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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E4DC0 it is the complementary color #A1B23F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E4DC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E4DC0 shade: #634DBB, #745FCE, #8571E1, #9683F4 and #A795FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E4DC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E4DC0 shade: #5E4DC0, #4D3BAD, #3C299A, #2B1787 and #1A0574

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E4DC0 shade: #5E4DC0, #7D4DC0, #9C4DC0, #BB4DC0 and #C04DA6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E4DC0 shade: #5E4DC0 and #4D4DC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E4DC0 shade matches the following richer shades: #5E4DC0, #503AD4, #4326E7 and #3513FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E4DC0 shade: #5E4DC0, #6C61AD, #797499, #878786 and #959B73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E4DC0 shade: #4D7BC0, #4D5CC0, #5C4DC0, #7B4DC0 and #9A4DC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E4DC0 shade: #3E308A, #4B3BA9, #5E4DC0, #7A6CCB and #958AD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E4DC0 shade: #5E4DC0, #C04D9A and #6CC04D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E4DC0 shade: #5E4DC0, #C05C4D and #4DC05C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E4DC0 shade: #5E4DC0, #C04D9A, #B1C04D and #4DC073

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E4DC0 shade: #5E4DC0, #C04D77, #B1C04D and #4DC096

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 60 / 0 / 25

HEX #5E4DC0

RGB 94 77 192

HSL 248.87, 0.48%, 0.53%

LAB 40.4, 37.42, -58.29

 

Complementary color

CMYK 10 / 0 / 65 / 30

HEX #A1B23F

RGB 161 178 63

HSL 68.87, 0.48%, 0.47%

LAB 69.31, -21.65, 54.74

 

CMYK 47 / 59 / 0 / 27

HEX #634DBB

RGB 99 77 187

HSL 252, 0.45%, 0.52%

LAB 40.49, 36.94, -55.2

 

CMYK 44 / 54 / 0 / 19

HEX #745FCE

RGB 116 95 206

HSL 251.35, 0.53%, 0.59%

LAB 47.44, 35.58, -54.93

 

CMYK 41 / 50 / 0 / 12

HEX #8571E1

RGB 133 113 225

HSL 250.71, 0.65%, 0.66%

LAB 54.27, 34.36, -54.67

 

CMYK 39 / 46 / 0 / 4

HEX #9683F4

RGB 150 131 244

HSL 250.09, 0.84%, 0.74%

LAB 61, 33.26, -54.44

 

CMYK 35 / 42 / 0 / 0

HEX #A795FF

RGB 167 149 255

HSL 250.19, 1%, 0.79%

LAB 67.22, 30.2, -50.51

 

CMYK 51 / 60 / 0 / 25

HEX #5E4DC0

RGB 94 77 192

HSL 248.87, 0.48%, 0.53%

LAB 40.4, 37.42, -58.29

 

CMYK 55 / 66 / 0 / 32

HEX #4D3BAD

RGB 77 59 173

HSL 249.47, 0.49%, 0.45%

LAB 33.4, 39.07, -58.53

 

CMYK 61 / 73 / 0 / 40

HEX #3C299A

RGB 60 41 154

HSL 250.09, 0.58%, 0.38%

LAB 26.39, 40.79, -58.58

 

CMYK 68 / 83 / 0 / 47

HEX #2B1787

RGB 43 23 135

HSL 250.71, 0.71%, 0.31%

LAB 19.54, 42.25, -58.14

 

CMYK 78 / 96 / 0 / 55

HEX #1A0574

RGB 26 5 116

HSL 251.35, 0.92%, 0.24%

LAB 13.16, 42.72, -56.64

 

CMYK 51 / 60 / 0 / 25

HEX #5E4DC0

RGB 94 77 192

HSL 248.87, 0.48%, 0.53%

LAB 40.4, 37.42, -58.29

 

CMYK 35 / 60 / 0 / 25

HEX #7D4DC0

RGB 125 77 192

HSL 265.04, 0.48%, 0.53%

LAB 43.47, 44.14, -53.18

 

CMYK 19 / 60 / 0 / 25

HEX #9C4DC0

RGB 156 77 192

HSL 281.22, 0.48%, 0.53%

LAB 47.21, 51.61, -46.97

 

CMYK 3 / 60 / 0 / 25

HEX #BB4DC0

RGB 187 77 192

HSL 297.39, 0.48%, 0.53%

LAB 51.47, 59.39, -39.95

 

CMYK 0 / 60 / 14 / 25

HEX #C04DA6

RGB 192 77 166

HSL 313.57, 0.48%, 0.53%

LAB 51, 56.4, -25.48

 

CMYK 51 / 60 / 0 / 25

HEX #5E4DC0

RGB 94 77 192

HSL 248.87, 0.48%, 0.53%

LAB 40.4, 37.42, -58.29

 

CMYK 60 / 60 / 0 / 25

HEX #4D4DC0

RGB 77 77 192

HSL 240, 0.48%, 0.53%

LAB 39.06, 34.26, -60.53

 

CMYK 51 / 60 / 0 / 25

HEX #5E4DC0

RGB 94 77 192

HSL 248.87, 0.48%, 0.53%

LAB 40.4, 37.42, -58.29

 

CMYK 62 / 73 / 0 / 17

HEX #503AD4

RGB 80 58 212

HSL 248.57, 0.64%, 0.53%

LAB 36.9, 52.05, -75.66

 

CMYK 71 / 84 / 0 / 9

HEX #4326E7

RGB 67 38 231

HSL 249.02, 0.8%, 0.53%

LAB 34.7, 65.55, -90.23

 

CMYK 79 / 92 / 0 / 2

HEX #3513FA

RGB 53 19 250

HSL 248.83, 0.96%, 0.53%

LAB 34.24, 75.57, -101.77

 

CMYK 51 / 60 / 0 / 25

HEX #5E4DC0

RGB 94 77 192

HSL 248.87, 0.48%, 0.53%

LAB 40.4, 37.42, -58.29

 

CMYK 38 / 44 / 0 / 32

HEX #6C61AD

RGB 108 97 173

HSL 248.68, 0.32%, 0.53%

LAB 45.3, 22.93, -39.25

 

CMYK 21 / 24 / 0 / 40

HEX #797499

RGB 121 116 153

HSL 248.11, 0.15%, 0.53%

LAB 50.52, 10.09, -19.29

 

CMYK 0 / 0 / 1 / 47

HEX #878786

RGB 135 135 134

HSL 60, 0%, 0.53%

LAB 56.29, -0.19, 0.53

 

CMYK 4 / 0 / 26 / 39

HEX #959B73

RGB 149 155 115

HSL 69, 0.17%, 0.53%

LAB 62.57, -9.11, 20.31

 

CMYK 60 / 36 / 0 / 25

HEX #4D7BC0

RGB 77 123 192

HSL 216, 0.48%, 0.53%

LAB 51.32, 5.5, -40.86

 

CMYK 60 / 52 / 0 / 25

HEX #4D5CC0

RGB 77 92 192

HSL 232.17, 0.48%, 0.53%

LAB 42.82, 24.84, -54.44

 

CMYK 52 / 60 / 0 / 25

HEX #5C4DC0

RGB 92 77 192

HSL 247.83, 0.48%, 0.53%

LAB 40.23, 37.02, -58.57

 

CMYK 36 / 60 / 0 / 25

HEX #7B4DC0

RGB 123 77 192

HSL 264, 0.48%, 0.53%

LAB 43.25, 43.67, -53.54

 

CMYK 20 / 60 / 0 / 25

HEX #9A4DC0

RGB 154 77 192

HSL 280.17, 0.48%, 0.53%

LAB 46.95, 51.11, -47.4

 

CMYK 55 / 65 / 0 / 46

HEX #3E308A

RGB 62 48 138

HSL 249.33, 0.48%, 0.36%

LAB 26.66, 31.83, -48.27

 

CMYK 56 / 65 / 0 / 34

HEX #4B3BA9

RGB 75 59 169

HSL 248.73, 0.48%, 0.45%

LAB 32.89, 37.46, -56.97

 

CMYK 51 / 60 / 0 / 25

HEX #5E4DC0

RGB 94 77 192

HSL 248.87, 0.48%, 0.53%

LAB 40.4, 37.42, -58.29

 

CMYK 40 / 47 / 0 / 20

HEX #7A6CCB

RGB 122 108 203

HSL 248.84, 0.48%, 0.61%

LAB 50.89, 28.44, -47.66

 

CMYK 30 / 36 / 0 / 16

HEX #958AD6

RGB 149 138 214

HSL 248.68, 0.48%, 0.69%

LAB 61.15, 21.06, -37.53

 

CMYK 51 / 60 / 0 / 25

HEX #5E4DC0

RGB 94 77 192

HSL 248.87, 0.48%, 0.53%

LAB 40.4, 37.42, -58.29

 

CMYK 0 / 60 / 20 / 25

HEX #C04D9A

RGB 192 77 154

HSL 319.83, 0.48%, 0.53%

LAB 50.51, 54.61, -19.15

 

CMYK 44 / 0 / 60 / 25

HEX #6CC04D

RGB 108 192 77

HSL 103.83, 0.48%, 0.53%

LAB 70.47, -46.6, 49.05

 

CMYK 51 / 60 / 0 / 25

HEX #5E4DC0

RGB 94 77 192

HSL 248.87, 0.48%, 0.53%

LAB 40.4, 37.42, -58.29

 

CMYK 0 / 52 / 60 / 25

HEX #C05C4D

RGB 192 92 77

HSL 7.83, 0.48%, 0.53%

LAB 51.15, 38.87, 27.55

 

CMYK 60 / 0 / 52 / 25

HEX #4DC05C

RGB 77 192 92

HSL 127.83, 0.48%, 0.53%

LAB 69.5, -53.22, 40.58

 

CMYK 51 / 60 / 0 / 25

HEX #5E4DC0

RGB 94 77 192

HSL 248.87, 0.48%, 0.53%

LAB 40.4, 37.42, -58.29

 

CMYK 0 / 60 / 20 / 25

HEX #C04D9A

RGB 192 77 154

HSL 319.83, 0.48%, 0.53%

LAB 50.51, 54.61, -19.15

 

CMYK 8 / 0 / 60 / 25

HEX #B1C04D

RGB 177 192 77

HSL 67.83, 0.48%, 0.53%

LAB 74.56, -20.97, 54.75

 

CMYK 60 / 0 / 40 / 25

HEX #4DC073

RGB 77 192 115

HSL 139.83, 0.48%, 0.53%

LAB 69.83, -49.6, 29.36

 

CMYK 51 / 60 / 0 / 25

HEX #5E4DC0

RGB 94 77 192

HSL 248.87, 0.48%, 0.53%

LAB 40.4, 37.42, -58.29

 

CMYK 0 / 60 / 38 / 25

HEX #C04D77

RGB 192 77 119

HSL 338.09, 0.48%, 0.53%

LAB 49.31, 50.08, -0.01

 

CMYK 8 / 0 / 60 / 25

HEX #B1C04D

RGB 177 192 77

HSL 67.83, 0.48%, 0.53%

LAB 74.56, -20.97, 54.75

 

CMYK 60 / 0 / 22 / 25

HEX #4DC096

RGB 77 192 150

HSL 158.09, 0.48%, 0.53%

LAB 70.51, -42.53, 11.61

 

Description

Color code: HEX #5E4DC0 | qconv.com Color code: HEX #5E4DC0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 77 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 77 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 60 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 60% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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