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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E5CCC it is the complementary color #A1A333. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E5CCC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E5CCC shade: #635CC7, #746EDA, #8580ED, #9692FF and #A7A4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E5CCC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E5CCC shade: #5E5CCC, #4D4AB9, #3C38A6, #2B2693 and #1A1480

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E5CCC shade: #5E5CCC, #7C5CCC, #9A5CCC, #B85CCC and #CC5CC1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E5CCC shade: #5E5CCC and #5C5CCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E5CCC shade matches the following richer shades: #5E5CCC, #4D4BDD and #3D3AEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E5CCC shade: #5E5CCC, #6F6EBA, #807FA9, #909098 and #A1A286

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E5CCC shade: #5C96CC, #5C78CC, #5E5CCC, #7C5CCC and #995CCC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E5CCC shade: #3533A2, #3F3DC1, #5E5CCC, #7D7CD5 and #9C9BDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E5CCC shade: #5E5CCC, #CC5CB3 and #87CC5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E5CCC shade: #5E5CCC, #CC5E5C and #5CCC5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E5CCC shade: #5E5CCC, #CC5CB3, #CACC5C and #5CCC74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E5CCC shade: #5E5CCC, #CC5C92, #CACC5C and #5CCC96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 55 / 0 / 20

HEX #5E5CCC

RGB 94 92 204

HSL 241.07, 0.52%, 0.58%

LAB 44.79, 32.06, -58.13

 

Complementary color

CMYK 1 / 0 / 69 / 36

HEX #A1A333

RGB 161 163 51

HSL 61.07, 0.52%, 0.42%

LAB 64.97, -14.77, 55.14

 

CMYK 50 / 54 / 0 / 22

HEX #635CC7

RGB 99 92 199

HSL 243.93, 0.49%, 0.57%

LAB 44.84, 31.53, -55.15

 

CMYK 47 / 50 / 0 / 15

HEX #746EDA

RGB 116 110 218

HSL 243.33, 0.59%, 0.64%

LAB 51.75, 30.15, -54.83

 

CMYK 44 / 46 / 0 / 7

HEX #8580ED

RGB 133 128 237

HSL 242.75, 0.75%, 0.72%

LAB 58.55, 28.96, -54.55

 

CMYK 41 / 43 / 0 / 0

HEX #9692FF

RGB 150 146 255

HSL 242.2, 1%, 0.79%

LAB 65.17, 27.63, -53.85

 

CMYK 35 / 36 / 0 / 0

HEX #A7A4FF

RGB 167 164 255

HSL 241.98, 1%, 0.82%

LAB 70.86, 21.72, -44.79

 

CMYK 54 / 55 / 0 / 20

HEX #5E5CCC

RGB 94 92 204

HSL 241.07, 0.52%, 0.58%

LAB 44.79, 32.06, -58.13

 

CMYK 58 / 60 / 0 / 27

HEX #4D4AB9

RGB 77 74 185

HSL 241.62, 0.44%, 0.51%

LAB 37.8, 33.81, -58.46

 

CMYK 64 / 66 / 0 / 35

HEX #3C38A6

RGB 60 56 166

HSL 242.18, 0.5%, 0.44%

LAB 30.74, 35.83, -58.73

 

CMYK 71 / 74 / 0 / 42

HEX #2B2693

RGB 43 38 147

HSL 242.75, 0.59%, 0.36%

LAB 23.69, 38.05, -58.76

 

CMYK 80 / 84 / 0 / 50

HEX #1A1480

RGB 26 20 128

HSL 243.33, 0.73%, 0.29%

LAB 16.89, 40.1, -58.15

 

CMYK 54 / 55 / 0 / 20

HEX #5E5CCC

RGB 94 92 204

HSL 241.07, 0.52%, 0.58%

LAB 44.79, 32.06, -58.13

 

CMYK 39 / 55 / 0 / 20

HEX #7C5CCC

RGB 124 92 204

HSL 257.14, 0.52%, 0.58%

LAB 47.36, 38.63, -53.86

 

CMYK 25 / 55 / 0 / 20

HEX #9A5CCC

RGB 154 92 204

HSL 273.21, 0.52%, 0.58%

LAB 50.55, 46.04, -48.58

 

CMYK 10 / 55 / 0 / 20

HEX #B85CCC

RGB 184 92 204

HSL 289.29, 0.52%, 0.58%

LAB 54.24, 53.87, -42.49

 

CMYK 0 / 55 / 5 / 20

HEX #CC5CC1

RGB 204 92 193

HSL 305.89, 0.52%, 0.58%

LAB 56.43, 57.29, -32.58

 

CMYK 54 / 55 / 0 / 20

HEX #5E5CCC

RGB 94 92 204

HSL 241.07, 0.52%, 0.58%

LAB 44.79, 32.06, -58.13

 

CMYK 55 / 55 / 0 / 20

HEX #5C5CCC

RGB 92 92 204

HSL 240, 0.52%, 0.58%

LAB 44.64, 31.67, -58.38

 

CMYK 54 / 55 / 0 / 20

HEX #5E5CCC

RGB 94 92 204

HSL 241.07, 0.52%, 0.58%

LAB 44.79, 32.06, -58.13

 

CMYK 65 / 66 / 0 / 13

HEX #4D4BDD

RGB 77 75 221

HSL 240.82, 0.68%, 0.58%

LAB 40.95, 44.98, -74.19

 

CMYK 74 / 76 / 0 / 7

HEX #3D3AEE

RGB 61 58 238

HSL 241, 0.84%, 0.58%

LAB 38.18, 58.14, -88.44

 

CMYK 54 / 55 / 0 / 20

HEX #5E5CCC

RGB 94 92 204

HSL 241.07, 0.52%, 0.58%

LAB 44.79, 32.06, -58.13

 

CMYK 40 / 41 / 0 / 27

HEX #6F6EBA

RGB 111 110 186

HSL 240.79, 0.36%, 0.58%

LAB 49.59, 19.53, -40.01

 

CMYK 24 / 25 / 0 / 34

HEX #807FA9

RGB 128 127 169

HSL 241.43, 0.2%, 0.58%

LAB 54.69, 9.79, -22.14

 

CMYK 5 / 5 / 0 / 40

HEX #909098

RGB 144 144 152

HSL 240, 0.04%, 0.58%

LAB 60.02, 1.6, -4.23

 

CMYK 1 / 0 / 17 / 36

HEX #A1A286

RGB 161 162 134

HSL 62.14, 0.13%, 0.58%

LAB 65.86, -5.28, 14.47

 

CMYK 55 / 26 / 0 / 20

HEX #5C96CC

RGB 92 150 204

HSL 208.93, 0.52%, 0.58%

LAB 60.29, -3.36, -33.55

 

CMYK 55 / 41 / 0 / 20

HEX #5C78CC

RGB 92 120 204

HSL 225, 0.52%, 0.58%

LAB 51.91, 14.4, -46.73

 

CMYK 54 / 55 / 0 / 20

HEX #5E5CCC

RGB 94 92 204

HSL 241.07, 0.52%, 0.58%

LAB 44.79, 32.06, -58.13

 

CMYK 39 / 55 / 0 / 20

HEX #7C5CCC

RGB 124 92 204

HSL 257.14, 0.52%, 0.58%

LAB 47.36, 38.63, -53.86

 

CMYK 25 / 55 / 0 / 20

HEX #995CCC

RGB 153 92 204

HSL 272.68, 0.52%, 0.58%

LAB 50.44, 45.79, -48.77

 

CMYK 67 / 69 / 0 / 36

HEX #3533A2

RGB 53 51 162

HSL 241.08, 0.52%, 0.42%

LAB 28.73, 36.56, -59.63

 

CMYK 67 / 68 / 0 / 24

HEX #3F3DC1

RGB 63 61 193

HSL 240.91, 0.52%, 0.5%

LAB 34.49, 42.25, -68.62

 

CMYK 54 / 55 / 0 / 20

HEX #5E5CCC

RGB 94 92 204

HSL 241.07, 0.52%, 0.58%

LAB 44.79, 32.06, -58.13

 

CMYK 41 / 42 / 0 / 16

HEX #7D7CD5

RGB 125 124 213

HSL 240.67, 0.51%, 0.66%

LAB 55.66, 22.5, -45.74

 

CMYK 30 / 30 / 0 / 13

HEX #9C9BDF

RGB 156 155 223

HSL 240.88, 0.52%, 0.74%

LAB 66.4, 15.6, -34.32

 

CMYK 54 / 55 / 0 / 20

HEX #5E5CCC

RGB 94 92 204

HSL 241.07, 0.52%, 0.58%

LAB 44.79, 32.06, -58.13

 

CMYK 0 / 55 / 12 / 20

HEX #CC5CB3

RGB 204 92 179

HSL 313.39, 0.52%, 0.58%

LAB 55.83, 55.02, -25.44

 

CMYK 34 / 0 / 55 / 20

HEX #87CC5C

RGB 135 204 92

HSL 96.96, 0.52%, 0.58%

LAB 75.52, -41.23, 48.36

 

CMYK 54 / 55 / 0 / 20

HEX #5E5CCC

RGB 94 92 204

HSL 241.07, 0.52%, 0.58%

LAB 44.79, 32.06, -58.13

 

CMYK 0 / 54 / 55 / 20

HEX #CC5E5C

RGB 204 94 92

HSL 1.07, 0.52%, 0.58%

LAB 53.62, 43.5, 22.38

 

CMYK 55 / 0 / 54 / 20

HEX #5CCC5E

RGB 92 204 94

HSL 121.07, 0.52%, 0.58%

LAB 73.72, -53.92, 44.84

 

CMYK 54 / 55 / 0 / 20

HEX #5E5CCC

RGB 94 92 204

HSL 241.07, 0.52%, 0.58%

LAB 44.79, 32.06, -58.13

 

CMYK 0 / 55 / 12 / 20

HEX #CC5CB3

RGB 204 92 179

HSL 313.39, 0.52%, 0.58%

LAB 55.83, 55.02, -25.44

 

CMYK 1 / 0 / 55 / 20

HEX #CACC5C

RGB 202 204 92

HSL 61.07, 0.52%, 0.58%

LAB 79.91, -15.54, 54.56

 

CMYK 55 / 0 / 43 / 20

HEX #5CCC74

RGB 92 204 116

HSL 132.86, 0.52%, 0.58%

LAB 74.01, -50.76, 34.37

 

CMYK 54 / 55 / 0 / 20

HEX #5E5CCC

RGB 94 92 204

HSL 241.07, 0.52%, 0.58%

LAB 44.79, 32.06, -58.13

 

CMYK 0 / 55 / 28 / 20

HEX #CC5C92

RGB 204 92 146

HSL 331.07, 0.52%, 0.58%

LAB 54.62, 50.24, -8.03

 

CMYK 1 / 0 / 55 / 20

HEX #CACC5C

RGB 202 204 92

HSL 61.07, 0.52%, 0.58%

LAB 79.91, -15.54, 54.56

 

CMYK 55 / 0 / 26 / 20

HEX #5CCC96

RGB 92 204 150

HSL 151.07, 0.52%, 0.58%

LAB 74.61, -44.51, 17.43

 

Description

Color code: HEX #5E5CCC | qconv.com Color code: HEX #5E5CCC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 92 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 92 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 55 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 55% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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