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Color name
HEX #5E4D99

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E4D99 it is the complementary color #A1B266. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E4D99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E4D99 shade: #634D94, #745FA7, #8571BA, #9683CD and #A795E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E4D99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E4D99 shade: #5E4D99, #4D3B86, #3C2973, #2B1760 and #1A054D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E4D99 shade: #5E4D99, #724D99, #874D99, #994D96 and #994D82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E4D99 shade: #5E4D99 and #4D4D99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E4D99 shade matches the following richer shades: #5E4D99, #543AAB, #4928BE, #3F15D0 and #3503E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E4D99 shade: #5E4D99, #685F86, #727273, #7D8561 and #87974E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E4D99 shade: #4D6599, #4D5199, #5D4D99, #714D99 and #864D99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E4D99 shade: #3C3162, #4D3F7D, #5E4D99, #7260AF and #8A7BBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E4D99 shade: #5E4D99, #994D79 and #5B994D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E4D99 shade: #5E4D99, #995D4D and #4D995D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E4D99 shade: #5E4D99, #994D79, #88994D and #4D996C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E4D99 shade: #5E4D99, #994D62, #88994D and #4D9983

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 50 / 0 / 40

HEX #5E4D99

RGB 94 77 153

HSL 253.42, 0.33%, 0.45%

LAB 37.82, 25.76, -39.31

 

Complementary color

CMYK 10 / 0 / 43 / 30

HEX #A1B266

RGB 161 178 102

HSL 73.42, 0.33%, 0.55%

LAB 69.74, -18.08, 36.8

 

CMYK 33 / 48 / 0 / 42

HEX #634D94

RGB 99 77 148

HSL 258.59, 0.32%, 0.44%

LAB 38.02, 25.73, -35.95

 

CMYK 31 / 43 / 0 / 35

HEX #745FA7

RGB 116 95 167

HSL 257.5, 0.29%, 0.51%

LAB 45.2, 24.75, -35.82

 

CMYK 28 / 39 / 0 / 27

HEX #8571BA

RGB 133 113 186

HSL 256.44, 0.35%, 0.59%

LAB 52.22, 23.89, -35.74

 

CMYK 27 / 36 / 0 / 20

HEX #9683CD

RGB 150 131 205

HSL 255.41, 0.43%, 0.66%

LAB 59.09, 23.13, -35.7

 

CMYK 25 / 33 / 0 / 12

HEX #A795E0

RGB 167 149 224

HSL 254.4, 0.55%, 0.73%

LAB 65.82, 22.45, -35.7

 

CMYK 39 / 50 / 0 / 40

HEX #5E4D99

RGB 94 77 153

HSL 253.42, 0.33%, 0.45%

LAB 37.82, 25.76, -39.31

 

CMYK 43 / 56 / 0 / 47

HEX #4D3B86

RGB 77 59 134

HSL 254.4, 0.39%, 0.38%

LAB 30.47, 27, -39.56

 

CMYK 48 / 64 / 0 / 55

HEX #3C2973

RGB 60 41 115

HSL 255.41, 0.47%, 0.31%

LAB 22.95, 28.42, -39.8

 

CMYK 55 / 76 / 0 / 62

HEX #2B1760

RGB 43 23 96

HSL 256.44, 0.61%, 0.23%

LAB 15.33, 29.91, -39.87

 

CMYK 66 / 94 / 0 / 70

HEX #1A054D

RGB 26 5 77

HSL 257.5, 0.88%, 0.16%

LAB 7.8, 31.16, -39.43

 

CMYK 39 / 50 / 0 / 40

HEX #5E4D99

RGB 94 77 153

HSL 253.42, 0.33%, 0.45%

LAB 37.82, 25.76, -39.31

 

CMYK 25 / 50 / 0 / 40

HEX #724D99

RGB 114 77 153

HSL 269.21, 0.33%, 0.45%

LAB 39.89, 31.34, -35.9

 

CMYK 12 / 50 / 0 / 40

HEX #874D99

RGB 135 77 153

HSL 285.79, 0.33%, 0.45%

LAB 42.4, 37.51, -31.77

 

CMYK 0 / 50 / 2 / 40

HEX #994D96

RGB 153 77 150

HSL 302.37, 0.33%, 0.45%

LAB 44.63, 42.33, -26.3

 

CMYK 0 / 50 / 15 / 40

HEX #994D82

RGB 153 77 130

HSL 318.16, 0.33%, 0.45%

LAB 43.79, 38.8, -15.54

 

CMYK 39 / 50 / 0 / 40

HEX #5E4D99

RGB 94 77 153

HSL 253.42, 0.33%, 0.45%

LAB 37.82, 25.76, -39.31

 

CMYK 50 / 50 / 0 / 40

HEX #4D4D99

RGB 77 77 153

HSL 240, 0.33%, 0.45%

LAB 36.34, 21.44, -41.76

 

CMYK 39 / 50 / 0 / 40

HEX #5E4D99

RGB 94 77 153

HSL 253.42, 0.33%, 0.45%

LAB 37.82, 25.76, -39.31

 

CMYK 51 / 66 / 0 / 33

HEX #543AAB

RGB 84 58 171

HSL 253.81, 0.49%, 0.45%

LAB 33.67, 40.3, -56.86

 

CMYK 62 / 79 / 0 / 25

HEX #4928BE

RGB 73 40 190

HSL 253.2, 0.65%, 0.45%

LAB 31, 53.7, -72.57

 

CMYK 70 / 90 / 0 / 18

HEX #3F15D0

RGB 63 21 208

HSL 253.48, 0.82%, 0.45%

LAB 29.78, 64.85, -85.16

 

CMYK 77 / 99 / 0 / 11

HEX #3503E3

RGB 53 3 227

HSL 253.39, 0.97%, 0.45%

LAB 30.32, 72.71, -95.25

 

CMYK 39 / 50 / 0 / 40

HEX #5E4D99

RGB 94 77 153

HSL 253.42, 0.33%, 0.45%

LAB 37.82, 25.76, -39.31

 

CMYK 22 / 29 / 0 / 47

HEX #685F86

RGB 104 95 134

HSL 253.85, 0.17%, 0.45%

LAB 42.53, 12.41, -20.38

 

CMYK 1 / 1 / 0 / 55

HEX #727273

RGB 114 114 115

HSL 240, 0%, 0.45%

LAB 48.07, 0.21, -0.56

 

CMYK 6 / 0 / 27 / 48

HEX #7D8561

RGB 125 133 97

HSL 73.33, 0.16%, 0.45%

LAB 54.02, -9.46, 18.47

 

CMYK 11 / 0 / 48 / 41

HEX #87974E

RGB 135 151 78

HSL 73.15, 0.32%, 0.45%

LAB 59.74, -17.46, 36.33

 

CMYK 50 / 34 / 0 / 40

HEX #4D6599

RGB 77 101 153

HSL 221.05, 0.33%, 0.45%

LAB 43.04, 6.16, -31.14

 

CMYK 50 / 47 / 0 / 40

HEX #4D5199

RGB 77 81 153

HSL 236.84, 0.33%, 0.45%

LAB 37.41, 18.87, -40.05

 

CMYK 39 / 50 / 0 / 40

HEX #5D4D99

RGB 93 77 153

HSL 252.63, 0.33%, 0.45%

LAB 37.73, 25.5, -39.47

 

CMYK 26 / 50 / 0 / 40

HEX #714D99

RGB 113 77 153

HSL 268.42, 0.33%, 0.45%

LAB 39.78, 31.05, -36.08

 

CMYK 12 / 50 / 0 / 40

HEX #864D99

RGB 134 77 153

HSL 285, 0.33%, 0.45%

LAB 42.27, 37.21, -31.98

 

CMYK 39 / 50 / 0 / 62

HEX #3C3162

RGB 60 49 98

HSL 253.47, 0.33%, 0.29%

LAB 23.8, 17.85, -27.43

 

CMYK 38 / 50 / 0 / 51

HEX #4D3F7D

RGB 77 63 125

HSL 253.55, 0.33%, 0.37%

LAB 30.91, 21.74, -33.24

 

CMYK 39 / 50 / 0 / 40

HEX #5E4D99

RGB 94 77 153

HSL 253.42, 0.33%, 0.45%

LAB 37.82, 25.76, -39.31

 

CMYK 35 / 45 / 0 / 31

HEX #7260AF

RGB 114 96 175

HSL 253.67, 0.33%, 0.53%

LAB 45.69, 25.74, -39.77

 

CMYK 27 / 35 / 0 / 26

HEX #8A7BBD

RGB 138 123 189

HSL 253.64, 0.33%, 0.61%

LAB 55.32, 20.24, -32.58

 

CMYK 39 / 50 / 0 / 40

HEX #5E4D99

RGB 94 77 153

HSL 253.42, 0.33%, 0.45%

LAB 37.82, 25.76, -39.31

 

CMYK 0 / 50 / 21 / 40

HEX #994D79

RGB 153 77 121

HSL 325.26, 0.33%, 0.45%

LAB 43.45, 37.34, -10.57

 

CMYK 41 / 0 / 50 / 40

HEX #5B994D

RGB 91 153 77

HSL 108.95, 0.33%, 0.45%

LAB 57.6, -35.28, 33.6

 

CMYK 39 / 50 / 0 / 40

HEX #5E4D99

RGB 94 77 153

HSL 253.42, 0.33%, 0.45%

LAB 37.82, 25.76, -39.31

 

CMYK 0 / 39 / 50 / 40

HEX #995D4D

RGB 153 93 77

HSL 12.63, 0.33%, 0.45%

LAB 45.82, 22.72, 19.55

 

CMYK 50 / 0 / 39 / 40

HEX #4D995D

RGB 77 153 93

HSL 132.63, 0.33%, 0.45%

LAB 57.22, -37.1, 24.48

 

CMYK 39 / 50 / 0 / 40

HEX #5E4D99

RGB 94 77 153

HSL 253.42, 0.33%, 0.45%

LAB 37.82, 25.76, -39.31

 

CMYK 0 / 50 / 21 / 40

HEX #994D79

RGB 153 77 121

HSL 325.26, 0.33%, 0.45%

LAB 43.45, 37.34, -10.57

 

CMYK 11 / 0 / 50 / 40

HEX #88994D

RGB 136 153 77

HSL 73.42, 0.33%, 0.45%

LAB 60.38, -18.19, 37.64

 

CMYK 50 / 0 / 29 / 40

HEX #4D996C

RGB 77 153 108

HSL 144.47, 0.33%, 0.45%

LAB 57.5, -34.24, 16.57

 

CMYK 39 / 50 / 0 / 40

HEX #5E4D99

RGB 94 77 153

HSL 253.42, 0.33%, 0.45%

LAB 37.82, 25.76, -39.31

 

CMYK 0 / 50 / 36 / 40

HEX #994D62

RGB 153 77 98

HSL 343.42, 0.33%, 0.45%

LAB 42.71, 34.06, 2.46

 

CMYK 11 / 0 / 50 / 40

HEX #88994D

RGB 136 153 77

HSL 73.42, 0.33%, 0.45%

LAB 60.38, -18.19, 37.64

 

CMYK 50 / 0 / 14 / 40

HEX #4D9983

RGB 77 153 131

HSL 162.63, 0.33%, 0.45%

LAB 58.04, -29.1, 4.35

 

Description

Color code: HEX #5E4D99 | qconv.com Color code: HEX #5E4D99 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 77 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 77 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 50 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 50% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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