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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E64AB it is the complementary color #A19B54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E64AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E64AB shade: #6364A6, #7476B9, #8588CC, #969ADF and #A7ACF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E64AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E64AB shade: #5E64AB, #4D5298, #3C4085, #2B2E72 and #1A1C5F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E64AB shade: #5F65AB, #6D5FAB, #825FAB, #965FAB and #AB5FAA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E64AB shade: #5F65AB and #5F5FAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E64AB shade matches the following richer shades: #5F65AB, #4B54BE, #3743D2, #2332E6 and #0F22FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E64AB shade: #5F65AB, #727597, #868683, #9A976F and #AEA75B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E64AB shade: #5F8DAB, #5F79AB, #5F65AB, #6D5FAB and #815FAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E64AB shade: #3F4378, #4D5393, #5F65AB, #7A7FB9 and #9599C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E64AB shade: #5E64AB, #AB5FA2 and #83AB5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E64AB shade: #5E64AB, #AB5F65 and #65AB5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E64AB shade: #5E64AB, #AB5FA2, #ABA45F and #5FAB68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E64AB shade: #5E64AB, #AB5F8B, #ABA45F and #5FAB7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 42 / 0 / 33

HEX #5E64AB

RGB 94 100 171

HSL 235.32, 0.31%, 0.52%

LAB 44.85, 16.78, -38.85

 

Complementary color

CMYK 0 / 4 / 48 / 37

HEX #A19B54

RGB 161 155 84

HSL 55.32, 0.31%, 0.48%

LAB 63.06, -8.01, 37.77

 

CMYK 40 / 40 / 0 / 35

HEX #6364A6

RGB 99 100 166

HSL 239.1, 0.27%, 0.52%

LAB 44.97, 16.6, -35.7

 

CMYK 37 / 36 / 0 / 27

HEX #7476B9

RGB 116 118 185

HSL 238.26, 0.33%, 0.59%

LAB 52.03, 15.78, -35.56

 

CMYK 35 / 33 / 0 / 20

HEX #8588CC

RGB 133 136 204

HSL 237.46, 0.41%, 0.66%

LAB 58.93, 15.07, -35.48

 

CMYK 33 / 31 / 0 / 13

HEX #969ADF

RGB 150 154 223

HSL 236.71, 0.53%, 0.73%

LAB 65.69, 14.46, -35.46

 

CMYK 31 / 29 / 0 / 5

HEX #A7ACF2

RGB 167 172 242

HSL 236, 0.74%, 0.8%

LAB 72.32, 13.92, -35.47

 

CMYK 45 / 42 / 0 / 33

HEX #5E64AB

RGB 94 100 171

HSL 235.32, 0.31%, 0.52%

LAB 44.85, 16.78, -38.85

 

CMYK 49 / 46 / 0 / 40

HEX #4D5298

RGB 77 82 152

HSL 236, 0.33%, 0.45%

LAB 37.63, 17.9, -39.11

 

CMYK 55 / 52 / 0 / 48

HEX #3C4085

RGB 60 64 133

HSL 236.71, 0.38%, 0.38%

LAB 30.21, 19.31, -39.43

 

CMYK 62 / 60 / 0 / 55

HEX #2B2E72

RGB 43 46 114

HSL 237.46, 0.45%, 0.31%

LAB 22.59, 21.13, -39.8

 

CMYK 73 / 71 / 0 / 63

HEX #1A1C5F

RGB 26 28 95

HSL 238.26, 0.57%, 0.24%

LAB 14.82, 23.5, -40.1

 

CMYK 44 / 41 / 0 / 33

HEX #5F65AB

RGB 95 101 171

HSL 235.26, 0.31%, 0.52%

LAB 45.19, 16.41, -38.3

 

CMYK 36 / 44 / 0 / 33

HEX #6D5FAB

RGB 109 95 171

HSL 251.05, 0.31%, 0.52%

LAB 44.77, 23.87, -38.91

 

CMYK 24 / 44 / 0 / 33

HEX #825FAB

RGB 130 95 171

HSL 267.63, 0.31%, 0.52%

LAB 46.8, 29.87, -35.55

 

CMYK 12 / 44 / 0 / 33

HEX #965FAB

RGB 150 95 171

HSL 283.42, 0.31%, 0.52%

LAB 49.02, 35.87, -31.92

 

CMYK 0 / 44 / 1 / 33

HEX #AB5FAA

RGB 171 95 170

HSL 300.79, 0.31%, 0.52%

LAB 51.55, 42.1, -27.21

 

CMYK 44 / 41 / 0 / 33

HEX #5F65AB

RGB 95 101 171

HSL 235.26, 0.31%, 0.52%

LAB 45.19, 16.41, -38.3

 

CMYK 44 / 44 / 0 / 33

HEX #5F5FAB

RGB 95 95 171

HSL 240, 0.31%, 0.52%

LAB 43.59, 20.15, -40.84

 

CMYK 44 / 41 / 0 / 33

HEX #5F65AB

RGB 95 101 171

HSL 235.26, 0.31%, 0.52%

LAB 45.19, 16.41, -38.3

 

CMYK 61 / 56 / 0 / 25

HEX #4B54BE

RGB 75 84 190

HSL 235.3, 0.47%, 0.52%

LAB 40.5, 28.85, -57.03

 

CMYK 74 / 68 / 0 / 18

HEX #3743D2

RGB 55 67 210

HSL 235.35, 0.63%, 0.52%

LAB 36.89, 43.51, -74.58

 

CMYK 85 / 78 / 0 / 10

HEX #2332E6

RGB 35 50 230

HSL 235.38, 0.8%, 0.52%

LAB 34.7, 58.19, -89.7

 

CMYK 94 / 86 / 0 / 2

HEX #0F22FA

RGB 15 34 250

HSL 235.15, 0.96%, 0.52%

LAB 34.29, 70.5, -101.73

 

CMYK 44 / 41 / 0 / 33

HEX #5F65AB

RGB 95 101 171

HSL 235.26, 0.31%, 0.52%

LAB 45.19, 16.41, -38.3

 

CMYK 25 / 23 / 0 / 41

HEX #727597

RGB 114 117 151

HSL 235.14, 0.15%, 0.52%

LAB 50.14, 6.69, -18.75

 

CMYK 0 / 0 / 2 / 47

HEX #868683

RGB 134 134 131

HSL 60, 0.01%, 0.52%

LAB 55.84, -0.58, 1.61

 

CMYK 0 / 2 / 28 / 40

HEX #9A976F

RGB 154 151 111

HSL 55.81, 0.18%, 0.52%

LAB 61.78, -5.53, 21.53

 

CMYK 0 / 4 / 48 / 32

HEX #AEA75B

RGB 174 167 91

HSL 54.94, 0.34%, 0.52%

LAB 67.57, -8.22, 39.96

 

CMYK 44 / 18 / 0 / 33

HEX #5F8DAB

RGB 95 141 171

HSL 203.68, 0.31%, 0.52%

LAB 56.51, -7.44, -20.69

 

CMYK 44 / 29 / 0 / 33

HEX #5F79AB

RGB 95 121 171

HSL 219.47, 0.31%, 0.52%

LAB 50.74, 4.19, -29.59

 

CMYK 44 / 41 / 0 / 33

HEX #5F65AB

RGB 95 101 171

HSL 235.26, 0.31%, 0.52%

LAB 45.19, 16.41, -38.3

 

CMYK 36 / 44 / 0 / 33

HEX #6D5FAB

RGB 109 95 171

HSL 251.05, 0.31%, 0.52%

LAB 44.77, 23.87, -38.91

 

CMYK 25 / 44 / 0 / 33

HEX #815FAB

RGB 129 95 171

HSL 266.84, 0.31%, 0.52%

LAB 46.7, 29.57, -35.73

 

CMYK 48 / 44 / 0 / 53

HEX #3F4378

RGB 63 67 120

HSL 235.79, 0.31%, 0.36%

LAB 30.47, 13.67, -30.89

 

CMYK 48 / 44 / 0 / 42

HEX #4D5393

RGB 77 83 147

HSL 234.86, 0.31%, 0.44%

LAB 37.61, 15.65, -36.11

 

CMYK 44 / 41 / 0 / 33

HEX #5F65AB

RGB 95 101 171

HSL 235.26, 0.31%, 0.52%

LAB 45.19, 16.41, -38.3

 

CMYK 34 / 31 / 0 / 27

HEX #7A7FB9

RGB 122 127 185

HSL 235.24, 0.31%, 0.6%

LAB 54.89, 12.11, -31.07

 

CMYK 25 / 23 / 0 / 22

HEX #9599C7

RGB 149 153 199

HSL 235.2, 0.31%, 0.68%

LAB 64.4, 8.71, -24.12

 

CMYK 45 / 42 / 0 / 33

HEX #5E64AB

RGB 94 100 171

HSL 235.32, 0.31%, 0.52%

LAB 44.85, 16.78, -38.85

 

CMYK 0 / 44 / 5 / 33

HEX #AB5FA2

RGB 171 95 162

HSL 307.11, 0.31%, 0.52%

LAB 51.21, 40.63, -23.04

 

CMYK 23 / 0 / 44 / 33

HEX #83AB5F

RGB 131 171 95

HSL 91.58, 0.31%, 0.52%

LAB 65.57, -27.09, 34.74

 

CMYK 45 / 42 / 0 / 33

HEX #5E64AB

RGB 94 100 171

HSL 235.32, 0.31%, 0.52%

LAB 44.85, 16.78, -38.85

 

CMYK 0 / 44 / 41 / 33

HEX #AB5F65

RGB 171 95 101

HSL 355.26, 0.31%, 0.52%

LAB 49.23, 31.47, 10.29

 

CMYK 41 / 0 / 44 / 33

HEX #65AB5F

RGB 101 171 95

HSL 115.26, 0.31%, 0.52%

LAB 63.93, -37.56, 32.31

 

CMYK 45 / 42 / 0 / 33

HEX #5E64AB

RGB 94 100 171

HSL 235.32, 0.31%, 0.52%

LAB 44.85, 16.78, -38.85

 

CMYK 0 / 44 / 5 / 33

HEX #AB5FA2

RGB 171 95 162

HSL 307.11, 0.31%, 0.52%

LAB 51.21, 40.63, -23.04

 

CMYK 0 / 4 / 44 / 33

HEX #ABA45F

RGB 171 164 95

HSL 54.47, 0.31%, 0.52%

LAB 66.55, -7.48, 36.59

 

CMYK 44 / 0 / 39 / 33

HEX #5FAB68

RGB 95 171 104

HSL 127.11, 0.31%, 0.52%

LAB 63.8, -38, 27.35

 

CMYK 45 / 42 / 0 / 33

HEX #5E64AB

RGB 94 100 171

HSL 235.32, 0.31%, 0.52%

LAB 44.85, 16.78, -38.85

 

CMYK 0 / 44 / 19 / 33

HEX #AB5F8B

RGB 171 95 139

HSL 325.26, 0.31%, 0.52%

LAB 50.34, 36.72, -10.79

 

CMYK 0 / 4 / 44 / 33

HEX #ABA45F

RGB 171 164 95

HSL 54.47, 0.31%, 0.52%

LAB 66.55, -7.48, 36.59

 

CMYK 44 / 0 / 26 / 33

HEX #5FAB7E

RGB 95 171 126

HSL 144.47, 0.31%, 0.52%

LAB 64.21, -33.95, 15.98

 

Description

Color code: HEX #5E64AB | qconv.com Color code: HEX #5E64AB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 100 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 100 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 42 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 42% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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