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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E57C9 it is the complementary color #A1A836. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E57C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E57C9 shade: #6357C4, #7469D7, #857BEA, #968DFD and #A79FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E57C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E57C9 shade: #5E57C9, #4D45B6, #3C33A3, #2B2190 and #1A0F7D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E57C9 shade: #5D56C8, #7B56C8, #9A56C8, #B956C8 and #C856B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E57C9 shade: #5D56C8 and #5656C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E57C9 shade matches the following richer shades: #5D56C8, #4D43DA, #3D31EC and #2D1FFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E57C9 shade: #5D56C8, #6D68B6, #7C7AA4, #8C8C92 and #9C9E7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E57C9 shade: #568DC8, #566EC8, #5B56C8, #7A56C8 and #9856C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E57C9 shade: #383299, #443CB8, #5D56C8, #7A75D2 and #9894DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E57C9 shade: #5E57C9, #C856AB and #7EC856

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E57C9 shade: #5E57C9, #C85B56 and #56C85B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E57C9 shade: #5E57C9, #C856AB, #C2C856 and #56C872

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E57C9 shade: #5E57C9, #C85689, #C2C856 and #56C895

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 57 / 0 / 21

HEX #5E57C9

RGB 94 87 201

HSL 243.68, 0.51%, 0.56%

LAB 43.38, 34.17, -58.69

 

Complementary color

CMYK 4 / 0 / 68 / 34

HEX #A1A836

RGB 161 168 54

HSL 63.68, 0.51%, 0.44%

LAB 66.4, -17.17, 55.4

 

CMYK 49 / 56 / 0 / 23

HEX #6357C4

RGB 99 87 196

HSL 246.61, 0.48%, 0.55%

LAB 43.44, 33.65, -55.68

 

CMYK 46 / 51 / 0 / 16

HEX #7469D7

RGB 116 105 215

HSL 246, 0.58%, 0.63%

LAB 50.36, 32.26, -55.37

 

CMYK 43 / 47 / 0 / 8

HEX #857BEA

RGB 133 123 234

HSL 245.41, 0.73%, 0.7%

LAB 57.17, 31.04, -55.09

 

CMYK 41 / 44 / 0 / 1

HEX #968DFD

RGB 150 141 253

HSL 244.82, 0.97%, 0.77%

LAB 63.86, 29.96, -54.84

 

CMYK 35 / 38 / 0 / 0

HEX #A79FFF

RGB 167 159 255

HSL 245, 1%, 0.81%

LAB 69.63, 24.54, -46.71

 

CMYK 53 / 57 / 0 / 21

HEX #5E57C9

RGB 94 87 201

HSL 243.68, 0.51%, 0.56%

LAB 43.38, 34.17, -58.69

 

CMYK 58 / 62 / 0 / 29

HEX #4D45B6

RGB 77 69 182

HSL 244.25, 0.45%, 0.49%

LAB 36.39, 35.91, -59

 

CMYK 63 / 69 / 0 / 36

HEX #3C33A3

RGB 60 51 163

HSL 244.82, 0.52%, 0.42%

LAB 29.34, 37.88, -59.21

 

CMYK 70 / 77 / 0 / 44

HEX #2B2190

RGB 43 33 144

HSL 245.41, 0.63%, 0.35%

LAB 22.36, 39.92, -59.11

 

CMYK 79 / 88 / 0 / 51

HEX #1A0F7D

RGB 26 15 125

HSL 246, 0.79%, 0.27%

LAB 15.71, 41.48, -58.2

 

CMYK 54 / 57 / 0 / 22

HEX #5D56C8

RGB 93 86 200

HSL 243.68, 0.51%, 0.56%

LAB 42.99, 34.27, -58.74

 

CMYK 39 / 57 / 0 / 22

HEX #7B56C8

RGB 123 86 200

HSL 259.47, 0.51%, 0.56%

LAB 45.68, 40.75, -54.26

 

CMYK 23 / 57 / 0 / 22

HEX #9A56C8

RGB 154 86 200

HSL 275.79, 0.51%, 0.56%

LAB 49.12, 48.3, -48.56

 

CMYK 8 / 57 / 0 / 22

HEX #B956C8

RGB 185 86 200

HSL 292.11, 0.51%, 0.56%

LAB 53.1, 56.25, -41.99

 

CMYK 0 / 57 / 8 / 22

HEX #C856B8

RGB 200 86 184

HSL 308.42, 0.51%, 0.56%

LAB 54.44, 57.45, -30.53

 

CMYK 54 / 57 / 0 / 22

HEX #5D56C8

RGB 93 86 200

HSL 243.68, 0.51%, 0.56%

LAB 42.99, 34.27, -58.74

 

CMYK 57 / 57 / 0 / 22

HEX #5656C8

RGB 86 86 200

HSL 240, 0.51%, 0.56%

LAB 42.47, 32.93, -59.62

 

CMYK 54 / 57 / 0 / 22

HEX #5D56C8

RGB 93 86 200

HSL 243.68, 0.51%, 0.56%

LAB 42.99, 34.27, -58.74

 

CMYK 65 / 69 / 0 / 15

HEX #4D43DA

RGB 77 67 218

HSL 243.97, 0.67%, 0.56%

LAB 38.99, 48.62, -75.68

 

CMYK 74 / 79 / 0 / 7

HEX #3D31EC

RGB 61 49 236

HSL 243.85, 0.83%, 0.56%

LAB 36.45, 61.91, -90.18

 

CMYK 82 / 88 / 0 / 0

HEX #2D1FFE

RGB 45 31 254

HSL 243.77, 0.99%, 0.56%

LAB 35.39, 73.2, -102.12

 

CMYK 54 / 57 / 0 / 22

HEX #5D56C8

RGB 93 86 200

HSL 243.68, 0.51%, 0.56%

LAB 42.99, 34.27, -58.74

 

CMYK 40 / 43 / 0 / 29

HEX #6D68B6

RGB 109 104 182

HSL 243.85, 0.35%, 0.56%

LAB 47.66, 21.5, -40.75

 

CMYK 24 / 26 / 0 / 36

HEX #7C7AA4

RGB 124 122 164

HSL 242.86, 0.19%, 0.56%

LAB 52.82, 10.22, -22.15

 

CMYK 4 / 4 / 0 / 43

HEX #8C8C92

RGB 140 140 146

HSL 240, 0.03%, 0.56%

LAB 58.42, 1.2, -3.19

 

CMYK 1 / 0 / 20 / 38

HEX #9C9E7F

RGB 156 158 127

HSL 63.87, 0.14%, 0.56%

LAB 64.2, -6.16, 16

 

CMYK 57 / 30 / 0 / 22

HEX #568DC8

RGB 86 141 200

HSL 211.05, 0.51%, 0.56%

LAB 57.27, -0.71, -36.04

 

CMYK 57 / 45 / 0 / 22

HEX #566EC8

RGB 86 110 200

HSL 227.37, 0.51%, 0.56%

LAB 48.64, 17.99, -49.69

 

CMYK 55 / 57 / 0 / 22

HEX #5B56C8

RGB 91 86 200

HSL 242.63, 0.51%, 0.56%

LAB 42.84, 33.88, -59

 

CMYK 39 / 57 / 0 / 22

HEX #7A56C8

RGB 122 86 200

HSL 258.95, 0.51%, 0.56%

LAB 45.58, 40.52, -54.43

 

CMYK 24 / 57 / 0 / 22

HEX #9856C8

RGB 152 86 200

HSL 274.74, 0.51%, 0.56%

LAB 48.89, 47.79, -48.95

 

CMYK 63 / 67 / 0 / 40

HEX #383299

RGB 56 50 153

HSL 243.5, 0.51%, 0.4%

LAB 27.9, 34.54, -55.5

 

CMYK 63 / 67 / 0 / 28

HEX #443CB8

RGB 68 60 184

HSL 243.87, 0.51%, 0.48%

LAB 33.82, 40.56, -64.4

 

CMYK 54 / 57 / 0 / 22

HEX #5D56C8

RGB 93 86 200

HSL 243.68, 0.51%, 0.56%

LAB 42.99, 34.27, -58.74

 

CMYK 42 / 44 / 0 / 18

HEX #7A75D2

RGB 122 117 210

HSL 243.23, 0.51%, 0.64%

LAB 53.51, 25.06, -47.48

 

CMYK 31 / 33 / 0 / 14

HEX #9894DC

RGB 152 148 220

HSL 243.33, 0.51%, 0.72%

LAB 64.18, 17.69, -36.13

 

CMYK 53 / 57 / 0 / 21

HEX #5E57C9

RGB 94 87 201

HSL 243.68, 0.51%, 0.56%

LAB 43.38, 34.17, -58.69

 

CMYK 0 / 57 / 15 / 22

HEX #C856AB

RGB 200 86 171

HSL 315.26, 0.51%, 0.56%

LAB 53.89, 55.39, -23.84

 

CMYK 37 / 0 / 57 / 22

HEX #7EC856

RGB 126 200 86

HSL 98.95, 0.51%, 0.56%

LAB 73.81, -43.19, 49.02

 

CMYK 53 / 57 / 0 / 21

HEX #5E57C9

RGB 94 87 201

HSL 243.68, 0.51%, 0.56%

LAB 43.38, 34.17, -58.69

 

CMYK 0 / 55 / 57 / 22

HEX #C85B56

RGB 200 91 86

HSL 2.63, 0.51%, 0.56%

LAB 52.32, 43.04, 24.07

 

CMYK 57 / 0 / 55 / 22

HEX #56C85B

RGB 86 200 91

HSL 122.63, 0.51%, 0.56%

LAB 72.26, -54.27, 44.46

 

CMYK 53 / 57 / 0 / 21

HEX #5E57C9

RGB 94 87 201

HSL 243.68, 0.51%, 0.56%

LAB 43.38, 34.17, -58.69

 

CMYK 0 / 57 / 15 / 22

HEX #C856AB

RGB 200 86 171

HSL 315.26, 0.51%, 0.56%

LAB 53.89, 55.39, -23.84

 

CMYK 3 / 0 / 57 / 22

HEX #C2C856

RGB 194 200 86

HSL 63.16, 0.51%, 0.56%

LAB 78.14, -17.29, 55.1

 

CMYK 57 / 0 / 43 / 22

HEX #56C872

RGB 86 200 114

HSL 134.74, 0.51%, 0.56%

LAB 72.56, -50.92, 33.48

 

CMYK 53 / 57 / 0 / 21

HEX #5E57C9

RGB 94 87 201

HSL 243.68, 0.51%, 0.56%

LAB 43.38, 34.17, -58.69

 

CMYK 0 / 57 / 32 / 22

HEX #C85689

RGB 200 86 137

HSL 333.16, 0.51%, 0.56%

LAB 52.66, 50.64, -5.69

 

CMYK 3 / 0 / 57 / 22

HEX #C2C856

RGB 194 200 86

HSL 63.16, 0.51%, 0.56%

LAB 78.14, -17.29, 55.1

 

CMYK 57 / 0 / 26 / 22

HEX #56C895

RGB 86 200 149

HSL 153.16, 0.51%, 0.56%

LAB 73.19, -44.33, 15.96

 

Description

Color code: HEX #5E57C9 | qconv.com Color code: HEX #5E57C9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 87 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 87 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 57 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 57% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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