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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E63D8 it is the complementary color #A19C27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E63D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E63D8 shade: #6363D3, #7475E6, #8587F9, #9699FF and #A7ABFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E63D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E63D8 shade: #5E63D8, #4D51C5, #3C3FB2, #2B2D9F and #1A1B8C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E63D8 shade: #5E63D8, #7A5ED8, #9B5ED8, #BC5ED8 and #D85ED3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E63D8 shade: #5E63D8 and #5E5ED8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E63D8 shade matches the following richer shades: #5E63D8, #4E55E8 and #3E46F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E63D8 shade: #5E63D8, #6E72C8, #7F81B8, #8F90A7 and #9F9E97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E63D8 shade: #5EA5D8, #5E85D8, #5E64D8, #795ED8 and #995ED8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E63D8 shade: #2C32B8, #3D43D0, #5E63D8, #8084E0 and #A1A4E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E63D8 shade: #5E63D8, #D85EC6 and #95D85E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E63D8 shade: #5E63D8, #D85E64 and #64D85E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E63D8 shade: #5E63D8, #D85EC6, #D8D25E and #5ED871

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E63D8 shade: #5E63D8, #D85EA1, #D8D25E and #5ED895

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 54 / 0 / 15

HEX #5E63D8

RGB 94 99 216

HSL 237.54, 0.61%, 0.61%

LAB 47.32, 31.61, -60.92

 

Complementary color

CMYK 0 / 3 / 76 / 37

HEX #A19C27

RGB 161 156 39

HSL 57.54, 0.61%, 0.39%

LAB 62.93, -11.71, 57.6

 

CMYK 53 / 53 / 0 / 17

HEX #6363D3

RGB 99 99 211

HSL 240, 0.56%, 0.61%

LAB 47.34, 31, -58.02

 

CMYK 50 / 49 / 0 / 10

HEX #7475E6

RGB 116 117 230

HSL 239.47, 0.7%, 0.68%

LAB 54.18, 29.56, -57.69

 

CMYK 47 / 46 / 0 / 2

HEX #8587F9

RGB 133 135 249

HSL 238.97, 0.91%, 0.75%

LAB 60.92, 28.32, -57.4

 

CMYK 41 / 40 / 0 / 0

HEX #9699FF

RGB 150 153 255

HSL 238.29, 1%, 0.79%

LAB 66.89, 23.61, -51.13

 

CMYK 35 / 33 / 0 / 0

HEX #A7ABFF

RGB 167 171 255

HSL 237.27, 1%, 0.83%

LAB 72.6, 17.78, -42.06

 

CMYK 56 / 54 / 0 / 15

HEX #5E63D8

RGB 94 99 216

HSL 237.54, 0.61%, 0.61%

LAB 47.32, 31.61, -60.92

 

CMYK 61 / 59 / 0 / 23

HEX #4D51C5

RGB 77 81 197

HSL 238, 0.51%, 0.54%

LAB 40.4, 33.44, -61.26

 

CMYK 66 / 65 / 0 / 30

HEX #3C3FB2

RGB 60 63 178

HSL 238.47, 0.5%, 0.47%

LAB 33.41, 35.57, -61.53

 

CMYK 73 / 72 / 0 / 38

HEX #2B2D9F

RGB 43 45 159

HSL 238.97, 0.57%, 0.4%

LAB 26.43, 37.98, -61.61

 

CMYK 81 / 81 / 0 / 45

HEX #1A1B8C

RGB 26 27 140

HSL 239.47, 0.69%, 0.33%

LAB 19.63, 40.44, -61.17

 

CMYK 56 / 54 / 0 / 15

HEX #5E63D8

RGB 94 99 216

HSL 237.54, 0.61%, 0.61%

LAB 47.32, 31.61, -60.92

 

CMYK 44 / 56 / 0 / 15

HEX #7A5ED8

RGB 122 94 216

HSL 253.77, 0.61%, 0.61%

LAB 48.39, 40.35, -59.08

 

CMYK 28 / 56 / 0 / 15

HEX #9B5ED8

RGB 155 94 216

HSL 270, 0.61%, 0.61%

LAB 51.76, 48.04, -53.48

 

CMYK 13 / 56 / 0 / 15

HEX #BC5ED8

RGB 188 94 216

HSL 286.23, 0.61%, 0.61%

LAB 55.74, 56.31, -46.91

 

CMYK 0 / 56 / 2 / 15

HEX #D85ED3

RGB 216 94 211

HSL 302.46, 0.61%, 0.61%

LAB 59.26, 62.63, -38.28

 

CMYK 56 / 54 / 0 / 15

HEX #5E63D8

RGB 94 99 216

HSL 237.54, 0.61%, 0.61%

LAB 47.32, 31.61, -60.92

 

CMYK 56 / 56 / 0 / 15

HEX #5E5ED8

RGB 94 94 216

HSL 240, 0.61%, 0.61%

LAB 46.1, 34.66, -62.89

 

CMYK 56 / 54 / 0 / 15

HEX #5E63D8

RGB 94 99 216

HSL 237.54, 0.61%, 0.61%

LAB 47.32, 31.61, -60.92

 

CMYK 66 / 63 / 0 / 9

HEX #4E55E8

RGB 78 85 232

HSL 237.27, 0.77%, 0.61%

LAB 44.15, 42.79, -75.19

 

CMYK 75 / 72 / 0 / 3

HEX #3E46F8

RGB 62 70 248

HSL 237.42, 0.93%, 0.61%

LAB 41.5, 54.99, -88.58

 

CMYK 56 / 54 / 0 / 15

HEX #5E63D8

RGB 94 99 216

HSL 237.54, 0.61%, 0.61%

LAB 47.32, 31.61, -60.92

 

CMYK 45 / 43 / 0 / 22

HEX #6E72C8

RGB 110 114 200

HSL 237.33, 0.45%, 0.61%

LAB 51.29, 20.96, -45.37

 

CMYK 31 / 30 / 0 / 28

HEX #7F81B8

RGB 127 129 184

HSL 237.89, 0.29%, 0.61%

LAB 55.76, 12.14, -29.11

 

CMYK 14 / 14 / 0 / 35

HEX #8F90A7

RGB 143 144 167

HSL 237.5, 0.12%, 0.61%

LAB 60.41, 4.45, -12.2

 

CMYK 0 / 1 / 5 / 38

HEX #9F9E97

RGB 159 158 151

HSL 52.5, 0.04%, 0.61%

LAB 65.01, -0.94, 3.77

 

CMYK 56 / 24 / 0 / 15

HEX #5EA5D8

RGB 94 165 216

HSL 205.08, 0.61%, 0.61%

LAB 65.16, -7.64, -32.66

 

CMYK 56 / 38 / 0 / 15

HEX #5E85D8

RGB 94 133 216

HSL 220.82, 0.61%, 0.61%

LAB 56.2, 10.84, -46.71

 

CMYK 56 / 54 / 0 / 15

HEX #5E64D8

RGB 94 100 216

HSL 237.05, 0.61%, 0.61%

LAB 47.56, 31, -60.53

 

CMYK 44 / 56 / 0 / 15

HEX #795ED8

RGB 121 94 216

HSL 253.28, 0.61%, 0.61%

LAB 48.3, 40.13, -59.23

 

CMYK 29 / 56 / 0 / 15

HEX #995ED8

RGB 153 94 216

HSL 269.02, 0.61%, 0.61%

LAB 51.54, 47.55, -53.85

 

CMYK 76 / 73 / 0 / 28

HEX #2C32B8

RGB 44 50 184

HSL 237.43, 0.61%, 0.45%

LAB 30.1, 43.69, -70.57

 

CMYK 71 / 68 / 0 / 18

HEX #3D43D0

RGB 61 67 208

HSL 237.55, 0.61%, 0.53%

LAB 37.04, 43.46, -73.16

 

CMYK 56 / 54 / 0 / 15

HEX #5E63D8

RGB 94 99 216

HSL 237.54, 0.61%, 0.61%

LAB 47.32, 31.61, -60.92

 

CMYK 43 / 41 / 0 / 12

HEX #8084E0

RGB 128 132 224

HSL 237.5, 0.61%, 0.69%

LAB 58.48, 21.67, -47.43

 

CMYK 31 / 29 / 0 / 9

HEX #A1A4E8

RGB 161 164 232

HSL 237.46, 0.61%, 0.77%

LAB 69.44, 14.2, -34.52

 

CMYK 56 / 54 / 0 / 15

HEX #5E63D8

RGB 94 99 216

HSL 237.54, 0.61%, 0.61%

LAB 47.32, 31.61, -60.92

 

CMYK 0 / 56 / 8 / 15

HEX #D85EC6

RGB 216 94 198

HSL 308.85, 0.61%, 0.61%

LAB 58.68, 60.5, -31.8

 

CMYK 31 / 0 / 56 / 15

HEX #95D85E

RGB 149 216 94

HSL 92.95, 0.61%, 0.61%

LAB 79.79, -41.43, 52.6

 

CMYK 56 / 54 / 0 / 15

HEX #5E63D8

RGB 94 99 216

HSL 237.54, 0.61%, 0.61%

LAB 47.32, 31.61, -60.92

 

CMYK 0 / 56 / 54 / 15

HEX #D85E64

RGB 216 94 100

HSL 357.05, 0.61%, 0.61%

LAB 55.61, 48.43, 20.69

 

CMYK 54 / 0 / 56 / 15

HEX #64D85E

RGB 100 216 94

HSL 117.05, 0.61%, 0.61%

LAB 77.66, -56.46, 49.58

 

CMYK 56 / 54 / 0 / 15

HEX #5E63D8

RGB 94 99 216

HSL 237.54, 0.61%, 0.61%

LAB 47.32, 31.61, -60.92

 

CMYK 0 / 56 / 8 / 15

HEX #D85EC6

RGB 216 94 198

HSL 308.85, 0.61%, 0.61%

LAB 58.68, 60.5, -31.8

 

CMYK 0 / 3 / 56 / 15

HEX #D8D25E

RGB 216 210 94

HSL 57.05, 0.61%, 0.61%

LAB 82.65, -12.66, 57.07

 

CMYK 56 / 0 / 48 / 15

HEX #5ED871

RGB 94 216 113

HSL 129.34, 0.61%, 0.61%

LAB 77.69, -55.44, 40.56

 

CMYK 56 / 54 / 0 / 15

HEX #5E63D8

RGB 94 99 216

HSL 237.54, 0.61%, 0.61%

LAB 47.32, 31.61, -60.92

 

CMYK 0 / 56 / 25 / 15

HEX #D85EA1

RGB 216 94 161

HSL 327.05, 0.61%, 0.61%

LAB 57.25, 55.04, -12.69

 

CMYK 0 / 3 / 56 / 15

HEX #D8D25E

RGB 216 210 94

HSL 57.05, 0.61%, 0.61%

LAB 82.65, -12.66, 57.07

 

CMYK 56 / 0 / 31 / 15

HEX #5ED895

RGB 94 216 149

HSL 147.05, 0.61%, 0.61%

LAB 78.26, -49.31, 23

 

Description

Color code: HEX #5E63D8 | qconv.com Color code: HEX #5E63D8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 99 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 99 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 54 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 54% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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