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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E5D3F it is the complementary color #A1A2C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E5D3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E5D3F shade: #635D3A, #746F4D, #858160, #969373 and #A7A586

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E5D3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E5D3F shade: #5E5D3F, #4D4B2C, #3C3919, #2B2706 and #1A1500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E5D3F shade: #5F5E3F, #5F553F, #5F4D3F, #5F443F and #5F3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E5D3F shade: #5F5E3F, #575F3F, #4F5F3F, #465F3F and #3F5F41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E5D3F shade matches the following richer shades: #5F5E3F, #6C6A32, #787626, #858219 and #928E0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E5D3F shade: #5F5E3F, #52524C, #454659, #383A66 and #2C2E72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E5D3F shade: #5F4D3F, #5F553F, #5F5E3F, #575F3F and #4F5F3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E5D3F shade: #2D2D1E, #46452F, #5F5E3F, #787650 and #908F60

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E5D3F shade: #5E5D3F, #3F5F45 and #513F5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E5D3F shade: #5E5D3F, #3F5F5E and #5E3F5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E5D3F shade: #5E5D3F, #3F5F45, #3F405F and #5F3F5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E5D3F shade: #5E5D3F, #3F5F4E, #3F405F and #5F3F50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 33 / 63

HEX #5E5D3F

RGB 94 93 63

HSL 58.06, 0.2%, 0.31%

LAB 38.84, -4.94, 17.42

 

Complementary color

CMYK 16 / 16 / 0 / 25

HEX #A1A2C0

RGB 161 162 192

HSL 238.06, 0.2%, 0.69%

LAB 67.44, 5.84, -15.5

 

CMYK 0 / 6 / 41 / 61

HEX #635D3A

RGB 99 93 58

HSL 51.22, 0.26%, 0.31%

LAB 39.22, -3.37, 20.97

 

CMYK 0 / 4 / 34 / 55

HEX #746F4D

RGB 116 111 77

HSL 52.31, 0.2%, 0.38%

LAB 46.47, -3.79, 19.67

 

CMYK 0 / 3 / 28 / 48

HEX #858160

RGB 133 129 96

HSL 53.51, 0.16%, 0.45%

LAB 53.53, -4.11, 18.48

 

CMYK 0 / 2 / 23 / 41

HEX #969373

RGB 150 147 115

HSL 54.86, 0.14%, 0.52%

LAB 60.42, -4.37, 17.38

 

CMYK 0 / 1 / 20 / 35

HEX #A7A586

RGB 167 165 134

HSL 56.36, 0.16%, 0.59%

LAB 67.16, -4.59, 16.37

 

CMYK 0 / 1 / 33 / 63

HEX #5E5D3F

RGB 94 93 63

HSL 58.06, 0.2%, 0.31%

LAB 38.84, -4.94, 17.42

 

CMYK 0 / 3 / 43 / 70

HEX #4D4B2C

RGB 77 75 44

HSL 56.36, 0.27%, 0.24%

LAB 31.33, -4.57, 18.77

 

CMYK 0 / 5 / 58 / 76

HEX #3C3919

RGB 60 57 25

HSL 54.86, 0.41%, 0.17%

LAB 23.53, -4, 20.22

 

CMYK 0 / 9 / 86 / 83

HEX #2B2706

RGB 43 39 6

HSL 53.51, 0.76%, 0.1%

LAB 15.37, -3.07, 19.9

 

CMYK 0 / 19 / 100 / 90

HEX #1A1500

RGB 26 21 0

HSL 48.46, 1%, 0.05%

LAB 6.83, -1, 10.21

 

CMYK 0 / 1 / 34 / 63

HEX #5F5E3F

RGB 95 94 63

HSL 58.13, 0.2%, 0.31%

LAB 39.24, -5.08, 17.96

 

CMYK 0 / 11 / 34 / 63

HEX #5F553F

RGB 95 85 63

HSL 41.25, 0.2%, 0.31%

LAB 36.53, 0.31, 14.35

 

CMYK 0 / 19 / 34 / 63

HEX #5F4D3F

RGB 95 77 63

HSL 26.25, 0.2%, 0.31%

LAB 34.19, 5.23, 11.15

 

CMYK 0 / 28 / 34 / 63

HEX #5F443F

RGB 95 68 63

HSL 9.37, 0.2%, 0.31%

LAB 31.64, 10.86, 7.6

 

CMYK 0 / 34 / 34 / 63

HEX #5F3F3F

RGB 95 63 63

HSL 0, 0.2%, 0.31%

LAB 30.27, 14, 5.68

 

CMYK 0 / 1 / 34 / 63

HEX #5F5E3F

RGB 95 94 63

HSL 58.13, 0.2%, 0.31%

LAB 39.24, -5.08, 17.96

 

CMYK 8 / 0 / 34 / 63

HEX #575F3F

RGB 87 95 63

HSL 75, 0.2%, 0.31%

LAB 38.85, -9.19, 17.32

 

CMYK 17 / 0 / 34 / 63

HEX #4F5F3F

RGB 79 95 63

HSL 90, 0.2%, 0.31%

LAB 38.21, -12.6, 16.36

 

CMYK 26 / 0 / 34 / 63

HEX #465F3F

RGB 70 95 63

HSL 106.88, 0.2%, 0.31%

LAB 37.56, -16.27, 15.38

 

CMYK 34 / 0 / 32 / 63

HEX #3F5F41

RGB 63 95 65

HSL 123.75, 0.2%, 0.31%

LAB 37.16, -18.58, 13.55

 

CMYK 0 / 1 / 34 / 63

HEX #5F5E3F

RGB 95 94 63

HSL 58.13, 0.2%, 0.31%

LAB 39.24, -5.08, 17.96

 

CMYK 0 / 2 / 54 / 58

HEX #6C6A32

RGB 108 106 50

HSL 57.93, 0.37%, 0.31%

LAB 43.84, -7.69, 31.36

 

CMYK 0 / 2 / 68 / 53

HEX #787626

RGB 120 118 38

HSL 58.54, 0.52%, 0.31%

LAB 48.37, -9.85, 42.54

 

CMYK 0 / 2 / 81 / 48

HEX #858219

RGB 133 130 25

HSL 58.33, 0.68%, 0.31%

LAB 52.97, -11.07, 52.23

 

CMYK 0 / 3 / 92 / 43

HEX #928E0C

RGB 146 142 12

HSL 58.21, 0.85%, 0.31%

LAB 57.54, -11.91, 59.61

 

CMYK 0 / 1 / 34 / 63

HEX #5F5E3F

RGB 95 94 63

HSL 58.13, 0.2%, 0.31%

LAB 39.24, -5.08, 17.96

 

CMYK 0 / 0 / 7 / 68

HEX #52524C

RGB 82 82 76

HSL 60, 0.04%, 0.31%

LAB 34.7, -1.25, 3.52

 

CMYK 22 / 21 / 0 / 65

HEX #454659

RGB 69 70 89

HSL 237, 0.13%, 0.31%

LAB 30.32, 4.26, -11.39

 

CMYK 45 / 43 / 0 / 60

HEX #383A66

RGB 56 58 102

HSL 237.39, 0.29%, 0.31%

LAB 26.23, 11.85, -26.19

 

CMYK 61 / 60 / 0 / 55

HEX #2C2E72

RGB 44 46 114

HSL 238.29, 0.44%, 0.31%

LAB 22.67, 21.33, -39.67

 

CMYK 0 / 19 / 34 / 63

HEX #5F4D3F

RGB 95 77 63

HSL 26.25, 0.2%, 0.31%

LAB 34.19, 5.23, 11.15

 

CMYK 0 / 11 / 34 / 63

HEX #5F553F

RGB 95 85 63

HSL 41.25, 0.2%, 0.31%

LAB 36.53, 0.31, 14.35

 

CMYK 0 / 1 / 34 / 63

HEX #5F5E3F

RGB 95 94 63

HSL 58.13, 0.2%, 0.31%

LAB 39.24, -5.08, 17.96

 

CMYK 8 / 0 / 34 / 63

HEX #575F3F

RGB 87 95 63

HSL 75, 0.2%, 0.31%

LAB 38.85, -9.19, 17.32

 

CMYK 17 / 0 / 34 / 63

HEX #4F5F3F

RGB 79 95 63

HSL 90, 0.2%, 0.31%

LAB 38.21, -12.6, 16.36

 

CMYK 0 / 0 / 33 / 82

HEX #2D2D1E

RGB 45 45 30

HSL 60, 0.2%, 0.15%

LAB 18.05, -3.08, 9.74

 

CMYK 0 / 1 / 33 / 73

HEX #46452F

RGB 70 69 47

HSL 57.39, 0.2%, 0.23%

LAB 28.81, -3.73, 13.49

 

CMYK 0 / 1 / 34 / 63

HEX #5F5E3F

RGB 95 94 63

HSL 58.13, 0.2%, 0.31%

LAB 39.24, -5.08, 17.96

 

CMYK 0 / 2 / 33 / 53

HEX #787650

RGB 120 118 80

HSL 57, 0.2%, 0.39%

LAB 48.92, -5.65, 21.26

 

CMYK 0 / 1 / 33 / 44

HEX #908F60

RGB 144 143 96

HSL 58.75, 0.2%, 0.47%

LAB 58.43, -7.3, 25.2

 

CMYK 0 / 1 / 33 / 63

HEX #5E5D3F

RGB 94 93 63

HSL 58.06, 0.2%, 0.31%

LAB 38.84, -4.94, 17.42

 

CMYK 34 / 0 / 27 / 63

HEX #3F5F45

RGB 63 95 69

HSL 131.25, 0.2%, 0.31%

LAB 37.25, -17.78, 11.24

 

CMYK 15 / 34 / 0 / 63

HEX #513F5F

RGB 81 63 95

HSL 273.75, 0.2%, 0.31%

LAB 29.74, 14.76, -16.03

 

CMYK 0 / 1 / 33 / 63

HEX #5E5D3F

RGB 94 93 63

HSL 58.06, 0.2%, 0.31%

LAB 38.84, -4.94, 17.42

 

CMYK 34 / 0 / 1 / 63

HEX #3F5F5E

RGB 63 95 94

HSL 178.13, 0.2%, 0.31%

LAB 37.93, -11.86, -3.17

 

CMYK 1 / 34 / 0 / 63

HEX #5E3F5F

RGB 94 63 95

HSL 298.13, 0.2%, 0.31%

LAB 31.26, 19.55, -13.57

 

CMYK 0 / 1 / 33 / 63

HEX #5E5D3F

RGB 94 93 63

HSL 58.06, 0.2%, 0.31%

LAB 38.84, -4.94, 17.42

 

CMYK 34 / 0 / 27 / 63

HEX #3F5F45

RGB 63 95 69

HSL 131.25, 0.2%, 0.31%

LAB 37.25, -17.78, 11.24

 

CMYK 34 / 33 / 0 / 63

HEX #3F405F

RGB 63 64 95

HSL 238.13, 0.2%, 0.31%

LAB 28.25, 7.8, -18.48

 

CMYK 0 / 34 / 5 / 63

HEX #5F3F5A

RGB 95 63 90

HSL 309.38, 0.2%, 0.31%

LAB 31.18, 18.86, -10.47

 

CMYK 0 / 1 / 33 / 63

HEX #5E5D3F

RGB 94 93 63

HSL 58.06, 0.2%, 0.31%

LAB 38.84, -4.94, 17.42

 

CMYK 34 / 0 / 18 / 63

HEX #3F5F4E

RGB 63 95 78

HSL 148.13, 0.2%, 0.31%

LAB 37.47, -15.83, 6.03

 

CMYK 34 / 33 / 0 / 63

HEX #3F405F

RGB 63 64 95

HSL 238.13, 0.2%, 0.31%

LAB 28.25, 7.8, -18.48

 

CMYK 0 / 34 / 16 / 63

HEX #5F3F50

RGB 95 63 80

HSL 328.13, 0.2%, 0.31%

LAB 30.8, 16.89, -4.58

 

Description

Color code: HEX #5E5D3F | qconv.com Color code: HEX #5E5D3F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 93 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 93 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 33 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 33% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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