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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E4FC6 it is the complementary color #A1B039. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E4FC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E4FC6 shade: #634FC1, #7461D4, #8573E7, #9685FA and #A797FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E4FC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E4FC6 shade: #5E4FC6, #4D3DB3, #3C2BA0, #2B198D and #1A077A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E4FC6 shade: #5D4EC6, #7D4EC6, #9D4EC6, #BE4EC6 and #C64EAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E4FC6 shade: #5D4EC6 and #4E4EC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E4FC6 shade matches the following richer shades: #5D4EC6, #4F3BD9, #4128EB and #3215FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E4FC6 shade: #5D4EC6, #6B61B3, #7974A0, #88878D and #969A7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E4FC6 shade: #4E80C6, #4E60C6, #5C4EC6, #7C4EC6 and #9C4EC6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E4FC6 shade: #3C2F92, #4839B1, #5D4EC6, #796DD0 and #968CDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E4FC6 shade: #5E4FC6, #C64EA0 and #70C64E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E4FC6 shade: #5E4FC6, #C65C4E and #4EC65C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E4FC6 shade: #5E4FC6, #C64EA0, #B8C64E and #4EC674

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E4FC6 shade: #5E4FC6, #C64E7C, #B8C64E and #4EC698

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 60 / 0 / 22

HEX #5E4FC6

RGB 94 79 198

HSL 247.56, 0.51%, 0.54%

LAB 41.29, 38.06, -60.33

 

Complementary color

CMYK 9 / 0 / 68 / 31

HEX #A1B039

RGB 161 176 57

HSL 67.56, 0.51%, 0.46%

LAB 68.7, -21.03, 56.54

 

CMYK 49 / 59 / 0 / 24

HEX #634FC1

RGB 99 79 193

HSL 250.53, 0.48%, 0.53%

LAB 41.37, 37.54, -57.28

 

CMYK 45 / 54 / 0 / 17

HEX #7461D4

RGB 116 97 212

HSL 249.91, 0.57%, 0.61%

LAB 48.28, 36.13, -57

 

CMYK 42 / 50 / 0 / 9

HEX #8573E7

RGB 133 115 231

HSL 249.31, 0.71%, 0.68%

LAB 55.09, 34.87, -56.73

 

CMYK 40 / 47 / 0 / 2

HEX #9685FA

RGB 150 133 250

HSL 248.72, 0.92%, 0.75%

LAB 61.79, 33.74, -56.48

 

CMYK 35 / 41 / 0 / 0

HEX #A797FF

RGB 167 151 255

HSL 249.23, 1%, 0.8%

LAB 67.7, 29.07, -49.76

 

CMYK 53 / 60 / 0 / 22

HEX #5E4FC6

RGB 94 79 198

HSL 247.56, 0.51%, 0.54%

LAB 41.29, 38.06, -60.33

 

CMYK 57 / 66 / 0 / 30

HEX #4D3DB3

RGB 77 61 179

HSL 248.14, 0.49%, 0.47%

LAB 34.33, 39.77, -60.57

 

CMYK 63 / 73 / 0 / 37

HEX #3C2BA0

RGB 60 43 160

HSL 248.72, 0.58%, 0.4%

LAB 27.37, 41.57, -60.63

 

CMYK 70 / 82 / 0 / 45

HEX #2B198D

RGB 43 25 141

HSL 249.31, 0.7%, 0.33%

LAB 20.56, 43.14, -60.2

 

CMYK 79 / 94 / 0 / 52

HEX #1A077A

RGB 26 7 122

HSL 249.91, 0.89%, 0.25%

LAB 14.27, 43.66, -58.67

 

CMYK 53 / 61 / 0 / 22

HEX #5D4EC6

RGB 93 78 198

HSL 247.5, 0.51%, 0.54%

LAB 40.98, 38.47, -60.84

 

CMYK 37 / 61 / 0 / 22

HEX #7D4EC6

RGB 125 78 198

HSL 263.5, 0.51%, 0.54%

LAB 44.07, 45.14, -55.69

 

CMYK 21 / 61 / 0 / 22

HEX #9D4EC6

RGB 157 78 198

HSL 279.5, 0.51%, 0.54%

LAB 47.87, 52.65, -49.38

 

CMYK 4 / 61 / 0 / 22

HEX #BE4EC6

RGB 190 78 198

HSL 296, 0.51%, 0.54%

LAB 52.37, 60.78, -41.96

 

CMYK 0 / 61 / 13 / 22

HEX #C64EAD

RGB 198 78 173

HSL 312.5, 0.51%, 0.54%

LAB 52.37, 58.7, -27.39

 

CMYK 53 / 61 / 0 / 22

HEX #5D4EC6

RGB 93 78 198

HSL 247.5, 0.51%, 0.54%

LAB 40.98, 38.47, -60.84

 

CMYK 61 / 61 / 0 / 22

HEX #4E4EC6

RGB 78 78 198

HSL 240, 0.51%, 0.54%

LAB 39.82, 35.79, -62.77

 

CMYK 53 / 61 / 0 / 22

HEX #5D4EC6

RGB 93 78 198

HSL 247.5, 0.51%, 0.54%

LAB 40.98, 38.47, -60.84

 

CMYK 64 / 73 / 0 / 15

HEX #4F3BD9

RGB 79 59 217

HSL 247.59, 0.68%, 0.54%

LAB 37.48, 52.91, -77.59

 

CMYK 72 / 83 / 0 / 8

HEX #4128EB

RGB 65 40 235

HSL 247.69, 0.83%, 0.54%

LAB 35.28, 65.74, -91.54

 

CMYK 80 / 92 / 0 / 0

HEX #3215FE

RGB 50 21 254

HSL 247.47, 0.99%, 0.54%

LAB 34.74, 76.04, -103.19

 

CMYK 53 / 61 / 0 / 22

HEX #5D4EC6

RGB 93 78 198

HSL 247.5, 0.51%, 0.54%

LAB 40.98, 38.47, -60.84

 

CMYK 40 / 46 / 0 / 30

HEX #6B61B3

RGB 107 97 179

HSL 247.32, 0.35%, 0.54%

LAB 45.54, 24.38, -42.38

 

CMYK 24 / 28 / 0 / 37

HEX #7974A0

RGB 121 116 160

HSL 246.82, 0.19%, 0.54%

LAB 50.8, 11.82, -22.96

 

CMYK 4 / 4 / 0 / 45

HEX #88878D

RGB 136 135 141

HSL 250, 0.03%, 0.54%

LAB 56.57, 1.57, -3.08

 

CMYK 3 / 0 / 21 / 40

HEX #969A7A

RGB 150 154 122

HSL 67.5, 0.14%, 0.54%

LAB 62.51, -7.11, 16.35

 

CMYK 61 / 35 / 0 / 22

HEX #4E80C6

RGB 78 128 198

HSL 215, 0.51%, 0.54%

LAB 53.1, 4.7, -41.48

 

CMYK 61 / 52 / 0 / 22

HEX #4E60C6

RGB 78 96 198

HSL 231, 0.51%, 0.54%

LAB 44.32, 24.53, -55.49

 

CMYK 54 / 61 / 0 / 22

HEX #5C4EC6

RGB 92 78 198

HSL 247, 0.51%, 0.54%

LAB 40.9, 38.28, -60.98

 

CMYK 37 / 61 / 0 / 22

HEX #7C4EC6

RGB 124 78 198

HSL 263, 0.51%, 0.54%

LAB 43.96, 44.92, -55.87

 

CMYK 21 / 61 / 0 / 22

HEX #9C4EC6

RGB 156 78 198

HSL 279, 0.51%, 0.54%

LAB 47.74, 52.41, -49.59

 

CMYK 59 / 68 / 0 / 43

HEX #3C2F92

RGB 60 47 146

HSL 247.88, 0.51%, 0.38%

LAB 26.93, 34.7, -52.78

 

CMYK 59 / 68 / 0 / 31

HEX #4839B1

RGB 72 57 177

HSL 247.5, 0.51%, 0.46%

LAB 32.87, 40.67, -61.79

 

CMYK 53 / 61 / 0 / 22

HEX #5D4EC6

RGB 93 78 198

HSL 247.5, 0.51%, 0.54%

LAB 40.98, 38.47, -60.84

 

CMYK 42 / 48 / 0 / 18

HEX #796DD0

RGB 121 109 208

HSL 247.27, 0.51%, 0.62%

LAB 51.33, 29.02, -49.81

 

CMYK 31 / 36 / 0 / 15

HEX #968CDA

RGB 150 140 218

HSL 247.69, 0.51%, 0.7%

LAB 61.91, 21.21, -38.57

 

CMYK 53 / 60 / 0 / 22

HEX #5E4FC6

RGB 94 79 198

HSL 247.56, 0.51%, 0.54%

LAB 41.29, 38.06, -60.33

 

CMYK 0 / 61 / 19 / 22

HEX #C64EA0

RGB 198 78 160

HSL 319, 0.51%, 0.54%

LAB 51.83, 56.76, -20.59

 

CMYK 43 / 0 / 61 / 22

HEX #70C64E

RGB 112 198 78

HSL 103, 0.51%, 0.54%

LAB 72.48, -47.71, 50.93

 

CMYK 53 / 60 / 0 / 22

HEX #5E4FC6

RGB 94 79 198

HSL 247.56, 0.51%, 0.54%

LAB 41.29, 38.06, -60.33

 

CMYK 0 / 54 / 61 / 22

HEX #C65C4E

RGB 198 92 78

HSL 7, 0.51%, 0.54%

LAB 52.07, 41.2, 28.33

 

CMYK 61 / 0 / 54 / 22

HEX #4EC65C

RGB 78 198 92

HSL 127, 0.51%, 0.54%

LAB 71.41, -55.25, 42.9

 

CMYK 53 / 60 / 0 / 22

HEX #5E4FC6

RGB 94 79 198

HSL 247.56, 0.51%, 0.54%

LAB 41.29, 38.06, -60.33

 

CMYK 0 / 61 / 19 / 22

HEX #C64EA0

RGB 198 78 160

HSL 319, 0.51%, 0.54%

LAB 51.83, 56.76, -20.59

 

CMYK 7 / 0 / 61 / 22

HEX #B8C64E

RGB 184 198 78

HSL 67, 0.51%, 0.54%

LAB 76.76, -20.99, 56.87

 

CMYK 61 / 0 / 41 / 22

HEX #4EC674

RGB 78 198 116

HSL 139, 0.51%, 0.54%

LAB 71.74, -51.58, 31.34

 

CMYK 53 / 60 / 0 / 22

HEX #5E4FC6

RGB 94 79 198

HSL 247.56, 0.51%, 0.54%

LAB 41.29, 38.06, -60.33

 

CMYK 0 / 61 / 37 / 22

HEX #C64E7C

RGB 198 78 124

HSL 337, 0.51%, 0.54%

LAB 50.58, 52.12, -1.04

 

CMYK 7 / 0 / 61 / 22

HEX #B8C64E

RGB 184 198 78

HSL 67, 0.51%, 0.54%

LAB 76.76, -20.99, 56.87

 

CMYK 61 / 0 / 23 / 22

HEX #4EC698

RGB 78 198 152

HSL 157, 0.51%, 0.54%

LAB 72.41, -44.47, 13.22

 

Description

Color code: HEX #5E4FC6 | qconv.com Color code: HEX #5E4FC6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 79 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 79 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 60 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 60% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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