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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E571B it is the complementary color #A1A8E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E571B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E571B shade: #635716, #746929, #857B3C, #968D4F and #A79F62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E571B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E571B shade: #5E571B, #4D4508, #3C3300, #2B2100 and #1A0F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E571B shade: #5F581C, #5F461C, #5F341C, #5F211C and #5F1C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E571B shade: #5F581C, #545F1C, #425F1C, #2F5F1C and #1D5F1C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E571B shade matches the following richer shades: #5F581C, #696012 and #736708

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E571B shade: #5F581C, #555025, #4B482F, #414039 and #373843

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E571B shade: #5F331C, #5F451C, #5F571C, #555F1C and #435F1C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E571B shade: #1F1D09, #3F3A12, #5F581C, #7F7525 and #9F932E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E571B shade: #5E571B, #1C5F21 and #3C1C5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E571B shade: #5E571B, #1C5F57 and #571C5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E571B shade: #5E571B, #1C5F21, #1C235F and #5F1C59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E571B shade: #5E571B, #1C5F35, #1C235F and #5F1C45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 71 / 63

HEX #5E571B

RGB 94 87 27

HSL 53.73, 0.55%, 0.24%

LAB 36.51, -5.2, 34.5

 

Complementary color

CMYK 29 / 26 / 0 / 11

HEX #A1A8E4

RGB 161 168 228

HSL 233.73, 0.55%, 0.76%

LAB 70.3, 10.95, -30.99

 

CMYK 0 / 12 / 78 / 61

HEX #635716

RGB 99 87 22

HSL 50.65, 0.64%, 0.24%

LAB 36.98, -3.04, 37.38

 

CMYK 0 / 9 / 65 / 55

HEX #746929

RGB 116 105 41

HSL 51.2, 0.48%, 0.31%

LAB 44.2, -4.17, 36.6

 

CMYK 0 / 8 / 55 / 48

HEX #857B3C

RGB 133 123 60

HSL 51.78, 0.38%, 0.38%

LAB 51.24, -5, 35.4

 

CMYK 0 / 6 / 47 / 41

HEX #968D4F

RGB 150 141 79

HSL 52.39, 0.31%, 0.45%

LAB 58.13, -5.65, 34.11

 

CMYK 0 / 5 / 41 / 35

HEX #A79F62

RGB 167 159 98

HSL 53.04, 0.28%, 0.52%

LAB 64.88, -6.15, 32.84

 

CMYK 0 / 7 / 71 / 63

HEX #5E571B

RGB 94 87 27

HSL 53.73, 0.55%, 0.24%

LAB 36.51, -5.2, 34.5

 

CMYK 0 / 10 / 90 / 70

HEX #4D4508

RGB 77 69 8

HSL 53.04, 0.81%, 0.17%

LAB 29.03, -3.91, 34.63

 

CMYK 0 / 15 / 100 / 76

HEX #3C3300

RGB 60 51 0

HSL 51, 1%, 0.12%

LAB 21.31, -1.99, 29.86

 

CMYK 0 / 23 / 100 / 83

HEX #2B2100

RGB 43 33 0

HSL 46.05, 1%, 0.08%

LAB 13.24, 0.5, 19.56

 

CMYK 0 / 42 / 100 / 90

HEX #1A0F00

RGB 26 15 0

HSL 34.62, 1%, 0.05%

LAB 5.07, 2.6, 7.64

 

CMYK 0 / 7 / 71 / 63

HEX #5F581C

RGB 95 88 28

HSL 53.73, 0.54%, 0.24%

LAB 36.92, -5.23, 34.49

 

CMYK 0 / 26 / 71 / 63

HEX #5F461C

RGB 95 70 28

HSL 37.61, 0.54%, 0.24%

LAB 31.57, 5.72, 28.77

 

CMYK 0 / 45 / 71 / 63

HEX #5F341C

RGB 95 52 28

HSL 21.49, 0.54%, 0.24%

LAB 26.66, 16.94, 23.23

 

CMYK 0 / 65 / 71 / 63

HEX #5F211C

RGB 95 33 28

HSL 4.48, 0.54%, 0.24%

LAB 22.32, 27.91, 18.06

 

CMYK 0 / 71 / 71 / 63

HEX #5F1C1C

RGB 95 28 28

HSL 0, 0.54%, 0.24%

LAB 21.38, 30.41, 16.91

 

CMYK 0 / 7 / 71 / 63

HEX #5F581C

RGB 95 88 28

HSL 53.73, 0.54%, 0.24%

LAB 36.92, -5.23, 34.49

 

CMYK 12 / 0 / 71 / 63

HEX #545F1C

RGB 84 95 28

HSL 69.85, 0.54%, 0.24%

LAB 38.12, -14.52, 35.42

 

CMYK 31 / 0 / 71 / 63

HEX #425F1C

RGB 66 95 28

HSL 85.97, 0.54%, 0.24%

LAB 36.79, -22.58, 33.63

 

CMYK 51 / 0 / 71 / 63

HEX #2F5F1C

RGB 47 95 28

HSL 102.99, 0.54%, 0.24%

LAB 35.74, -29.92, 32.19

 

CMYK 69 / 0 / 71 / 63

HEX #1D5F1C

RGB 29 95 28

HSL 119.1, 0.54%, 0.24%

LAB 35.06, -35.17, 31.26

 

CMYK 0 / 7 / 71 / 63

HEX #5F581C

RGB 95 88 28

HSL 53.73, 0.54%, 0.24%

LAB 36.92, -5.23, 34.49

 

CMYK 0 / 9 / 83 / 59

HEX #696012

RGB 105 96 18

HSL 53.79, 0.71%, 0.24%

LAB 40.27, -5.56, 42.2

 

CMYK 0 / 10 / 93 / 55

HEX #736708

RGB 115 103 8

HSL 53.27, 0.87%, 0.24%

LAB 43.3, -5.04, 47.96

 

CMYK 0 / 7 / 71 / 63

HEX #5F581C

RGB 95 88 28

HSL 53.73, 0.54%, 0.24%

LAB 36.92, -5.23, 34.49

 

CMYK 0 / 6 / 56 / 67

HEX #555025

RGB 85 80 37

HSL 53.75, 0.39%, 0.24%

LAB 33.57, -4.58, 25.8

HEX #555025

CMYK 0 / 4 / 37 / 71

HEX #4B482F

RGB 75 72 47

HSL 53.57, 0.23%, 0.24%

LAB 30.24, -3.25, 15.48

HEX #4B482F

CMYK 0 / 2 / 12 / 75

HEX #414039

RGB 65 64 57

HSL 52.5, 0.07%, 0.24%

LAB 26.98, -1.06, 4.43

HEX #414039

CMYK 18 / 16 / 0 / 74

HEX #373843

RGB 55 56 67

HSL 235, 0.1%, 0.24%

LAB 23.82, 2.31, -6.94

HEX #373843

CMYK 0 / 46 / 71 / 63

HEX #5F331C

RGB 95 51 28

HSL 20.6, 0.54%, 0.24%

LAB 26.4, 17.55, 22.93

 

CMYK 0 / 27 / 71 / 63

HEX #5F451C

RGB 95 69 28

HSL 36.72, 0.54%, 0.24%

LAB 31.28, 6.34, 28.46

 

CMYK 0 / 8 / 71 / 63

HEX #5F571C

RGB 95 87 28

HSL 52.84, 0.54%, 0.24%

LAB 36.62, -4.64, 34.18

 

CMYK 11 / 0 / 71 / 63

HEX #555F1C

RGB 85 95 28

HSL 68.96, 0.54%, 0.24%

LAB 38.2, -14.05, 35.54

 

CMYK 29 / 0 / 71 / 63

HEX #435F1C

RGB 67 95 28

HSL 85.07, 0.54%, 0.24%

LAB 36.86, -22.15, 33.72

 

CMYK 0 / 6 / 71 / 88

HEX #1F1D09

RGB 31 29 9

HSL 54.55, 0.55%, 0.08%

LAB 10.48, -2.65, 11.88

 

CMYK 0 / 8 / 71 / 75

HEX #3F3A12

RGB 63 58 18

HSL 53.33, 0.56%, 0.16%

LAB 24.09, -3.75, 24.91

 

CMYK 0 / 7 / 71 / 63

HEX #5F581C

RGB 95 88 28

HSL 53.73, 0.54%, 0.24%

LAB 36.92, -5.23, 34.49

 

CMYK 0 / 8 / 71 / 50

HEX #7F7525

RGB 127 117 37

HSL 53.33, 0.55%, 0.32%

LAB 48.72, -6.11, 43.54

 

CMYK 0 / 8 / 71 / 38

HEX #9F932E

RGB 159 147 46

HSL 53.63, 0.55%, 0.4%

LAB 60.28, -7.48, 52.39

 

CMYK 0 / 7 / 71 / 63

HEX #5E571B

RGB 94 87 27

HSL 53.73, 0.55%, 0.24%

LAB 36.51, -5.2, 34.5

 

CMYK 71 / 0 / 65 / 63

HEX #1C5F21

RGB 28 95 33

HSL 124.48, 0.54%, 0.24%

LAB 35.09, -34.8, 28.82

 

CMYK 37 / 71 / 0 / 63

HEX #3C1C5F

RGB 60 28 95

HSL 268.66, 0.54%, 0.24%

LAB 18.44, 30.32, -34.06

 

CMYK 0 / 7 / 71 / 63

HEX #5E571B

RGB 94 87 27

HSL 53.73, 0.55%, 0.24%

LAB 36.51, -5.2, 34.5

 

CMYK 71 / 0 / 8 / 63

HEX #1C5F57

RGB 28 95 87

HSL 172.84, 0.54%, 0.24%

LAB 36.21, -22.8, -1.53

 

CMYK 8 / 71 / 0 / 63

HEX #571C5F

RGB 87 28 95

HSL 292.84, 0.54%, 0.24%

LAB 22.59, 37.18, -27.17

 

CMYK 0 / 7 / 71 / 63

HEX #5E571B

RGB 94 87 27

HSL 53.73, 0.55%, 0.24%

LAB 36.51, -5.2, 34.5

 

CMYK 71 / 0 / 65 / 63

HEX #1C5F21

RGB 28 95 33

HSL 124.48, 0.54%, 0.24%

LAB 35.09, -34.8, 28.82

 

CMYK 71 / 63 / 0 / 63

HEX #1C235F

RGB 28 35 95

HSL 233.73, 0.54%, 0.24%

LAB 16.87, 18.85, -36.76

 

CMYK 0 / 71 / 6 / 63

HEX #5F1C59

RGB 95 28 89

HSL 305.37, 0.54%, 0.24%

LAB 23.62, 38.18, -21.48

 

CMYK 0 / 7 / 71 / 63

HEX #5E571B

RGB 94 87 27

HSL 53.73, 0.55%, 0.24%

LAB 36.51, -5.2, 34.5

 

CMYK 71 / 0 / 44 / 63

HEX #1C5F35

RGB 28 95 53

HSL 142.39, 0.54%, 0.24%

LAB 35.38, -31.47, 18.08

 

CMYK 71 / 63 / 0 / 63

HEX #1C235F

RGB 28 35 95

HSL 233.73, 0.54%, 0.24%

LAB 16.87, 18.85, -36.76

 

CMYK 0 / 71 / 27 / 63

HEX #5F1C45

RGB 95 28 69

HSL 323.28, 0.54%, 0.24%

LAB 22.63, 34.86, -9.57

 

Description

Color code: HEX #5E571B | qconv.com Color code: HEX #5E571B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 87 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 87 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 71 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 71% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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