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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E5C3A it is the complementary color #A1A3C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E5C3A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E5C3A shade: #635C35, #746E48, #85805B, #96926E and #A7A481

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E5C3A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E5C3A shade: #5E5C3A, #4D4A27, #3C3814, #2B2601 and #1A1400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E5C3A shade: #5F5D3A, #5F533A, #5F493A, #5F3F3A and #5F3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E5C3A shade: #5F5D3A, #575F3A, #4D5F3A, #435F3A and #3A5F3B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E5C3A shade matches the following richer shades: #5F5D3A, #6B682E, #787321, #847E15 and #908909

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E5C3A shade: #5F5D3A, #525247, #464753, #3A3C5F and #2D316C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E5C3A shade: #5F493A, #5F533A, #5F5C3A, #585F3A and #4E5F3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E5C3A shade: #2C2B1B, #45442A, #5F5D3A, #78764A and #928F59

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E5C3A shade: #5E5C3A, #3A5F3F and #4E3A5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E5C3A shade: #5E5C3A, #3A5F5C and #5C3A5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E5C3A shade: #5E5C3A, #3A5F3F, #3A3D5F and #5F3A5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E5C3A shade: #5E5C3A, #3A5F4A, #3A3D5F and #5F3A4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 38 / 63

HEX #5E5C3A

RGB 94 92 58

HSL 56.67, 0.24%, 0.3%

LAB 38.44, -5.05, 19.88

 

Complementary color

CMYK 18 / 17 / 0 / 23

HEX #A1A3C5

RGB 161 163 197

HSL 236.67, 0.24%, 0.7%

LAB 67.87, 6.4, -17.63

 

CMYK 0 / 7 / 46 / 61

HEX #635C35

RGB 99 92 53

HSL 50.87, 0.3%, 0.3%

LAB 38.84, -3.39, 23.4

 

CMYK 0 / 5 / 38 / 55

HEX #746E48

RGB 116 110 72

HSL 51.82, 0.23%, 0.37%

LAB 46.09, -3.88, 22.06

 

CMYK 0 / 4 / 32 / 48

HEX #85805B

RGB 133 128 91

HSL 52.86, 0.19%, 0.44%

LAB 53.15, -4.26, 20.81

 

CMYK 0 / 3 / 27 / 41

HEX #96926E

RGB 150 146 110

HSL 54, 0.16%, 0.51%

LAB 60.04, -4.56, 19.66

 

CMYK 0 / 2 / 23 / 35

HEX #A7A481

RGB 167 164 129

HSL 55.26, 0.18%, 0.58%

LAB 66.79, -4.8, 18.6

 

CMYK 0 / 2 / 38 / 63

HEX #5E5C3A

RGB 94 92 58

HSL 56.67, 0.24%, 0.3%

LAB 38.44, -5.05, 19.88

 

CMYK 0 / 4 / 49 / 70

HEX #4D4A27

RGB 77 74 39

HSL 55.26, 0.33%, 0.23%

LAB 30.93, -4.58, 21.27

 

CMYK 0 / 7 / 67 / 76

HEX #3C3814

RGB 60 56 20

HSL 54, 0.5%, 0.16%

LAB 23.13, -3.87, 22.68

 

CMYK 0 / 12 / 98 / 83

HEX #2B2601

RGB 43 38 1

HSL 52.86, 0.95%, 0.09%

LAB 14.96, -2.84, 21.42

 

CMYK 0 / 23 / 100 / 90

HEX #1A1400

RGB 26 20 0

HSL 46.15, 1%, 0.05%

LAB 6.5, -0.33, 9.73

 

CMYK 0 / 2 / 39 / 63

HEX #5F5D3A

RGB 95 93 58

HSL 56.76, 0.24%, 0.3%

LAB 38.84, -5.18, 20.41

 

CMYK 0 / 13 / 39 / 63

HEX #5F533A

RGB 95 83 58

HSL 40.54, 0.24%, 0.3%

LAB 35.84, 0.82, 16.47

 

CMYK 0 / 23 / 39 / 63

HEX #5F493A

RGB 95 73 58

HSL 24.32, 0.24%, 0.3%

LAB 32.93, 7, 12.56

 

CMYK 0 / 34 / 39 / 63

HEX #5F3F3A

RGB 95 63 58

HSL 8.11, 0.24%, 0.3%

LAB 30.14, 13.27, 8.73

 

CMYK 0 / 39 / 39 / 63

HEX #5F3A3A

RGB 95 58 58

HSL 0, 0.24%, 0.3%

LAB 28.81, 16.4, 6.87

 

CMYK 0 / 2 / 39 / 63

HEX #5F5D3A

RGB 95 93 58

HSL 56.76, 0.24%, 0.3%

LAB 38.84, -5.18, 20.41

 

CMYK 8 / 0 / 39 / 63

HEX #575F3A

RGB 87 95 58

HSL 72.97, 0.24%, 0.3%

LAB 38.75, -9.93, 20.16

 

CMYK 19 / 0 / 39 / 63

HEX #4D5F3A

RGB 77 95 58

HSL 89.19, 0.24%, 0.3%

LAB 37.96, -14.24, 18.98

 

CMYK 29 / 0 / 39 / 63

HEX #435F3A

RGB 67 95 58

HSL 105.41, 0.24%, 0.3%

LAB 37.27, -18.33, 17.94

 

CMYK 39 / 0 / 38 / 63

HEX #3A5F3B

RGB 58 95 59

HSL 121.62, 0.24%, 0.3%

LAB 36.74, -21.55, 16.55

 

CMYK 0 / 2 / 39 / 63

HEX #5F5D3A

RGB 95 93 58

HSL 56.76, 0.24%, 0.3%

LAB 38.84, -5.18, 20.41

 

CMYK 0 / 3 / 57 / 58

HEX #6B682E

RGB 107 104 46

HSL 57.05, 0.4%, 0.3%

LAB 43.1, -7.39, 32.59

 

CMYK 0 / 4 / 73 / 53

HEX #787321

RGB 120 115 33

HSL 56.55, 0.57%, 0.3%

LAB 47.45, -8.48, 43.74

 

CMYK 0 / 5 / 84 / 48

HEX #847E15

RGB 132 126 21

HSL 56.76, 0.73%, 0.3%

LAB 51.7, -9.49, 52.27

 

CMYK 0 / 5 / 94 / 44

HEX #908909

RGB 144 137 9

HSL 56.89, 0.88%, 0.3%

LAB 55.93, -10.2, 58.77

 

CMYK 0 / 2 / 39 / 63

HEX #5F5D3A

RGB 95 93 58

HSL 56.76, 0.24%, 0.3%

LAB 38.84, -5.18, 20.41

 

CMYK 0 / 0 / 13 / 68

HEX #525247

RGB 82 82 71

HSL 60, 0.07%, 0.3%

LAB 34.57, -2.23, 6.47

 

CMYK 16 / 14 / 0 / 67

HEX #464753

RGB 70 71 83

HSL 235.38, 0.08%, 0.3%

LAB 30.48, 2.44, -7.28

 

CMYK 39 / 37 / 0 / 63

HEX #3A3C5F

RGB 58 60 95

HSL 236.76, 0.24%, 0.3%

LAB 26.61, 8.85, -21.06

 

CMYK 58 / 55 / 0 / 58

HEX #2D316C

RGB 45 49 108

HSL 236.19, 0.41%, 0.3%

LAB 23.13, 17.28, -35.07

 

CMYK 0 / 23 / 39 / 63

HEX #5F493A

RGB 95 73 58

HSL 24.32, 0.24%, 0.3%

LAB 32.93, 7, 12.56

 

CMYK 0 / 13 / 39 / 63

HEX #5F533A

RGB 95 83 58

HSL 40.54, 0.24%, 0.3%

LAB 35.84, 0.82, 16.47

 

CMYK 0 / 3 / 39 / 63

HEX #5F5C3A

RGB 95 92 58

HSL 55.14, 0.24%, 0.3%

LAB 38.54, -4.59, 20.02

 

CMYK 7 / 0 / 39 / 63

HEX #585F3A

RGB 88 95 58

HSL 71.35, 0.24%, 0.3%

LAB 38.84, -9.48, 20.28

 

CMYK 18 / 0 / 39 / 63

HEX #4E5F3A

RGB 78 95 58

HSL 87.57, 0.24%, 0.3%

LAB 38.04, -13.82, 19.09

 

CMYK 0 / 2 / 39 / 83

HEX #2C2B1B

RGB 44 43 27

HSL 56.47, 0.24%, 0.14%

LAB 17.19, -2.75, 10.61

 

CMYK 0 / 1 / 39 / 73

HEX #45442A

RGB 69 68 42

HSL 57.78, 0.24%, 0.22%

LAB 28.29, -4.33, 15.93

 

CMYK 0 / 2 / 39 / 63

HEX #5F5D3A

RGB 95 93 58

HSL 56.76, 0.24%, 0.3%

LAB 38.84, -5.18, 20.41

 

CMYK 0 / 2 / 38 / 53

HEX #78764A

RGB 120 118 74

HSL 57.39, 0.24%, 0.38%

LAB 48.82, -6.44, 24.53

 

CMYK 0 / 2 / 39 / 43

HEX #928F59

RGB 146 143 89

HSL 56.84, 0.24%, 0.46%

LAB 58.49, -7.34, 29.13

 

CMYK 0 / 2 / 38 / 63

HEX #5E5C3A

RGB 94 92 58

HSL 56.67, 0.24%, 0.3%

LAB 38.44, -5.05, 19.88

 

CMYK 39 / 0 / 34 / 63

HEX #3A5F3F

RGB 58 95 63

HSL 128.11, 0.24%, 0.3%

LAB 36.82, -20.79, 14.25

 

CMYK 18 / 39 / 0 / 63

HEX #4E3A5F

RGB 78 58 95

HSL 272.43, 0.24%, 0.3%

LAB 28.04, 16.93, -18.69

 

CMYK 0 / 2 / 38 / 63

HEX #5E5C3A

RGB 94 92 58

HSL 56.67, 0.24%, 0.3%

LAB 38.44, -5.05, 19.88

 

CMYK 39 / 0 / 3 / 63

HEX #3A5F5C

RGB 58 95 92

HSL 175.14, 0.24%, 0.3%

LAB 37.58, -13.97, -2.48

 

CMYK 3 / 39 / 0 / 63

HEX #5C3A5F

RGB 92 58 95

HSL 295.14, 0.24%, 0.3%

LAB 29.73, 21.93, -15.93

 

CMYK 0 / 2 / 38 / 63

HEX #5E5C3A

RGB 94 92 58

HSL 56.67, 0.24%, 0.3%

LAB 38.44, -5.05, 19.88

 

CMYK 39 / 0 / 34 / 63

HEX #3A5F3F

RGB 58 95 63

HSL 128.11, 0.24%, 0.3%

LAB 36.82, -20.79, 14.25

 

CMYK 39 / 36 / 0 / 63

HEX #3A3D5F

RGB 58 61 95

HSL 235.14, 0.24%, 0.3%

LAB 26.91, 8.18, -20.59

 

CMYK 0 / 39 / 5 / 63

HEX #5F3A5A

RGB 95 58 90

HSL 308.11, 0.24%, 0.3%

LAB 29.9, 21.97, -12.4

 

CMYK 0 / 2 / 38 / 63

HEX #5E5C3A

RGB 94 92 58

HSL 56.67, 0.24%, 0.3%

LAB 38.44, -5.05, 19.88

 

CMYK 39 / 0 / 22 / 63

HEX #3A5F4A

RGB 58 95 74

HSL 145.95, 0.24%, 0.3%

LAB 37.07, -18.46, 7.9

 

CMYK 39 / 36 / 0 / 63

HEX #3A3D5F

RGB 58 61 95

HSL 235.14, 0.24%, 0.3%

LAB 26.91, 8.18, -20.59

 

CMYK 0 / 39 / 17 / 63

HEX #5F3A4F

RGB 95 58 79

HSL 325.95, 0.24%, 0.3%

LAB 29.47, 19.82, -5.91

 

Description

Color code: HEX #5E5C3A | qconv.com Color code: HEX #5E5C3A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 92 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 92 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 38 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 38% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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