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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E6ADABF it is the complementary color #A19525BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E6ADABF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E6ADABF shade: #636AD5BF, #747CE8BF, #858EFBBF, #96A0FFBF and #A7B2FFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E6ADABF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E6ADABF shade: #5E6ADABF, #4D58C7BF, #3C46B4BF, #2B34A1BF and #1A228EBF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E6ADABF shade: #5D69DA, #735DDA, #945DDA, #B65DDA and #D85DDA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E6ADABF shade: #5D69DA and #5D5DDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E6ADABF shade matches the following richer shades: #5D69DA, #4D5CEA and #3D4FFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E6ADABF shade: #5D69DA, #6D76CA, #7D83BA, #8D90AA and #9D9D9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E6ADABF shade: #5DACDA, #5D8BDA, #5D69DA, #725DDA and #935DDA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E6ADABF shade: #2A38BA, #3B4AD3, #5D69DA, #7F88E2 and #A0A7E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E6ADABF shade: #5E6ADA, #DA5DCE and #9CDA5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E6ADABF shade: #5E6ADA, #DA5D69 and #69DA5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E6ADABF shade: #5E6ADA, #DA5DCE, #DACE5D and #5DDA69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E6ADABF shade: #5E6ADA, #DA5DA8, #DACE5D and #5DDA8F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 39 / 0 / 11

HEX #5E6ADABF

RGBA 94 106 218 0.75

HSLA 234.19, 0.63%, 0.61%, 0.75

LABA 49.19, 27.96, -59.04, 0.75

 

Complementary color

CMYK 0 / 6 / 58 / 28

HEX #A19525BF

RGBA 161 149 37 0.75

HSLA 54.19, 0.63%, 0.39%, 0.75

LABA 60.96, -8.08, 56.47, 0.75

 

CMYK 40 / 38 / 0 / 12

HEX #636AD5BF

RGBA 99 106 213 0.75

HSLA 236.32, 0.58%, 0.61%, 0.75

LABA 49.21, 27.35, -56.15, 0.75

 

CMYK 38 / 35 / 0 / 7

HEX #747CE8BF

RGBA 116 124 232 0.75

HSLA 235.86, 0.72%, 0.68%, 0.75

LABA 56.04, 25.99, -55.84, 0.75

 

CMYK 35 / 33 / 0 / 1

HEX #858EFBBF

RGBA 133 142 251 0.75

HSLA 235.42, 0.94%, 0.75%, 0.75

LABA 62.76, 24.81, -55.57, 0.75

 

CMYK 31 / 28 / 0 / 0

HEX #96A0FFBF

RGBA 150 160 255 0.75

HSLA 234.29, 1%, 0.79%, 0.75

LABA 68.64, 19.6, -48.37, 0.75

 

CMYK 26 / 23 / 0 / 0

HEX #A7B2FFBF

RGBA 167 178 255 0.75

HSLA 232.5, 1%, 0.83%, 0.75

LABA 74.37, 13.87, -39.31, 0.75

 

CMYK 43 / 39 / 0 / 11

HEX #5E6ADABF

RGBA 94 106 218 0.75

HSLA 234.19, 0.63%, 0.61%, 0.75

LABA 49.19, 27.96, -59.04, 0.75

 

CMYK 46 / 42 / 0 / 16

HEX #4D58C7BF

RGBA 77 88 199 0.75

HSLA 234.59, 0.52%, 0.54%, 0.75

LABA 42.28, 29.73, -59.37, 0.75

 

CMYK 50 / 46 / 0 / 22

HEX #3C46B4BF

RGBA 60 70 180 0.75

HSLA 235, 0.5%, 0.47%, 0.75

LABA 35.27, 31.84, -59.68, 0.75

 

CMYK 55 / 51 / 0 / 28

HEX #2B34A1BF

RGBA 43 52 161 0.75

HSLA 235.42, 0.58%, 0.4%, 0.75

LABA 28.23, 34.33, -59.87, 0.75

 

CMYK 61 / 57 / 0 / 33

HEX #1A228EBF

RGBA 26 34 142 0.75

HSLA 235.86, 0.69%, 0.33%, 0.75

LABA 21.27, 37.11, -59.7, 0.75

 

CMYK 57 / 52 / 0 / 15

HEX #5D69DA

RGB 93 105 218

HSL 234.24, 0.63%, 0.61%

LAB 48.87, 28.39, -59.55

 

CMYK 47 / 57 / 0 / 15

HEX #735DDA

RGB 115 93 218

HSL 250.56, 0.63%, 0.61%

LAB 47.67, 40, -61.41

 

CMYK 32 / 57 / 0 / 15

HEX #945DDA

RGB 148 93 218

HSL 266.4, 0.63%, 0.61%

LAB 50.9, 47.38, -56.03

 

CMYK 17 / 57 / 0 / 15

HEX #B65DDA

RGB 182 93 218

HSL 282.72, 0.63%, 0.61%

LAB 54.9, 55.68, -49.42

 

CMYK 1 / 57 / 0 / 15

HEX #D85DDA

RGB 216 93 218

HSL 299.04, 0.63%, 0.61%

LAB 59.42, 64.27, -41.97

 

CMYK 57 / 52 / 0 / 15

HEX #5D69DA

RGB 93 105 218

HSL 234.24, 0.63%, 0.61%

LAB 48.87, 28.39, -59.55

 

CMYK 57 / 57 / 0 / 15

HEX #5D5DDA

RGB 93 93 218

HSL 240, 0.63%, 0.61%

LAB 45.93, 35.73, -64.31

 

CMYK 57 / 52 / 0 / 15

HEX #5D69DA

RGB 93 105 218

HSL 234.24, 0.63%, 0.61%

LAB 48.87, 28.39, -59.55

 

CMYK 67 / 61 / 0 / 8

HEX #4D5CEA

RGB 77 92 234

HSL 234.27, 0.79%, 0.61%

LAB 45.87, 39.1, -73.52

 

CMYK 76 / 68 / 0 / 2

HEX #3D4FFA

RGB 61 79 250

HSL 234.29, 0.95%, 0.61%

LAB 43.49, 50.47, -86.44

 

CMYK 57 / 52 / 0 / 15

HEX #5D69DA

RGB 93 105 218

HSL 234.24, 0.63%, 0.61%

LAB 48.87, 28.39, -59.55

 

CMYK 46 / 42 / 0 / 21

HEX #6D76CA

RGB 109 118 202

HSL 234.19, 0.47%, 0.61%

LAB 52.37, 18.89, -44.8

 

CMYK 33 / 30 / 0 / 27

HEX #7D83BA

RGB 125 131 186

HSL 234.1, 0.31%, 0.61%

LAB 56.23, 10.9, -29.54

 

CMYK 17 / 15 / 0 / 33

HEX #8D90AA

RGB 141 144 170

HSL 233.79, 0.15%, 0.61%

LAB 60.35, 4.45, -14.01

 

CMYK 0 / 0 / 2 / 38

HEX #9D9D9A

RGB 157 157 154

HSL 60, 0.02%, 0.61%

LAB 64.66, -0.57, 1.56

 

CMYK 57 / 21 / 0 / 15

HEX #5DACDA

RGB 93 172 218

HSL 202.08, 0.63%, 0.61%

LAB 67.2, -11.06, -30.61

 

CMYK 57 / 36 / 0 / 15

HEX #5D8BDA

RGB 93 139 218

HSL 217.92, 0.63%, 0.61%

LAB 57.9, 7.71, -45.14

 

CMYK 57 / 52 / 0 / 15

HEX #5D69DA

RGB 93 105 218

HSL 234.24, 0.63%, 0.61%

LAB 48.87, 28.39, -59.55

 

CMYK 48 / 57 / 0 / 15

HEX #725DDA

RGB 114 93 218

HSL 250.08, 0.63%, 0.61%

LAB 47.58, 39.79, -61.55

 

CMYK 33 / 57 / 0 / 15

HEX #935DDA

RGB 147 93 218

HSL 265.92, 0.63%, 0.61%

LAB 50.8, 47.14, -56.21

 

CMYK 77 / 70 / 0 / 27

HEX #2A38BA

RGB 42 56 186

HSL 234.17, 0.63%, 0.45%

LAB 31.5, 40.62, -69.46

 

CMYK 72 / 65 / 0 / 17

HEX #3B4AD3

RGB 59 74 211

HSL 234.08, 0.63%, 0.53%

LAB 38.78, 40.02, -72.05

 

CMYK 57 / 52 / 0 / 15

HEX #5D69DA

RGB 93 105 218

HSL 234.24, 0.63%, 0.61%

LAB 48.87, 28.39, -59.55

 

CMYK 44 / 40 / 0 / 11

HEX #7F88E2

RGB 127 136 226

HSL 234.55, 0.63%, 0.69%

LAB 59.54, 19.64, -46.89

 

CMYK 31 / 28 / 0 / 9

HEX #A0A7E9

RGB 160 167 233

HSL 234.25, 0.62%, 0.77%

LAB 70.17, 12.48, -33.93

 

CMYK 57 / 51 / 0 / 15

HEX #5E6ADA

RGB 94 106 218

HSL 234.19, 0.63%, 0.61%

LAB 49.19, 27.96, -59.04

 

CMYK 0 / 57 / 6 / 15

HEX #DA5DCE

RGB 218 93 206

HSL 305.76, 0.63%, 0.61%

LAB 59.15, 62.77, -35.6

 

CMYK 28 / 0 / 57 / 15

HEX #9CDA5D

RGB 156 218 93

HSL 89.76, 0.63%, 0.61%

LAB 80.74, -39.94, 54.25

 

CMYK 57 / 51 / 0 / 15

HEX #5E6ADA

RGB 94 106 218

HSL 234.19, 0.63%, 0.61%

LAB 49.19, 27.96, -59.04

 

CMYK 0 / 57 / 52 / 15

HEX #DA5D69

RGB 218 93 105

HSL 354.24, 0.63%, 0.61%

LAB 55.84, 50.01, 18.14

 

CMYK 52 / 0 / 57 / 15

HEX #69DA5D

RGB 105 218 93

HSL 114.24, 0.63%, 0.61%

LAB 78.42, -56.03, 50.97

 

CMYK 57 / 51 / 0 / 15

HEX #5E6ADA

RGB 94 106 218

HSL 234.19, 0.63%, 0.61%

LAB 49.19, 27.96, -59.04

 

CMYK 0 / 57 / 6 / 15

HEX #DA5DCE

RGB 218 93 206

HSL 305.76, 0.63%, 0.61%

LAB 59.15, 62.77, -35.6

 

CMYK 0 / 6 / 57 / 15

HEX #DACE5D

RGB 218 206 93

HSL 54.24, 0.63%, 0.61%

LAB 81.75, -9.9, 56.55

 

CMYK 57 / 0 / 52 / 15

HEX #5DDA69

RGB 93 218 105

HSL 125.76, 0.63%, 0.61%

LAB 78.16, -57.55, 45

 

CMYK 57 / 51 / 0 / 15

HEX #5E6ADA

RGB 94 106 218

HSL 234.19, 0.63%, 0.61%

LAB 49.19, 27.96, -59.04

 

CMYK 0 / 57 / 23 / 15

HEX #DA5DA8

RGB 218 93 168

HSL 324, 0.63%, 0.61%

LAB 57.62, 57.05, -16.16

 

CMYK 0 / 6 / 57 / 15

HEX #DACE5D

RGB 218 206 93

HSL 54.24, 0.63%, 0.61%

LAB 81.75, -9.9, 56.55

 

CMYK 57 / 0 / 34 / 15

HEX #5DDA8F

RGB 93 218 143

HSL 144, 0.63%, 0.61%

LAB 78.73, -51.48, 26.74

 

Description

Color code: HEX #5E6ADABF | qconv.com Color code: HEX #5E6ADABF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 106 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 106 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 39 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 39% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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