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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E5ECB it is the complementary color #A1A134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E5ECB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E5ECB shade: #635EC6, #7470D9, #8582EC, #9694FF and #A7A6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E5ECB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E5ECB shade: #5E5ECB, #4D4CB8, #3C3AA5, #2B2892 and #1A167F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E5ECB shade: #5D5DCA, #7A5DCA, #985DCA, #B55DCA and #CA5DC1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E5ECB shade: #5D5DCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E5ECB shade matches the following richer shades: #5D5DCA, #4B4BDB, #3A3AED and #2929FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E5ECB shade: #5D5DCA, #6E6EB9, #7F7FA7, #919196 and #A2A285

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E5ECB shade: #5D97CA, #5D7ACA, #5D5DCA, #7A5DCA and #975DCA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E5ECB shade: #3434A1, #3E3EC0, #5D5DCA, #7C7CD4 and #9B9BDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E5ECB shade: #5E5ECB, #CA5DB4 and #88CA5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E5ECB shade: #5E5ECB, #CA5D5D and #5DCA5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E5ECB shade: #5E5ECB, #CA5DB4, #CACA5D and #5DCA73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E5ECB shade: #5E5ECB, #CA5D93, #CACA5D and #5DCA93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 54 / 0 / 20

HEX #5E5ECB

RGB 94 94 203

HSL 240, 0.51%, 0.58%

LAB 45.22, 30.52, -56.87

 

Complementary color

CMYK 0 / 0 / 68 / 37

HEX #A1A134

RGB 161 161 52

HSL 60, 0.51%, 0.42%

LAB 64.41, -13.68, 54.19

 

CMYK 50 / 53 / 0 / 22

HEX #635EC6

RGB 99 94 198

HSL 242.88, 0.48%, 0.57%

LAB 45.27, 30, -53.89

 

CMYK 47 / 48 / 0 / 15

HEX #7470D9

RGB 116 112 217

HSL 242.29, 0.58%, 0.65%

LAB 52.19, 28.66, -53.58

 

CMYK 44 / 45 / 0 / 7

HEX #8582EC

RGB 133 130 236

HSL 241.7, 0.74%, 0.72%

LAB 58.98, 27.5, -53.3

 

CMYK 41 / 42 / 0 / 0

HEX #9694FF

RGB 150 148 255

HSL 241.12, 1%, 0.79%

LAB 65.66, 26.48, -53.08

 

CMYK 35 / 35 / 0 / 0

HEX #A7A6FF

RGB 167 166 255

HSL 240.67, 1%, 0.83%

LAB 71.36, 20.59, -44.01

 

CMYK 54 / 54 / 0 / 20

HEX #5E5ECB

RGB 94 94 203

HSL 240, 0.51%, 0.58%

LAB 45.22, 30.52, -56.87

 

CMYK 58 / 59 / 0 / 28

HEX #4D4CB8

RGB 77 76 184

HSL 240.56, 0.43%, 0.51%

LAB 38.21, 32.24, -57.21

 

CMYK 64 / 65 / 0 / 35

HEX #3C3AA5

RGB 60 58 165

HSL 241.12, 0.48%, 0.44%

LAB 31.12, 34.25, -57.51

 

CMYK 71 / 73 / 0 / 43

HEX #2B2892

RGB 43 40 146

HSL 241.7, 0.57%, 0.36%

LAB 24.02, 36.51, -57.61

 

CMYK 80 / 83 / 0 / 50

HEX #1A167F

RGB 26 22 127

HSL 242.29, 0.7%, 0.29%

LAB 17.11, 38.74, -57.14

 

CMYK 54 / 54 / 0 / 21

HEX #5D5DCA

RGB 93 93 202

HSL 240, 0.51%, 0.58%

LAB 44.83, 30.61, -56.92

 

CMYK 40 / 54 / 0 / 21

HEX #7A5DCA

RGB 122 93 202

HSL 255.96, 0.51%, 0.58%

LAB 47.28, 37.03, -52.86

 

CMYK 25 / 54 / 0 / 21

HEX #985DCA

RGB 152 93 202

HSL 272.48, 0.51%, 0.58%

LAB 50.42, 44.52, -47.66

 

CMYK 10 / 54 / 0 / 21

HEX #B55DCA

RGB 181 93 202

HSL 288.44, 0.51%, 0.58%

LAB 53.94, 52.19, -41.85

 

CMYK 0 / 54 / 4 / 21

HEX #CA5DC1

RGB 202 93 193

HSL 304.95, 0.51%, 0.58%

LAB 56.32, 56.27, -32.76

 

CMYK 54 / 54 / 0 / 21

HEX #5D5DCA

RGB 93 93 202

HSL 240, 0.51%, 0.58%

LAB 44.83, 30.61, -56.92

 

CMYK 54 / 54 / 0 / 21

HEX #5D5DCA

RGB 93 93 202

HSL 240, 0.51%, 0.58%

LAB 44.83, 30.61, -56.92

 

CMYK 66 / 66 / 0 / 14

HEX #4B4BDB

RGB 75 75 219

HSL 240, 0.67%, 0.58%

LAB 40.64, 44.06, -73.55

 

CMYK 76 / 76 / 0 / 7

HEX #3A3AED

RGB 58 58 237

HSL 240, 0.83%, 0.58%

LAB 37.91, 57.61, -88.32

 

CMYK 84 / 84 / 0 / 0

HEX #2929FE

RGB 41 41 254

HSL 240, 0.99%, 0.58%

LAB 36.39, 69.56, -100.45

 

CMYK 54 / 54 / 0 / 21

HEX #5D5DCA

RGB 93 93 202

HSL 240, 0.51%, 0.58%

LAB 44.83, 30.61, -56.92

 

CMYK 41 / 41 / 0 / 27

HEX #6E6EB9

RGB 110 110 185

HSL 240, 0.35%, 0.58%

LAB 49.46, 18.98, -39.64

 

CMYK 24 / 24 / 0 / 35

HEX #7F7FA7

RGB 127 127 167

HSL 240, 0.19%, 0.58%

LAB 54.53, 8.98, -21.23

 

CMYK 3 / 3 / 0 / 41

HEX #919196

RGB 145 145 150

HSL 240, 0.02%, 0.58%

LAB 60.31, 0.99, -2.65

 

CMYK 0 / 0 / 18 / 36

HEX #A2A285

RGB 162 162 133

HSL 60, 0.13%, 0.58%

LAB 65.92, -5.05, 15.12

 

CMYK 54 / 25 / 0 / 21

HEX #5D97CA

RGB 93 151 202

HSL 208.07, 0.51%, 0.58%

LAB 60.54, -4.33, -32.04

 

CMYK 54 / 40 / 0 / 21

HEX #5D7ACA

RGB 93 122 202

HSL 224.04, 0.51%, 0.58%

LAB 52.41, 12.75, -44.8

 

CMYK 54 / 54 / 0 / 21

HEX #5D5DCA

RGB 93 93 202

HSL 240, 0.51%, 0.58%

LAB 44.83, 30.61, -56.92

 

CMYK 40 / 54 / 0 / 21

HEX #7A5DCA

RGB 122 93 202

HSL 255.96, 0.51%, 0.58%

LAB 47.28, 37.03, -52.86

 

CMYK 25 / 54 / 0 / 21

HEX #975DCA

RGB 151 93 202

HSL 271.93, 0.51%, 0.58%

LAB 50.3, 44.27, -47.85

 

CMYK 68 / 68 / 0 / 37

HEX #3434A1

RGB 52 52 161

HSL 240, 0.51%, 0.42%

LAB 28.8, 35.46, -58.92

 

CMYK 68 / 68 / 0 / 25

HEX #3E3EC0

RGB 62 62 192

HSL 240, 0.51%, 0.5%

LAB 34.55, 41.2, -67.93

 

CMYK 54 / 54 / 0 / 21

HEX #5D5DCA

RGB 93 93 202

HSL 240, 0.51%, 0.58%

LAB 44.83, 30.61, -56.92

 

CMYK 42 / 42 / 0 / 17

HEX #7C7CD4

RGB 124 124 212

HSL 240, 0.51%, 0.66%

LAB 55.54, 21.96, -45.38

 

CMYK 30 / 30 / 0 / 13

HEX #9B9BDE

RGB 155 155 222

HSL 240, 0.5%, 0.74%

LAB 66.28, 15.06, -33.96

 

CMYK 54 / 54 / 0 / 20

HEX #5E5ECB

RGB 94 94 203

HSL 240, 0.51%, 0.58%

LAB 45.22, 30.52, -56.87

 

CMYK 0 / 54 / 11 / 21

HEX #CA5DB4

RGB 202 93 180

HSL 312.11, 0.51%, 0.58%

LAB 55.77, 54.12, -26.15

 

CMYK 33 / 0 / 54 / 21

HEX #88CA5D

RGB 136 202 93

HSL 96.33, 0.51%, 0.58%

LAB 74.99, -39.9, 47.28

 

CMYK 54 / 54 / 0 / 20

HEX #5E5ECB

RGB 94 94 203

HSL 240, 0.51%, 0.58%

LAB 45.22, 30.52, -56.87

 

CMYK 0 / 54 / 54 / 21

HEX #CA5D5D

RGB 202 93 93

HSL 0, 0.51%, 0.58%

LAB 53.14, 43.34, 21.11

 

CMYK 54 / 0 / 54 / 21

HEX #5DCA5D

RGB 93 202 93

HSL 120, 0.51%, 0.58%

LAB 73.13, -53.03, 44.61

 

CMYK 54 / 54 / 0 / 20

HEX #5E5ECB

RGB 94 94 203

HSL 240, 0.51%, 0.58%

LAB 45.22, 30.52, -56.87

 

CMYK 0 / 54 / 11 / 21

HEX #CA5DB4

RGB 202 93 180

HSL 312.11, 0.51%, 0.58%

LAB 55.77, 54.12, -26.15

 

CMYK 0 / 0 / 54 / 21

HEX #CACA5D

RGB 202 202 93

HSL 60, 0.51%, 0.58%

LAB 79.38, -14.46, 53.5

 

CMYK 54 / 0 / 43 / 21

HEX #5DCA73

RGB 93 202 115

HSL 132.11, 0.51%, 0.58%

LAB 73.42, -49.87, 34.12

 

CMYK 54 / 54 / 0 / 20

HEX #5E5ECB

RGB 94 94 203

HSL 240, 0.51%, 0.58%

LAB 45.22, 30.52, -56.87

 

CMYK 0 / 54 / 27 / 21

HEX #CA5D93

RGB 202 93 147

HSL 330.28, 0.51%, 0.58%

LAB 54.55, 49.25, -8.77

 

CMYK 0 / 0 / 54 / 21

HEX #CACA5D

RGB 202 202 93

HSL 60, 0.51%, 0.58%

LAB 79.38, -14.46, 53.5

 

CMYK 54 / 0 / 27 / 21

HEX #5DCA93

RGB 93 202 147

HSL 149.72, 0.51%, 0.58%

LAB 73.98, -44.04, 18.16

 

Description

Color code: HEX #5E5ECB | qconv.com Color code: HEX #5E5ECB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 94 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 94 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 54 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 54% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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