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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E61E3 it is the complementary color #A19E1C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E61E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E61E3 shade: #6361DE, #7473F1, #8585FF, #9697FF and #A7A9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E61E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E61E3 shade: #5E61E3, #4D4FD0, #3C3DBD, #2B2BAA and #1A1997

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E61E3 shade: #5F62E3, #7F5FE3, #A35FE3, #C65FE3 and #E35FDB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E61E3 shade: #5F62E3 and #5F5FE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E61E3 shade matches the following richer shades: #5F62E3 and #4F53F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E61E3 shade: #5F62E3, #6E70D3, #7D7FC4, #8C8DB5 and #9C9CA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E61E3 shade: #5FA9E3, #5F86E3, #5F63E3, #7D5FE3 and #A15FE3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E61E3 shade: #2428CB, #3C3FDD, #5F62E3, #8284E9 and #A5A6EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E61E3 shade: #5E61E3, #E35FCD and #98E35F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E61E3 shade: #5E61E3, #E35F63 and #63E35F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E61E3 shade: #5E61E3, #E35FCD, #E3DE5F and #5FE375

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E61E3 shade: #5E61E3, #E35FA5, #E3DE5F and #5FE39C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 57 / 0 / 11

HEX #5E61E3

RGB 94 97 227

HSL 238.65, 0.7%, 0.63%

LAB 47.59, 36.37, -66.72

 

Complementary color

CMYK 0 / 2 / 83 / 37

HEX #A19E1C

RGB 161 158 28

HSL 58.65, 0.7%, 0.37%

LAB 63.44, -13.17, 61.42

 

CMYK 55 / 56 / 0 / 13

HEX #6361DE

RGB 99 97 222

HSL 240.96, 0.65%, 0.63%

LAB 47.59, 35.68, -63.87

 

CMYK 52 / 52 / 0 / 5

HEX #7473F1

RGB 116 115 241

HSL 240.48, 0.82%, 0.7%

LAB 54.37, 34.1, -63.54

 

CMYK 48 / 48 / 0 / 0

HEX #8585FF

RGB 133 133 255

HSL 240, 1%, 0.76%

LAB 60.77, 31.25, -60.94

 

CMYK 41 / 41 / 0 / 0

HEX #9697FF

RGB 150 151 255

HSL 239.43, 1%, 0.79%

LAB 66.4, 24.76, -51.91

 

CMYK 35 / 34 / 0 / 0

HEX #A7A9FF

RGB 167 169 255

HSL 238.64, 1%, 0.83%

LAB 72.1, 18.9, -42.85

 

CMYK 59 / 57 / 0 / 11

HEX #5E61E3

RGB 94 97 227

HSL 238.65, 0.7%, 0.63%

LAB 47.59, 36.37, -66.72

 

CMYK 63 / 62 / 0 / 18

HEX #4D4FD0

RGB 77 79 208

HSL 239.08, 0.58%, 0.56%

LAB 40.77, 38.33, -67.01

 

CMYK 68 / 68 / 0 / 26

HEX #3C3DBD

RGB 60 61 189

HSL 239.53, 0.52%, 0.49%

LAB 33.93, 40.54, -67.2

 

CMYK 75 / 75 / 0 / 33

HEX #2B2BAA

RGB 43 43 170

HSL 240, 0.6%, 0.42%

LAB 27.14, 42.92, -67.1

 

CMYK 83 / 83 / 0 / 41

HEX #1A1997

RGB 26 25 151

HSL 240.48, 0.72%, 0.35%

LAB 20.63, 45.09, -66.33

 

CMYK 58 / 57 / 0 / 11

HEX #5F62E3

RGB 95 98 227

HSL 238.64, 0.7%, 0.63%

LAB 47.9, 35.94, -66.22

 

CMYK 44 / 58 / 0 / 11

HEX #7F5FE3

RGB 127 95 227

HSL 254.55, 0.7%, 0.63%

LAB 49.79, 43.93, -63.03

 

CMYK 28 / 58 / 0 / 11

HEX #A35FE3

RGB 163 95 227

HSL 270.91, 0.7%, 0.63%

LAB 53.51, 52.02, -56.85

 

CMYK 13 / 58 / 0 / 11

HEX #C65FE3

RGB 198 95 227

HSL 286.82, 0.7%, 0.63%

LAB 57.79, 60.5, -49.78

 

CMYK 0 / 58 / 4 / 11

HEX #E35FDB

RGB 227 95 219

HSL 303.64, 0.7%, 0.63%

LAB 61.33, 66.37, -39.43

 

CMYK 58 / 57 / 0 / 11

HEX #5F62E3

RGB 95 98 227

HSL 238.64, 0.7%, 0.63%

LAB 47.9, 35.94, -66.22

 

CMYK 58 / 58 / 0 / 11

HEX #5F5FE3

RGB 95 95 227

HSL 240, 0.7%, 0.63%

LAB 47.19, 37.75, -67.37

 

CMYK 58 / 57 / 0 / 11

HEX #5F62E3

RGB 95 98 227

HSL 238.64, 0.7%, 0.63%

LAB 47.9, 35.94, -66.22

 

CMYK 67 / 66 / 0 / 5

HEX #4F53F2

RGB 79 83 242

HSL 238.53, 0.86%, 0.63%

LAB 44.6, 47.37, -80.08

 

CMYK 58 / 57 / 0 / 11

HEX #5F62E3

RGB 95 98 227

HSL 238.64, 0.7%, 0.63%

LAB 47.9, 35.94, -66.22

 

CMYK 48 / 47 / 0 / 17

HEX #6E70D3

RGB 110 112 211

HSL 238.81, 0.53%, 0.63%

LAB 51.39, 25.48, -51.48

 

CMYK 36 / 35 / 0 / 23

HEX #7D7FC4

RGB 125 127 196

HSL 238.31, 0.38%, 0.63%

LAB 55.61, 15.96, -36.2

 

CMYK 23 / 22 / 0 / 29

HEX #8C8DB5

RGB 140 141 181

HSL 238.54, 0.22%, 0.63%

LAB 59.85, 8.41, -21.01

 

CMYK 6 / 6 / 0 / 35

HEX #9C9CA6

RGB 156 156 166

HSL 240, 0.05%, 0.63%

LAB 64.64, 1.98, -5.21

 

CMYK 58 / 26 / 0 / 11

HEX #5FA9E3

RGB 95 169 227

HSL 206.36, 0.7%, 0.63%

LAB 66.79, -6.24, -36.18

 

CMYK 58 / 41 / 0 / 11

HEX #5F86E3

RGB 95 134 227

HSL 222.27, 0.7%, 0.63%

LAB 57.1, 14.03, -51.43

 

CMYK 58 / 56 / 0 / 11

HEX #5F63E3

RGB 95 99 227

HSL 238.18, 0.7%, 0.63%

LAB 48.14, 35.33, -65.83

 

CMYK 45 / 58 / 0 / 11

HEX #7D5FE3

RGB 125 95 227

HSL 253.64, 0.7%, 0.63%

LAB 49.61, 43.51, -63.34

 

CMYK 29 / 58 / 0 / 11

HEX #A15FE3

RGB 161 95 227

HSL 270, 0.7%, 0.63%

LAB 53.28, 51.55, -57.22

 

CMYK 82 / 80 / 0 / 20

HEX #2428CB

RGB 36 40 203

HSL 238.56, 0.7%, 0.47%

LAB 29.92, 54.73, -82.06

 

CMYK 73 / 71 / 0 / 13

HEX #3C3FDD

RGB 60 63 221

HSL 238.88, 0.7%, 0.55%

LAB 37.36, 49.98, -80.12

 

CMYK 58 / 57 / 0 / 11

HEX #5F62E3

RGB 95 98 227

HSL 238.64, 0.7%, 0.63%

LAB 47.9, 35.94, -66.22

 

CMYK 44 / 43 / 0 / 9

HEX #8284E9

RGB 130 132 233

HSL 238.83, 0.7%, 0.71%

LAB 59.1, 24.74, -51.47

 

CMYK 31 / 31 / 0 / 6

HEX #A5A6EF

RGB 165 166 239

HSL 239.19, 0.7%, 0.79%

LAB 70.53, 15.96, -36.63

 

CMYK 59 / 57 / 0 / 11

HEX #5E61E3

RGB 94 97 227

HSL 238.65, 0.7%, 0.63%

LAB 47.59, 36.37, -66.72

 

CMYK 0 / 58 / 10 / 11

HEX #E35FCD

RGB 227 95 205

HSL 310, 0.7%, 0.63%

LAB 60.71, 64.14, -32.5

 

CMYK 33 / 0 / 58 / 11

HEX #98E35F

RGB 152 227 95

HSL 94.09, 0.7%, 0.63%

LAB 83.15, -45.06, 56.05

 

CMYK 59 / 57 / 0 / 11

HEX #5E61E3

RGB 94 97 227

HSL 238.65, 0.7%, 0.63%

LAB 47.59, 36.37, -66.72

 

CMYK 0 / 58 / 56 / 11

HEX #E35F63

RGB 227 95 99

HSL 358.18, 0.7%, 0.63%

LAB 57.48, 51.7, 24.07

 

CMYK 56 / 0 / 58 / 11

HEX #63E35F

RGB 99 227 95

HSL 118.18, 0.7%, 0.63%

LAB 80.97, -60.69, 52.98

 

CMYK 59 / 57 / 0 / 11

HEX #5E61E3

RGB 94 97 227

HSL 238.65, 0.7%, 0.63%

LAB 47.59, 36.37, -66.72

 

CMYK 0 / 58 / 10 / 11

HEX #E35FCD

RGB 227 95 205

HSL 310, 0.7%, 0.63%

LAB 60.71, 64.14, -32.5

 

CMYK 0 / 2 / 58 / 11

HEX #E3DE5F

RGB 227 222 95

HSL 57.73, 0.7%, 0.63%

LAB 86.7, -14.08, 61.4

 

CMYK 58 / 0 / 48 / 11

HEX #5FE375

RGB 95 227 117

HSL 130, 0.7%, 0.63%

LAB 81.1, -58.8, 42.88

 

CMYK 59 / 57 / 0 / 11

HEX #5E61E3

RGB 94 97 227

HSL 238.65, 0.7%, 0.63%

LAB 47.59, 36.37, -66.72

 

CMYK 0 / 58 / 27 / 11

HEX #E35FA5

RGB 227 95 165

HSL 328.18, 0.7%, 0.63%

LAB 59.19, 58.44, -11.93

 

CMYK 0 / 2 / 58 / 11

HEX #E3DE5F

RGB 227 222 95

HSL 57.73, 0.7%, 0.63%

LAB 86.7, -14.08, 61.4

 

CMYK 58 / 0 / 31 / 11

HEX #5FE39C

RGB 95 227 156

HSL 147.73, 0.7%, 0.63%

LAB 81.71, -52.23, 24.08

 

Description

Color code: HEX #5E61E3 | qconv.com Color code: HEX #5E61E3 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 97 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 97 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 57 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 57% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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