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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E590C it is the complementary color #A1A6F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E590C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E590C shade: #635907, #746B1A, #857D2D, #968F40 and #A7A153

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E590C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E590C shade: #5E590C, #4D4700, #3C3500, #2B2300 and #1A1100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E590C shade: #5F5A0C, #5F440C, #5F2D0C, #5F170C and #5F0C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E590C shade: #5F5A0C, #4E5F0C, #375F0C, #215F0C and #0C5F0E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E590C shade matches the following richer shades: #5F5A0C and #676104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E590C shade: #5F5A0C, #565215, #4D4B1E, #454326 and #3C3B2F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E590C shade: #5F2D0C, #5F430C, #5F590C, #4E5F0C and #385F0C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E590C shade: #161503, #3A3708, #5F5A0C, #837C11 and #A89F16

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E590C shade: #5E590C, #0C5F17 and #380C5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E590C shade: #5E590C, #0C5F59 and #590C5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E590C shade: #5E590C, #0C5F17, #0C125F and #5F0C54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E590C shade: #5E590C, #0C5F30, #0C125F and #5F0C3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 87 / 63

HEX #5E590C

RGB 94 89 12

HSL 56.34, 0.77%, 0.21%

LAB 37.02, -7.13, 40.89

 

Complementary color

CMYK 34 / 32 / 0 / 5

HEX #A1A6F3

RGB 161 166 243

HSL 236.34, 0.77%, 0.79%

LAB 70.4, 15.87, -39.03

 

CMYK 0 / 10 / 93 / 61

HEX #635907

RGB 99 89 7

HSL 53.48, 0.87%, 0.21%

LAB 37.5, -4.8, 42.92

 

CMYK 0 / 8 / 78 / 55

HEX #746B1A

RGB 116 107 26

HSL 54, 0.63%, 0.28%

LAB 44.66, -6.22, 43.71

 

CMYK 0 / 6 / 66 / 48

HEX #857D2D

RGB 133 125 45

HSL 54.55, 0.49%, 0.35%

LAB 51.66, -7.3, 43.21

 

CMYK 0 / 5 / 57 / 41

HEX #968F40

RGB 150 143 64

HSL 55.12, 0.4%, 0.42%

LAB 58.51, -8.11, 42.2

 

CMYK 0 / 4 / 50 / 35

HEX #A7A153

RGB 167 161 83

HSL 55.71, 0.34%, 0.49%

LAB 65.22, -8.75, 41.02

 

CMYK 0 / 5 / 87 / 63

HEX #5E590C

RGB 94 89 12

HSL 56.34, 0.77%, 0.21%

LAB 37.02, -7.13, 40.89

 

CMYK 0 / 8 / 100 / 70

HEX #4D4700

RGB 77 71 0

HSL 55.32, 1%, 0.15%

LAB 29.62, -5.47, 38.28

 

CMYK 0 / 12 / 100 / 76

HEX #3C3500

RGB 60 53 0

HSL 53, 1%, 0.12%

LAB 21.97, -3.28, 30.56

 

CMYK 0 / 19 / 100 / 83

HEX #2B2300

RGB 43 35 0

HSL 48.84, 1%, 0.08%

LAB 13.92, -0.89, 20.46

 

CMYK 0 / 35 / 100 / 90

HEX #1A1100

RGB 26 17 0

HSL 39.23, 1%, 0.05%

LAB 5.61, 1.5, 8.42

 

CMYK 0 / 5 / 87 / 63

HEX #5F5A0C

RGB 95 90 12

HSL 56.39, 0.78%, 0.21%

LAB 37.43, -7.22, 41.27

 

CMYK 0 / 28 / 87 / 63

HEX #5F440C

RGB 95 68 12

HSL 40.48, 0.78%, 0.21%

LAB 30.86, 6.11, 35.57

 

CMYK 0 / 53 / 87 / 63

HEX #5F2D0C

RGB 95 45 12

HSL 23.86, 0.78%, 0.21%

LAB 24.75, 20.33, 30.05

 

CMYK 0 / 76 / 87 / 63

HEX #5F170C

RGB 95 23 12

HSL 7.95, 0.78%, 0.21%

LAB 20.33, 31.89, 25.43

 

CMYK 0 / 87 / 87 / 63

HEX #5F0C0C

RGB 95 12 12

HSL 0, 0.78%, 0.21%

LAB 18.9, 35.89, 23.79

 

CMYK 0 / 5 / 87 / 63

HEX #5F5A0C

RGB 95 90 12

HSL 56.39, 0.78%, 0.21%

LAB 37.43, -7.22, 41.27

 

CMYK 18 / 0 / 87 / 63

HEX #4E5F0C

RGB 78 95 12

HSL 72.29, 0.78%, 0.21%

LAB 37.54, -18.22, 40.79

 

CMYK 42 / 0 / 87 / 63

HEX #375F0C

RGB 55 95 12

HSL 88.92, 0.78%, 0.21%

LAB 36.03, -28.16, 38.88

 

CMYK 65 / 0 / 87 / 63

HEX #215F0C

RGB 33 95 12

HSL 104.82, 0.78%, 0.21%

LAB 35.07, -35.5, 37.65

 

CMYK 87 / 0 / 85 / 63

HEX #0C5F0E

RGB 12 95 14

HSL 121.45, 0.78%, 0.21%

LAB 34.59, -39.57, 36.38

 

CMYK 0 / 5 / 87 / 63

HEX #5F5A0C

RGB 95 90 12

HSL 56.39, 0.78%, 0.21%

LAB 37.43, -7.22, 41.27

 

CMYK 0 / 6 / 96 / 60

HEX #676104

RGB 103 97 4

HSL 56.36, 0.93%, 0.21%

LAB 40.31, -7.56, 46.13

 

CMYK 0 / 5 / 87 / 63

HEX #5F5A0C

RGB 95 90 12

HSL 56.39, 0.78%, 0.21%

LAB 37.43, -7.22, 41.27

 

CMYK 0 / 5 / 76 / 66

HEX #565215

RGB 86 82 21

HSL 56.31, 0.61%, 0.21%

LAB 34.12, -6.56, 34.56

 

CMYK 0 / 3 / 61 / 70

HEX #4D4B1E

RGB 77 75 30

HSL 57.45, 0.44%, 0.21%

LAB 31.12, -6.14, 26.64

 

CMYK 0 / 3 / 45 / 73

HEX #454326

RGB 69 67 38

HSL 56.13, 0.29%, 0.21%

LAB 27.9, -4.26, 17.9

 

CMYK 0 / 2 / 22 / 76

HEX #3C3B2F

RGB 60 59 47

HSL 55.38, 0.12%, 0.21%

LAB 24.62, -2.03, 7.61

HEX #3C3B2F

CMYK 0 / 53 / 87 / 63

HEX #5F2D0C

RGB 95 45 12

HSL 23.86, 0.78%, 0.21%

LAB 24.75, 20.33, 30.05

 

CMYK 0 / 29 / 87 / 63

HEX #5F430C

RGB 95 67 12

HSL 39.76, 0.78%, 0.21%

LAB 30.58, 6.73, 35.32

 

CMYK 0 / 6 / 87 / 63

HEX #5F590C

RGB 95 89 12

HSL 55.66, 0.78%, 0.21%

LAB 37.12, -6.63, 41.01

 

CMYK 18 / 0 / 87 / 63

HEX #4E5F0C

RGB 78 95 12

HSL 72.29, 0.78%, 0.21%

LAB 37.54, -18.22, 40.79

 

CMYK 41 / 0 / 87 / 63

HEX #385F0C

RGB 56 95 12

HSL 88.19, 0.78%, 0.21%

LAB 36.08, -27.77, 38.95

 

CMYK 0 / 5 / 86 / 91

HEX #161503

RGB 22 21 3

HSL 56.84, 0.76%, 0.05%

LAB 6.44, -2.57, 8.37

 

CMYK 0 / 5 / 86 / 77

HEX #3A3708

RGB 58 55 8

HSL 56.4, 0.76%, 0.13%

LAB 22.48, -5.16, 27.77

 

CMYK 0 / 5 / 87 / 63

HEX #5F5A0C

RGB 95 90 12

HSL 56.39, 0.78%, 0.21%

LAB 37.43, -7.22, 41.27

 

CMYK 0 / 5 / 87 / 49

HEX #837C11

RGB 131 124 17

HSL 56.32, 0.77%, 0.29%

LAB 51.01, -8.98, 52.73

 

CMYK 0 / 5 / 87 / 34

HEX #A89F16

RGB 168 159 22

HSL 56.3, 0.77%, 0.37%

LAB 64.31, -10.74, 63.86

 

CMYK 0 / 5 / 87 / 63

HEX #5E590C

RGB 94 89 12

HSL 56.34, 0.77%, 0.21%

LAB 37.02, -7.13, 40.89

 

CMYK 87 / 0 / 76 / 63

HEX #0C5F17

RGB 12 95 23

HSL 127.95, 0.78%, 0.21%

LAB 34.65, -38.81, 32.97

 

CMYK 41 / 87 / 0 / 63

HEX #380C5F

RGB 56 12 95

HSL 271.81, 0.78%, 0.21%

LAB 15.12, 37.27, -39.49

 

CMYK 0 / 5 / 87 / 63

HEX #5E590C

RGB 94 89 12

HSL 56.34, 0.77%, 0.21%

LAB 37.02, -7.13, 40.89

 

CMYK 87 / 0 / 6 / 63

HEX #0C5F59

RGB 12 95 89

HSL 175.66, 0.78%, 0.21%

LAB 35.95, -24.33, -3.2

 

CMYK 6 / 87 / 0 / 63

HEX #590C5F

RGB 89 12 95

HSL 295.66, 0.78%, 0.21%

LAB 20.88, 43.58, -29.89

 

CMYK 0 / 5 / 87 / 63

HEX #5E590C

RGB 94 89 12

HSL 56.34, 0.77%, 0.21%

LAB 37.02, -7.13, 40.89

 

CMYK 87 / 0 / 76 / 63

HEX #0C5F17

RGB 12 95 23

HSL 127.95, 0.78%, 0.21%

LAB 34.65, -38.81, 32.97

 

CMYK 87 / 81 / 0 / 63

HEX #0C125F

RGB 12 18 95

HSL 235.66, 0.78%, 0.21%

LAB 11.53, 28.7, -45.56

 

CMYK 0 / 87 / 12 / 63

HEX #5F0C54

RGB 95 12 84

HSL 307.95, 0.78%, 0.21%

LAB 21.34, 43, -21.73

 

CMYK 0 / 5 / 87 / 63

HEX #5E590C

RGB 94 89 12

HSL 56.34, 0.77%, 0.21%

LAB 37.02, -7.13, 40.89

 

CMYK 87 / 0 / 49 / 63

HEX #0C5F30

RGB 12 95 48

HSL 146.02, 0.78%, 0.21%

LAB 34.96, -35.11, 20.38

 

CMYK 87 / 81 / 0 / 63

HEX #0C125F

RGB 12 18 95

HSL 235.66, 0.78%, 0.21%

LAB 11.53, 28.7, -45.56

 

CMYK 0 / 87 / 38 / 63

HEX #5F0C3B

RGB 95 12 59

HSL 326.02, 0.78%, 0.21%

LAB 20.09, 39.46, -6.52

 

Description

Color code: HEX #5E590C | qconv.com Color code: HEX #5E590C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 89 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 89 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 87 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 87% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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