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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E502A it is the complementary color #A1AFD5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E502A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E502A shade: #635025, #746238, #85744B, #96865E and #A79871

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E502A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E502A shade: #5E502A, #4D3E17, #3C2C04, #2B1A00 and #1A0800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E502A shade: #5F502A, #5F422A, #5F342A and #5F2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E502A shade: #5F502A, #5E5F2A, #505F2A, #425F2A and #345F2A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E502A shade matches the following richer shades: #5F502A, #6A561F, #755B14 and #806009

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E502A shade: #5F502A, #534B35, #484640, #3D414C and #323C57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E502A shade: #5F342A, #5F422A, #5F502A, #5F5E2A and #515F2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E502A shade: #262011, #42381D, #5F502A, #7B6937 and #978144

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E502A shade: #5E502A, #2F5F2A and #3B2A5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E502A shade: #5E502A, #2A5F50 and #502A5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E502A shade: #5E502A, #2F5F2A, #2A395F and #5A2A5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E502A shade: #5E502A, #2A5F36, #2A395F and #5F2A53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 55 / 63

HEX #5E502A

RGB 94 80 42

HSL 43.85, 0.38%, 0.27%

LAB 34.57, 0.27, 24.37

 

Complementary color

CMYK 24 / 18 / 0 / 16

HEX #A1AFD5

RGB 161 175 213

HSL 223.85, 0.38%, 0.73%

LAB 71.58, 3.44, -20.82

 

CMYK 0 / 19 / 63 / 61

HEX #635025

RGB 99 80 37

HSL 41.61, 0.46%, 0.27%

LAB 35.05, 2.21, 27.91

 

CMYK 0 / 16 / 52 / 55

HEX #746238

RGB 116 98 56

HSL 42, 0.35%, 0.34%

LAB 42.36, 1.25, 26.46

 

CMYK 0 / 13 / 44 / 48

HEX #85744B

RGB 133 116 75

HSL 42.41, 0.28%, 0.41%

LAB 49.48, 0.51, 25.06

 

CMYK 0 / 11 / 37 / 41

HEX #96865E

RGB 150 134 94

HSL 42.86, 0.23%, 0.48%

LAB 56.43, -0.06, 23.77

 

CMYK 0 / 9 / 32 / 35

HEX #A79871

RGB 167 152 113

HSL 43.33, 0.23%, 0.55%

LAB 63.23, -0.53, 22.57

 

CMYK 0 / 15 / 55 / 63

HEX #5E502A

RGB 94 80 42

HSL 43.85, 0.38%, 0.27%

LAB 34.57, 0.27, 24.37

 

CMYK 0 / 19 / 70 / 70

HEX #4D3E17

RGB 77 62 23

HSL 43.33, 0.54%, 0.2%

LAB 26.98, 1.33, 25.81

 

CMYK 0 / 27 / 93 / 76

HEX #3C2C04

RGB 60 44 4

HSL 42.86, 0.88%, 0.13%

LAB 19.1, 2.87, 25.74

 

CMYK 0 / 40 / 100 / 83

HEX #2B1A00

RGB 43 26 0

HSL 36.28, 1%, 0.08%

LAB 10.94, 5.44, 16.43

 

CMYK 0 / 69 / 100 / 90

HEX #1A0800

RGB 26 8 0

HSL 18.46, 1%, 0.05%

LAB 3.55, 5.7, 5.43

 

CMYK 0 / 16 / 56 / 63

HEX #5F502A

RGB 95 80 42

HSL 43.02, 0.39%, 0.27%

LAB 34.68, 0.75, 24.53

 

CMYK 0 / 31 / 56 / 63

HEX #5F422A

RGB 95 66 42

HSL 27.17, 0.39%, 0.27%

LAB 30.63, 9.43, 19.52

 

CMYK 0 / 45 / 56 / 63

HEX #5F342A

RGB 95 52 42

HSL 11.32, 0.39%, 0.27%

LAB 26.89, 18.16, 14.71

 

CMYK 0 / 56 / 56 / 63

HEX #5F2A2A

RGB 95 42 42

HSL 0, 0.39%, 0.27%

LAB 24.5, 24.13, 11.52

 

CMYK 0 / 16 / 56 / 63

HEX #5F502A

RGB 95 80 42

HSL 43.02, 0.39%, 0.27%

LAB 34.68, 0.75, 24.53

 

CMYK 1 / 0 / 56 / 63

HEX #5E5F2A

RGB 94 95 42

HSL 61.13, 0.39%, 0.27%

LAB 39.12, -8.65, 29.79

 

CMYK 16 / 0 / 56 / 63

HEX #505F2A

RGB 80 95 42

HSL 76.98, 0.39%, 0.27%

LAB 37.94, -15.07, 28.11

 

CMYK 31 / 0 / 56 / 63

HEX #425F2A

RGB 66 95 42

HSL 92.83, 0.39%, 0.27%

LAB 36.95, -21.1, 26.68

 

CMYK 45 / 0 / 56 / 63

HEX #345F2A

RGB 52 95 42

HSL 108.68, 0.39%, 0.27%

LAB 36.14, -26.48, 25.52

 

CMYK 0 / 16 / 56 / 63

HEX #5F502A

RGB 95 80 42

HSL 43.02, 0.39%, 0.27%

LAB 34.68, 0.75, 24.53

 

CMYK 0 / 19 / 71 / 58

HEX #6A561F

RGB 106 86 31

HSL 44, 0.55%, 0.27%

LAB 37.52, 1.53, 34.02

 

CMYK 0 / 22 / 83 / 54

HEX #755B14

RGB 117 91 20

HSL 43.92, 0.71%, 0.27%

LAB 40.11, 3.32, 41.81

 

CMYK 0 / 25 / 93 / 50

HEX #806009

RGB 128 96 9

HSL 43.87, 0.87%, 0.27%

LAB 42.73, 5.37, 47.87

 

CMYK 0 / 16 / 56 / 63

HEX #5F502A

RGB 95 80 42

HSL 43.02, 0.39%, 0.27%

LAB 34.68, 0.75, 24.53

 

CMYK 0 / 10 / 36 / 67

HEX #534B35

RGB 83 75 53

HSL 44, 0.22%, 0.27%

LAB 32.1, -0.5, 14.35

 

CMYK 0 / 3 / 11 / 72

HEX #484640

RGB 72 70 64

HSL 45, 0.06%, 0.27%

LAB 29.73, -0.41, 3.91

 

CMYK 20 / 14 / 0 / 70

HEX #3D414C

RGB 61 65 76

HSL 224, 0.11%, 0.27%

LAB 27.56, 1.08, -7.21

 

CMYK 43 / 31 / 0 / 66

HEX #323C57

RGB 50 60 87

HSL 223.78, 0.27%, 0.27%

LAB 25.56, 3.76, -17.55

 

CMYK 0 / 45 / 56 / 63

HEX #5F342A

RGB 95 52 42

HSL 11.32, 0.39%, 0.27%

LAB 26.89, 18.16, 14.71

 

CMYK 0 / 31 / 56 / 63

HEX #5F422A

RGB 95 66 42

HSL 27.17, 0.39%, 0.27%

LAB 30.63, 9.43, 19.52

 

CMYK 0 / 16 / 56 / 63

HEX #5F502A

RGB 95 80 42

HSL 43.02, 0.39%, 0.27%

LAB 34.68, 0.75, 24.53

 

CMYK 0 / 1 / 56 / 63

HEX #5F5E2A

RGB 95 94 42

HSL 58.87, 0.39%, 0.27%

LAB 38.91, -7.6, 29.56

 

CMYK 15 / 0 / 56 / 63

HEX #515F2A

RGB 81 95 42

HSL 75.85, 0.39%, 0.27%

LAB 38.02, -14.62, 28.23

 

CMYK 0 / 16 / 55 / 85

HEX #262011

RGB 38 32 17

HSL 42.86, 0.38%, 0.11%

LAB 12.52, 0.15, 10.96

 

CMYK 0 / 15 / 56 / 74

HEX #42381D

RGB 66 56 29

HSL 43.78, 0.39%, 0.19%

LAB 23.92, 0.14, 18.41

 

CMYK 0 / 16 / 56 / 63

HEX #5F502A

RGB 95 80 42

HSL 43.02, 0.39%, 0.27%

LAB 34.68, 0.75, 24.53

 

CMYK 0 / 15 / 55 / 52

HEX #7B6937

RGB 123 105 55

HSL 44.12, 0.38%, 0.35%

LAB 45.07, 0.27, 30.48

 

CMYK 0 / 15 / 55 / 41

HEX #978144

RGB 151 129 68

HSL 44.1, 0.38%, 0.43%

LAB 54.76, 0.39, 35.83

 

CMYK 0 / 15 / 55 / 63

HEX #5E502A

RGB 94 80 42

HSL 43.85, 0.38%, 0.27%

LAB 34.57, 0.27, 24.37

 

CMYK 51 / 0 / 56 / 63

HEX #2F5F2A

RGB 47 95 42

HSL 114.34, 0.39%, 0.27%

LAB 35.9, -28.19, 25.17

 

CMYK 38 / 56 / 0 / 63

HEX #3B2A5F

RGB 59 42 95

HSL 259.25, 0.39%, 0.27%

LAB 21.62, 21.32, -28.95

 

CMYK 0 / 15 / 55 / 63

HEX #5E502A

RGB 94 80 42

HSL 43.85, 0.38%, 0.27%

LAB 34.57, 0.27, 24.37

 

CMYK 56 / 0 / 16 / 63

HEX #2A5F50

RGB 42 95 80

HSL 163.02, 0.39%, 0.27%

LAB 36.47, -21.76, 3.24

 

CMYK 16 / 56 / 0 / 63

HEX #502A5F

RGB 80 42 95

HSL 283.02, 0.39%, 0.27%

LAB 24.28, 27.66, -24.56

 

CMYK 0 / 15 / 55 / 63

HEX #5E502A

RGB 94 80 42

HSL 43.85, 0.38%, 0.27%

LAB 34.57, 0.27, 24.37

 

CMYK 51 / 0 / 56 / 63

HEX #2F5F2A

RGB 47 95 42

HSL 114.34, 0.39%, 0.27%

LAB 35.9, -28.19, 25.17

 

CMYK 56 / 40 / 0 / 63

HEX #2A395F

RGB 42 57 95

HSL 223.02, 0.39%, 0.27%

LAB 24.46, 6.24, -24.52

 

CMYK 5 / 56 / 0 / 63

HEX #5A2A5F

RGB 90 42 95

HSL 294.34, 0.39%, 0.27%

LAB 25.73, 30.8, -22.18

 

CMYK 0 / 15 / 55 / 63

HEX #5E502A

RGB 94 80 42

HSL 43.85, 0.38%, 0.27%

LAB 34.57, 0.27, 24.37

 

CMYK 56 / 0 / 43 / 63

HEX #2A5F36

RGB 42 95 54

HSL 133.58, 0.39%, 0.27%

LAB 35.87, -27.74, 18.23

 

CMYK 56 / 40 / 0 / 63

HEX #2A395F

RGB 42 57 95

HSL 223.02, 0.39%, 0.27%

LAB 24.46, 6.24, -24.52

 

CMYK 0 / 56 / 13 / 63

HEX #5F2A53

RGB 95 42 83

HSL 313.58, 0.39%, 0.27%

LAB 25.9, 30.05, -13.96

 

Description

Color code: HEX #5E502A | qconv.com Color code: HEX #5E502A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 80 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 80 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 55 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 55% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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