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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E5488 it is the complementary color #A1AB77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E5488. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E5488 shade: #635483, #746696, #8578A9, #968ABC and #A79CCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E5488. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E5488 shade: #5E5488, #4D4275, #3C3062, #2B1E4F and #1A0C3C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E5488 shade: #5D5388, #6C5388, #7A5388, #885388 and #88537A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E5488 shade: #5D5388 and #535388

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E5488 shade matches the following richer shades: #5D5388, #53429A, #4830AB, #3D1EBD and #320CCF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E5488 shade: #5D5388, #686576, #737764, #7E8953 and #899A41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E5488 shade: #536688, #535888, #5D5388, #6B5388 and #795388

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E5488 shade: #3A3455, #4C446E, #5D5388, #7064A0 and #887EB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E5488 shade: #5E5488, #885374 and #5F8853

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E5488 shade: #5E5488, #885D53 and #53885D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E5488 shade: #5E5488, #885374, #7E8853 and #538868

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E5488 shade: #5E5488, #885364, #7E8853 and #538877

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 38 / 0 / 47

HEX #5E5488

RGB 94 84 136

HSL 251.54, 0.24%, 0.43%

LAB 38.72, 16.56, -27.59

 

Complementary color

CMYK 6 / 0 / 30 / 33

HEX #A1AB77

RGB 161 171 119

HSL 71.54, 0.24%, 0.57%

LAB 68.05, -12.31, 25.66

 

CMYK 24 / 36 / 0 / 49

HEX #635483

RGB 99 84 131

HSL 259.15, 0.22%, 0.42%

LAB 38.95, 16.81, -24.14

 

CMYK 23 / 32 / 0 / 41

HEX #746696

RGB 116 102 150

HSL 257.5, 0.19%, 0.49%

LAB 46.2, 16.12, -24.2

 

CMYK 21 / 29 / 0 / 34

HEX #8578A9

RGB 133 120 169

HSL 255.92, 0.22%, 0.57%

LAB 53.26, 15.52, -24.31

 

CMYK 20 / 27 / 0 / 26

HEX #968ABC

RGB 150 138 188

HSL 254.4, 0.27%, 0.64%

LAB 60.15, 14.98, -24.45

 

CMYK 19 / 25 / 0 / 19

HEX #A79CCF

RGB 167 156 207

HSL 252.94, 0.35%, 0.71%

LAB 66.9, 14.5, -24.62

 

CMYK 31 / 38 / 0 / 47

HEX #5E5488

RGB 94 84 136

HSL 251.54, 0.24%, 0.43%

LAB 38.72, 16.56, -27.59

 

CMYK 34 / 44 / 0 / 54

HEX #4D4275

RGB 77 66 117

HSL 252.94, 0.28%, 0.36%

LAB 31.25, 17.44, -27.69

 

CMYK 39 / 51 / 0 / 62

HEX #3C3062

RGB 60 48 98

HSL 254.4, 0.34%, 0.29%

LAB 23.53, 18.52, -27.87

 

CMYK 46 / 62 / 0 / 69

HEX #2B1E4F

RGB 43 30 79

HSL 255.92, 0.45%, 0.21%

LAB 15.52, 19.86, -28.12

 

CMYK 57 / 80 / 0 / 76

HEX #1A0C3C

RGB 26 12 60

HSL 257.5, 0.67%, 0.14%

LAB 7.31, 21.32, -28.23

 

CMYK 32 / 39 / 0 / 47

HEX #5D5388

RGB 93 83 136

HSL 251.32, 0.24%, 0.43%

LAB 38.36, 16.88, -28.16

 

CMYK 21 / 39 / 0 / 47

HEX #6C5388

RGB 108 83 136

HSL 268.3, 0.24%, 0.43%

LAB 39.84, 21.62, -25.74

 

CMYK 10 / 39 / 0 / 47

HEX #7A5388

RGB 122 83 136

HSL 284.15, 0.24%, 0.43%

LAB 41.38, 26.23, -23.23

 

CMYK 0 / 39 / 0 / 47

HEX #885388

RGB 136 83 136

HSL 300, 0.24%, 0.43%

LAB 43.06, 30.91, -20.49

 

CMYK 0 / 39 / 10 / 47

HEX #88537A

RGB 136 83 122

HSL 315.85, 0.24%, 0.43%

LAB 42.5, 28.22, -12.84

 

CMYK 32 / 39 / 0 / 47

HEX #5D5388

RGB 93 83 136

HSL 251.32, 0.24%, 0.43%

LAB 38.36, 16.88, -28.16

 

CMYK 39 / 39 / 0 / 47

HEX #535388

RGB 83 83 136

HSL 240, 0.24%, 0.43%

LAB 37.49, 13.89, -29.59

 

CMYK 32 / 39 / 0 / 47

HEX #5D5388

RGB 93 83 136

HSL 251.32, 0.24%, 0.43%

LAB 38.36, 16.88, -28.16

 

CMYK 46 / 57 / 0 / 40

HEX #53429A

RGB 83 66 154

HSL 251.59, 0.4%, 0.43%

LAB 34.13, 30.15, -45.9

 

CMYK 58 / 72 / 0 / 33

HEX #4830AB

RGB 72 48 171

HSL 251.71, 0.56%, 0.43%

LAB 30.48, 43.92, -62.13

 

CMYK 68 / 84 / 0 / 26

HEX #3D1EBD

RGB 61 30 189

HSL 251.7, 0.73%, 0.43%

LAB 28.37, 56.6, -76.37

 

CMYK 76 / 94 / 0 / 19

HEX #320CCF

RGB 50 12 207

HSL 251.69, 0.89%, 0.43%

LAB 27.97, 66.16, -87.62

 

CMYK 32 / 39 / 0 / 47

HEX #5D5388

RGB 93 83 136

HSL 251.32, 0.24%, 0.43%

LAB 38.36, 16.88, -28.16

 

CMYK 12 / 14 / 0 / 54

HEX #686576

RGB 104 101 118

HSL 250.59, 0.08%, 0.43%

LAB 43.59, 4.86, -9.09

 

CMYK 3 / 0 / 16 / 53

HEX #737764

RGB 115 119 100

HSL 72.63, 0.09%, 0.43%

LAB 49.2, -5.15, 9.95

 

CMYK 8 / 0 / 39 / 46

HEX #7E8953

RGB 126 137 83

HSL 72.22, 0.25%, 0.43%

LAB 55.02, -13.21, 27.62

 

CMYK 11 / 0 / 58 / 40

HEX #899A41

RGB 137 154 65

HSL 71.46, 0.41%, 0.43%

LAB 60.61, -19.44, 43.83

 

CMYK 39 / 25 / 0 / 47

HEX #536688

RGB 83 102 136

HSL 218.49, 0.24%, 0.43%

LAB 42.94, 1.97, -21.09

 

CMYK 39 / 35 / 0 / 47

HEX #535888

RGB 83 88 136

HSL 234.34, 0.24%, 0.43%

LAB 38.89, 10.7, -27.39

 

CMYK 32 / 39 / 0 / 47

HEX #5D5388

RGB 93 83 136

HSL 251.32, 0.24%, 0.43%

LAB 38.36, 16.88, -28.16

 

CMYK 21 / 39 / 0 / 47

HEX #6B5388

RGB 107 83 136

HSL 267.17, 0.24%, 0.43%

LAB 39.73, 21.3, -25.91

 

CMYK 11 / 39 / 0 / 47

HEX #795388

RGB 121 83 136

HSL 283.02, 0.24%, 0.43%

LAB 41.26, 25.89, -23.42

 

CMYK 32 / 39 / 0 / 67

HEX #3A3455

RGB 58 52 85

HSL 250.91, 0.24%, 0.27%

LAB 23.71, 11.22, -19.06

 

CMYK 31 / 38 / 0 / 57

HEX #4C446E

RGB 76 68 110

HSL 251.43, 0.24%, 0.35%

LAB 31.34, 13.81, -23.14

 

CMYK 32 / 39 / 0 / 47

HEX #5D5388

RGB 93 83 136

HSL 251.32, 0.24%, 0.43%

LAB 38.36, 16.88, -28.16

 

CMYK 30 / 38 / 0 / 37

HEX #7064A0

RGB 112 100 160

HSL 252, 0.24%, 0.51%

LAB 45.77, 18.67, -30.83

 

CMYK 23 / 28 / 0 / 31

HEX #887EB0

RGB 136 126 176

HSL 252, 0.24%, 0.59%

LAB 55.37, 14.64, -25.07

 

CMYK 31 / 38 / 0 / 47

HEX #5E5488

RGB 94 84 136

HSL 251.54, 0.24%, 0.43%

LAB 38.72, 16.56, -27.59

 

CMYK 0 / 39 / 15 / 47

HEX #885374

RGB 136 83 116

HSL 322.64, 0.24%, 0.43%

LAB 42.28, 27.15, -9.5

 

CMYK 30 / 0 / 39 / 47

HEX #5F8853

RGB 95 136 83

HSL 106.42, 0.24%, 0.43%

LAB 52.58, -24.9, 24.04

 

CMYK 31 / 38 / 0 / 47

HEX #5E5488

RGB 94 84 136

HSL 251.54, 0.24%, 0.43%

LAB 38.72, 16.56, -27.59

 

CMYK 0 / 32 / 39 / 47

HEX #885D53

RGB 136 93 83

HSL 11.32, 0.24%, 0.43%

LAB 43.78, 16.25, 12.83

 

CMYK 39 / 0 / 32 / 47

HEX #53885D

RGB 83 136 93

HSL 131.32, 0.24%, 0.43%

LAB 52.1, -27.33, 17.68

 

CMYK 31 / 38 / 0 / 47

HEX #5E5488

RGB 94 84 136

HSL 251.54, 0.24%, 0.43%

LAB 38.72, 16.56, -27.59

 

CMYK 0 / 39 / 15 / 47

HEX #885374

RGB 136 83 116

HSL 322.64, 0.24%, 0.43%

LAB 42.28, 27.15, -9.5

 

CMYK 7 / 0 / 39 / 47

HEX #7E8853

RGB 126 136 83

HSL 71.32, 0.24%, 0.43%

LAB 54.73, -12.67, 27.25

 

CMYK 39 / 0 / 24 / 47

HEX #538868

RGB 83 136 104

HSL 143.77, 0.24%, 0.43%

LAB 52.34, -25.14, 11.72

 

CMYK 31 / 38 / 0 / 47

HEX #5E5488

RGB 94 84 136

HSL 251.54, 0.24%, 0.43%

LAB 38.72, 16.56, -27.59

 

CMYK 0 / 39 / 26 / 47

HEX #885364

RGB 136 83 100

HSL 340.75, 0.24%, 0.43%

LAB 41.75, 24.51, -0.45

 

CMYK 7 / 0 / 39 / 47

HEX #7E8853

RGB 126 136 83

HSL 71.32, 0.24%, 0.43%

LAB 54.73, -12.67, 27.25

 

CMYK 39 / 0 / 13 / 47

HEX #538877

RGB 83 136 119

HSL 160.75, 0.24%, 0.43%

LAB 52.71, -21.8, 3.58

 

Description

Color code: HEX #5E5488 | qconv.com Color code: HEX #5E5488 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 84 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 84 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 38 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 38% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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