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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E5879 it is the complementary color #A1A786. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E5879. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E5879 shade: #635874, #746A87, #857C9A, #968EAD and #A7A0C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E5879. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E5879 shade: #5E5879, #4D4666, #3C3453, #2B2240 and #1A102D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E5879 shade: #5E5879, #675879, #705879, #795879 and #795871

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E5879 shade: #5E5879 and #585879

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E5879 shade matches the following richer shades: #5E5879, #53478A, #48369B, #3E25AC and #3314BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E5879 shade: #5E5879, #696968, #737A57, #7E8B47 and #899B36

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E5879 shade: #586479, #585B79, #5D5879, #665879 and #6F5879

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E5879 shade: #393549, #4B4661, #5E5879, #706991 and #8780A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E5879 shade: #5E5879, #79586D and #607958

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E5879 shade: #5E5879, #795D58 and #58795D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E5879 shade: #5E5879, #79586D, #747958 and #587964

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E5879 shade: #5E5879, #795863, #747958 and #58796E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 27 / 0 / 53

HEX #5E5879

RGB 94 88 121

HSL 250.91, 0.16%, 0.41%

LAB 39.14, 10.04, -17.77

 

Complementary color

CMYK 4 / 0 / 20 / 35

HEX #A1A786

RGB 161 167 134

HSL 70.91, 0.16%, 0.59%

LAB 67.23, -7.96, 16.38

 

CMYK 15 / 24 / 0 / 55

HEX #635874

RGB 99 88 116

HSL 263.57, 0.14%, 0.4%

LAB 39.4, 10.55, -14.26

 

CMYK 14 / 21 / 0 / 47

HEX #746A87

RGB 116 106 135

HSL 260.69, 0.12%, 0.47%

LAB 46.67, 10.07, -14.55

 

CMYK 14 / 19 / 0 / 40

HEX #857C9A

RGB 133 124 154

HSL 258, 0.13%, 0.55%

LAB 53.74, 9.65, -14.86

 

CMYK 13 / 18 / 0 / 32

HEX #968EAD

RGB 150 142 173

HSL 255.48, 0.16%, 0.62%

LAB 60.65, 9.28, -15.19

 

CMYK 13 / 17 / 0 / 25

HEX #A7A0C0

RGB 167 160 192

HSL 253.13, 0.2%, 0.69%

LAB 67.4, 8.93, -15.53

 

CMYK 22 / 27 / 0 / 53

HEX #5E5879

RGB 94 88 121

HSL 250.91, 0.16%, 0.41%

LAB 39.14, 10.04, -17.77

 

CMYK 25 / 31 / 0 / 60

HEX #4D4666

RGB 77 70 102

HSL 253.13, 0.19%, 0.34%

LAB 31.62, 10.62, -17.63

 

CMYK 28 / 37 / 0 / 67

HEX #3C3453

RGB 60 52 83

HSL 255.48, 0.23%, 0.26%

LAB 23.81, 11.32, -17.57

 

CMYK 33 / 47 / 0 / 75

HEX #2B2240

RGB 43 34 64

HSL 258, 0.31%, 0.19%

LAB 15.63, 12.23, -17.6

 

CMYK 42 / 64 / 0 / 82

HEX #1A102D

RGB 26 16 45

HSL 260.69, 0.48%, 0.12%

LAB 7.04, 13.26, -17.69

 

CMYK 22 / 27 / 0 / 53

HEX #5E5879

RGB 94 88 121

HSL 250.91, 0.16%, 0.41%

LAB 39.14, 10.04, -17.77

 

CMYK 15 / 27 / 0 / 53

HEX #675879

RGB 103 88 121

HSL 267.27, 0.16%, 0.41%

LAB 39.99, 13.18, -16.39

 

CMYK 7 / 27 / 0 / 53

HEX #705879

RGB 112 88 121

HSL 283.64, 0.16%, 0.41%

LAB 40.9, 16.39, -14.91

 

CMYK 0 / 27 / 0 / 53

HEX #795879

RGB 121 88 121

HSL 300, 0.16%, 0.41%

LAB 41.88, 19.65, -13.33

 

CMYK 0 / 27 / 7 / 53

HEX #795871

RGB 121 88 113

HSL 314.55, 0.16%, 0.41%

LAB 41.59, 18.04, -8.88

 

CMYK 22 / 27 / 0 / 53

HEX #5E5879

RGB 94 88 121

HSL 250.91, 0.16%, 0.41%

LAB 39.14, 10.04, -17.77

 

CMYK 27 / 27 / 0 / 53

HEX #585879

RGB 88 88 121

HSL 240, 0.16%, 0.41%

LAB 38.61, 8.01, -18.63

 

CMYK 22 / 27 / 0 / 53

HEX #5E5879

RGB 94 88 121

HSL 250.91, 0.16%, 0.41%

LAB 39.14, 10.04, -17.77

 

CMYK 40 / 49 / 0 / 46

HEX #53478A

RGB 83 71 138

HSL 250.75, 0.32%, 0.41%

LAB 34.36, 22.16, -35.77

 

CMYK 54 / 65 / 0 / 39

HEX #48369B

RGB 72 54 155

HSL 250.69, 0.48%, 0.41%

LAB 30.36, 35.5, -52.66

 

CMYK 64 / 78 / 0 / 33

HEX #3E25AC

RGB 62 37 172

HSL 251.11, 0.65%, 0.41%

LAB 27.64, 48.67, -67.42

 

CMYK 73 / 89 / 0 / 26

HEX #3314BD

RGB 51 20 189

HSL 251.01, 0.81%, 0.41%

LAB 26.39, 59.49, -79.68

 

CMYK 22 / 27 / 0 / 53

HEX #5E5879

RGB 94 88 121

HSL 250.91, 0.16%, 0.41%

LAB 39.14, 10.04, -17.77

 

CMYK 0 / 0 / 1 / 59

HEX #696968

RGB 105 105 104

HSL 60, 0%, 0.41%

LAB 44.38, -0.2, 0.56

 

CMYK 6 / 0 / 29 / 52

HEX #737A57

RGB 115 122 87

HSL 72, 0.17%, 0.41%

LAB 49.8, -8.99, 18.34

 

CMYK 9 / 0 / 49 / 45

HEX #7E8B47

RGB 126 139 71

HSL 71.47, 0.32%, 0.41%

LAB 55.44, -15.7, 34.56

 

CMYK 12 / 0 / 65 / 39

HEX #899B36

RGB 137 155 54

HSL 70.69, 0.48%, 0.41%

LAB 60.81, -20.83, 49.02

 

CMYK 27 / 17 / 0 / 53

HEX #586479

RGB 88 100 121

HSL 218.18, 0.16%, 0.41%

LAB 42.11, 0.6, -13.28

 

CMYK 27 / 25 / 0 / 53

HEX #585B79

RGB 88 91 121

HSL 234.55, 0.16%, 0.41%

LAB 39.47, 6.14, -17.3

 

CMYK 23 / 27 / 0 / 53

HEX #5D5879

RGB 93 88 121

HSL 249.09, 0.16%, 0.41%

LAB 39.05, 9.7, -17.92

 

CMYK 16 / 27 / 0 / 53

HEX #665879

RGB 102 88 121

HSL 265.45, 0.16%, 0.41%

LAB 39.89, 12.82, -16.55

 

CMYK 8 / 27 / 0 / 53

HEX #6F5879

RGB 111 88 121

HSL 281.82, 0.16%, 0.41%

LAB 40.8, 16.03, -15.08

 

CMYK 22 / 27 / 0 / 71

HEX #393549

RGB 57 53 73

HSL 252, 0.16%, 0.25%

LAB 23.33, 6.73, -11.68

 

CMYK 23 / 28 / 0 / 62

HEX #4B4661

RGB 75 70 97

HSL 251.11, 0.16%, 0.33%

LAB 31.21, 8.57, -15.1

 

CMYK 22 / 27 / 0 / 53

HEX #5E5879

RGB 94 88 121

HSL 250.91, 0.16%, 0.41%

LAB 39.14, 10.04, -17.77

 

CMYK 23 / 28 / 0 / 43

HEX #706991

RGB 112 105 145

HSL 250.5, 0.16%, 0.49%

LAB 46.43, 11.74, -20.9

 

CMYK 17 / 21 / 0 / 36

HEX #8780A3

RGB 135 128 163

HSL 252, 0.16%, 0.57%

LAB 55.31, 10.06, -17.68

 

CMYK 22 / 27 / 0 / 53

HEX #5E5879

RGB 94 88 121

HSL 250.91, 0.16%, 0.41%

LAB 39.14, 10.04, -17.77

 

CMYK 0 / 27 / 10 / 53

HEX #79586D

RGB 121 88 109

HSL 321.82, 0.16%, 0.41%

LAB 41.45, 17.27, -6.64

 

CMYK 21 / 0 / 27 / 53

HEX #607958

RGB 96 121 88

HSL 105.45, 0.16%, 0.41%

LAB 48.09, -15.88, 15.2

 

CMYK 22 / 27 / 0 / 53

HEX #5E5879

RGB 94 88 121

HSL 250.91, 0.16%, 0.41%

LAB 39.14, 10.04, -17.77

 

CMYK 0 / 23 / 27 / 53

HEX #795D58

RGB 121 93 88

HSL 9.09, 0.16%, 0.41%

LAB 42.15, 10.62, 7.26

 

CMYK 27 / 0 / 23 / 53

HEX #58795D

RGB 88 121 93

HSL 129.09, 0.16%, 0.41%

LAB 47.67, -17.92, 11.63

 

CMYK 22 / 27 / 0 / 53

HEX #5E5879

RGB 94 88 121

HSL 250.91, 0.16%, 0.41%

LAB 39.14, 10.04, -17.77

 

CMYK 0 / 27 / 10 / 53

HEX #79586D

RGB 121 88 109

HSL 321.82, 0.16%, 0.41%

LAB 41.45, 17.27, -6.64

 

CMYK 4 / 0 / 27 / 53

HEX #747958

RGB 116 121 88

HSL 69.09, 0.16%, 0.41%

LAB 49.61, -7.86, 17.52

 

CMYK 27 / 0 / 17 / 53

HEX #587964

RGB 88 121 100

HSL 141.82, 0.16%, 0.41%

LAB 47.84, -16.49, 7.75

 

CMYK 22 / 27 / 0 / 53

HEX #5E5879

RGB 94 88 121

HSL 250.91, 0.16%, 0.41%

LAB 39.14, 10.04, -17.77

 

CMYK 0 / 27 / 18 / 53

HEX #795863

RGB 121 88 99

HSL 340, 0.16%, 0.41%

LAB 41.13, 15.45, -0.96

 

CMYK 4 / 0 / 27 / 53

HEX #747958

RGB 116 121 88

HSL 69.09, 0.16%, 0.41%

LAB 49.61, -7.86, 17.52

 

CMYK 27 / 0 / 9 / 53

HEX #58796E

RGB 88 121 110

HSL 160, 0.16%, 0.41%

LAB 48.1, -14.3, 2.22

 

Description

Color code: HEX #5E5879 | qconv.com Color code: HEX #5E5879 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 88 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 88 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 27 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 27% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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