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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E582A it is the complementary color #A1A7D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E582A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E582A shade: #635825, #746A38, #857C4B, #968E5E and #A7A071

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E582A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E582A shade: #5E582A, #4D4617, #3C3404, #2B2200 and #1A1000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E582A shade: #5F592B, #5F4B2B, #5F3D2B, #5F2F2B and #5F2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E582A shade: #5F592B, #575F2B, #495F2B, #3B5F2B and #2D5F2B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E582A shade matches the following richer shades: #5F592B, #6A6220, #756A14 and #807309

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E582A shade: #5F592B, #545036, #494841, #3E3F4C and #323757

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E582A shade: #5F3D2B, #5F4B2B, #5F592B, #575F2B and #495F2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E582A shade: #262411, #433E1E, #5F592B, #7B7437 and #988E44

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E582A shade: #5E582A, #2B5F2F and #442B5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E582A shade: #5E582A, #2B5F59 and #592B5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E582A shade: #5E582A, #2B5F2F, #2B315F and #5F2B5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E582A shade: #5E582A, #2B5F3F, #2B315F and #5F2B4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 55 / 63

HEX #5E582A

RGB 94 88 42

HSL 53.08, 0.38%, 0.27%

LAB 36.98, -4.55, 27.27

 

Complementary color

CMYK 24 / 22 / 0 / 16

HEX #A1A7D5

RGB 161 167 213

HSL 233.08, 0.38%, 0.73%

LAB 69.48, 7.87, -24.02

 

CMYK 0 / 11 / 63 / 61

HEX #635825

RGB 99 88 37

HSL 49.35, 0.46%, 0.27%

LAB 37.42, -2.62, 30.62

 

CMYK 0 / 9 / 52 / 55

HEX #746A38

RGB 116 106 56

HSL 50, 0.35%, 0.34%

LAB 44.67, -3.43, 29.29

 

CMYK 0 / 7 / 44 / 48

HEX #857C4B

RGB 133 124 75

HSL 50.69, 0.28%, 0.41%

LAB 51.74, -4.03, 27.95

 

CMYK 0 / 5 / 37 / 41

HEX #968E5E

RGB 150 142 94

HSL 51.43, 0.23%, 0.48%

LAB 58.64, -4.5, 26.67

 

CMYK 0 / 4 / 32 / 35

HEX #A7A071

RGB 167 160 113

HSL 52.22, 0.23%, 0.55%

LAB 65.4, -4.88, 25.46

 

CMYK 0 / 6 / 55 / 63

HEX #5E582A

RGB 94 88 42

HSL 53.08, 0.38%, 0.27%

LAB 36.98, -4.55, 27.27

 

CMYK 0 / 9 / 70 / 70

HEX #4D4617

RGB 77 70 23

HSL 52.22, 0.54%, 0.2%

LAB 29.46, -3.68, 28.52

 

CMYK 0 / 13 / 93 / 76

HEX #3C3404

RGB 60 52 4

HSL 51.43, 0.88%, 0.13%

LAB 21.67, -2.4, 28.61

 

CMYK 0 / 21 / 100 / 83

HEX #2B2200

RGB 43 34 0

HSL 47.44, 1%, 0.08%

LAB 13.58, -0.2, 20.01

 

CMYK 0 / 38 / 100 / 90

HEX #1A1000

RGB 26 16 0

HSL 36.92, 1%, 0.05%

LAB 5.33, 2.06, 8.02

 

CMYK 0 / 6 / 55 / 63

HEX #5F592B

RGB 95 89 43

HSL 53.08, 0.38%, 0.27%

LAB 37.39, -4.57, 27.23

 

CMYK 0 / 21 / 55 / 63

HEX #5F4B2B

RGB 95 75 43

HSL 36.92, 0.38%, 0.27%

LAB 33.22, 3.92, 22.16

 

CMYK 0 / 36 / 55 / 63

HEX #5F3D2B

RGB 95 61 43

HSL 20.77, 0.38%, 0.27%

LAB 29.27, 12.67, 17.16

 

CMYK 0 / 51 / 55 / 63

HEX #5F2F2B

RGB 95 47 43

HSL 4.62, 0.38%, 0.27%

LAB 25.68, 21.29, 12.45

 

CMYK 0 / 55 / 55 / 63

HEX #5F2B2B

RGB 95 43 43

HSL 0, 0.38%, 0.27%

LAB 24.75, 23.65, 11.19

 

CMYK 0 / 6 / 55 / 63

HEX #5F592B

RGB 95 89 43

HSL 53.08, 0.38%, 0.27%

LAB 37.39, -4.57, 27.23

 

CMYK 8 / 0 / 55 / 63

HEX #575F2B

RGB 87 95 43

HSL 69.23, 0.38%, 0.27%

LAB 38.52, -11.79, 28.4

 

CMYK 23 / 0 / 55 / 63

HEX #495F2B

RGB 73 95 43

HSL 85.38, 0.38%, 0.27%

LAB 37.44, -18.03, 26.84

 

CMYK 38 / 0 / 55 / 63

HEX #3B5F2B

RGB 59 95 43

HSL 101.54, 0.38%, 0.27%

LAB 36.53, -23.75, 25.54

 

CMYK 53 / 0 / 55 / 63

HEX #2D5F2B

RGB 45 95 43

HSL 117.69, 0.38%, 0.27%

LAB 35.82, -28.7, 24.51

 

CMYK 0 / 6 / 55 / 63

HEX #5F592B

RGB 95 89 43

HSL 53.08, 0.38%, 0.27%

LAB 37.39, -4.57, 27.23

 

CMYK 0 / 8 / 70 / 58

HEX #6A6220

RGB 106 98 32

HSL 53.51, 0.54%, 0.27%

LAB 41.06, -5.5, 37.27

 

CMYK 0 / 9 / 83 / 54

HEX #756A14

RGB 117 106 20

HSL 53.2, 0.71%, 0.27%

LAB 44.43, -5.43, 45.69

 

CMYK 0 / 10 / 93 / 50

HEX #807309

RGB 128 115 9

HSL 53.45, 0.87%, 0.27%

LAB 48.1, -5.58, 52.05

 

CMYK 0 / 6 / 55 / 63

HEX #5F592B

RGB 95 89 43

HSL 53.08, 0.38%, 0.27%

LAB 37.39, -4.57, 27.23

 

CMYK 0 / 5 / 36 / 67

HEX #545036

RGB 84 80 54

HSL 52, 0.22%, 0.27%

LAB 33.75, -2.97, 15.95

 

CMYK 0 / 1 / 11 / 71

HEX #494841

RGB 73 72 65

HSL 52.5, 0.06%, 0.27%

LAB 30.48, -1.04, 4.35

 

CMYK 18 / 17 / 0 / 70

HEX #3E3F4C

RGB 62 63 76

HSL 235.71, 0.1%, 0.27%

LAB 27.02, 2.77, -8.01

 

CMYK 43 / 37 / 0 / 66

HEX #323757

RGB 50 55 87

HSL 231.89, 0.27%, 0.27%

LAB 23.99, 7.17, -19.98

 

CMYK 0 / 36 / 55 / 63

HEX #5F3D2B

RGB 95 61 43

HSL 20.77, 0.38%, 0.27%

LAB 29.27, 12.67, 17.16

 

CMYK 0 / 21 / 55 / 63

HEX #5F4B2B

RGB 95 75 43

HSL 36.92, 0.38%, 0.27%

LAB 33.22, 3.92, 22.16

 

CMYK 0 / 6 / 55 / 63

HEX #5F592B

RGB 95 89 43

HSL 53.08, 0.38%, 0.27%

LAB 37.39, -4.57, 27.23

 

CMYK 8 / 0 / 55 / 63

HEX #575F2B

RGB 87 95 43

HSL 69.23, 0.38%, 0.27%

LAB 38.52, -11.79, 28.4

 

CMYK 23 / 0 / 55 / 63

HEX #495F2B

RGB 73 95 43

HSL 85.38, 0.38%, 0.27%

LAB 37.44, -18.03, 26.84

 

CMYK 0 / 5 / 55 / 85

HEX #262411

RGB 38 36 17

HSL 54.29, 0.38%, 0.11%

LAB 13.91, -2.64, 12.82

 

CMYK 0 / 7 / 55 / 74

HEX #433E1E

RGB 67 62 30

HSL 51.89, 0.38%, 0.19%

LAB 25.96, -3.08, 20.32

 

CMYK 0 / 6 / 55 / 63

HEX #5F592B

RGB 95 89 43

HSL 53.08, 0.38%, 0.27%

LAB 37.39, -4.57, 27.23

 

CMYK 0 / 6 / 55 / 52

HEX #7B7437

RGB 123 116 55

HSL 53.82, 0.38%, 0.35%

LAB 48.23, -6.04, 34.24

 

CMYK 0 / 7 / 55 / 40

HEX #988E44

RGB 152 142 68

HSL 52.86, 0.38%, 0.43%

LAB 58.45, -6.36, 40.21

 

CMYK 0 / 6 / 55 / 63

HEX #5E582A

RGB 94 88 42

HSL 53.08, 0.38%, 0.27%

LAB 36.98, -4.55, 27.27

 

CMYK 55 / 0 / 51 / 63

HEX #2B5F2F

RGB 43 95 47

HSL 124.62, 0.38%, 0.27%

LAB 35.8, -28.69, 22.2

 

CMYK 28 / 55 / 0 / 63

HEX #442B5F

RGB 68 43 95

HSL 268.85, 0.38%, 0.27%

LAB 22.94, 23.34, -26.78

 

CMYK 0 / 6 / 55 / 63

HEX #5E582A

RGB 94 88 42

HSL 53.08, 0.38%, 0.27%

LAB 36.98, -4.55, 27.27

 

CMYK 55 / 0 / 6 / 63

HEX #2B5F59

RGB 43 95 89

HSL 173.08, 0.38%, 0.27%

LAB 36.78, -19, -1.88

 

CMYK 6 / 55 / 0 / 63

HEX #592B5F

RGB 89 43 95

HSL 293.08, 0.38%, 0.27%

LAB 25.8, 29.92, -22.08

 

CMYK 0 / 6 / 55 / 63

HEX #5E582A

RGB 94 88 42

HSL 53.08, 0.38%, 0.27%

LAB 36.98, -4.55, 27.27

 

CMYK 55 / 0 / 51 / 63

HEX #2B5F2F

RGB 43 95 47

HSL 124.62, 0.38%, 0.27%

LAB 35.8, -28.69, 22.2

 

CMYK 55 / 48 / 0 / 63

HEX #2B315F

RGB 43 49 95

HSL 233.08, 0.38%, 0.27%

LAB 22.08, 12.09, -28.31

 

CMYK 0 / 55 / 4 / 63

HEX #5F2B5B

RGB 95 43 91

HSL 304.62, 0.38%, 0.27%

LAB 26.49, 31.02, -18.31

 

CMYK 0 / 6 / 55 / 63

HEX #5E582A

RGB 94 88 42

HSL 53.08, 0.38%, 0.27%

LAB 36.98, -4.55, 27.27

 

CMYK 55 / 0 / 34 / 63

HEX #2B5F3F

RGB 43 95 63

HSL 143.08, 0.38%, 0.27%

LAB 36.09, -25.61, 13.14

 

CMYK 55 / 48 / 0 / 63

HEX #2B315F

RGB 43 49 95

HSL 233.08, 0.38%, 0.27%

LAB 22.08, 12.09, -28.31

 

CMYK 0 / 55 / 21 / 63

HEX #5F2B4B

RGB 95 43 75

HSL 323.08, 0.38%, 0.27%

LAB 25.77, 28.07, -8.85

 

Description

Color code: HEX #5E582A | qconv.com Color code: HEX #5E582A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 88 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 88 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 55 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 55% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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