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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E5C2F it is the complementary color #A1A3D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E5C2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E5C2F shade: #635C2A, #746E3D, #858050, #969263 and #A7A476

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E5C2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E5C2F shade: #5E5C2F, #4D4A1C, #3C3809, #2B2600 and #1A1400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E5C2F shade: #5F5D30, #5F5030, #5F4430, #5F3730 and #5F3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E5C2F shade: #5F5D30, #545F30, #485F30, #3B5F30 and #305F32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E5C2F shade matches the following richer shades: #5F5D30, #6B6824, #767219, #827D0D and #8D8702

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E5C2F shade: #5F5D30, #53523B, #484847, #3C3D52 and #31335E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E5C2F shade: #5F4330, #5F5030, #5F5D30, #555F30 and #485F30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E5C2F shade: #282714, #444222, #5F5D30, #7A783E and #96934B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E5C2F shade: #5E5C2F, #305F37 and #4A305F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E5C2F shade: #5E5C2F, #305F5D and #5D305F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E5C2F shade: #5E5C2F, #305F37, #30325F and #5F3058

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E5C2F shade: #5E5C2F, #305F45, #30325F and #5F304A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 50 / 63

HEX #5E5C2F

RGB 94 92 47

HSL 57.45, 0.33%, 0.28%

LAB 38.27, -6.39, 26.02

 

Complementary color

CMYK 23 / 22 / 0 / 18

HEX #A1A3D0

RGB 161 163 208

HSL 237.45, 0.33%, 0.72%

LAB 68.26, 8.93, -23.13

 

CMYK 0 / 7 / 58 / 61

HEX #635C2A

RGB 99 92 42

HSL 52.63, 0.4%, 0.28%

LAB 38.68, -4.54, 29.4

 

CMYK 0 / 5 / 47 / 55

HEX #746E3D

RGB 116 110 61

HSL 53.45, 0.31%, 0.35%

LAB 45.91, -5.2, 28.05

 

CMYK 0 / 4 / 40 / 48

HEX #858050

RGB 133 128 80

HSL 54.34, 0.25%, 0.42%

LAB 52.95, -5.68, 26.73

 

CMYK 0 / 3 / 34 / 41

HEX #969263

RGB 150 146 99

HSL 55.29, 0.2%, 0.49%

LAB 59.84, -6.06, 25.49

 

CMYK 0 / 2 / 29 / 35

HEX #A7A476

RGB 167 164 118

HSL 56.33, 0.22%, 0.56%

LAB 66.58, -6.36, 24.32

 

CMYK 0 / 2 / 50 / 63

HEX #5E5C2F

RGB 94 92 47

HSL 57.45, 0.33%, 0.28%

LAB 38.27, -6.39, 26.02

 

CMYK 0 / 4 / 64 / 70

HEX #4D4A1C

RGB 77 74 28

HSL 56.33, 0.47%, 0.21%

LAB 30.78, -5.72, 27.34

 

CMYK 0 / 7 / 85 / 76

HEX #3C3809

RGB 60 56 9

HSL 55.29, 0.74%, 0.14%

LAB 23.03, -4.67, 28

 

CMYK 0 / 12 / 100 / 83

HEX #2B2600

RGB 43 38 0

HSL 53.02, 1%, 0.08%

LAB 14.95, -2.93, 21.81

 

CMYK 0 / 23 / 100 / 90

HEX #1A1400

RGB 26 20 0

HSL 46.15, 1%, 0.05%

LAB 6.5, -0.33, 9.73

 

CMYK 0 / 2 / 49 / 63

HEX #5F5D30

RGB 95 93 48

HSL 57.45, 0.33%, 0.28%

LAB 38.68, -6.4, 25.99

 

CMYK 0 / 16 / 49 / 63

HEX #5F5030

RGB 95 80 48

HSL 40.85, 0.33%, 0.28%

LAB 34.77, 1.39, 21.12

 

CMYK 0 / 28 / 49 / 63

HEX #5F4430

RGB 95 68 48

HSL 25.53, 0.33%, 0.28%

LAB 31.3, 8.84, 16.66

 

CMYK 0 / 42 / 49 / 63

HEX #5F3730

RGB 95 55 48

HSL 8.94, 0.33%, 0.28%

LAB 27.79, 16.97, 11.99

 

CMYK 0 / 49 / 49 / 63

HEX #5F3030

RGB 95 48 48

HSL 0, 0.33%, 0.28%

LAB 26.04, 21.25, 9.61

 

CMYK 0 / 2 / 49 / 63

HEX #5F5D30

RGB 95 93 48

HSL 57.45, 0.33%, 0.28%

LAB 38.68, -6.4, 25.99

 

CMYK 12 / 0 / 49 / 63

HEX #545F30

RGB 84 95 48

HSL 74.04, 0.33%, 0.28%

LAB 38.34, -12.58, 25.36

 

CMYK 24 / 0 / 49 / 63

HEX #485F30

RGB 72 95 48

HSL 89.36, 0.33%, 0.28%

LAB 37.44, -17.81, 24.03

 

CMYK 38 / 0 / 49 / 63

HEX #3B5F30

RGB 59 95 48

HSL 105.96, 0.33%, 0.28%

LAB 36.61, -23.03, 22.82

 

CMYK 49 / 0 / 47 / 63

HEX #305F32

RGB 48 95 50

HSL 122.55, 0.33%, 0.28%

LAB 36.07, -26.6, 20.87

 

CMYK 0 / 2 / 49 / 63

HEX #5F5D30

RGB 95 93 48

HSL 57.45, 0.33%, 0.28%

LAB 38.68, -6.4, 25.99

 

CMYK 0 / 3 / 66 / 58

HEX #6B6824

RGB 107 104 36

HSL 57.46, 0.5%, 0.28%

LAB 42.99, -8.19, 37.46

 

CMYK 0 / 3 / 79 / 54

HEX #767219

RGB 118 114 25

HSL 57.42, 0.65%, 0.28%

LAB 46.92, -9.27, 46.25

 

CMYK 0 / 4 / 90 / 49

HEX #827D0D

RGB 130 125 13

HSL 57.44, 0.82%, 0.28%

LAB 51.2, -10.1, 53.77

 

CMYK 0 / 4 / 99 / 45

HEX #8D8702

RGB 141 135 2

HSL 57.41, 0.97%, 0.28%

LAB 55.07, -10.63, 59.18

 

CMYK 0 / 2 / 49 / 63

HEX #5F5D30

RGB 95 93 48

HSL 57.45, 0.33%, 0.28%

LAB 38.68, -6.4, 25.99

 

CMYK 0 / 1 / 29 / 67

HEX #53523B

RGB 83 82 59

HSL 57.5, 0.17%, 0.28%

LAB 34.37, -3.88, 13.69

 

CMYK 0 / 0 / 1 / 72

HEX #484847

RGB 72 72 71

HSL 60, 0.01%, 0.28%

LAB 30.56, -0.22, 0.59

 

CMYK 27 / 26 / 0 / 68

HEX #3C3D52

RGB 60 61 82

HSL 237.27, 0.15%, 0.28%

LAB 26.47, 4.98, -12.8

 

CMYK 48 / 46 / 0 / 63

HEX #31335E

RGB 49 51 94

HSL 237.33, 0.31%, 0.28%

LAB 23.1, 11.97, -26

 

CMYK 0 / 29 / 49 / 63

HEX #5F4330

RGB 95 67 48

HSL 24.26, 0.33%, 0.28%

LAB 31.02, 9.47, 16.3

 

CMYK 0 / 16 / 49 / 63

HEX #5F5030

RGB 95 80 48

HSL 40.85, 0.33%, 0.28%

LAB 34.77, 1.39, 21.12

 

CMYK 0 / 2 / 49 / 63

HEX #5F5D30

RGB 95 93 48

HSL 57.45, 0.33%, 0.28%

LAB 38.68, -6.4, 25.99

 

CMYK 11 / 0 / 49 / 63

HEX #555F30

RGB 85 95 48

HSL 72.77, 0.33%, 0.28%

LAB 38.43, -12.13, 25.47

 

CMYK 24 / 0 / 49 / 63

HEX #485F30

RGB 72 95 48

HSL 89.36, 0.33%, 0.28%

LAB 37.44, -17.81, 24.03

 

CMYK 0 / 2 / 50 / 84

HEX #282714

RGB 40 39 20

HSL 57, 0.33%, 0.12%

LAB 15.24, -3.2, 12.71

 

CMYK 0 / 3 / 50 / 73

HEX #444222

RGB 68 66 34

HSL 56.47, 0.33%, 0.2%

LAB 27.41, -4.63, 19.71

 

CMYK 0 / 2 / 49 / 63

HEX #5F5D30

RGB 95 93 48

HSL 57.45, 0.33%, 0.28%

LAB 38.68, -6.4, 25.99

 

CMYK 0 / 2 / 49 / 52

HEX #7A783E

RGB 122 120 62

HSL 58, 0.33%, 0.36%

LAB 49.4, -8.06, 31.9

 

CMYK 0 / 2 / 50 / 41

HEX #96934B

RGB 150 147 75

HSL 57.6, 0.33%, 0.44%

LAB 59.76, -9.3, 38.17

 

CMYK 0 / 2 / 50 / 63

HEX #5E5C2F

RGB 94 92 47

HSL 57.45, 0.33%, 0.28%

LAB 38.27, -6.39, 26.02

 

CMYK 49 / 0 / 42 / 63

HEX #305F37

RGB 48 95 55

HSL 128.94, 0.33%, 0.28%

LAB 36.15, -25.71, 18.05

 

CMYK 22 / 49 / 0 / 63

HEX #4A305F

RGB 74 48 95

HSL 273.19, 0.33%, 0.28%

LAB 24.94, 22.03, -23.57

 

CMYK 0 / 2 / 50 / 63

HEX #5E5C2F

RGB 94 92 47

HSL 57.45, 0.33%, 0.28%

LAB 38.27, -6.39, 26.02

 

CMYK 49 / 0 / 2 / 63

HEX #305F5D

RGB 48 95 93

HSL 177.45, 0.33%, 0.28%

LAB 37.12, -16.56, -3.84

 

CMYK 2 / 49 / 0 / 63

HEX #5D305F

RGB 93 48 95

HSL 297.45, 0.33%, 0.28%

LAB 27.48, 28.33, -19.4

 

CMYK 0 / 2 / 50 / 63

HEX #5E5C2F

RGB 94 92 47

HSL 57.45, 0.33%, 0.28%

LAB 38.27, -6.39, 26.02

 

CMYK 49 / 0 / 42 / 63

HEX #305F37

RGB 48 95 55

HSL 128.94, 0.33%, 0.28%

LAB 36.15, -25.71, 18.05

 

CMYK 49 / 47 / 0 / 63

HEX #30325F

RGB 48 50 95

HSL 237.45, 0.33%, 0.28%

LAB 22.78, 12.73, -27.17

 

CMYK 0 / 49 / 7 / 63

HEX #5F3058

RGB 95 48 88

HSL 308.94, 0.33%, 0.28%

LAB 27.44, 27.58, -14.88

 

CMYK 0 / 2 / 50 / 63

HEX #5E5C2F

RGB 94 92 47

HSL 57.45, 0.33%, 0.28%

LAB 38.27, -6.39, 26.02

 

CMYK 49 / 0 / 27 / 63

HEX #305F45

RGB 48 95 69

HSL 146.81, 0.33%, 0.28%

LAB 36.45, -22.8, 10.01

 

CMYK 49 / 47 / 0 / 63

HEX #30325F

RGB 48 50 95

HSL 237.45, 0.33%, 0.28%

LAB 22.78, 12.73, -27.17

 

CMYK 0 / 49 / 22 / 63

HEX #5F304A

RGB 95 48 74

HSL 326.81, 0.33%, 0.28%

LAB 26.85, 25, -6.55

 

Description

Color code: HEX #5E5C2F | qconv.com Color code: HEX #5E5C2F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 92 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 92 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 50 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 50% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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