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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E64BB it is the complementary color #A19B44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E64BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E64BB shade: #6364B6, #7476C9, #8588DC, #969AEF and #A7ACFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E64BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E64BB shade: #5E64BB, #4D52A8, #3C4095, #2B2E82 and #1A1C6F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E64BB shade: #5D63BB, #705DBB, #895DBB, #A35DBB and #BB5DB9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E64BB shade: #5D63BB and #5D5DBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E64BB shade matches the following richer shades: #5D63BB, #4A53CD, #3842E0 and #2532F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E64BB shade: #5D63BB, #6F73A8, #828396, #949383 and #A7A371

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E64BB shade: #5D95BB, #5D7CBB, #5D63BB, #705DBB and #895DBB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E64BB shade: #3A3F8B, #464CA8, #5D63BB, #7A7FC7 and #979BD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E64BB shade: #5E64BB, #BB5DAE and #89BB5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E64BB shade: #5E64BB, #BB5D63 and #63BB5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E64BB shade: #5E64BB, #BB5DAE, #BBB55D and #5DBB69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E64BB shade: #5E64BB, #BB5D92, #BBB55D and #5DBB85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 47 / 0 / 27

HEX #5E64BB

RGB 94 100 187

HSL 236.13, 0.41%, 0.55%

LAB 45.75, 21.74, -46.77

 

Complementary color

CMYK 0 / 4 / 58 / 37

HEX #A19B44

RGB 161 155 68

HSL 56.13, 0.41%, 0.45%

LAB 62.87, -9.43, 45.49

 

CMYK 46 / 45 / 0 / 29

HEX #6364B6

RGB 99 100 182

HSL 239.28, 0.36%, 0.55%

LAB 45.83, 21.39, -43.71

 

CMYK 42 / 41 / 0 / 21

HEX #7476C9

RGB 116 118 201

HSL 238.59, 0.44%, 0.62%

LAB 52.83, 20.35, -43.47

 

CMYK 40 / 38 / 0 / 14

HEX #8588DC

RGB 133 136 220

HSL 237.93, 0.55%, 0.69%

LAB 59.67, 19.45, -43.3

 

CMYK 37 / 36 / 0 / 6

HEX #969AEF

RGB 150 154 239

HSL 237.3, 0.74%, 0.76%

LAB 66.39, 18.68, -43.17

 

CMYK 35 / 33 / 0 / 0

HEX #A7ACFF

RGB 167 172 255

HSL 236.59, 1%, 0.83%

LAB 72.85, 17.22, -41.67

 

CMYK 50 / 47 / 0 / 27

HEX #5E64BB

RGB 94 100 187

HSL 236.13, 0.41%, 0.55%

LAB 45.75, 21.74, -46.77

 

CMYK 54 / 51 / 0 / 34

HEX #4D52A8

RGB 77 82 168

HSL 236.7, 0.37%, 0.48%

LAB 38.62, 23.14, -47.09

 

CMYK 60 / 57 / 0 / 42

HEX #3C4095

RGB 60 64 149

HSL 237.3, 0.43%, 0.41%

LAB 31.34, 24.86, -47.45

 

CMYK 67 / 65 / 0 / 49

HEX #2B2E82

RGB 43 46 130

HSL 237.93, 0.5%, 0.34%

LAB 23.93, 26.99, -47.78

 

CMYK 77 / 75 / 0 / 56

HEX #1A1C6F

RGB 26 28 111

HSL 238.59, 0.62%, 0.27%

LAB 16.49, 29.56, -47.88

 

CMYK 50 / 47 / 0 / 27

HEX #5D63BB

RGB 93 99 187

HSL 236.17, 0.41%, 0.55%

LAB 45.41, 22.13, -47.31

 

CMYK 40 / 50 / 0 / 27

HEX #705DBB

RGB 112 93 187

HSL 252.13, 0.41%, 0.55%

LAB 45.44, 30.39, -47.17

 

CMYK 27 / 50 / 0 / 27

HEX #895DBB

RGB 137 93 187

HSL 268.09, 0.41%, 0.55%

LAB 47.92, 36.94, -43.07

 

CMYK 13 / 50 / 0 / 27

HEX #A35DBB

RGB 163 93 187

HSL 284.68, 0.41%, 0.55%

LAB 50.92, 44.18, -38.13

 

CMYK 0 / 50 / 1 / 27

HEX #BB5DB9

RGB 187 93 185

HSL 301.28, 0.41%, 0.55%

LAB 53.92, 50.64, -32.07

 

CMYK 50 / 47 / 0 / 27

HEX #5D63BB

RGB 93 99 187

HSL 236.17, 0.41%, 0.55%

LAB 45.41, 22.13, -47.31

 

CMYK 50 / 50 / 0 / 27

HEX #5D5DBB

RGB 93 93 187

HSL 240, 0.41%, 0.55%

LAB 43.86, 25.86, -49.79

 

CMYK 50 / 47 / 0 / 27

HEX #5D63BB

RGB 93 99 187

HSL 236.17, 0.41%, 0.55%

LAB 45.41, 22.13, -47.31

 

CMYK 64 / 60 / 0 / 20

HEX #4A53CD

RGB 74 83 205

HSL 235.88, 0.57%, 0.55%

LAB 41.3, 34.4, -64.44

 

CMYK 75 / 71 / 0 / 12

HEX #3842E0

RGB 56 66 224

HSL 236.43, 0.73%, 0.55%

LAB 38.06, 48.9, -80.7

 

CMYK 85 / 79 / 0 / 5

HEX #2532F2

RGB 37 50 242

HSL 236.2, 0.89%, 0.55%

LAB 36.15, 61.99, -94.11

 

CMYK 50 / 47 / 0 / 27

HEX #5D63BB

RGB 93 99 187

HSL 236.17, 0.41%, 0.55%

LAB 45.41, 22.13, -47.31

 

CMYK 34 / 32 / 0 / 34

HEX #6F73A8

RGB 111 115 168

HSL 235.79, 0.25%, 0.55%

LAB 50.06, 11.43, -28.83

 

CMYK 13 / 13 / 0 / 41

HEX #828396

RGB 130 131 150

HSL 237, 0.09%, 0.55%

LAB 55.26, 3.65, -10.29

 

CMYK 0 / 1 / 11 / 42

HEX #949383

RGB 148 147 131

HSL 56.47, 0.07%, 0.55%

LAB 60.61, -2.56, 8.6

 

CMYK 0 / 2 / 32 / 35

HEX #A7A371

RGB 167 163 113

HSL 55.56, 0.23%, 0.55%

LAB 66.21, -6.49, 26.55

 

CMYK 50 / 20 / 0 / 27

HEX #5D95BB

RGB 93 149 187

HSL 204.26, 0.41%, 0.55%

LAB 59.35, -7.75, -25.43

 

CMYK 50 / 34 / 0 / 27

HEX #5D7CBB

RGB 93 124 187

HSL 220.21, 0.41%, 0.55%

LAB 52.21, 6.78, -36.54

 

CMYK 50 / 47 / 0 / 27

HEX #5D63BB

RGB 93 99 187

HSL 236.17, 0.41%, 0.55%

LAB 45.41, 22.13, -47.31

 

CMYK 40 / 50 / 0 / 27

HEX #705DBB

RGB 112 93 187

HSL 252.13, 0.41%, 0.55%

LAB 45.44, 30.39, -47.17

 

CMYK 27 / 50 / 0 / 27

HEX #895DBB

RGB 137 93 187

HSL 268.09, 0.41%, 0.55%

LAB 47.92, 36.94, -43.07

 

CMYK 58 / 55 / 0 / 45

HEX #3A3F8B

RGB 58 63 139

HSL 236.3, 0.41%, 0.39%

LAB 30.2, 21.63, -43.16

 

CMYK 58 / 55 / 0 / 34

HEX #464CA8

RGB 70 76 168

HSL 236.33, 0.41%, 0.47%

LAB 36.55, 25.55, -50.45

 

CMYK 50 / 47 / 0 / 27

HEX #5D63BB

RGB 93 99 187

HSL 236.17, 0.41%, 0.55%

LAB 45.41, 22.13, -47.31

 

CMYK 39 / 36 / 0 / 22

HEX #7A7FC7

RGB 122 127 199

HSL 236.1, 0.41%, 0.63%

LAB 55.52, 15.97, -38.05

 

CMYK 28 / 27 / 0 / 17

HEX #979BD3

RGB 151 155 211

HSL 236, 0.41%, 0.71%

LAB 65.53, 11.13, -29.04

 

CMYK 50 / 47 / 0 / 27

HEX #5E64BB

RGB 94 100 187

HSL 236.13, 0.41%, 0.55%

LAB 45.75, 21.74, -46.77

 

CMYK 0 / 50 / 7 / 27

HEX #BB5DAE

RGB 187 93 174

HSL 308.3, 0.41%, 0.55%

LAB 53.44, 48.71, -26.44

 

CMYK 27 / 0 / 50 / 27

HEX #89BB5D

RGB 137 187 93

HSL 91.91, 0.41%, 0.55%

LAB 70.63, -32.73, 42.07

 

CMYK 50 / 47 / 0 / 27

HEX #5E64BB

RGB 94 100 187

HSL 236.13, 0.41%, 0.55%

LAB 45.75, 21.74, -46.77

 

CMYK 0 / 50 / 47 / 27

HEX #BB5D63

RGB 187 93 99

HSL 356.17, 0.41%, 0.55%

LAB 51.03, 38.38, 14.33

 

CMYK 47 / 0 / 50 / 27

HEX #63BB5D

RGB 99 187 93

HSL 116.17, 0.41%, 0.55%

LAB 68.74, -45.36, 39.33

 

CMYK 50 / 47 / 0 / 27

HEX #5E64BB

RGB 94 100 187

HSL 236.13, 0.41%, 0.55%

LAB 45.75, 21.74, -46.77

 

CMYK 0 / 50 / 7 / 27

HEX #BB5DAE

RGB 187 93 174

HSL 308.3, 0.41%, 0.55%

LAB 53.44, 48.71, -26.44

 

CMYK 0 / 3 / 50 / 27

HEX #BBB55D

RGB 187 181 93

HSL 56.17, 0.41%, 0.55%

LAB 72.5, -9.93, 45.16

 

CMYK 50 / 0 / 44 / 27

HEX #5DBB69

RGB 93 187 105

HSL 127.66, 0.41%, 0.55%

LAB 68.67, -45.31, 33.13

 

CMYK 50 / 47 / 0 / 27

HEX #5E64BB

RGB 94 100 187

HSL 236.13, 0.41%, 0.55%

LAB 45.75, 21.74, -46.77

 

CMYK 0 / 50 / 22 / 27

HEX #BB5D92

RGB 187 93 146

HSL 326.17, 0.41%, 0.55%

LAB 52.36, 44.23, -11.67

 

CMYK 0 / 3 / 50 / 27

HEX #BBB55D

RGB 187 181 93

HSL 56.17, 0.41%, 0.55%

LAB 72.5, -9.93, 45.16

 

CMYK 50 / 0 / 29 / 27

HEX #5DBB85

RGB 93 187 133

HSL 145.53, 0.41%, 0.55%

LAB 69.16, -40.33, 18.99

 

Description

Color code: HEX #5E64BB | qconv.com Color code: HEX #5E64BB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 100 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 100 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 47 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 47% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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