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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E5511 it is the complementary color #A1AAEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E5511. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E5511 shade: #63550C, #74671F, #857932, #968B45 and #A79D58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E5511. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E5511 shade: #5E5511, #4D4300, #3C3100, #2B1F00 and #1A0D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E5511 shade: #5F5611, #5F4111, #5F2C11, #5F1711 and #5F1111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E5511 shade: #5F5611, #535F11, #3E5F11, #295F11 and #145F11

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E5511 shade matches the following richer shades: #5F5611 and #685D08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E5511 shade: #5F5611, #564F1A, #4D4824, #44412D and #3B3A36

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E5511 shade: #5F2B11, #5F4011, #5F5411, #545F11 and #405F11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E5511 shade: #191705, #3C360B, #5F5611, #827518 and #A5951E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E5511 shade: #5E5511, #115F17 and #36115F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E5511 shade: #5E5511, #115F54 and #54115F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E5511 shade: #5E5511, #115F17, #111C5F and #5F115A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E5511 shade: #5E5511, #115F2E, #111C5F and #5F1142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 82 / 63

HEX #5E5511

RGB 94 85 17

HSL 52.99, 0.69%, 0.22%

LAB 35.82, -4.57, 38.11

 

Complementary color

CMYK 32 / 29 / 0 / 7

HEX #A1AAEE

RGB 161 170 238

HSL 232.99, 0.69%, 0.78%

LAB 71.21, 12.34, -35.04

 

CMYK 0 / 14 / 88 / 61

HEX #63550C

RGB 99 85 12

HSL 50.34, 0.78%, 0.22%

LAB 36.32, -2.27, 40.49

 

CMYK 0 / 11 / 73 / 55

HEX #74671F

RGB 116 103 31

HSL 50.82, 0.58%, 0.29%

LAB 43.53, -3.67, 40.55

 

CMYK 0 / 9 / 62 / 48

HEX #857932

RGB 133 121 50

HSL 51.33, 0.45%, 0.36%

LAB 50.56, -4.71, 39.66

 

CMYK 0 / 7 / 54 / 41

HEX #968B45

RGB 150 139 69

HSL 51.85, 0.37%, 0.43%

LAB 57.44, -5.51, 38.48

 

CMYK 0 / 6 / 47 / 35

HEX #A79D58

RGB 167 157 88

HSL 52.41, 0.31%, 0.5%

LAB 64.19, -6.14, 37.21

 

CMYK 0 / 10 / 82 / 63

HEX #5E5511

RGB 94 85 17

HSL 52.99, 0.69%, 0.22%

LAB 35.82, -4.57, 38.11

 

CMYK 0 / 13 / 100 / 70

HEX #4D4300

RGB 77 67 0

HSL 52.21, 1%, 0.15%

LAB 28.36, -3.01, 37.28

 

CMYK 0 / 18 / 100 / 76

HEX #3C3100

RGB 60 49 0

HSL 49, 1%, 0.12%

LAB 20.66, -0.69, 29.14

 

CMYK 0 / 28 / 100 / 83

HEX #2B1F00

RGB 43 31 0

HSL 43.26, 1%, 0.08%

LAB 12.57, 1.9, 18.66

 

CMYK 0 / 50 / 100 / 90

HEX #1A0D00

RGB 26 13 0

HSL 30, 1%, 0.05%

LAB 4.58, 3.59, 6.93

 

CMYK 0 / 9 / 82 / 63

HEX #5F5611

RGB 95 86 17

HSL 53.08, 0.7%, 0.22%

LAB 36.23, -4.67, 38.52

 

CMYK 0 / 32 / 82 / 63

HEX #5F4111

RGB 95 65 17

HSL 36.92, 0.7%, 0.22%

LAB 30.04, 8.19, 32.71

 

CMYK 0 / 54 / 82 / 63

HEX #5F2C11

RGB 95 44 17

HSL 20.77, 0.7%, 0.22%

LAB 24.56, 21.13, 27.31

 

CMYK 0 / 76 / 82 / 63

HEX #5F1711

RGB 95 23 17

HSL 4.62, 0.7%, 0.22%

LAB 20.39, 32.08, 22.91

 

CMYK 0 / 82 / 82 / 63

HEX #5F1111

RGB 95 17 17

HSL 0, 0.7%, 0.22%

LAB 19.53, 34.45, 21.94

 

CMYK 0 / 9 / 82 / 63

HEX #5F5611

RGB 95 86 17

HSL 53.08, 0.7%, 0.22%

LAB 36.23, -4.67, 38.52

 

CMYK 13 / 0 / 82 / 63

HEX #535F11

RGB 83 95 17

HSL 69.23, 0.7%, 0.22%

LAB 37.96, -15.66, 39.7

 

CMYK 35 / 0 / 82 / 63

HEX #3E5F11

RGB 62 95 17

HSL 85.38, 0.7%, 0.22%

LAB 36.46, -25.06, 37.77

 

CMYK 57 / 0 / 82 / 63

HEX #295F11

RGB 41 95 17

HSL 101.54, 0.7%, 0.22%

LAB 35.39, -32.84, 36.37

 

CMYK 79 / 0 / 82 / 63

HEX #145F11

RGB 20 95 17

HSL 117.69, 0.7%, 0.22%

LAB 34.75, -38.11, 35.53

 

CMYK 0 / 9 / 82 / 63

HEX #5F5611

RGB 95 86 17

HSL 53.08, 0.7%, 0.22%

LAB 36.23, -4.67, 38.52

 

CMYK 0 / 11 / 92 / 59

HEX #685D08

RGB 104 93 8

HSL 53.13, 0.86%, 0.22%

LAB 39.22, -4.64, 44.24

 

CMYK 0 / 9 / 82 / 63

HEX #5F5611

RGB 95 86 17

HSL 53.08, 0.7%, 0.22%

LAB 36.23, -4.67, 38.52

 

CMYK 0 / 8 / 70 / 66

HEX #564F1A

RGB 86 79 26

HSL 53, 0.54%, 0.22%

LAB 33.23, -4.44, 31.3

 

CMYK 0 / 6 / 53 / 70

HEX #4D4824

RGB 77 72 36

HSL 52.68, 0.36%, 0.22%

LAB 30.25, -3.7, 22.21

 

CMYK 0 / 4 / 34 / 73

HEX #44412D

RGB 68 65 45

HSL 52.17, 0.2%, 0.22%

LAB 27.29, -2.47, 12.7

 

CMYK 0 / 2 / 8 / 77

HEX #3B3A36

RGB 59 58 54

HSL 48, 0.04%, 0.22%

LAB 24.39, -0.44, 2.63

 

CMYK 0 / 55 / 82 / 63

HEX #5F2B11

RGB 95 43 17

HSL 20, 0.7%, 0.22%

LAB 24.33, 21.72, 27.07

 

CMYK 0 / 33 / 82 / 63

HEX #5F4011

RGB 95 64 17

HSL 36.15, 0.7%, 0.22%

LAB 29.76, 8.81, 32.44

 

CMYK 0 / 12 / 82 / 63

HEX #5F5411

RGB 95 84 17

HSL 51.54, 0.7%, 0.22%

LAB 35.62, -3.48, 37.96

 

CMYK 12 / 0 / 82 / 63

HEX #545F11

RGB 84 95 17

HSL 68.46, 0.7%, 0.22%

LAB 38.04, -15.18, 39.81

 

CMYK 33 / 0 / 82 / 63

HEX #405F11

RGB 64 95 17

HSL 83.85, 0.7%, 0.22%

LAB 36.58, -24.22, 37.93

 

CMYK 0 / 8 / 80 / 90

HEX #191705

RGB 25 23 5

HSL 54, 0.67%, 0.06%

LAB 7.5, -2.24, 9.14

 

CMYK 0 / 10 / 82 / 76

HEX #3C360B

RGB 60 54 11

HSL 52.65, 0.69%, 0.14%

LAB 22.38, -3.28, 26.51

 

CMYK 0 / 9 / 82 / 63

HEX #5F5611

RGB 95 86 17

HSL 53.08, 0.7%, 0.22%

LAB 36.23, -4.67, 38.52

 

CMYK 0 / 10 / 82 / 49

HEX #827518

RGB 130 117 24

HSL 52.64, 0.69%, 0.3%

LAB 48.93, -5.33, 48.84

 

CMYK 0 / 10 / 82 / 35

HEX #A5951E

RGB 165 149 30

HSL 52.89, 0.69%, 0.38%

LAB 61.3, -6.54, 59.15

 

CMYK 0 / 10 / 82 / 63

HEX #5E5511

RGB 94 85 17

HSL 52.99, 0.69%, 0.22%

LAB 35.82, -4.57, 38.11

 

CMYK 82 / 0 / 76 / 63

HEX #115F17

RGB 17 95 23

HSL 124.62, 0.7%, 0.22%

LAB 34.73, -38.09, 33.09

 

CMYK 43 / 82 / 0 / 63

HEX #36115F

RGB 54 17 95

HSL 268.46, 0.7%, 0.22%

LAB 15.55, 34.8, -38.8

 

CMYK 0 / 10 / 82 / 63

HEX #5E5511

RGB 94 85 17

HSL 52.99, 0.69%, 0.22%

LAB 35.82, -4.57, 38.11

 

CMYK 82 / 0 / 12 / 63

HEX #115F54

RGB 17 95 84

HSL 171.54, 0.7%, 0.22%

LAB 35.88, -25.36, -0.19

 

CMYK 12 / 82 / 0 / 63

HEX #54115F

RGB 84 17 95

HSL 291.54, 0.7%, 0.22%

LAB 20.49, 40.95, -30.56

 

CMYK 0 / 10 / 82 / 63

HEX #5E5511

RGB 94 85 17

HSL 52.99, 0.69%, 0.22%

LAB 35.82, -4.57, 38.11

 

CMYK 82 / 0 / 76 / 63

HEX #115F17

RGB 17 95 23

HSL 124.62, 0.7%, 0.22%

LAB 34.73, -38.09, 33.09

 

CMYK 82 / 71 / 0 / 63

HEX #111C5F

RGB 17 28 95

HSL 231.54, 0.7%, 0.22%

LAB 14.26, 22.34, -41.04

 

CMYK 0 / 82 / 5 / 63

HEX #5F115A

RGB 95 17 90

HSL 303.85, 0.7%, 0.22%

LAB 22.2, 42.55, -24.39

 

CMYK 0 / 10 / 82 / 63

HEX #5E5511

RGB 94 85 17

HSL 52.99, 0.69%, 0.22%

LAB 35.82, -4.57, 38.11

 

CMYK 82 / 0 / 52 / 63

HEX #115F2E

RGB 17 95 46

HSL 142.31, 0.7%, 0.22%

LAB 35, -34.82, 21.61

 

CMYK 82 / 71 / 0 / 63

HEX #111C5F

RGB 17 28 95

HSL 231.54, 0.7%, 0.22%

LAB 14.26, 22.34, -41.04

 

CMYK 0 / 82 / 31 / 63

HEX #5F1142

RGB 95 17 66

HSL 322.31, 0.7%, 0.22%

LAB 20.93, 38.82, -10.1

 

Description

Color code: HEX #5E5511 | qconv.com Color code: HEX #5E5511 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 85 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 85 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 82 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 82% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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