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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E6417 it is the complementary color #A19BE8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E6417. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E6417 shade: #636412, #747625, #858838, #969A4B and #A7AC5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E6417. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E6417 shade: #5E6417, #4D5204, #3C4000, #2B2E00 and #1A1C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E6417 shade: #5D6316, #635416, #634016, #632B16 and #631616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E6417 shade: #5D6316, #486316, #346316, #1F6316 and #166322

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E6417 shade matches the following richer shades: #5D6316, #666D0C and #6E7702

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E6417 shade: #5D6316, #555920, #4D4F2A, #444634 and #3C3C3E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E6417 shade: #633F16, #635416, #5E6316, #4A6316 and #356316

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E6417 shade: #1E2007, #3E420F, #5D6316, #7D851E and #9CA725

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E6417 shade: #5E6417, #16632B and #4A1663

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E6417 shade: #5E6417, #165E63 and #63165E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E6417 shade: #5E6417, #16632B, #1B1663 and #63164F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E6417 shade: #5E6417, #166342, #1B1663 and #631638

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 77 / 61

HEX #5E6417

RGB 94 100 23

HSL 64.68, 0.63%, 0.24%

LAB 40.5, -12.91, 40.2

 

Complementary color

CMYK 31 / 33 / 0 / 9

HEX #A19BE8

RGB 161 155 232

HSL 244.68, 0.63%, 0.76%

LAB 67.16, 19.29, -38.06

 

CMYK 1 / 0 / 82 / 61

HEX #636412

RGB 99 100 18

HSL 60.73, 0.69%, 0.23%

LAB 40.91, -10.76, 42.56

 

CMYK 2 / 0 / 69 / 54

HEX #747625

RGB 116 118 37

HSL 61.48, 0.52%, 0.3%

LAB 48.01, -11.76, 42.49

 

CMYK 2 / 0 / 59 / 47

HEX #858838

RGB 133 136 56

HSL 62.25, 0.42%, 0.38%

LAB 54.95, -12.49, 41.65

 

CMYK 3 / 0 / 51 / 40

HEX #969A4B

RGB 150 154 75

HSL 63.04, 0.34%, 0.45%

LAB 61.74, -13.03, 40.53

 

CMYK 3 / 0 / 45 / 33

HEX #A7AC5E

RGB 167 172 94

HSL 63.85, 0.32%, 0.52%

LAB 68.41, -13.44, 39.33

 

CMYK 6 / 0 / 77 / 61

HEX #5E6417

RGB 94 100 23

HSL 64.68, 0.63%, 0.24%

LAB 40.5, -12.91, 40.2

 

CMYK 6 / 0 / 95 / 68

HEX #4D5204

RGB 77 82 4

HSL 63.85, 0.91%, 0.17%

LAB 33.18, -11.8, 39.5

 

CMYK 6 / 0 / 100 / 75

HEX #3C4000

RGB 60 64 0

HSL 63.75, 1%, 0.13%

LAB 25.65, -10.1, 34.23

 

CMYK 7 / 0 / 100 / 82

HEX #2B2E00

RGB 43 46 0

HSL 63.91, 1%, 0.09%

LAB 17.77, -8.15, 25.32

 

CMYK 7 / 0 / 100 / 89

HEX #1A1C00

RGB 26 28 0

HSL 64.29, 1%, 0.05%

LAB 9.4, -6.07, 13.95

 

CMYK 6 / 0 / 78 / 61

HEX #5D6316

RGB 93 99 22

HSL 64.68, 0.64%, 0.24%

LAB 40.1, -12.88, 40.17

 

CMYK 0 / 15 / 78 / 61

HEX #635416

RGB 99 84 22

HSL 48.31, 0.64%, 0.24%

LAB 36.08, -1.24, 36.5

 

CMYK 0 / 35 / 78 / 61

HEX #634016

RGB 99 64 22

HSL 32.73, 0.64%, 0.24%

LAB 30.35, 11.05, 30.77

 

CMYK 0 / 57 / 78 / 61

HEX #632B16

RGB 99 43 22

HSL 16.36, 0.64%, 0.24%

LAB 25.07, 23.75, 25.2

 

CMYK 0 / 78 / 78 / 61

HEX #631616

RGB 99 22 22

HSL 0, 0.64%, 0.24%

LAB 21.15, 34.17, 20.83

 

CMYK 6 / 0 / 78 / 61

HEX #5D6316

RGB 93 99 22

HSL 64.68, 0.64%, 0.24%

LAB 40.1, -12.88, 40.17

 

CMYK 27 / 0 / 78 / 61

HEX #486316

RGB 72 99 22

HSL 81.04, 0.64%, 0.24%

LAB 38.48, -22.49, 38.05

 

CMYK 47 / 0 / 78 / 61

HEX #346316

RGB 52 99 22

HSL 96.62, 0.64%, 0.24%

LAB 37.32, -30.49, 36.52

 

CMYK 69 / 0 / 78 / 61

HEX #1F6316

RGB 31 99 22

HSL 112.99, 0.64%, 0.24%

LAB 36.5, -36.84, 35.43

 

CMYK 78 / 0 / 66 / 61

HEX #166322

RGB 22 99 34

HSL 129.35, 0.64%, 0.24%

LAB 36.39, -37.44, 29.76

 

CMYK 6 / 0 / 78 / 61

HEX #5D6316

RGB 93 99 22

HSL 64.68, 0.64%, 0.24%

LAB 40.1, -12.88, 40.17

 

CMYK 6 / 0 / 89 / 57

HEX #666D0C

RGB 102 109 12

HSL 64.33, 0.8%, 0.24%

LAB 43.93, -14.54, 47.02

 

CMYK 8 / 0 / 98 / 53

HEX #6E7702

RGB 110 119 2

HSL 64.62, 0.97%, 0.24%

LAB 47.64, -16.45, 52.45

 

CMYK 6 / 0 / 78 / 61

HEX #5D6316

RGB 93 99 22

HSL 64.68, 0.64%, 0.24%

LAB 40.1, -12.88, 40.17

 

CMYK 4 / 0 / 64 / 65

HEX #555920

RGB 85 89 32

HSL 64.21, 0.47%, 0.24%

LAB 36.33, -10.34, 31.62

 

CMYK 3 / 0 / 47 / 69

HEX #4D4F2A

RGB 77 79 42

HSL 63.24, 0.31%, 0.24%

LAB 32.56, -7.24, 21.52

 

CMYK 3 / 0 / 26 / 73

HEX #444634

RGB 68 70 52

HSL 66.67, 0.15%, 0.24%

LAB 29.05, -4.44, 10.61

 

CMYK 3 / 3 / 0 / 76

HEX #3C3C3E

RGB 60 60 62

HSL 240, 0.02%, 0.24%

LAB 25.38, 0.46, -1.23

 

CMYK 0 / 36 / 78 / 61

HEX #633F16

RGB 99 63 22

HSL 31.95, 0.64%, 0.24%

LAB 30.07, 11.67, 30.49

 

CMYK 0 / 15 / 78 / 61

HEX #635416

RGB 99 84 22

HSL 48.31, 0.64%, 0.24%

LAB 36.08, -1.24, 36.5

 

CMYK 5 / 0 / 78 / 61

HEX #5E6316

RGB 94 99 22

HSL 63.9, 0.64%, 0.24%

LAB 40.18, -12.4, 40.28

 

CMYK 25 / 0 / 78 / 61

HEX #4A6316

RGB 74 99 22

HSL 79.48, 0.64%, 0.24%

LAB 38.62, -21.62, 38.23

 

CMYK 46 / 0 / 78 / 61

HEX #356316

RGB 53 99 22

HSL 95.84, 0.64%, 0.24%

LAB 37.37, -30.13, 36.58

 

CMYK 6 / 0 / 78 / 87

HEX #1E2007

RGB 30 32 7

HSL 64.8, 0.64%, 0.08%

LAB 11.44, -5.53, 14.02

 

CMYK 6 / 0 / 77 / 74

HEX #3E420F

RGB 62 66 15

HSL 64.71, 0.63%, 0.16%

LAB 26.61, -9.43, 29

 

CMYK 6 / 0 / 78 / 61

HEX #5D6316

RGB 93 99 22

HSL 64.68, 0.64%, 0.24%

LAB 40.1, -12.88, 40.17

 

CMYK 6 / 0 / 77 / 48

HEX #7D851E

RGB 125 133 30

HSL 64.66, 0.63%, 0.32%

LAB 53.2, -16.12, 50.54

 

CMYK 7 / 0 / 78 / 35

HEX #9CA725

RGB 156 167 37

HSL 65.08, 0.64%, 0.4%

LAB 65.62, -19.67, 60.59

 

CMYK 6 / 0 / 77 / 61

HEX #5E6417

RGB 94 100 23

HSL 64.68, 0.63%, 0.24%

LAB 40.5, -12.91, 40.2

 

CMYK 78 / 0 / 57 / 61

HEX #16632B

RGB 22 99 43

HSL 136.36, 0.64%, 0.24%

LAB 36.5, -36.12, 25.16

 

CMYK 25 / 78 / 0 / 61

HEX #4A1663

RGB 74 22 99

HSL 280.52, 0.64%, 0.24%

LAB 19.76, 37.62, -34.46

 

CMYK 6 / 0 / 77 / 61

HEX #5E6417

RGB 94 100 23

HSL 64.68, 0.63%, 0.24%

LAB 40.5, -12.91, 40.2

 

CMYK 78 / 5 / 0 / 61

HEX #165E63

RGB 22 94 99

HSL 183.9, 0.64%, 0.24%

LAB 36.13, -19.34, -9.13

 

CMYK 0 / 78 / 5 / 61

HEX #63165E

RGB 99 22 94

HSL 303.9, 0.64%, 0.24%

LAB 23.79, 42.52, -24.48

 

CMYK 6 / 0 / 77 / 61

HEX #5E6417

RGB 94 100 23

HSL 64.68, 0.63%, 0.24%

LAB 40.5, -12.91, 40.2

 

CMYK 78 / 0 / 57 / 61

HEX #16632B

RGB 22 99 43

HSL 136.36, 0.64%, 0.24%

LAB 36.5, -36.12, 25.16

 

CMYK 73 / 78 / 0 / 61

HEX #1B1663

RGB 27 22 99

HSL 243.9, 0.64%, 0.24%

LAB 13.87, 29.1, -44.32

 

CMYK 0 / 78 / 20 / 61

HEX #63164F

RGB 99 22 79

HSL 315.58, 0.64%, 0.24%

LAB 22.97, 40.05, -15.76

 

CMYK 6 / 0 / 77 / 61

HEX #5E6417

RGB 94 100 23

HSL 64.68, 0.63%, 0.24%

LAB 40.5, -12.91, 40.2

 

CMYK 78 / 0 / 33 / 61

HEX #166342

RGB 22 99 66

HSL 154.29, 0.64%, 0.24%

LAB 36.91, -31.47, 12.33

 

CMYK 73 / 78 / 0 / 61

HEX #1B1663

RGB 27 22 99

HSL 243.9, 0.64%, 0.24%

LAB 13.87, 29.1, -44.32

 

CMYK 0 / 78 / 43 / 61

HEX #631638

RGB 99 22 56

HSL 333.51, 0.64%, 0.24%

LAB 21.99, 36.95, -1.51

 

Description

Color code: HEX #5E6417 | qconv.com Color code: HEX #5E6417 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 100 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 100 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 77 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 77% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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