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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E60C8 it is the complementary color #A19F37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E60C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E60C8 shade: #6360C3, #7472D6, #8584E9, #9696FC and #A7A8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E60C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E60C8 shade: #5E60C8, #4D4EB5, #3C3CA2, #2B2A8F and #1A187C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E60C8 shade: #5F61C8, #7A5FC8, #965FC8, #B25FC8 and #C85FC2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E60C8 shade: #5F61C8 and #5F5FC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E60C8 shade matches the following richer shades: #5F61C8, #4E51DA, #3D40EB and #2B2FFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E60C8 shade: #5F61C8, #7172B7, #8283A6, #939394 and #A5A483

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E60C8 shade: #5F9BC8, #5F7FC8, #5F63C8, #785FC8 and #945FC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E60C8 shade: #36389F, #4143BE, #5F61C8, #7E80D3 and #9D9EDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E60C8 shade: #5E60C8, #C85FB7 and #8DC85F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E60C8 shade: #5E60C8, #C85F63 and #63C85F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E60C8 shade: #5E60C8, #C85FB7, #C8C55F and #5FC871

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E60C8 shade: #5E60C8, #C85F97, #C8C55F and #5FC890

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 52 / 0 / 22

HEX #5E60C8

RGB 94 96 200

HSL 238.87, 0.49%, 0.58%

LAB 45.52, 28.33, -54.66

 

Complementary color

CMYK 0 / 1 / 66 / 37

HEX #A19F37

RGB 161 159 55

HSL 58.87, 0.49%, 0.42%

LAB 63.88, -12.45, 52.4

 

CMYK 49 / 51 / 0 / 24

HEX #6360C3

RGB 99 96 195

HSL 241.82, 0.45%, 0.57%

LAB 45.58, 27.85, -51.66

 

CMYK 46 / 47 / 0 / 16

HEX #7472D6

RGB 116 114 214

HSL 241.2, 0.55%, 0.64%

LAB 52.51, 26.57, -51.36

 

CMYK 43 / 43 / 0 / 9

HEX #8584E9

RGB 133 132 233

HSL 240.59, 0.7%, 0.72%

LAB 59.32, 25.47, -51.1

 

CMYK 40 / 40 / 0 / 1

HEX #9696FC

RGB 150 150 252

HSL 240, 0.94%, 0.79%

LAB 66, 24.51, -50.9

 

CMYK 35 / 34 / 0 / 0

HEX #A7A8FF

RGB 167 168 255

HSL 239.32, 1%, 0.83%

LAB 71.85, 19.46, -43.24

 

CMYK 53 / 52 / 0 / 22

HEX #5E60C8

RGB 94 96 200

HSL 238.87, 0.49%, 0.58%

LAB 45.52, 28.33, -54.66

 

CMYK 57 / 57 / 0 / 29

HEX #4D4EB5

RGB 77 78 181

HSL 239.42, 0.41%, 0.51%

LAB 38.49, 29.99, -55

 

CMYK 63 / 63 / 0 / 36

HEX #3C3CA2

RGB 60 60 162

HSL 240, 0.46%, 0.44%

LAB 31.35, 31.96, -55.32

 

CMYK 70 / 71 / 0 / 44

HEX #2B2A8F

RGB 43 42 143

HSL 240.59, 0.55%, 0.36%

LAB 24.17, 34.24, -55.5

 

CMYK 79 / 81 / 0 / 51

HEX #1A187C

RGB 26 24 124

HSL 241.2, 0.68%, 0.29%

LAB 17.12, 36.64, -55.21

 

CMYK 53 / 52 / 0 / 22

HEX #5F61C8

RGB 95 97 200

HSL 238.86, 0.49%, 0.58%

LAB 45.84, 27.93, -54.13

 

CMYK 39 / 53 / 0 / 22

HEX #7A5FC8

RGB 122 95 200

HSL 255.43, 0.49%, 0.58%

LAB 47.61, 35.31, -51.17

 

CMYK 25 / 53 / 0 / 22

HEX #965FC8

RGB 150 95 200

HSL 271.43, 0.49%, 0.58%

LAB 50.5, 42.44, -46.4

 

CMYK 11 / 53 / 0 / 22

HEX #B25FC8

RGB 178 95 200

HSL 287.43, 0.49%, 0.58%

LAB 53.83, 49.97, -40.9

 

CMYK 0 / 53 / 3 / 22

HEX #C85FC2

RGB 200 95 194

HSL 303.43, 0.49%, 0.58%

LAB 56.45, 54.94, -33.17

 

CMYK 53 / 52 / 0 / 22

HEX #5F61C8

RGB 95 97 200

HSL 238.86, 0.49%, 0.58%

LAB 45.84, 27.93, -54.13

 

CMYK 53 / 53 / 0 / 22

HEX #5F5FC8

RGB 95 95 200

HSL 240, 0.49%, 0.58%

LAB 45.34, 29.16, -54.94

 

CMYK 53 / 52 / 0 / 22

HEX #5F61C8

RGB 95 97 200

HSL 238.86, 0.49%, 0.58%

LAB 45.84, 27.93, -54.13

 

CMYK 64 / 63 / 0 / 15

HEX #4E51DA

RGB 78 81 218

HSL 238.71, 0.65%, 0.58%

LAB 42.1, 40.57, -70.58

 

CMYK 74 / 73 / 0 / 8

HEX #3D40EB

RGB 61 64 235

HSL 238.97, 0.81%, 0.58%

LAB 39, 54.03, -85.4

 

CMYK 83 / 81 / 0 / 1

HEX #2B2FFC

RGB 43 47 252

HSL 238.85, 0.97%, 0.58%

LAB 37.07, 66.57, -98.2

 

CMYK 53 / 52 / 0 / 22

HEX #5F61C8

RGB 95 97 200

HSL 238.86, 0.49%, 0.58%

LAB 45.84, 27.93, -54.13

 

CMYK 38 / 38 / 0 / 28

HEX #7172B7

RGB 113 114 183

HSL 239.14, 0.33%, 0.58%

LAB 50.65, 16.79, -36.6

 

CMYK 22 / 21 / 0 / 35

HEX #8283A6

RGB 130 131 166

HSL 238.33, 0.17%, 0.58%

LAB 55.82, 7.37, -18.67

 

CMYK 1 / 1 / 0 / 42

HEX #939394

RGB 147 147 148

HSL 240, 0%, 0.58%

LAB 60.97, 0.2, -0.53

 

CMYK 0 / 1 / 21 / 35

HEX #A5A483

RGB 165 164 131

HSL 58.24, 0.16%, 0.58%

LAB 66.66, -5.28, 17.3

 

CMYK 53 / 23 / 0 / 22

HEX #5F9BC8

RGB 95 155 200

HSL 205.71, 0.49%, 0.58%

LAB 61.69, -6.75, -29.12

 

CMYK 53 / 37 / 0 / 22

HEX #5F7FC8

RGB 95 127 200

HSL 221.71, 0.49%, 0.58%

LAB 53.79, 9.53, -41.46

 

CMYK 53 / 51 / 0 / 22

HEX #5F63C8

RGB 95 99 200

HSL 237.71, 0.49%, 0.58%

LAB 46.35, 26.69, -53.32

 

CMYK 40 / 53 / 0 / 22

HEX #785FC8

RGB 120 95 200

HSL 254.29, 0.49%, 0.58%

LAB 47.43, 34.82, -51.48

 

CMYK 26 / 53 / 0 / 22

HEX #945FC8

RGB 148 95 200

HSL 270.29, 0.49%, 0.58%

LAB 50.28, 41.91, -46.76

 

CMYK 66 / 65 / 0 / 38

HEX #36389F

RGB 54 56 159

HSL 238.86, 0.49%, 0.42%

LAB 29.7, 32.52, -56.22

 

CMYK 66 / 65 / 0 / 25

HEX #4143BE

RGB 65 67 190

HSL 239.04, 0.49%, 0.5%

LAB 35.71, 37.89, -64.86

 

CMYK 53 / 52 / 0 / 22

HEX #5F61C8

RGB 95 97 200

HSL 238.86, 0.49%, 0.58%

LAB 45.84, 27.93, -54.13

 

CMYK 40 / 39 / 0 / 17

HEX #7E80D3

RGB 126 128 211

HSL 238.59, 0.49%, 0.66%

LAB 56.66, 19.82, -43.03

 

CMYK 29 / 29 / 0 / 13

HEX #9D9EDD

RGB 157 158 221

HSL 239.06, 0.48%, 0.74%

LAB 67.16, 13.68, -32.03

 

CMYK 53 / 52 / 0 / 22

HEX #5E60C8

RGB 94 96 200

HSL 238.87, 0.49%, 0.58%

LAB 45.52, 28.33, -54.66

 

CMYK 0 / 53 / 9 / 22

HEX #C85FB7

RGB 200 95 183

HSL 309.71, 0.49%, 0.58%

LAB 55.97, 53.08, -27.59

 

CMYK 30 / 0 / 53 / 22

HEX #8DC85F

RGB 141 200 95

HSL 93.71, 0.49%, 0.58%

LAB 74.7, -37.03, 46.05

 

CMYK 53 / 52 / 0 / 22

HEX #5E60C8

RGB 94 96 200

HSL 238.87, 0.49%, 0.58%

LAB 45.52, 28.33, -54.66

 

CMYK 0 / 53 / 51 / 22

HEX #C85F63

RGB 200 95 99

HSL 357.71, 0.49%, 0.58%

LAB 53.35, 42.14, 17.81

 

CMYK 51 / 0 / 53 / 22

HEX #63C85F

RGB 99 200 95

HSL 117.71, 0.49%, 0.58%

LAB 72.75, -50.39, 43.25

 

CMYK 53 / 52 / 0 / 22

HEX #5E60C8

RGB 94 96 200

HSL 238.87, 0.49%, 0.58%

LAB 45.52, 28.33, -54.66

 

CMYK 0 / 53 / 9 / 22

HEX #C85FB7

RGB 200 95 183

HSL 309.71, 0.49%, 0.58%

LAB 55.97, 53.08, -27.59

 

CMYK 0 / 1 / 53 / 22

HEX #C8C55F

RGB 200 197 95

HSL 58.29, 0.49%, 0.58%

LAB 77.9, -12.59, 50.83

 

CMYK 53 / 0 / 44 / 22

HEX #5FC871

RGB 95 200 113

HSL 130.29, 0.49%, 0.58%

LAB 72.85, -48.88, 34.42

 

CMYK 53 / 52 / 0 / 22

HEX #5E60C8

RGB 94 96 200

HSL 238.87, 0.49%, 0.58%

LAB 45.52, 28.33, -54.66

 

CMYK 0 / 53 / 25 / 22

HEX #C85F97

RGB 200 95 151

HSL 328, 0.49%, 0.58%

LAB 54.76, 48.18, -10.82

 

CMYK 0 / 1 / 53 / 22

HEX #C8C55F

RGB 200 197 95

HSL 58.29, 0.49%, 0.58%

LAB 77.9, -12.59, 50.83

 

CMYK 53 / 0 / 28 / 22

HEX #5FC890

RGB 95 200 144

HSL 148, 0.49%, 0.58%

LAB 73.39, -43.32, 18.94

 

Description

Color code: HEX #5E60C8 | qconv.com Color code: HEX #5E60C8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 96 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 96 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 52 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 52% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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