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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E563D it is the complementary color #A1A9C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E563D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E563D shade: #635638, #74684B, #857A5E, #968C71 and #A79E84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E563D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E563D shade: #5E563D, #4D442A, #3C3217, #2B2004 and #1A0E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E563D shade: #5D553C, #5D4C3C, #5D433C and #5D3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E563D shade: #5D553C, #5C5D3C, #535D3C, #4A5D3C and #425D3C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E563D shade matches the following richer shades: #5D553C, #695B30, #756224, #826817 and #8E6E0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E563D shade: #5D553C, #504E49, #444855, #374262 and #2B3B6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E563D shade: #5D433C, #5D4C3C, #5D553C, #5C5D3C and #535D3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E563D shade: #2B271C, #443E2C, #5D553C, #766C4D and #8E825D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E563D shade: #5E563D, #3E5D3C and #483C5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E563D shade: #5E563D, #3C5D55 and #553C5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E563D shade: #5E563D, #3E5D3C, #3C445D and #5B3C5D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E563D shade: #5E563D, #3C5D44, #3C445D and #5D3C55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 35 / 63

HEX #5E563D

RGB 94 86 61

HSL 45.45, 0.21%, 0.3%

LAB 36.69, -1.04, 15.76

 

Complementary color

CMYK 17 / 13 / 0 / 24

HEX #A1A9C2

RGB 161 169 194

HSL 225.45, 0.21%, 0.7%

LAB 69.36, 2.41, -13.73

 

CMYK 0 / 13 / 43 / 61

HEX #635638

RGB 99 86 56

HSL 41.86, 0.28%, 0.3%

LAB 37.1, 0.57, 19.42

 

CMYK 0 / 10 / 35 / 55

HEX #74684B

RGB 116 104 75

HSL 42.44, 0.21%, 0.37%

LAB 44.41, 0, 18.09

 

CMYK 0 / 8 / 29 / 48

HEX #857A5E

RGB 133 122 94

HSL 43.08, 0.17%, 0.45%

LAB 51.51, -0.44, 16.89

 

CMYK 0 / 7 / 25 / 41

HEX #968C71

RGB 150 140 113

HSL 43.78, 0.15%, 0.52%

LAB 58.45, -0.8, 15.79

 

CMYK 0 / 5 / 21 / 35

HEX #A79E84

RGB 167 158 132

HSL 44.57, 0.17%, 0.59%

LAB 65.23, -1.1, 14.78

 

CMYK 0 / 9 / 35 / 63

HEX #5E563D

RGB 94 86 61

HSL 45.45, 0.21%, 0.3%

LAB 36.69, -1.04, 15.76

 

CMYK 0 / 12 / 45 / 70

HEX #4D442A

RGB 77 68 42

HSL 44.57, 0.29%, 0.23%

LAB 29.11, -0.49, 17.14

 

CMYK 0 / 17 / 62 / 76

HEX #3C3217

RGB 60 50 23

HSL 43.78, 0.45%, 0.16%

LAB 21.22, 0.32, 18.68

 

CMYK 0 / 26 / 91 / 83

HEX #2B2004

RGB 43 32 4

HSL 43.08, 0.83%, 0.09%

LAB 12.96, 1.57, 17.56

 

CMYK 0 / 46 / 100 / 90

HEX #1A0E00

RGB 26 14 0

HSL 32.31, 1%, 0.05%

LAB 4.82, 3.1, 7.28

 

CMYK 0 / 9 / 35 / 64

HEX #5D553C

RGB 93 85 60

HSL 45.45, 0.22%, 0.3%

LAB 36.27, -1.03, 15.8

 

CMYK 0 / 18 / 35 / 64

HEX #5D4C3C

RGB 93 76 60

HSL 29.09, 0.22%, 0.3%

LAB 33.61, 4.5, 12.2

 

CMYK 0 / 28 / 35 / 64

HEX #5D433C

RGB 93 67 60

HSL 12.73, 0.22%, 0.3%

LAB 31.04, 10.14, 8.65

 

CMYK 0 / 35 / 35 / 64

HEX #5D3C3C

RGB 93 60 60

HSL 0, 0.22%, 0.3%

LAB 29.12, 14.55, 5.96

 

CMYK 0 / 9 / 35 / 64

HEX #5D553C

RGB 93 85 60

HSL 45.45, 0.22%, 0.3%

LAB 36.27, -1.03, 15.8

 

CMYK 1 / 0 / 35 / 64

HEX #5C5D3C

RGB 92 93 60

HSL 61.82, 0.22%, 0.3%

LAB 38.6, -6.26, 18.87

 

CMYK 11 / 0 / 35 / 64

HEX #535D3C

RGB 83 93 60

HSL 78.18, 0.22%, 0.3%

LAB 37.83, -10.23, 17.71

 

CMYK 20 / 0 / 35 / 64

HEX #4A5D3C

RGB 74 93 60

HSL 94.55, 0.22%, 0.3%

LAB 37.13, -14.06, 16.65

 

CMYK 29 / 0 / 35 / 64

HEX #425D3C

RGB 66 93 60

HSL 109.09, 0.22%, 0.3%

LAB 36.58, -17.29, 15.82

 

CMYK 0 / 9 / 35 / 64

HEX #5D553C

RGB 93 85 60

HSL 45.45, 0.22%, 0.3%

LAB 36.27, -1.03, 15.8

 

CMYK 0 / 13 / 54 / 59

HEX #695B30

RGB 105 91 48

HSL 45.26, 0.37%, 0.3%

LAB 39.07, -0.54, 26.68

 

CMYK 0 / 16 / 69 / 54

HEX #756224

RGB 117 98 36

HSL 45.93, 0.53%, 0.3%

LAB 42.22, 0.03, 36.94

 

CMYK 0 / 20 / 82 / 49

HEX #826817

RGB 130 104 23

HSL 45.42, 0.7%, 0.3%

LAB 45.23, 2.07, 45.88

 

CMYK 0 / 23 / 92 / 44

HEX #8E6E0B

RGB 142 110 11

HSL 45.34, 0.86%, 0.3%

LAB 48.17, 3.97, 52.32

 

CMYK 0 / 9 / 35 / 64

HEX #5D553C

RGB 93 85 60

HSL 45.45, 0.22%, 0.3%

LAB 36.27, -1.03, 15.8

 

CMYK 0 / 2 / 9 / 69

HEX #504E49

RGB 80 78 73

HSL 42.86, 0.05%, 0.3%

LAB 33.21, -0.21, 3.24

 

CMYK 20 / 15 / 0 / 67

HEX #444855

RGB 68 72 85

HSL 225.88, 0.11%, 0.3%

LAB 30.69, 1.55, -8.27

 

CMYK 44 / 33 / 0 / 62

HEX #374262

RGB 55 66 98

HSL 224.65, 0.28%, 0.3%

LAB 28.35, 4.85, -20.29

 

CMYK 61 / 46 / 0 / 57

HEX #2B3B6E

RGB 43 59 110

HSL 225.67, 0.44%, 0.3%

LAB 26.06, 10.62, -31.66

 

CMYK 0 / 28 / 35 / 64

HEX #5D433C

RGB 93 67 60

HSL 12.73, 0.22%, 0.3%

LAB 31.04, 10.14, 8.65

 

CMYK 0 / 18 / 35 / 64

HEX #5D4C3C

RGB 93 76 60

HSL 29.09, 0.22%, 0.3%

LAB 33.61, 4.5, 12.2

 

CMYK 0 / 9 / 35 / 64

HEX #5D553C

RGB 93 85 60

HSL 45.45, 0.22%, 0.3%

LAB 36.27, -1.03, 15.8

 

CMYK 1 / 0 / 35 / 64

HEX #5C5D3C

RGB 92 93 60

HSL 61.82, 0.22%, 0.3%

LAB 38.6, -6.26, 18.87

 

CMYK 11 / 0 / 35 / 64

HEX #535D3C

RGB 83 93 60

HSL 78.18, 0.22%, 0.3%

LAB 37.83, -10.23, 17.71

 

CMYK 0 / 9 / 35 / 83

HEX #2B271C

RGB 43 39 28

HSL 44, 0.21%, 0.14%

LAB 15.74, -0.37, 7.96

 

CMYK 0 / 9 / 35 / 73

HEX #443E2C

RGB 68 62 44

HSL 45, 0.21%, 0.22%

LAB 26.32, -0.72, 12.03

 

CMYK 0 / 9 / 35 / 64

HEX #5D553C

RGB 93 85 60

HSL 45.45, 0.22%, 0.3%

LAB 36.27, -1.03, 15.8

 

CMYK 0 / 8 / 35 / 54

HEX #766C4D

RGB 118 108 77

HSL 45.37, 0.21%, 0.38%

LAB 45.79, -1.18, 18.8

 

CMYK 0 / 8 / 35 / 44

HEX #8E825D

RGB 142 130 93

HSL 45.31, 0.21%, 0.46%

LAB 54.56, -1.32, 21.71

 

CMYK 0 / 9 / 35 / 63

HEX #5E563D

RGB 94 86 61

HSL 45.45, 0.21%, 0.3%

LAB 36.69, -1.04, 15.76

 

CMYK 33 / 0 / 35 / 64

HEX #3E5D3C

RGB 62 93 60

HSL 116.36, 0.22%, 0.3%

LAB 36.33, -18.83, 15.43

 

CMYK 23 / 35 / 0 / 64

HEX #483C5D

RGB 72 60 93

HSL 261.82, 0.22%, 0.3%

LAB 27.84, 12.98, -17.75

 

CMYK 0 / 9 / 35 / 63

HEX #5E563D

RGB 94 86 61

HSL 45.45, 0.21%, 0.3%

LAB 36.69, -1.04, 15.76

 

CMYK 35 / 0 / 9 / 64

HEX #3C5D55

RGB 60 93 85

HSL 165.45, 0.22%, 0.3%

LAB 36.83, -14.04, 0.77

 

CMYK 9 / 35 / 0 / 64

HEX #553C5D

RGB 85 60 93

HSL 285.45, 0.22%, 0.3%

LAB 29.29, 17.67, -15.39

 

CMYK 0 / 9 / 35 / 63

HEX #5E563D

RGB 94 86 61

HSL 45.45, 0.21%, 0.3%

LAB 36.69, -1.04, 15.76

 

CMYK 33 / 0 / 35 / 64

HEX #3E5D3C

RGB 62 93 60

HSL 116.36, 0.22%, 0.3%

LAB 36.33, -18.83, 15.43

 

CMYK 35 / 27 / 0 / 64

HEX #3C445D

RGB 60 68 93

HSL 225.45, 0.22%, 0.3%

LAB 29.12, 3.56, -15.86

 

CMYK 2 / 35 / 0 / 64

HEX #5B3C5D

RGB 91 60 93

HSL 296.36, 0.22%, 0.3%

LAB 30.03, 19.88, -14.2

 

CMYK 0 / 9 / 35 / 63

HEX #5E563D

RGB 94 86 61

HSL 45.45, 0.21%, 0.3%

LAB 36.69, -1.04, 15.76

 

CMYK 35 / 0 / 27 / 64

HEX #3C5D44

RGB 60 93 68

HSL 134.55, 0.22%, 0.3%

LAB 36.38, -17.99, 10.62

 

CMYK 35 / 27 / 0 / 64

HEX #3C445D

RGB 60 68 93

HSL 225.45, 0.22%, 0.3%

LAB 29.12, 3.56, -15.86

 

CMYK 0 / 35 / 9 / 64

HEX #5D3C55

RGB 93 60 85

HSL 314.55, 0.22%, 0.3%

LAB 29.95, 18.95, -9.12

 

Description

Color code: HEX #5E563D | qconv.com Color code: HEX #5E563D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 86 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 86 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 35 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 35% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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