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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E6220 it is the complementary color #A19DDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E6220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E6220 shade: #63621B, #74742E, #858641, #969854 and #A7AA67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E6220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E6220 shade: #5E6220, #4D500D, #3C3E00, #2B2C00 and #1A1A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E6220 shade: #5C601F, #60531F, #60411F, #60301F and #601F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E6220 shade: #5C601F, #4B601F, #39601F, #28601F and #1F6028

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E6220 shade matches the following richer shades: #5C601F, #656B15, #6E750B and #787F00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E6220 shade: #5C601F, #53562A, #4A4C34, #41413E and #383748

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E6220 shade: #60411F, #60521F, #5D601F, #4C601F and #3A601F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E6220 shade: #21220B, #3E4115, #5C601F, #7A7F29 and #989F33

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E6220 shade: #5E6220, #1F602F and #4A1F60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E6220 shade: #5E6220, #1F5D60 and #601F5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E6220 shade: #5E6220, #1F602F, #221F60 and #601F50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E6220 shade: #5E6220, #1F6043, #221F60 and #601F3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 67 / 62

HEX #5E6220

RGB 94 98 32

HSL 63.64, 0.51%, 0.25%

LAB 39.95, -11.21, 35.76

 

Complementary color

CMYK 28 / 30 / 0 / 13

HEX #A19DDF

RGB 161 157 223

HSL 243.64, 0.51%, 0.75%

LAB 67.29, 15.91, -32.9

 

CMYK 0 / 1 / 73 / 61

HEX #63621B

RGB 99 98 27

HSL 59.17, 0.57%, 0.25%

LAB 40.36, -9.17, 38.57

 

CMYK 0 / 0 / 60 / 55

HEX #74742E

RGB 116 116 46

HSL 60, 0.43%, 0.32%

LAB 47.5, -10, 37.78

 

CMYK 1 / 0 / 51 / 47

HEX #858641

RGB 133 134 65

HSL 60.87, 0.35%, 0.39%

LAB 54.47, -10.61, 36.63

 

CMYK 1 / 0 / 45 / 40

HEX #969854

RGB 150 152 84

HSL 61.76, 0.29%, 0.46%

LAB 61.29, -11.06, 35.39

 

CMYK 2 / 0 / 39 / 33

HEX #A7AA67

RGB 167 170 103

HSL 62.69, 0.28%, 0.54%

LAB 67.98, -11.42, 34.16

 

CMYK 4 / 0 / 67 / 62

HEX #5E6220

RGB 94 98 32

HSL 63.64, 0.51%, 0.25%

LAB 39.95, -11.21, 35.76

 

CMYK 4 / 0 / 84 / 69

HEX #4D500D

RGB 77 80 13

HSL 62.69, 0.72%, 0.18%

LAB 32.58, -10.28, 36

 

CMYK 3 / 0 / 100 / 76

HEX #3C3E00

RGB 60 62 0

HSL 61.94, 1%, 0.12%

LAB 24.97, -8.9, 33.59

 

CMYK 2 / 0 / 100 / 83

HEX #2B2C00

RGB 43 44 0

HSL 61.36, 1%, 0.09%

LAB 17.06, -6.88, 24.45

 

CMYK 0 / 0 / 100 / 90

HEX #1A1A00

RGB 26 26 0

HSL 60, 1%, 0.05%

LAB 8.64, -4.66, 12.85

 

CMYK 4 / 0 / 68 / 62

HEX #5C601F

RGB 92 96 31

HSL 63.69, 0.51%, 0.25%

LAB 39.14, -11.1, 35.32

 

CMYK 0 / 14 / 68 / 62

HEX #60531F

RGB 96 83 31

HSL 48, 0.51%, 0.25%

LAB 35.54, -1.55, 31.58

 

CMYK 0 / 32 / 68 / 62

HEX #60411F

RGB 96 65 31

HSL 31.38, 0.51%, 0.25%

LAB 30.32, 9.55, 25.73

 

CMYK 0 / 50 / 68 / 62

HEX #60301F

RGB 96 48 31

HSL 15.69, 0.51%, 0.25%

LAB 25.86, 20.06, 20.48

 

CMYK 0 / 68 / 68 / 62

HEX #601F1F

RGB 96 31 31

HSL 0, 0.51%, 0.25%

LAB 22.18, 29.54, 15.92

 

CMYK 4 / 0 / 68 / 62

HEX #5C601F

RGB 92 96 31

HSL 63.69, 0.51%, 0.25%

LAB 39.14, -11.1, 35.32

 

CMYK 22 / 0 / 68 / 62

HEX #4B601F

RGB 75 96 31

HSL 79.38, 0.51%, 0.25%

LAB 37.77, -18.93, 33.45

 

CMYK 41 / 0 / 68 / 62

HEX #39601F

RGB 57 96 31

HSL 96, 0.51%, 0.25%

LAB 36.62, -26.44, 31.86

 

CMYK 58 / 0 / 68 / 62

HEX #28601F

RGB 40 96 31

HSL 111.69, 0.51%, 0.25%

LAB 35.82, -32.28, 30.76

 

CMYK 68 / 0 / 58 / 62

HEX #1F6028

RGB 31 96 40

HSL 128.31, 0.51%, 0.25%

LAB 35.62, -33.52, 25.78

 

CMYK 4 / 0 / 68 / 62

HEX #5C601F

RGB 92 96 31

HSL 63.69, 0.51%, 0.25%

LAB 39.14, -11.1, 35.32

 

CMYK 6 / 0 / 80 / 58

HEX #656B15

RGB 101 107 21

HSL 64.19, 0.67%, 0.25%

LAB 43.27, -13.58, 43.74

 

CMYK 6 / 0 / 91 / 54

HEX #6E750B

RGB 110 117 11

HSL 63.96, 0.83%, 0.25%

LAB 47.06, -15.16, 50.11

 

CMYK 6 / 0 / 100 / 50

HEX #787F00

RGB 120 127 0

HSL 63.31, 1%, 0.25%

LAB 50.89, -16.11, 55.65

 

CMYK 4 / 0 / 68 / 62

HEX #5C601F

RGB 92 96 31

HSL 63.69, 0.51%, 0.25%

LAB 39.14, -11.1, 35.32

 

CMYK 3 / 0 / 51 / 66

HEX #53562A

RGB 83 86 42

HSL 64.09, 0.34%, 0.25%

LAB 35.32, -8.57, 25.04

 

CMYK 3 / 0 / 32 / 70

HEX #4A4C34

RGB 74 76 52

HSL 65, 0.19%, 0.25%

LAB 31.52, -5.41, 14.04

 

CMYK 0 / 0 / 5 / 75

HEX #41413E

RGB 65 65 62

HSL 60, 0.02%, 0.25%

LAB 27.44, -0.66, 1.82

 

CMYK 22 / 24 / 0 / 72

HEX #383748

RGB 56 55 72

HSL 243.53, 0.13%, 0.25%

LAB 23.81, 4.72, -10.29

 

CMYK 0 / 32 / 68 / 62

HEX #60411F

RGB 96 65 31

HSL 31.38, 0.51%, 0.25%

LAB 30.32, 9.55, 25.73

 

CMYK 0 / 15 / 68 / 62

HEX #60521F

RGB 96 82 31

HSL 47.08, 0.51%, 0.25%

LAB 35.24, -0.95, 31.25

 

CMYK 3 / 0 / 68 / 62

HEX #5D601F

RGB 93 96 31

HSL 62.77, 0.51%, 0.25%

LAB 39.23, -10.62, 35.44

 

CMYK 21 / 0 / 68 / 62

HEX #4C601F

RGB 76 96 31

HSL 78.46, 0.51%, 0.25%

LAB 37.84, -18.48, 33.55

 

CMYK 40 / 0 / 68 / 62

HEX #3A601F

RGB 58 96 31

HSL 95.08, 0.51%, 0.25%

LAB 36.68, -26.05, 31.94

 

CMYK 3 / 0 / 68 / 87

HEX #21220B

RGB 33 34 11

HSL 62.61, 0.51%, 0.09%

LAB 12.55, -4.75, 13.95

 

CMYK 5 / 0 / 68 / 75

HEX #3E4115

RGB 62 65 21

HSL 64.09, 0.51%, 0.17%

LAB 26.33, -8.36, 25.73

 

CMYK 4 / 0 / 68 / 62

HEX #5C601F

RGB 92 96 31

HSL 63.69, 0.51%, 0.25%

LAB 39.14, -11.1, 35.32

 

CMYK 4 / 0 / 68 / 50

HEX #7A7F29

RGB 122 127 41

HSL 63.49, 0.51%, 0.33%

LAB 51.24, -13.66, 44.25

 

CMYK 4 / 0 / 68 / 38

HEX #989F33

RGB 152 159 51

HSL 63.89, 0.51%, 0.41%

LAB 63.1, -16.62, 53.02

 

CMYK 4 / 0 / 67 / 62

HEX #5E6220

RGB 94 98 32

HSL 63.64, 0.51%, 0.25%

LAB 39.95, -11.21, 35.76

 

CMYK 68 / 0 / 51 / 62

HEX #1F602F

RGB 31 96 47

HSL 134.77, 0.51%, 0.25%

LAB 35.72, -32.37, 22.01

 

CMYK 23 / 68 / 0 / 62

HEX #4A1F60

RGB 74 31 96

HSL 279.69, 0.51%, 0.25%

LAB 21.13, 32.46, -30.28

 

CMYK 4 / 0 / 67 / 62

HEX #5E6220

RGB 94 98 32

HSL 63.64, 0.51%, 0.25%

LAB 39.95, -11.21, 35.76

 

CMYK 68 / 3 / 0 / 62

HEX #1F5D60

RGB 31 93 96

HSL 182.77, 0.51%, 0.25%

LAB 35.92, -18.36, -7.56

 

CMYK 0 / 68 / 3 / 62

HEX #601F5D

RGB 96 31 93

HSL 302.77, 0.51%, 0.25%

LAB 24.5, 37.85, -22.73

 

CMYK 4 / 0 / 67 / 62

HEX #5E6220

RGB 94 98 32

HSL 63.64, 0.51%, 0.25%

LAB 39.95, -11.21, 35.76

 

CMYK 68 / 0 / 51 / 62

HEX #1F602F

RGB 31 96 47

HSL 134.77, 0.51%, 0.25%

LAB 35.72, -32.37, 22.01

 

CMYK 65 / 68 / 0 / 62

HEX #221F60

RGB 34 31 96

HSL 242.77, 0.51%, 0.25%

LAB 16.33, 23.12, -38.28

 

CMYK 0 / 68 / 17 / 62

HEX #601F50

RGB 96 31 80

HSL 314.77, 0.51%, 0.25%

LAB 23.82, 35.53, -15.16

 

CMYK 4 / 0 / 67 / 62

HEX #5E6220

RGB 94 98 32

HSL 63.64, 0.51%, 0.25%

LAB 39.95, -11.21, 35.76

 

CMYK 68 / 0 / 30 / 62

HEX #1F6043

RGB 31 96 67

HSL 153.23, 0.51%, 0.25%

LAB 36.1, -28.18, 10.66

 

CMYK 65 / 68 / 0 / 62

HEX #221F60

RGB 34 31 96

HSL 242.77, 0.51%, 0.25%

LAB 16.33, 23.12, -38.28

 

CMYK 0 / 68 / 38 / 62

HEX #601F3C

RGB 96 31 60

HSL 333.23, 0.51%, 0.25%

LAB 22.98, 32.51, -2.88

 

Description

Color code: HEX #5E6220 | qconv.com Color code: HEX #5E6220 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 98 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 98 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 67 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 67% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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