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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E5CA9 it is the complementary color #A1A356. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E5CA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E5CA9 shade: #635CA4, #746EB7, #8580CA, #9692DD and #A7A4F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E5CA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E5CA9 shade: #5E5CA9, #4D4A96, #3C3883, #2B2670 and #1A145D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E5CA9 shade: #5D5BA9, #725BA9, #875BA9, #9C5BA9 and #A95BA1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E5CA9 shade: #5D5BA9 and #5B5BA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E5CA9 shade matches the following richer shades: #5D5BA9, #4A47BD, #3733D1, #241FE5 and #110AFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E5CA9 shade: #5D5BA9, #707095, #848480, #97986C and #AAAC58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E5CA9 shade: #5B83A9, #5B6FA9, #5D5BA9, #715BA9 and #865BA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E5CA9 shade: #3F3D74, #4D4C8F, #5D5BA9, #7876B7 and #9391C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E5CA9 shade: #5E5CA9, #A95B98 and #79A95B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E5CA9 shade: #5E5CA9, #A95D5B and #5BA95D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E5CA9 shade: #5E5CA9, #A95B98, #A7A95B and #5BA96C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E5CA9 shade: #5E5CA9, #A95B81, #A7A95B and #5BA983

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 46 / 0 / 34

HEX #5E5CA9

RGB 94 92 169

HSL 241.56, 0.31%, 0.51%

LAB 42.61, 21.16, -41.23

 

Complementary color

CMYK 1 / 0 / 47 / 36

HEX #A1A356

RGB 161 163 86

HSL 61.56, 0.31%, 0.49%

LAB 65.31, -12.05, 39.49

 

CMYK 40 / 44 / 0 / 36

HEX #635CA4

RGB 99 92 164

HSL 245.83, 0.28%, 0.5%

LAB 42.74, 20.98, -38.03

 

CMYK 37 / 40 / 0 / 28

HEX #746EB7

RGB 116 110 183

HSL 244.93, 0.34%, 0.57%

LAB 49.84, 20.04, -37.86

 

CMYK 34 / 37 / 0 / 21

HEX #8580CA

RGB 133 128 202

HSL 244.05, 0.41%, 0.65%

LAB 56.77, 19.23, -37.74

 

CMYK 32 / 34 / 0 / 13

HEX #9692DD

RGB 150 146 221

HSL 243.2, 0.52%, 0.72%

LAB 63.56, 18.53, -37.67

 

CMYK 30 / 32 / 0 / 6

HEX #A7A4F0

RGB 167 164 240

HSL 242.37, 0.72%, 0.79%

LAB 70.22, 17.9, -37.64

 

CMYK 44 / 46 / 0 / 34

HEX #5E5CA9

RGB 94 92 169

HSL 241.56, 0.31%, 0.51%

LAB 42.61, 21.16, -41.23

 

CMYK 49 / 51 / 0 / 41

HEX #4D4A96

RGB 77 74 150

HSL 242.37, 0.34%, 0.44%

LAB 35.36, 22.41, -41.52

 

CMYK 54 / 57 / 0 / 49

HEX #3C3883

RGB 60 56 131

HSL 243.2, 0.4%, 0.37%

LAB 27.92, 23.94, -41.87

 

CMYK 62 / 66 / 0 / 56

HEX #2B2670

RGB 43 38 112

HSL 244.05, 0.49%, 0.29%

LAB 20.32, 25.84, -42.21

 

CMYK 72 / 78 / 0 / 64

HEX #1A145D

RGB 26 20 93

HSL 244.93, 0.65%, 0.22%

LAB 12.67, 28.06, -42.3

 

CMYK 45 / 46 / 0 / 34

HEX #5D5BA9

RGB 93 91 169

HSL 241.54, 0.31%, 0.51%

LAB 42.27, 21.53, -41.78

 

CMYK 33 / 46 / 0 / 34

HEX #725BA9

RGB 114 91 169

HSL 257.69, 0.31%, 0.51%

LAB 44.12, 27.13, -38.72

 

CMYK 20 / 46 / 0 / 34

HEX #875BA9

RGB 135 91 169

HSL 273.85, 0.31%, 0.51%

LAB 46.31, 33.19, -35.12

 

CMYK 8 / 46 / 0 / 34

HEX #9C5BA9

RGB 156 91 169

HSL 290, 0.31%, 0.51%

LAB 48.78, 39.48, -31.07

 

CMYK 0 / 46 / 5 / 34

HEX #A95BA1

RGB 169 91 161

HSL 306.15, 0.31%, 0.51%

LAB 50.09, 41.94, -24.21

 

CMYK 45 / 46 / 0 / 34

HEX #5D5BA9

RGB 93 91 169

HSL 241.54, 0.31%, 0.51%

LAB 42.27, 21.53, -41.78

 

CMYK 46 / 46 / 0 / 34

HEX #5B5BA9

RGB 91 91 169

HSL 240, 0.31%, 0.51%

LAB 42.11, 21.03, -42.04

 

CMYK 45 / 46 / 0 / 34

HEX #5D5BA9

RGB 93 91 169

HSL 241.54, 0.31%, 0.51%

LAB 42.27, 21.53, -41.78

 

CMYK 61 / 62 / 0 / 26

HEX #4A47BD

RGB 74 71 189

HSL 241.53, 0.47%, 0.51%

LAB 37.18, 36.47, -61.83

 

CMYK 74 / 76 / 0 / 18

HEX #3733D1

RGB 55 51 209

HSL 241.52, 0.63%, 0.51%

LAB 33.53, 52.25, -79.55

 

CMYK 84 / 86 / 0 / 10

HEX #241FE5

RGB 36 31 229

HSL 241.52, 0.79%, 0.51%

LAB 31.83, 66.16, -93.9

 

CMYK 93 / 96 / 0 / 2

HEX #110AFA

RGB 17 10 250

HSL 241.75, 0.96%, 0.51%

LAB 32.34, 76.58, -104.98

 

CMYK 45 / 46 / 0 / 34

HEX #5D5BA9

RGB 93 91 169

HSL 241.54, 0.31%, 0.51%

LAB 42.27, 21.53, -41.78

 

CMYK 25 / 25 / 0 / 42

HEX #707095

RGB 112 112 149

HSL 240, 0.15%, 0.51%

LAB 48.51, 8.52, -20.07

 

CMYK 0 / 0 / 3 / 48

HEX #848480

RGB 132 132 128

HSL 60, 0.02%, 0.51%

LAB 55.04, -0.78, 2.15

 

CMYK 1 / 0 / 29 / 40

HEX #97986C

RGB 151 152 108

HSL 61.36, 0.18%, 0.51%

LAB 61.76, -7.7, 23.1

 

CMYK 1 / 0 / 49 / 33

HEX #AAAC58

RGB 170 172 88

HSL 61.43, 0.34%, 0.51%

LAB 68.57, -12.8, 42.59

 

CMYK 46 / 22 / 0 / 34

HEX #5B83A9

RGB 91 131 169

HSL 209.23, 0.31%, 0.51%

LAB 53.3, -3.34, -24.49

 

CMYK 46 / 34 / 0 / 34

HEX #5B6FA9

RGB 91 111 169

HSL 224.62, 0.31%, 0.51%

LAB 47.57, 8.59, -33.41

 

CMYK 45 / 46 / 0 / 34

HEX #5D5BA9

RGB 93 91 169

HSL 241.54, 0.31%, 0.51%

LAB 42.27, 21.53, -41.78

 

CMYK 33 / 46 / 0 / 34

HEX #715BA9

RGB 113 91 169

HSL 256.92, 0.31%, 0.51%

LAB 44.03, 26.85, -38.88

 

CMYK 21 / 46 / 0 / 34

HEX #865BA9

RGB 134 91 169

HSL 273.08, 0.31%, 0.51%

LAB 46.2, 32.9, -35.31

 

CMYK 46 / 47 / 0 / 55

HEX #3F3D74

RGB 63 61 116

HSL 242.18, 0.31%, 0.35%

LAB 28.53, 16.37, -31.46

 

CMYK 46 / 47 / 0 / 44

HEX #4D4C8F

RGB 77 76 143

HSL 240.9, 0.31%, 0.43%

LAB 35.46, 18.89, -37.1

 

CMYK 45 / 46 / 0 / 34

HEX #5D5BA9

RGB 93 91 169

HSL 241.54, 0.31%, 0.51%

LAB 42.27, 21.53, -41.78

 

CMYK 34 / 36 / 0 / 28

HEX #7876B7

RGB 120 118 183

HSL 241.85, 0.31%, 0.59%

LAB 52.25, 16.35, -34.04

 

CMYK 25 / 26 / 0 / 23

HEX #9391C5

RGB 147 145 197

HSL 242.31, 0.31%, 0.67%

LAB 62.07, 12.18, -26.59

 

CMYK 44 / 46 / 0 / 34

HEX #5E5CA9

RGB 94 92 169

HSL 241.56, 0.31%, 0.51%

LAB 42.61, 21.16, -41.23

 

CMYK 0 / 46 / 10 / 34

HEX #A95B98

RGB 169 91 152

HSL 313.08, 0.31%, 0.51%

LAB 49.72, 40.35, -19.47

 

CMYK 28 / 0 / 46 / 34

HEX #79A95B

RGB 121 169 91

HSL 96.92, 0.31%, 0.51%

LAB 64.32, -30.34, 35.09

 

CMYK 44 / 46 / 0 / 34

HEX #5E5CA9

RGB 94 92 169

HSL 241.56, 0.31%, 0.51%

LAB 42.61, 21.16, -41.23

 

CMYK 0 / 45 / 46 / 34

HEX #A95D5B

RGB 169 93 91

HSL 1.54, 0.31%, 0.51%

LAB 48.28, 30.67, 14.91

 

CMYK 46 / 0 / 45 / 34

HEX #5BA95D

RGB 91 169 93

HSL 121.54, 0.31%, 0.51%

LAB 62.84, -40.06, 31.87

 

CMYK 44 / 46 / 0 / 34

HEX #5E5CA9

RGB 94 92 169

HSL 241.56, 0.31%, 0.51%

LAB 42.61, 21.16, -41.23

 

CMYK 0 / 46 / 10 / 34

HEX #A95B98

RGB 169 91 152

HSL 313.08, 0.31%, 0.51%

LAB 49.72, 40.35, -19.47

 

CMYK 1 / 0 / 46 / 34

HEX #A7A95B

RGB 167 169 91

HSL 61.54, 0.31%, 0.51%

LAB 67.54, -12.19, 39.78

 

CMYK 46 / 0 / 36 / 34

HEX #5BA96C

RGB 91 169 108

HSL 133.08, 0.31%, 0.51%

LAB 63.08, -37.59, 24.22

 

CMYK 44 / 46 / 0 / 34

HEX #5E5CA9

RGB 94 92 169

HSL 241.56, 0.31%, 0.51%

LAB 42.61, 21.16, -41.23

 

CMYK 0 / 46 / 24 / 34

HEX #A95B81

RGB 169 91 129

HSL 330.77, 0.31%, 0.51%

LAB 48.89, 36.63, -7.03

 

CMYK 1 / 0 / 46 / 34

HEX #A7A95B

RGB 167 169 91

HSL 61.54, 0.31%, 0.51%

LAB 67.54, -12.19, 39.78

 

CMYK 46 / 0 / 22 / 34

HEX #5BA983

RGB 91 169 131

HSL 150.77, 0.31%, 0.51%

LAB 63.54, -33.09, 12.26

 

Description

Color code: HEX #5E5CA9 | qconv.com Color code: HEX #5E5CA9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 92 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 92 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 46 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 46% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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