 / 0 / 25

HEX #929BBF

RGB 146 155 191

HSL 228, 0.26%, 0.66%

LAB 64.42, 4.73, -19.65

 

CMYK 41 / 33 / 0 / 37

HEX #5E6BA0

RGB 94 107 160

HSL 228.18, 0.26%, 0.5%

LAB 46.22, 9.13, -30.22

 

CMYK 0 / 41 / 0 / 37

HEX #A05EA0

RGB 160 94 160

HSL 300, 0.26%, 0.5%

LAB 49.52, 37.3, -24.6

 

CMYK 16 / 0 / 41 / 37

HEX #86A05E

RGB 134 160 94

HSL 83.64, 0.26%, 0.5%

LAB 62.52, -20.59, 31.43

 

CMYK 41 / 33 / 0 / 37

HEX #5E6BA0

RGB 94 107 160

HSL 228.18, 0.26%, 0.5%

LAB 46.22, 9.13, -30.22

 

CMYK 0 / 41 / 33 / 37

HEX #A05E6B

RGB 160 94 107

HSL 348.18, 0.26%, 0.5%

LAB 47.68, 28.54, 4.27

 

CMYK 33 / 0 / 41 / 37

HEX #6BA05E

RGB 107 160 94

HSL 108.18, 0.26%, 0.5%

LAB 60.85, -30.64, 28.94

 

CMYK 41 / 33 / 0 / 37

HEX #5E6BA0

RGB 94 107 160

HSL 228.18, 0.26%, 0.5%

LAB 46.22, 9.13, -30.22

 

CMYK 0 / 41 / 0 / 37

HEX #A05EA0

RGB 160 94 160

HSL 300, 0.26%, 0.5%

LAB 49.52, 37.3, -24.6

 

CMYK 0 / 8 / 41 / 37

HEX #A0935E

RGB 160 147 94

HSL 48.18, 0.26%, 0.5%

LAB 60.91, -3.04, 29.79

 

CMYK 41 / 0 / 41 / 37

HEX #5EA05E

RGB 94 160 94

HSL 120, 0.26%, 0.5%

LAB 60.19, -34.97, 27.96

 

CMYK 41 / 33 / 0 / 37

HEX #5E6BA0

RGB 94 107 160

HSL 228.18, 0.26%, 0.5%

LAB 46.22, 9.13, -30.22

 

CMYK 0 / 41 / 13 / 37

HEX #A05E8C

RGB 160 94 140

HSL 318.18, 0.26%, 0.5%

LAB 48.73, 33.64, -13.96

 

CMYK 0 / 8 / 41 / 37

HEX #A0935E

RGB 160 147 94

HSL 48.18, 0.26%, 0.5%

LAB 60.91, -3.04, 29.79

 

CMYK 41 / 0 / 29 / 37

HEX #5EA072

RGB 94 160 114

HSL 138.18, 0.26%, 0.5%

LAB 60.55, -31.45, 17.54

 

Description

Color code: HEX #5E6BA0 | qconv.com Color code: HEX #5E6BA0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 107 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 107 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 33 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 33% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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