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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E5576 it is the complementary color #A1AA89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E5576. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E5576 shade: #635571, #746784, #857997, #968BAA and #A79DBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E5576. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E5576 shade: #5E5576, #4D4363, #3C3150, #2B1F3D and #1A0D2A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E5576 shade: #5E5576, #675576, #705576, #765573 and #76556A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E5576 shade: #5E5576, #555576 and #555576

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E5576 shade matches the following richer shades: #5E5576, #574586, #4F3497, #4824A7 and #4013B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E5576 shade: #5E5576, #666665, #6D7655, #758744 and #7C9734

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E5576 shade: #555E76, #555576, #5E5576, #675576 and #6F5576

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E5576 shade: #383346, #4B445E, #5E5576, #71678E and #877DA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E5576 shade: #5E5576, #765567 and #5A7655

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E5576 shade: #5E5576, #765E55 and #55765E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E5576 shade: #5E5576, #765567, #6D7655 and #557664

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E5576 shade: #5E5576, #76555D, #6D7655 and #55766E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 28 / 0 / 54

HEX #5E5576

RGB 94 85 118

HSL 256.36, 0.16%, 0.4%

LAB 38.17, 11.15, -17.41

 

Complementary color

CMYK 5 / 0 / 19 / 33

HEX #A1AA89

RGB 161 170 137

HSL 76.36, 0.16%, 0.6%

LAB 68.12, -9.08, 15.97

 

CMYK 12 / 25 / 0 / 56

HEX #635571

RGB 99 85 113

HSL 270, 0.14%, 0.39%

LAB 38.45, 11.7, -13.86

 

CMYK 12 / 22 / 0 / 48

HEX #746784

RGB 116 103 132

HSL 266.9, 0.12%, 0.46%

LAB 45.74, 11.19, -14.17

 

CMYK 12 / 20 / 0 / 41

HEX #857997

RGB 133 121 151

HSL 264, 0.13%, 0.53%

LAB 52.84, 10.74, -14.49

 

CMYK 12 / 18 / 0 / 33

HEX #968BAA

RGB 150 139 170

HSL 261.29, 0.15%, 0.61%

LAB 59.75, 10.33, -14.83

 

CMYK 12 / 17 / 0 / 26

HEX #A79DBD

RGB 167 157 189

HSL 258.75, 0.2%, 0.68%

LAB 66.52, 9.97, -15.18

 

CMYK 20 / 28 / 0 / 54

HEX #5E5576

RGB 94 85 118

HSL 256.36, 0.16%, 0.4%

LAB 38.17, 11.15, -17.41

 

CMYK 22 / 32 / 0 / 61

HEX #4D4363

RGB 77 67 99

HSL 258.75, 0.19%, 0.33%

LAB 30.62, 11.76, -17.26

 

CMYK 25 / 39 / 0 / 69

HEX #3C3150

RGB 60 49 80

HSL 261.29, 0.24%, 0.25%

LAB 22.78, 12.51, -17.18

 

CMYK 30 / 49 / 0 / 76

HEX #2B1F3D

RGB 43 31 61

HSL 264, 0.33%, 0.18%

LAB 14.57, 13.44, -17.18

 

CMYK 38 / 69 / 0 / 84

HEX #1A0D2A

RGB 26 13 42

HSL 266.9, 0.53%, 0.11%

LAB 6.09, 13.88, -16.94

 

CMYK 20 / 28 / 0 / 54

HEX #5E5576

RGB 94 85 118

HSL 256.36, 0.16%, 0.4%

LAB 38.17, 11.15, -17.41

 

CMYK 13 / 28 / 0 / 54

HEX #675576

RGB 103 85 118

HSL 272.73, 0.16%, 0.4%

LAB 39.05, 14.32, -15.99

 

CMYK 5 / 28 / 0 / 54

HEX #705576

RGB 112 85 118

HSL 289.09, 0.16%, 0.4%

LAB 40, 17.56, -14.45

 

CMYK 0 / 28 / 3 / 54

HEX #765573

RGB 118 85 115

HSL 305.45, 0.16%, 0.4%

LAB 40.55, 19.13, -11.71

 

CMYK 0 / 28 / 10 / 54

HEX #76556A

RGB 118 85 106

HSL 321.82, 0.16%, 0.4%

LAB 40.23, 17.36, -6.65

 

CMYK 20 / 28 / 0 / 54

HEX #5E5576

RGB 94 85 118

HSL 256.36, 0.16%, 0.4%

LAB 38.17, 11.15, -17.41

 

CMYK 28 / 28 / 0 / 54

HEX #555576

RGB 85 85 118

HSL 240, 0.16%, 0.4%

LAB 37.36, 8.09, -18.72

 

CMYK 28 / 28 / 0 / 54

HEX #555576

RGB 85 85 118

HSL 240, 0.16%, 0.4%

LAB 37.36, 8.09, -18.72

 

CMYK 20 / 28 / 0 / 54

HEX #5E5576

RGB 94 85 118

HSL 256.36, 0.16%, 0.4%

LAB 38.17, 11.15, -17.41

 

CMYK 35 / 49 / 0 / 47

HEX #574586

RGB 87 69 134

HSL 256.62, 0.32%, 0.4%

LAB 33.99, 23.38, -33.87

 

CMYK 48 / 66 / 0 / 41

HEX #4F3497

RGB 79 52 151

HSL 256.36, 0.49%, 0.4%

LAB 30.29, 36.84, -50.3

 

CMYK 57 / 78 / 0 / 35

HEX #4824A7

RGB 72 36 167

HSL 256.49, 0.65%, 0.4%

LAB 27.92, 48.88, -63.91

 

CMYK 65 / 90 / 0 / 28

HEX #4013B8

RGB 64 19 184

HSL 256.36, 0.81%, 0.4%

LAB 26.78, 59.25, -76.02

 

CMYK 20 / 28 / 0 / 54

HEX #5E5576

RGB 94 85 118

HSL 256.36, 0.16%, 0.4%

LAB 38.17, 11.15, -17.41

 

CMYK 0 / 0 / 1 / 60

HEX #666665

RGB 102 102 101

HSL 60, 0%, 0.4%

LAB 43.16, -0.2, 0.56

 

CMYK 8 / 0 / 28 / 54

HEX #6D7655

RGB 109 118 85

HSL 76.36, 0.16%, 0.4%

LAB 48.09, -9.54, 17.1

 

CMYK 13 / 0 / 50 / 47

HEX #758744

RGB 117 135 68

HSL 76.12, 0.33%, 0.4%

LAB 53.52, -17.71, 33.64

 

CMYK 18 / 0 / 66 / 41

HEX #7C9734

RGB 124 151 52

HSL 76.36, 0.49%, 0.4%

LAB 58.66, -24.44, 47.33

 

CMYK 28 / 20 / 0 / 54

HEX #555E76

RGB 85 94 118

HSL 223.64, 0.16%, 0.4%

LAB 39.99, 2.47, -14.69

 

CMYK 28 / 28 / 0 / 54

HEX #555576

RGB 85 85 118

HSL 240, 0.16%, 0.4%

LAB 37.36, 8.09, -18.72

 

CMYK 20 / 28 / 0 / 54

HEX #5E5576

RGB 94 85 118

HSL 256.36, 0.16%, 0.4%

LAB 38.17, 11.15, -17.41

 

CMYK 13 / 28 / 0 / 54

HEX #675576

RGB 103 85 118

HSL 272.73, 0.16%, 0.4%

LAB 39.05, 14.32, -15.99

 

CMYK 6 / 28 / 0 / 54

HEX #6F5576

RGB 111 85 118

HSL 287.27, 0.16%, 0.4%

LAB 39.89, 17.2, -14.63

 

CMYK 20 / 27 / 0 / 73

HEX #383346

RGB 56 51 70

HSL 255.79, 0.16%, 0.24%

LAB 22.48, 6.89, -10.98

 

CMYK 20 / 28 / 0 / 63

HEX #4B445E

RGB 75 68 94

HSL 256.15, 0.16%, 0.32%

LAB 30.49, 9.08, -14.28

 

CMYK 20 / 28 / 0 / 54

HEX #5E5576

RGB 94 85 118

HSL 256.36, 0.16%, 0.4%

LAB 38.17, 11.15, -17.41

 

CMYK 20 / 27 / 0 / 44

HEX #71678E

RGB 113 103 142

HSL 255.38, 0.16%, 0.48%

LAB 45.86, 12.53, -19.99

 

CMYK 16 / 22 / 0 / 37

HEX #877DA1

RGB 135 125 161

HSL 256.67, 0.16%, 0.56%

LAB 54.44, 11.35, -17.85

 

CMYK 20 / 28 / 0 / 54

HEX #5E5576

RGB 94 85 118

HSL 256.36, 0.16%, 0.4%

LAB 38.17, 11.15, -17.41

 

CMYK 0 / 28 / 13 / 54

HEX #765567

RGB 118 85 103

HSL 327.27, 0.16%, 0.4%

LAB 40.13, 16.79, -4.95

 

CMYK 24 / 0 / 28 / 54

HEX #5A7655

RGB 90 118 85

HSL 110.91, 0.16%, 0.4%

LAB 46.69, -17.09, 14.97

 

CMYK 20 / 28 / 0 / 54

HEX #5E5576

RGB 94 85 118

HSL 256.36, 0.16%, 0.4%

LAB 38.17, 11.15, -17.41

 

CMYK 0 / 20 / 28 / 54

HEX #765E55

RGB 118 94 85

HSL 16.36, 0.16%, 0.4%

LAB 42.02, 8.28, 8.85

 

CMYK 28 / 0 / 20 / 54

HEX #55765E

RGB 85 118 94

HSL 136.36, 0.16%, 0.4%

LAB 46.57, -17.18, 9.47

 

CMYK 20 / 28 / 0 / 54

HEX #5E5576

RGB 94 85 118

HSL 256.36, 0.16%, 0.4%

LAB 38.17, 11.15, -17.41

 

CMYK 0 / 28 / 13 / 54

HEX #765567

RGB 118 85 103

HSL 327.27, 0.16%, 0.4%

LAB 40.13, 16.79, -4.95

 

CMYK 8 / 0 / 28 / 54

HEX #6D7655

RGB 109 118 85

HSL 76.36, 0.16%, 0.4%

LAB 48.09, -9.54, 17.1

 

CMYK 28 / 0 / 15 / 54

HEX #557664

RGB 85 118 100

HSL 147.27, 0.16%, 0.4%

LAB 46.72, -15.91, 6.13

 

CMYK 20 / 28 / 0 / 54

HEX #5E5576

RGB 94 85 118

HSL 256.36, 0.16%, 0.4%

LAB 38.17, 11.15, -17.41

 

CMYK 0 / 28 / 21 / 54

HEX #76555D

RGB 118 85 93

HSL 345.45, 0.16%, 0.4%

LAB 39.81, 15.01, 0.78

 

CMYK 8 / 0 / 28 / 54

HEX #6D7655

RGB 109 118 85

HSL 76.36, 0.16%, 0.4%

LAB 48.09, -9.54, 17.1

 

CMYK 28 / 0 / 7 / 54

HEX #55766E

RGB 85 118 110

HSL 165.45, 0.16%, 0.4%

LAB 46.99, -13.65, 0.59

 

Description

Color code: HEX #5E5576 | qconv.com Color code: HEX #5E5576 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 85 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 85 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 28 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 28% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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